Kurt Weill S America

Author : Naomi Graber
Publisher : Oxford University Press
Page : 384 pages
File Size : 41,7 Mb
Release : 2021-03-27
Category : Music
ISBN : 9780190906603

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Kurt Weill's America by Naomi Graber Pdf

Throughout his life, German-Jewish composer Kurt Weill was fascinated by the idea of America. His European works depict America as a Capitalist dystopia. But in 1935, it became clear that Europe was no longer safe for Weill, and he set sail for New World, and his engagement with American culture shifted. From that point forward, most of his works concerned the idea of "America," whether celebrating her successes, or critiquing her shortcomings. As an outsider-turned-insider, Weill's insights into American culture were unique. He was keenly attuned to the difficult relationship America had with her immigrants, but was slower to grasp the subtleties of others, particularly those surrounding race relations, even though his works reveal that he was devoted to the idea of racial equality. The book treats Weill as a node in a transnational network of musicians, writers, artists, and other stage professionals, all of whom influenced each other. Weill sought out partners from a range of different sectors, including the Popular Front, spoken drama, and the commercial Broadway stage. His personal papers reveal his attempts to navigate not only the shifting tides of American culture, but the specific demands of his institutional and individual collaborators. In reframing Weill's relationship with immigration and nationality, the book also puts nuance contemporary ideas about the relationships of immigrants to their new homes, moving beyond ideas that such figures must either assimilate and abandon their previous identities, or resist the pull of their new home and stay true to their original culture.

Author : Naomi Graber
Publisher : Oxford University Press
Page : 329 pages
File Size : 47,9 Mb
Release : 2021
Category : Music
ISBN : 9780190906580

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Kurt Weill's America by Naomi Graber Pdf

"This book traces composer Kurt Weill's changing relationship with the idea of "America." Throughout his life, Weill was fascinated by the idea of America. His European works such as The Rise and Fall of the City of Mahagonny (1930), depict America as a capitalist dystopia filled with gangsters and molls. But in 1935, it became clear that Europe was no longer safe for the Jewish Weill, and he set sail for New World. Once he arrived, he found the culture nothing like he imagined, and his engagement with American culture shifted in intriguing ways. From that point forward, most his works concerned the idea of "America," whether celebrating her successes, or critiquing her shortcomings. As an outsider-turned-insider, Weill's insights into American culture are somewhat unique. He was more attuned than native-born citizens to the difficult relationship America had with her immigrants. However, it took him longer to understand the subtleties in other issues, particularly those surrounding race relations. Weill worked within transnational network of musicians, writers, artists, and other stage professionals, all of whom influenced each other's styles. His personal papers reveal his attempts to navigate not only the shifting tides of American culture, but the specific demands of his institutional and individual collaborators"--

Author : Neil Butterworth
Publisher : Routledge
Page : 1359 pages
File Size : 47,8 Mb
Release : 2013-10-02
Category : Music
ISBN : 9781136790232

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Dictionary of American Classical Composers by Neil Butterworth Pdf

The Dictionary of American Classical Composers covers over 650 composers active from the 18th century to today. Covering all classical styles, it offers the most comprehensive overview of key composers in the United States available. Entries include basic biographical information and critical analysis of each composer's key works and ideas. Entries also include worklists and bibliographic information. Whenever possible, the entries will have been checked by the composers themselves to assure greatest possible accuracy. This new edition, completely updated and expanded from the 1984 edition, also includes over 200 historic photographs.

Author : Jürgen Schebera
Publisher : Yale University Press
Page : 402 pages
File Size : 43,5 Mb
Release : 1997-09-01
Category : Music
ISBN : 0300072848

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Kurt Weill by Jürgen Schebera Pdf

Examining the life of Kurt Weill, this text explores the phases of the composer's life, from his childhood as the son of a cantor in the Jewish section of Dessau, Germany, to his renunciation of Germany in 1933. It also looks at his emigration to America (1935) and his premature death (1950).

