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Knights of Agincourt: A Roll of Honour by Steve Archibald Pdf
The Battle of Agincourt was a major turning point during the Hundred Years War. England's victory against the numerically superior French army was totally unexpected. It crippled the French army and began a period of military success for the English. In this book the author has researched countless references and compiled a full colour armorial of as many of the known combatants from both sides. This colourful and useful reference includes 159 English and 324 French heraldic Coats of Arms.
Agincourt (1415) is an exceptionally famous battle, one that has generated a huge and enduring cultural legacy in the six hundred years since it was fought. Everybody thinks they know what the battle was about. Even John Lennon, aged 12, wrote a poem and drew a picture headed 'Agincourt'. But why and how has Agincourt come to mean so much, to so many? Why do so many people claim their ancestors served at the battle? Is the Agincourt of popular image the real Agincourt, or is our idea of the battle simply taken from Shakespeare's famous depiction of it? Written by the world's leading expert on the battle, this book shows just why it has occupied such a key place in English identity and history in the six centuries since it was fought, exploring a cultural legacy that stretches from bowmen to Beatles, via Shakespeare, Dickens, and the First World War. Anne Curry first sets the scene, illuminating how and why the battle was fought, as well as its significance in the wider history of the Hundred Years War. She then takes the Agincourt story through the centuries from 1415 to 2015, from the immediate, and sometimes surprising, responses to it on both sides of the Channel, through its reinvention by Shakespeare in King Henry V (1599), and the enduring influence of both the play and the film versions of it, especially the patriotic Laurence Olivier version of 1944, at the time of the D-Day landings in Normandy. But the legacy of Agincourt does not begin and end with Shakespeare's play: from the eighteenth century onwards, on both sides of the Channel and in both the English and French speaking worlds the battle was used as an explanation of national identity, giving rise to jingoistic works in print and music. It was at this time that it became fashionable for the gentry to identify themselves with the victory, and in the Victorian period the Agincourt archer came to be emphasized as the epitome of 'English freedom'. Indeed, even today, historians continue to 'refight' the battle - an academic contest which has intensified over recent years, in the run-up to the sixth hundredth anniversary year of 2015.
The overwhelming victory of Henry V's English army at Agincourt in October 1415 has passed into myth as one of the defining events of the Hundred Years War against France, as a feat of arms outshining the previous famous English victories at Crcy and Poitiers, and as a milestone in English medieval history. This epic story of how an exhausted, outnumbered army, commanded by an inspirational leader, crushed a huge French force on French soil has given rise to legends and misconceptions that make it difficult for us to reach a clear understanding of what really happened on the battlefield 600 years ago. But that is what Stephen Cooper attempts in this thoroughgoing, perceptive and fascinating reconstruction and reassessment of the battle and its history. In graphic detail he describes the battle itself and the military expedition that led to it. He examines the causes of the conflict and the controversies associated with it, and traces how the story of the battle has been told over the centuries, by eyewitnesses and chroniclers and by the historians of the present day.As featured in the Yorkshire Post, The Star (Sheffield) and Rotherham Advertiser.
This meticulously edited adventure collection contains tales of fair medieval knights known throughout the world for their honor and chivalry. Contents: Winning His Spurs: A Tale of the Crusades St. George For England: A Tale of Cressy and Poitiers The Lion of St. Mark: A Story of Venice in the Fourteenth Century At Agincourt: A Tale of the White Hoods of Paris A Knight of the White Cross: A Tale of the Siege of Rhodes
The Book of the Poor Knights of Windsor and the Military Knights of Windsor by Michael Boag,Edmund H. Fellowes,Peter J. Begent,Richard Moore (Major.),Jennifer Moore,Military Knights of Windsor Pdf
This title is primarily a book of reference consisting of the History, the Roll and additional information on the Poor Knights and Military Knights of Windsor.
Royal Navy Roll of Honour - World War 1, by Date and Ship/Unit by Don Kindell Pdf
World War 1 Roll of Honour of Royal Navy, Royal Marines and Royal Naval Division men and women lost, including Dominions and Empire, 1914-18. Listed by Date and Ship/Unit. Complements the separately issued volume arranged by Name. Compiled from original sources including Admiralty Death Ledgers and Admiralty Communiques. Foreword by Capt Christopher Page RN Rtd, Head, Naval Historical Branch of the Naval Staff. Downloaded version, available from www.naval-history.net, is searchable.
Heraldry, Pageantry and Social Display in Medieval England by Peter R. Coss,Maurice Keen Pdf
Discussion of display through a range of artefacts and in a variety of contexts: family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority. Medieval culture was intensely visual. Although this has long been recognised by art historians and by enthusiasts for particular media, there has been little attempt to study social display as a subject in its own right. And yet, display takes us directly into the values, aspirations and, indeed, anxieties of past societies. In this illustrated volume a group of experts address a series of interrelated themes around the issue of display and do so in a waywhich avoids jargon and overly technical language. Among the themes are family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority. The media include monumental effigies, brasses, stained glass, rolls of arms, manuscripts, jewels, plate, seals and coins. Contributors: MAURICE KEEN, DAVID CROUCH, PETER COSS, CAROLINE SHENTON, ADRIAN AILES, FRÉDÉRIQUE LACHAUD, MARIAN CAMPBELL, BRIAN and MOIRA GITTOS, NIGEL SAUL, FIONN PILBROW, CAROLINE BARRON and JOHN WATTS.
