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THE STORY: Yasako, a young Japanese mother, struggles to adapt to the very foreign culture of the United States. Feeling hopeless after discovering her husband's infidelity, Yasako feels that oyako shinju, or parent-child suicide, is her onl
Reconstructing Hybridity by Joel Kuortti,Jopi Nyman Pdf
This interdisciplinary collection of critical articles seeks to reassess the concept of hybridity and its relevance to post-colonial theory and literature. The challenging articles written by internationally acclaimed scholars discuss the usefulness of the term in relation to such questions as citizenship, whiteness studies and transnational identity politics. In addition to developing theories of hybridity, the articles in this volume deal with the role of hybridity in a variety of literary and cultural phenomena in geographical settings ranging from the Pacific to native North America. The collection pays particular attention to questions of hybridity, migrancy and diaspora.
Mixed-race Asian American plays are often overlooked for their failure to fit smoothly into static racial categories, rendering mixed-race drama inconsequential in conversations about race and performance. Since the nineteenth century, however, these plays have long advocated for the social significance of multiracial Asian people. Race and Role: The Mixed-Race Experience in American Drama traces the shifting identities of multiracial Asian figures in theater from the late-nineteenth century to the present day and explores the ways that mixed-race Asian identity transforms our understanding of race. Mixed-Asian playwrights harness theater’s generative power to enact performances of “double liminality” and expose the absurd tenacity with which society clings to a tenuous racial scaffolding.
Culture, Body, and Language by Farzad Sharifian,René Dirven,Ning Yu,Susanne Niemeier Pdf
One of the central themes in cognitive linguistics is the uniquely human development of some higher potential called the "mind" and, more particularly, the intertwining of body and mind, which has come to be known as embodiment. Several books and volumes have explored this theme in length. However, the interaction between culture, body and language has not received the due attention that it deserves. Naturally, any serious exploration of the interface between body, language and culture would require an analytical tool that would capture the ways in which different cultural groups conceptualize their feelings, thinking, and other experiences in relation to body and language. A well-established notion that appears to be promising in this direction is that of cultural models, constituting the building blocks of a group's cultural cognition. The volume results from an attempt to bring together a group of scholars from various language backgrounds to make a collective attempt to explore the relationship between body, language and culture by focusing on conceptualizations of the heart and other internal body organs across a number of languages. The general aim of this venture is to explore (a) the ways in which internal body organs have been employed in different languages to conceptualize human experiences such as emotions and/or workings of the mind, and (b) the cultural models that appear to account for the observed similarities as well as differences of the various conceptualizations of internal body organs. The volume as a whole engages not only with linguistic analyses of terms that refer to internal body organs across different languages but also with the origin of the cultural models that are associated with internal body organs in different cultural systems, such as ethnomedical and religious traditions. Some contributions also discuss their findings in relations to some philosophical doctrines that have addressed the relationship between mind, body, and language, such as that of Descartes.
Author : Andrew N. Nelson Publisher : Tuttle Publishing Page : 1112 pages File Size : 55,6 Mb Release : 2014-09-08 Category : Foreign Language Study ISBN : 9781462904785
Original Modern Reader's Japanese-English Character Dictiona by Andrew N. Nelson Pdf
"The Japanese government may someday recognizeù as it ought toùTuttle's contribution to creating an intelligent interest in Japan among the Englishûreading public, and deepening understanding of Japanese overseas."ùHokubei Mainichi (San Francisco) Awarded the 1969 Prize for the Society of the Promotion of International Cultural Relations, this is the most comprehensive Japanese book of its kind. Containing JapaneseûEnglish and EnglishûJapanese sections, it is an essential reference tool for serious students studying the Japanese language or for business people and tourists wishing to learn Japanese before they travel. Special features include: Lists over 5,000 carefully selected characters with their 10,000+ current readings and almost 70,000 compounds in current use, al with concise English definitions. Scientifically arranged by a logical extension of the traditional radical system so as to make the finding of a given character almost foolûproof, saving hours of time. Makes provision for quickly finding characters either in their traditional or their modern and often greatly altered forms, thus serving for both prewar and postwar literature. Includes 14 valuable appendices giving (1) instructions for the most efficient use of the book, (2) discussions of the written language in general and particularly of its recent and farûreaching official modifications, and (3) much helpful
Rooted in eastern philosophy with a mystical influence, Brighitta shares accessible teachings and transmissions that will unlock your innate healing magic and amplify your inner light. You’ll connect to source energy, which, at this point in our evolution, is the much-needed bridge home to the infinite interconnectedness of all things.