Author : Foster Hirsch
Publisher : Hal Leonard Corporation
Page : 420 pages
File Size : 54,5 Mb
Release : 2004-02-01
Category : Biography & Autobiography
ISBN : 0879109904

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Kurt Weill on Stage by Foster Hirsch Pdf

(Limelight). His best-known song is "Mack the Knife," with words by Bertolt Brecht, from The Threepenny Opera , first performed in Weimar Berlin in 1928. Five years later, Kurt Weill fled the Nazis to come to America, where he soon emerged as one of the most admired composers of the Broadway musical stage. His shows included: Knickerbocker Holiday, Lady in the Dark, One Touch of Venus, Street Scene and Lost in the Stars . His songs: "My Ship," "September Song," "Speak Low" and "It Never Was You." This biography concentrates on Weill's career in the United States, but its aim is to explore the truth in the comment made by Weill's wife, the unforgettable Lotte Lenya: "There is no American Weill, there is no German Weill. There is no difference between them. There is only Weill."

Author : Stephen Hinton
Publisher : Univ of California Press
Page : 586 pages
File Size : 40,7 Mb
Release : 2012-04-10
Category : Biography & Autobiography
ISBN : 9780520271777

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Weill's Musical Theater by Stephen Hinton Pdf

“This book, the first scholarly consideration of Weill’s complete output of stage works, is without doubt the most important critical study of the composer’s oeuvre to date in any language. Hinton’s scholarship is superior and his insights original and illuminating. The product of several decades of engagement with Weill’s works, their sources and reception, as well as the secondary literature, the book is a stunning achievement. Brilliantly conceived and executed, it will take its place as one of the cornerstones of Weill studies.”—Kim H. Kowalke, University of Rochester and President, Kurt Weill Foundation for Music “In Weill’s Musical Theater: Stages of Reform, Stephen Hinton reminds us that Kurt Weill was always a revolutionary. The composer’s insistent dedication to a provocative, constantly evolving lyric theater that spoke directly to audiences meant that Weill remained as controversial as he was popular. The celebrity that endeared him to Broadway made him anathema in Berlin. Some sixty years after Weill’s death, Hinton is finally able to demonstrate the consistent brilliance, theatrical power, and coherence of a composer who revolutionized every genre he touched (or used) and whose collaborators read as a who’s who of twentieth-century theater.” —David Savran, author of Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class "Stephen Hinton presents us with an image of Weill that is at once monumental yet still alive. A truly Protean figure, Weill is not an easy man to grasp in his totality; Brecht once wrote that a man thrown into water will have to develop webbed feet, and as a refugee from Nazi Germany, Weill had to become a cultural amphibian. But in Weill's Musical Theater we see the composer from every angle: through the gaze of countless critics and reviewers, through Weill's own eyes, and finally through the filter of Hinton's judicious, focused prose. This account will stand."—Daniel Albright, author of Untwisting the Serpent: Modernism in Music, Literature, and Other Arts

Author : Anonim
Publisher : Frederick Fell Publishers
Page : 324 pages
File Size : 52,9 Mb
Release : 1998
Category : Biography & Autobiography
ISBN : 0811908690

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African-American Heroes & Heroines by Anonim Pdf

Inspiring and amazing stories that showcase 150 black heroes and heroines.

Author : Mel Atkey
Publisher : Lulu.com
Page : 656 pages
File Size : 53,6 Mb
Release : 2019-09-20
Category : Performing Arts
ISBN : 9780991695744

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A Million Miles from Broadway Revised and Expanded Edition by Mel Atkey Pdf

Musical theatre is an international form, not just an American one. It can take root anywhere. Few people would realise that such hit standards as "The Glow Worm", "Brazil", "Mack the Knife", "I Will Wait for You" and "El Condor Pasa" came from foreign language musicals. ""His research is monumental... This is an important book on a previously undocumented area of musical theatre."" -- Peter Pinne, Stage Whispers ""There's never been a better book for the armchair-traveler-theatergoer."" -- Peter Filichia

Author : Wikipedia contributors
Publisher : e-artnow sro
Page : 1391 pages
File Size : 47,6 Mb
Release : 2024-06-09
Category : Electronic
ISBN : 8210379456XXX

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Focus On: 100 Most Popular American Musical Theatre Actresses by Wikipedia contributors Pdf

Author : Foster Hirsch
Publisher : Knopf
Page : 430 pages
File Size : 44,8 Mb
Release : 2002
Category : Biography & Autobiography
ISBN : STANFORD:36105110436552

