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Latine Disco, Student's Manual by Hans H. Ørberg Pdf
This student’s manual, in English, for Familia Romana (Lingua Latina Pars I), includes a guide to pronunciation, instructions, and information on key points to be noted in each chapter. This book is especially valuable for students working on their own or in homeschooling, though also useful for school or university students. Hans Ørberg’s Lingua Latina per se illustrata is the world’s premiere series for learning Latin via the Natural Method. Students learn grammar and vocabulary intuitively through extended contextual reading and an innovative system of marginal notes, giving students the opportunity to learn Latin without resorting to translation. Familia Romana is the backbone of the Ørberg series. Further information on Familia Romana and all titles in this widely adopted series can be be found at www.hackettpublishing.com.
A Companion to Familia Romana by Jeanne Neumann,Hans H. Ørberg Pdf
This volume is the completely reset Second Edition of Jeanne Marie Neumann's A College Companion (Focus, 2008). It offers a running exposition, in English, of the Latin grammar covered in Hans H. Ørberg's Familia Romana, and includes the complete text of the Ørberg ancillaries Grammatica Latina and Latin–English Vocabulary. It also serves as a substitute for Ørberg's Latine Disco, on which it is based. As it includes no exercises, however, it is not a substitute for the Ørberg ancillary Exercitia Latina I. Though designed especially for those approaching Familia Romana at an accelerated pace, this volume will be useful to anyone seeking an explicit layout of Familia Romana's inductively-presented grammar. In addition to many revisions of the text, the Second Edition also includes new units on cultural context, tied to the narrative content of the chapter.
The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction. The Optical Unconscious will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-François Lyotard. To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic Rotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.
Modern Spanish Grammar by Christopher J. Pountain,Juan Kattán-Ibarra Pdf
This new edition of the Modern Spanish Grammar: A Practical Guide is an innovative reference guide to Spanish, combining traditional and function-based grammar in a single volume.
University of Texas at Austin. Library. Latin American Collection
Author : University of Texas at Austin. Library. Latin American Collection Publisher : Unknown Page : 842 pages File Size : 40,7 Mb Release : 1975 Category : Latin America ISBN : STANFORD:36105117843271
Como Se Dice... ? by Ana Jarvis,Raquel Lebredo,Francisco Mena-Ayllon Pdf
�C�MO SE DICE . . . ? Enhanced Tenth Edition's proven four-skills methodology, unparalleled grammar explanations, flexibility, and ease-of-use are some of the many reasons for the success of this renowned introductory Spanish program. The tenth edition features all new chapter dialogues, student centered activities, updated vocabulary and cultural information, additional literary readings, and a complete technology package that includes iLrn: Heinle Learning Center. The Enhanced edition features the addition of dazzling video footage and photography of National Geographic(tm) into iLrn to enhance students' cultural exploration.
University of Texas. Library. Latin American Collection
Author : University of Texas. Library. Latin American Collection Publisher : Unknown Page : 770 pages File Size : 46,6 Mb Release : 1969 Category : Latin America ISBN : UOM:39015082906986
Practice Makes Perfect: Spanish Vocabulary by Dorothy Richmond Pdf
Building on the success of her prior book, Practice Makes Perfect: Spanish Verb Tenses, author Dorothy Devney Richmond helps learners attain a strong working vocabulary, no matter if they are absolute beginners or intermediate students of the language. She combines her proven instruction techniques and clear explanations with a plethora of engaging exercises, so students are motivated and hardly notice that they are absorbing so much Spanish. Practice Makes Perfect: Spanish Vocabulary also includes basic grammar and structures of the language to complement learners’ newly acquired words. "Vocabulary Builders" help students add to their Spanish repertoire by using cognates, roots, suffixes, prefixes, and other "word-building" tools.
