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Strait is the Gate (La Porte Étroite) by André Gide Pdf
At the young ages of eleven and ten, cousins Jerome and Alissa make a commitment of undying affection for each other. As an adult, Alissa rejects Jerome's love due to her strong religious beliefs and her mother's infidelities. Jerome remains devoted to Alissa, and fails to recognize that it is Alissa's sister, Juliette, who truly loves him.
"Strait is the Gate", first published in 1909 in France as "La Porte etroite", is a novel about the failure of love in the face of the narrowness of the moral philosophy of Protestantism. --- André Gide (1869 - 1951) was a French author and winner of the Nobel Prize in literature in 1947. Gide's career spanned from the symbolist movement to the advent of anticolonialism in between the two World Wars. Gide's work can be seen as an investigation of freedom and empowerment in the face of moralistic and puritan constraints, and gravitates around his continuous effort to achieve intellectual honesty. His self-exploratory texts reflect his search of how to be fully oneself, without at the same time betraying one's values... --- "For Gide was very different from the picture most people had of him. He was the very reverse of an aesthete, and, as a writer, had nothing in common with the doctrine of art for art's sake. He was a man deeply involved in a specific struggle, a specific fight, who never wrote a line which he did not think was of service to the cause he had at heart." (Francois Mauriac)
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Every week, a writer of political propaganda and a professional blood donor meet for dinner. They are unlikely friends - one of them tortured by his 'art', the other fat and wealthy from the earthy business of providing spare blood for the citizens of China. Over the course of one especially gastronomic evening, the writer starts to complain about his latest Party commission: the story of an ordinary soldier who sacrifices his life to the revolutionary cause. This is not the novel he wants to write, he tells his friend. Inside his head lives an unwritten book about the people he knows or sees everyday on the streets - people who lives are far more representative of the world in which he lives...
People react very differently to the process of ageing. Some people shy away from old age for as long as they can and eventually spend it reflecting on times when they were physically and mentally stronger and more independent. For others old age is embraced as a new adventure and something to look forward to. In this book psychoanalyst Danielle Quinodoz highlights the value of old age and the fact that although many elderly people have suffered losses, either of their own good health or through bereavement, most have managed to retain the most important thing – their sense of self. Quinodoz argues that growing old provides us with the opportunity to learn more about ourselves and instead of facing it with dread, it should be celebrated. Divided into accessible chapters this book covers topics including: the internal life-history remembering phases of life anxiety about death being a psychoanalyst and growing old. Throughout Growing Old the author draws on both her clinical experience of working with the elderly, and her own personal experience of growing old. This makes it an interesting read for both practising psychoanalysts, and those who wish to gain a greater insight of the natural progression into later life.
This interdisciplinary study shows how a new commercial and learned print culture attempted to write and regulate individual and collective practices in terms of a master idiom of family, sexuality, and gender upon which a post-revolutionary national community would turn. Offering a radical new approach to family and textuality in the field of cultural and literary studies, the author argues that from its very inception this print culture - from domestic manuals to public health reports and, most notably, prose fiction - promoted new norms of behavior and selfhood, not through narratives of idealized family life, but instead by means of a rhetoric of danger, lack, and pathology. The book follows familial discourse as it assigns deficient or illicit behaviors to ever wider social groups, from the Old Regime nobility and the traditional bourgeoisie to the new middle classes, urban workers, and the peasants in the countryside to, finally, the new social elites of the late nineteenth century. The author describes how the lack of normative family and sexuality became the primary tactic for designating social others within the social body and for reworking social and gender identities so as to authorize new knowing practices and expertise and new objects of knowledge and discipline. Furthermore, through analyses of novels by Bernardin de Saint-Pierre, Sue, Balzac, Sand, Zola, and Gide, the author demonstrates that the peculiar force of the French novel resided in its power to reach wide, newly literate audiences and to inscribe new identities and desires through the reading process. Finally, the book proposes the provocative thesis that because of these tales of threatened or failed family life the domestic conjugal household has never "worked," even down to our time; it has always been in crisis, endangered by forces from without and within, and thus in constant "need" of protection and renewal.