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Kurt Weill on Stage by Foster Hirsch Pdf

"Oh, the shark has pretty teeth, dear, And he shows them pearly white. Just a jackknife has Macheath, dear, And he keeps it out of sight. The words are by Bertolt Brecht. The music is by Kurt Weill. The song is "Mack the Knife," the number-one song of Weill's internationally famous "Threepenny Opera, originally performed on a stage in the Weimar Berlin of 1928. Its tough, sexy sound became, a quarter-century later, a signature song of America's greatest recording stars, among them Ella Fitzgerald and Frank Sinatra. And when in 1933 Weill, already Germany's most renowned composer, fled the Nazis to come to America ("For every age there is a place about which fantasies are written. In Mozart's time it was Turkey. For Shakespeare, it was Italy. For us in Germany, it was always America"), he joined his appetite for the United States to his European roots and classical training and soon became one of the most admired composers of the American musical stage. He wrote one successful Broadway show after another--"Lady in the Dark, "Knickerbocker Holiday," One Touch of Venus, "Street Scene, "Lost in the Stars, among others. He worked with such theatrical greats as Gertrude Lawrence, Ira Gershwin, Maxwell Anderson, Mary Martin, Agnes de Mille, Joshua Logan, Ogden Nash, Harold Clurman, Walter Huston, E. Y. Harburg, and Elia Kazan. Always at the center of his life was his great love of thirty years, his leading lady, interpreter of his music, his wife (they were divorced in Berlin in 1933 but remarried four years later in America), the actress-singer Lotte Lenya. Foster Hirsch, using Weill's letters, journals, and notes, and interviewing Weill's friends and colleagues, writes about his life, his experimental, political composing in Germany, his Broadway music in America--both aspects of his work being a source of controversy among music lovers for years. Lotte Lenya said, "There is no American Weill, there is no German Weill. There is no difference between them. There is only Weill." Hirsch details the writing, casting, and production of Weill's eleven hit shows. He writes about Weill's years in Hollywood and the friends he made and lost along the way. He evokes Weill's complicated, intense collaborations with Brecht, Maxwell Anderson, Langston Hughes, Alan Jay Lerner, Elmer Rice, Moss Hart, and Ira Gershwin. In "Kurt Weill on Stage, Hirsch has given us a vivid portrayal of a remarkable artist and a fabulous era of American musical theater.

Author : Cecelia Moore
Publisher : Lexington Books
Page : 232 pages
File Size : 49,7 Mb
Release : 2017-09-26
Category : History
ISBN : 9781498526838

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The Federal Theatre Project in the American South by Cecelia Moore Pdf

The Federal Theatre Project in the American South introduces the people and projects that shaped the regional identity of the Federal Theatre Project. When college theatre director Hallie Flanagan became head of this New Deal era jobs program in 1935, she envisioned a national theatre comprised of a network of theatres across the country. A regional approach was more than organizational; it was a conceptual model for a national art. Flanagan was part of the little theatre movement that had already developed a new American drama drawn from the distinctive heritage of each region and which they believed would, collectively, illustrate a national identity. The Federal Theatre plan relied on a successful regional model – the folk drama program at the University of North Carolina, led by Frederick Koch and Paul Green. Through a unique partnership of public university, private philanthropy and community participation, Koch had developed a successful playwriting program and extension service that built community theatres throughout the state. North Carolina, along with the rest of the Southern region, seemed an unpromising place for government theatre. Racial segregation and conservative politics limited the Federal Theatre’s ability to experiment with new ideas in the region. Yet in North Carolina, the Project thrived. Amateur drama units became vibrant community theatres where whites and African Americans worked together. Project personnel launched The Lost Colony, one of the first so-called outdoor historical dramas that would become its own movement. The Federal Theatre sent unemployed dramatists, including future novelist Betty Smith, to the university to work with Koch and Green. They joined other playwrights, including African American writer Zora Neale Hurston, who came to North Carolina because of their own interest in folk drama. Their experience, told in this book, is a backdrop for each successive generation’s debates over government, cultural expression, art and identity in the American nation.