In this pathbreaking volume, Velina Hasu Houston gathers together eleven plays that speak in the "hybridized, unique American voices of Asian descent -- and often dissent." These writers resist the bigotry that attempts to target them solely as people of color as well as the homogenizing tendencies of a multiculturalism that fails to recognize the varied make-up of Asian America. Anthologized for the first time, these plays testify to the rich complexity of Asian American experience while they also demonstrate the different styles and thematic concerns of the individual playwrights. What are Asian American plays about? Family conflicts, sexuality, social upheaval, betrayal ... the stuff of all drama. Whether the characters are a middle-aged Taiwanese woman who is married to an Irish American and who dreams of opening a Chinese restaurant, a Chinese American female bond trader trying to survive a corporate takeover, or an ABC (American Born Chinese) gay man whose lover has AIDS, their Asian-ness is only a part of their story. As a playwright, Houston is keenly aware of the rigid formulas that often exclude writers of color and women women writers from mainstream theater. But Still, Like air, I'll Rise brings forth vibrant new work that challenges producers and audiences to broaden their expectations, to attend to the unfamiliar voices that expresses the universal and particular vision of Asian American playwrights.
These scripts touch on the issues of the 1990s, including the Gulf War, racial and sexual relations, crises unique to big cities, immigration and multiculturalism, art and censorship, revisionist history, academic freedom, and the transformation of the American presidency. The American play by Suzan-Lori Parks features an Abraham Lincoln impersonator trapped in an outrageous, Beckett-like world, while Naomi Wallace's In the heart of America centers on a Palestinian American from Atlanta who is caught up in the Persian Gulf conflict. Kokoro by Velina Hasu Houston chillingly depicts the stark predicament of a Japanese mother caught between two impossible worlds; Marisol by José Rivera reveals the dark fairytale life of a young Latin woman in a wartorn, apocalyptic New York. The Gift by Allan Havis confronts overwhelming moral ambiguity in the farcical realm of university politics, while Nixon's Nixon by Russell Lees offers an adroit treatment of the fascinating, tortured Nixon/Kissinger relationship. The collection closes with Mac Wellman's 7 Blowjobs, a wicked send-up of the compromise politics that determined the fate of the National Endowment for the Arts.
Taking its cue from Eugene O'Neill's questioning of «faithful realism», voiced by Edmund Tyrone in Long Day's Journey into Night, this book examines the distant legacy of the Irish American playwright in contemporary multiethnic drama in the U.S. It explores the labyrinth of formal devices through which African American, Latina/o, First Nations, and Asian American dramatists have unconsciously reinterpreted O'Neill's questioning of mimesis. In their works, hybridizations of stage realism function as aesthetic celebrations of the spiritual potentialities of cultural in-betweenness. This volume provides detailed analyses of over forty plays authored by such key artists as August Wilson, Suzan-Lori Parks, José Rivera, Cherríe Moraga, Hanay Geiogamah, Diane Glancy, David Henry Hwang, and Chay Yew, to give only a few prominent examples. All in all, Labyrinth of Hybridities invites its readers to reassess the cross-cultural patterns characterizing the history of twentieth century American drama.
Winner of the 2014 Outstanding Book Award presented by the Association for Theatre in Higher Education Taking a performance studies approach to understanding Asian American racial subjectivity, Joshua Takano Chambers-Letson argues that the law influences racial formation by compelling Asian Americans to embody and perform recognizable identities in both popular aesthetic forms (such as theater, opera, or rock music) and in the rituals of everyday life. Tracing the production of Asian American selfhood from the era of Asian Exclusion through the Global War on Terror, A Race So Different explores the legal paradox whereby U.S. law apprehends the Asian American body as simultaneously excluded from and included within the national body politic. Bringing together broadly defined forms of performance, from artistic works such as Madame Butterfly to the Supreme Court’s oral arguments in the Cambodian American deportation cases of the twenty-first century, this book invites conversation about how Asian American performance uses the stage to document, interrogate, and complicate the processes of racialization in U.S. law. Through his impressive use of a rich legal and cultural archive, Chambers-Letson articulates a robust understanding of the construction of social and racial realities in the contemporary United States.