The Roll of Battle Abbey contains the names of several hundred of the noble companions of William the Conqueror. The work in hand, a compilation by John Bernard Burke, is a heavily annotated list of the companions of the Conqueror, the annotations providing an account of the origins of each companion and his relationship to William, a description of his baronies and estates, an assessment of his position in the feudal hierarchy, and a concise history of his life and times.
The Soldier in Later Medieval England by Adrian R. Bell,Anne Curry,Andy King,David Simpkin Pdf
Collects the names of every soldier known to have served the English Crown from 1369 to the loss of Gascony in 1453, and seeks to investigate the different types of soldier, their regional and national origins, and movement between ranks.
A Soldiers' Chronicle of the Hundred Years War by Anne Curry,Rémy Ambühl Pdf
A remarkable and very important unpublished chronicle written by two soldiers, covering in detail the English campaigns in France from 1415 to 1429. It lists many individuals who served in the war, and was written specifically for Sir John Fastolf, the English commander.This previously unpublished chronicle from the mid-fifteenth century covers the English wars in France from 1415 to 1429. It is highly unusual in that it was written by two soldiers, Peter Basset and Christopher Hanson. William Worcester, secretary to the English commander Sir John Fastolf, also had a hand in it, and it was specifically written for Sir John. The content is unusual, as it includes many lists of individuals serving in the war, and records their presence at battles, naming more than 700 in all. Over half these individuals are French or Scottish, so it would seem that the authors had a particularly detailed knowledge of French military participation. The narrative is important for the English campaigns in Maine in the 1420s in which Fastolf was heavily involved and which otherwise receive little attention in chronicles written on either side of the Channel. The progress of the war is well mapped, with around 230 place names mentioned.The chronicle was extensively used in the sixteenth century by several heralds and by Edward Hall. As a result, it had an influence on Shakespeare. The death of the earl of Salisbury at Orleans in ''Henry VI Part I'' Follows the chronicle closely. The ''Mirror for Magistrates'' Salisbury narrative is also derived from the chronicle. Another point of interest is that the chronicle is by a scribe who can be identified, and proves to be the only known fifteenth-century account of the war written in England in French, which adds an important linguistic dimension to its study.ch Fastolf was heavily involved and which otherwise receive little attention in chronicles written on either side of the Channel. The progress of the war is well mapped, with around 230 place names mentioned.The chronicle was extensively used in the sixteenth century by several heralds and by Edward Hall. As a result, it had an influence on Shakespeare. The death of the earl of Salisbury at Orleans in ''Henry VI Part I'' Follows the chronicle closely. The ''Mirror for Magistrates'' Salisbury narrative is also derived from the chronicle. Another point of interest is that the chronicle is by a scribe who can be identified, and proves to be the only known fifteenth-century account of the war written in England in French, which adds an important linguistic dimension to its study.ch Fastolf was heavily involved and which otherwise receive little attention in chronicles written on either side of the Channel. The progress of the war is well mapped, with around 230 place names mentioned.The chronicle was extensively used in the sixteenth century by several heralds and by Edward Hall. As a result, it had an influence on Shakespeare. The death of the earl of Salisbury at Orleans in ''Henry VI Part I'' Follows the chronicle closely. The ''Mirror for Magistrates'' Salisbury narrative is also derived from the chronicle. Another point of interest is that the chronicle is by a scribe who can be identified, and proves to be the only known fifteenth-century account of the war written in England in French, which adds an important linguistic dimension to its study.ch Fastolf was heavily involved and which otherwise receive little attention in chronicles written on either side of the Channel. The progress of the war is well mapped, with around 230 place names mentioned.The chronicle was extensively used in the sixteenth century by several heralds and by Edward Hall. As a result, it had an influence on Shakespeare. The death of the earl of Salisbury at Orleans in ''Henry VI Part I'' Follows the chronicle closely. The ''Mirror for Magistrates'' Salisbury narrative is also derived from the chronicle. Another point of interest is that the chronicle is by a scribe who can be identified, and proves to be the only known fifteenth-century account of the war written in England in French, which adds an important linguistic dimension to its study. in the sixteenth century by several heralds and by Edward Hall. As a result, it had an influence on Shakespeare. The death of the earl of Salisbury at Orleans in ''Henry VI Part I'' Follows the chronicle closely. The ''Mirror for Magistrates'' Salisbury narrative is also derived from the chronicle. Another point of interest is that the chronicle is by a scribe who can be identified, and proves to be the only known fifteenth-century account of the war written in England in French, which adds an important linguistic dimension to its study.
De Nova Villa: Or, The House of Nevill in Sunshine and Shade by Henry James Swallow Pdf
Richard de Neauville or Nova Villa, cousin of William the Conquerer, was the father of Gilbert, Robert, Richard, Ralph. From Gilbert descend the houses of Westmoreland, Warnick, Latimer and Abergavenny.
The world of medieval chivalry is at once glamorous and violent, alluring yet alien. Our popular views of the period are largely inherited from the nineteenth-century romantics, for whom chivalry evoked images of knights in shining armour, competing for the attention of fair ladies - with pennons and streamers fluttering from castle battlements. But what is the reality? Were the rituals and romance of chivalry designed to provide an escape from the brutal facts of almost continuous warfare? Or did they instead help regulate the conduct of war and moderate its violent excesses? Nigel Saul charts the introduction of chivalry by the Normans, the rise of the knightly class as a social elite, the fusion of chivalry with kingship in the fourteenth century and the influence of chivalry on literature, religion and architecture. He shows us a world of kings and barons, castles and cathedrals - a world shaped by Richard the Lionheart and the Crusades, by Magna Carta and the rule of law, by battles like Bannockburn and Crecy, by the Black Death and by tournaments, round tables and the cult of Arthurianism.