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Strait is the Gate (La Porte Étroite) by André Gide Pdf
At the young ages of eleven and ten, cousins Jerome and Alissa make a commitment of undying affection for each other. As an adult, Alissa rejects Jerome's love due to her strong religious beliefs and her mother's infidelities. Jerome remains devoted to Alissa, and fails to recognize that it is Alissa's sister, Juliette, who truly loves him.
Les Archives chrono paradoxales - (Parisis Code 6) by Thierry Van de Leur Pdf
Depuis 2005, date de la decouverte du Parisis Code, les recherches dans la trame des voies de la Capitale n'ont jamais cessees. Grace a l'experience et l'utilisation de nouveaux parametres comme les points ephemeres (bars, hotels, restaurants, societes) de nouveaux alignements symboliques encore plus extraordinaires ont ete decouverts. La precision deja impressionnante des lignes s'est considerablement amelioree. Ce dernier volet, montre a quel point, tout predestinait l'auteur a decouvrir ce code parisien. Depuis sa naissance, les grandes etapes de sa vie etaient inscrites a travers un impressionnant alignement d'une trentaine de parametres... elles attendaient d'etre decouvertes !"
Author : Margaret S. Marriage,Ernest Marriage Publisher : CUP Archive Page : 302 pages File Size : 54,5 Mb Release : 1909 Category : Christian art and symbolism ISBN : 8210379456XXX
Discoveries in the Judaean Desert XXXVII by Émile Puech Pdf
This volume (in French) contains the editio princeps of the second part (4Q550-583) of the Aramaic texts from Cave 4 at Qumran which were originally assigned to Pere Jean Starcky (4Q521-578). The first part of the Aramaic texts were published in volume XXXI of the Discoveries in the Judaean Desert series, while the Hebrew texts were published in volume XXV. These Aramaic and Hebrew texts include primarily parabiblical and pseudepigraphical compositions, often named 'Apocryphon', 'Testament', 'Pseudo-', or 'Visions'. They reflect the interest in biblical themes characteristic of Second Temple period Judaism, and exhibited in many of the Qumran compositions.
Author : Margaret E. Gray Publisher : University of Wales Press Page : 246 pages File Size : 51,6 Mb Release : 2022-05-15 Category : Literary Criticism ISBN : 9781786838629
Who has not, in a favored moment, ‘stolen the limelight’, whether inadvertently or by design? The implications of such an act of display – its illicitness, its verve, its vertiginous reversal of power, its subversiveness – are explored in this book. Narrative crafting and management of such scenarios are studied across canonical novels by Gide, Colette, Mauriac, and Duras, as well as by African Francophone writer Oyono and detective novelist Japrisot. As manipulated within narrative, acts of display position a viewer or reader from whom response (from veneration or desire to repugnance or horror) is solicited; but this study demonstrates that display can also work subversively, destabilising and displacing such a privileged spectator. As strategies of displacement, these scenarios ultimately neutralise and even occult the very subject they so energetically appear to solicit. Powered by gendered tensions, this dynamic of display as displacement works toward purposes of struggle, resistance or repression.
This guide shows how to design and set up mixture experiments, then analyze the data and draw inferences from the results. Virtually every technique that has appeared in the literature of mixtures can be found here and, for each method, computing formulas are provided with completely worked examples. Coverage begins with Scheffe lattice designs, introducing the use of independent variables and ends with the most current methods. Almost all of the numerical examples are taken from real experiments. It should serve as a supplementary text for courses on experimental design and statistical methods as well as a ready reference to important techniques for research workers in such fields as engineering, the physical sciences, agriculture and medicine.
Aquila, aseries planned for biennial publication, is presented to scholars with a broad interest in modem languages and literatures. Each volume contains original material contributed by specialists within tbis general area, with minimallimitations as to language or length of the studies, the criteria being significance of the content and clear, interesting presentation. Aquila II includes four important monographs conceming Luther, literary criticism, Dante, and a French avant-garde salon featuring Mallarme, Verlaine, Charles Cros, Villiers de l'Isle-Adam, etc ... There are excellent articles on a French poetic form in the late Middle Ages, the concept of "Encyclopedia" and general education during the Renaissance, Voltaire's Candide, Gide's Faux-Monnayeurs, and hidden satire in Don Quijote. To the Administration of Boston College, we acknowledge a debt of gratitude for the generous subsidy which has given wings to Aquila, for the advancement of knowledge in modem languages and literatures. The Editors TABLE OF CONTENTS PREFACE v MONOGRAPHS HEINZ BLUHM, Das Erlebnis und die Interpretation in Luthers Erstlin- schr~ 1 ERICH VON RICHTHOFEN, Limitations of Literary Criticism 78 MARIA PICCHIO SIMONELLI, La prosa nutrice dei verso: dal Convivio aUa Divina Commedia 117 GEORGES ZAYED, Un salon parnassien d'avant-garde: Nina de Villard et ses hOtes 177 ARTICLES MARCEL FRAN~ON, Encyclopedie et culture genereale 230 MARCEL FRAN~ON, Sur la theorie du rondeau litteraire 244 JOSEPH D. GAUTIDER, S.J., The Organic Unity ofLes Faux-Monnayeurs 260 ERNEST A.
This book presents a selection of some of the most significant critical work written on Andre Gide during his lifetime and since. As a major writer of the twentieth-century, his life and creative output, as well as his role as a leading intellectual, attracted comment from prominent contemporaries and continues to have relevance today. Containing a substantial introduction and overview, this compilation offers a variety of illuminating perspectives that will inform and guide the general and specialist reader.
Still: Samuel Beckett's Quietism by Wimbush Andy Pdf
In the 1930s, a young Samuel Beckett confessed to a friend that he had been living his life according to an ‘abject self-referring quietism’. Andy Wimbush argues that ‘quietism’—a philosophical and religious attitude of renunciation and will-lessness—is a key to understanding Beckett’s artistic vision and the development of his career as a fiction writer from his early novels Dream of Fair to Middling Women and Murphy to late short prose texts such as Stirrings Still and Company. Using Beckett’s published and archival material, Still: Samuel Beckett’s Quietism shows how Beckett distilled an understanding of quietism from the work of Arthur Schopenhauer, E.M. Cioran, Thomas à Kempis, Fyodor Dostoevsky, and André Gide, before turning it into an aesthetic that would liberate him from the powerful literary traditions of nineteenth-century realism and early twentieth-century high modernism. Quietism, argues Andy Wimbush, was for Beckett a lifelong preoccupation that shaped his perspectives on art, relationships, ethics, and even notions of salvation. But most of all it showed Beckett a way to renounce authorial power and write from a position of impotence, ignorance, and incoherence so as to produce a new kind of fiction that had, in Molloy’s words, the ‘tranquility of decomposition’.