Dependency and Japanese Socialization by Frank A. Johnson Pdf
A detailed presentation of theories concerning amae (a Japanese word indicating indulgent dependence), drawing on the work of Takeo Doi and others. Contrasts psychocultural aspects of the Japanese self and Japanese dependency with attitudes toward dependency seen among other nationalities, cultures, and groups in both Western and Asian societies. Johnson is Professor of Psychiatry at the U. of California, San Francisco. Annotation copyright by Book News, Inc., Portland, OR
Japanese Understanding of Salvation by Martin Heißwolf Pdf
It is no secret that Christianity has been widely rejected in Japan with less than two percent of the population identifying as Christian. The dominant worldview in Japan is deeply animistic, with beliefs such as the Japanese mana-concept, ki (気), the Japanese soul-concept, and the concept of God/god(s), kami (神), being deeply rooted in the culture and fundamentally influencing society. Dr Martin Heißwolf, with his years of experience in Japan, critically examines Japanese animism in light of core Christian beliefs, such as the concepts of “peace” and “salvation.” Central to Japanese people’s rejection of Christian truth is the diametric opposition of its supernatural message to the natural focus of Japanese animistic folk religion. Heißwolf’s meticulous study is framed squarely within missiological thought and praxis so Christians serving in Japanese contexts are better able to communicate the message of the gospel by more fully understanding Japanese people, people by whom God wants to be known.
Searching for Spiritual Unity . . . Can There Be Common Ground? by Robyn E. Lebron Pdf
Searching for Spirituality is an introductory course on forty of the world’s most practiced or most misunderstood religions. Originally born out of author Robyn Lebron’s efforts to create a Christian education course for her husband’s congregation, this easy-to-follow reference guide to international religious beliefs is designed to reduce the fear and skepticism that often comes when we encounter belief systems different than our own, with the ultimate goal of promoting peace and spiritual unity throughout the world. Covering a broad array of different faiths, from mainstream Christian denominations to Buddhism to Islam, Searching for Spiritual Unity breaks down each religion into eleven categories to allow for easy comparative discussions: history, doctrine, God or gods, the role of Jesus Christ, worship practices, infant baptism or blessing, confirmation or initiation, marriage, death and afterlife, judgment, and any special doctrines. Also included are pages for taking notes and comparison charts that can be used as a quick “at a glance” reference. Did you know that ... • pagan beliefs almost line up perfectly with Christian concepts? • voodoo dolls are not commonly used by those who practice Voodoo? • Muslims believe in Jesus Christ’s mission? • the fastest growing religion today is also one of the youngest? Take the challenge to educate yourself, and replace skepticism and fear with peace and understanding.
“Mouths on Fire with Songs”. by Caroline De Wagter Pdf
This book, the first cross-cultural study of post-1970s anglophone Canadian and American multi-ethnic drama, invites assessment of the thematic and aesthetic contributions of this theater in today’s globalized culture. A growing number of playwrights of African, South and East Asian, and First Nations heritage have engaged with manifold socio-political and aesthetic issues in experimental works combining formal features of more classical European dramatic traditions with such elements of ethnic culture as ancestral music and dance, to interrogate the very concepts of theatricality and canonicity. Their “mouths on fire” (August Wilson), these playwrights contest stereotyped notions of authenticity. In¬spired by songs of anger, passion, experience, survival, and regeneration, the plays analyzed bespeak a burning desire to break the silence, to heal and empower. Foregrounding questions of hybridity, diaspora, cultural memory, and nation, this comparative study includes discussion of some twenty-five case studies of plays by such authors as M.J. Kang, August Wilson, Suzan–Lori Parks, Djanet Sears, Chay Yew, Padma Viswanathan, Rana Bose, Diane Glancy, and Drew Hayden Taylor. Through its cross-cultural and cross-national prism, “Mouths on Fire with Songs” shows that multi-ethnic drama is one of the most diverse and dynamic sites of cultural production in North America today.