Author : Rebecca Schmid
Publisher : Boydell & Brewer
Page : 227 pages
File Size : 55,8 Mb
Release : 2023
Category : Musical theater
ISBN : 9781648250606

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Weill, Blitzstein, and Bernstein by Rebecca Schmid Pdf

The first study to explore the crucial influence of Kurt Weill on operas and musicals by Marc Blitzstein and Leonard Bernstein. Theodor Adorno famously proclaimed that the model of Kurt Weill could not be repeated. Yet Weill's stage works set an inescapable precedent for composers on both sides of the Atlantic. Rebecca Schmid explores how Weill's formal innovations in particular laid the groundwork for operas and musicals by Marc Blitzstein and Leonard Bernstein, although both composers resisted or downplayed his aesthetic contribution to American tradition. Comparative analysis based on Harold Bloom's Anxiety of Influence and other modes of intertextuality reveals that the principles of Weill's opera reform would catalyze an indigenous movement in sophisticated, socially engaged music theatre. Weill, Blitzstein, and Bernstein: A Study of Influence focuses on works that represent different phases of Weill's mission to renew the genre of opera, evolving from Die Dreigroschenoper to the musical play Lady in the Dark and the Broadway Opera Street Scene. Blitzstein and Bernstein in turn defied formal boundaries with The Cradle Will Rock, Regina, Trouble in Tahiti, Candide, and West Side Story - part of a short-lived movement in mid-twentieth century America that coincided with a renaissance for Weill's German-period works following the premiere of Blitzstein's translation, The Threepenny Opera, under Bernstein's baton. The unpublished A Pray by Blecht, for which Bernstein rejoined Stephen Sondheim and Jerome Robbins, his collaborators on West Side Story, deepens the connection of Bernstein's aesthetic to Weill.

Author : Warren French
Publisher : Springer
Page : 674 pages
File Size : 47,8 Mb
Release : 1980-11-01
Category : Literary Criticism
ISBN : 9781349164165

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Twentieth Century American Literature by Warren French Pdf

Author : Roberto Ignacio Díaz
Publisher : Vanderbilt University Press
Page : 479 pages
File Size : 45,9 Mb
Release : 2024-01-15
Category : Music
ISBN : 9780826506313

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Latin America and the Transports of Opera by Roberto Ignacio Díaz Pdf

Latin America and the Transports of Opera studies a series of episodes in the historical and textual convergence of a hallowed art form and a part of the world often regarded as peripheral. Perhaps unexpectedly, the archives of opera generate new arguments about several issues at the heart of the established discussion about Latin America: the allure of European cultural models; the ambivalence of exoticism; the claims of nationalism and cosmopolitanism; and, ultimately, the place of the region in the global circulation of the arts. Opera’s transports concern literal and imagined journeys as well as the emotions that its stories and sounds trigger as they travel back and forth between Europe—the United States, too—and Latin America. Focusing mostly on librettos and other literary forms, this book analyzes Calderón de la Barca’s baroque play on the myth of Venus and Adonis, set to music by a Spanish composer at Lima’s viceregal court; Alejo Carpentier’s neobaroque novella on Vivaldi’s opera about Moctezuma; the entanglements of opera with class, gender, and ethnicity throughout Cuban history; music dramas about enslaved persons by Carlos Gomes and Hans Werner Henze, staged in Rio de Janeiro and Copenhagen; the uses of Latin American poetry and magical realism in works by John Adams and Daniel Catán; and a novel by Manuel Mujica Lainez set in Buenos Aires’s Teatro Colón, plus a chamber opera about Victoria Ocampo with a libretto by Beatriz Sarlo. Close readings of these texts underscore the import and meanings of opera in Latin American cultural history.

Author : Robert Gordon,Olaf Jubin
Publisher : Oxford University Press
Page : 1001 pages
File Size : 40,5 Mb
Release : 2023-09-01
Category : Music
ISBN : 9780190909741

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The Oxford Handbook of the Global Stage Musical by Robert Gordon,Olaf Jubin Pdf

The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performance and musicological analysis, historical and cultural studies, media studies, notions of interculturalism and hybridity, gender studies, and international politics. The thirty-three essays investigate major aspects of the global musical, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems. Together, they conduct penetrating comparative analysis of musical theatre in different contexts as well as a survey of the transcultural spread of musicals.