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Reassessing the meaning of "black humor," and "dark satire," Glenda Carpio traces a tradition in which black American humorists innovated sharp-edged, occasionally gruesome, and sometimes obscene modes of surrealist humor, to represent the brutality of chattel slavery and its legacy in contemporary culture.
Reassessing the meanings of "black humor" and "dark satire," Laughing Fit to Kill illustrates how black comedians, writers, and artists have deftly deployed various modes of comedic "conjuring"--the absurd, the grotesque, and the strategic expression of racial stereotypes--to redress not only the past injustices of slavery and racism in America but also their legacy in the present. Focusing on representations of slavery in the post-civil rights era, Carpio explores stereotypes in Richard Pryor's groundbreaking stand-up act and the outrageous comedy of Chappelle's Show to demonstrate how deeply indebted they are to the sly social criticism embedded in the profoundly ironic nineteenth-century fiction of William Wells Brown and Charles W. Chesnutt. Similarly, she reveals how the iconoclastic literary works of Ishmael Reed and Suzan-Lori Parks use satire, hyperbole, and burlesque humor to represent a violent history and to take on issues of racial injustice. With an abundance of illustrations, Carpio also extends her discussion of radical black comedy to the visual arts as she reveals how the use of subversive appropriation by Kara Walker and Robert Colescott cleverly lampoons the iconography of slavery. Ultimately, Laughing Fit to Kill offers a unique look at the bold, complex, and just plain funny ways that African American artists have used laughter to critique slavery's dark legacy.
Can you really die from laughing too hard? Between 1870 and 1920, hundreds of women suffered such a fate—or so a slew of sensationalist obituaries would have us believe. How could laughter be fatal, and what do these reports of women’s risible deaths tell us about the politics of female joy? Maggie Hennefeld reveals the forgotten histories of “hysterical laughter,” exploring how women’s amusement has been theorized and demonized, suppressed and exploited. In nineteenth-century medicine and culture, hysteria was an ailment that afflicted unruly women on the cusp of emotional or nervous breakdown. Cinema, Hennefeld argues, made it possible for women to laugh outrageously as never before, with irreversible social and political consequences. As female enjoyment became a surefire promise of profitability, alarmist tales of women laughing themselves to death epitomized the tension between subversive pleasure and its violent repression. Hennefeld traces the social politics of women’s laughter from the heyday of nineteenth-century sentimentalism to the collective euphoria of early film spectatorship, traversing contagious dancing outbreaks, hysteria photography, madwomen’s cackling, cinematic close-ups, and screenings of slapstick movies in mental asylums. Placing little-known silent films and an archive of remarkable, often unusual texts in conversation with affect theory, comedy studies, and feminist film theory, this book makes a timely case for the power of hysterical laughter to change the world.
In the early 1890s, black performer Bob Cole turned blackface minstrelsy on its head with his nationally recognized whiteface creation, a character he called Willie Wayside. Just over a century later, hiphop star Busta Rhymes performed a whiteface superco
In Illegible Will Hershini Bhana Young engages with the archive of South African and black diasporic performance to examine the absence of black women's will from that archive. Young argues for that will's illegibility, given the paucity of materials outlining the agency of black historical subjects. Drawing on court documents, novels, photographs, historical records, websites, and descriptions of music and dance, Young shows how black will can be conjured through critical imaginings done in concert with historical research. She critically imagines the will of familiar subjects such as Sarah Baartman and that of obscure figures such as the eighteenth-century slave Tryntjie of Madagascar, who was executed in 1713 for attempting to poison her mistress. She also investigates the presence of will in contemporary expressive culture, such as the Miss Landmine Angola beauty pageant, placing it in the long genealogy of the freak show. In these capacious case studies Young situates South African performance within African diasporic circuits of meaning throughout Africa, North America, and South Asia, demonstrating how performative engagement with archival absence can locate that which was never recorded.
The story is set in a small town of Georgia, a disparate bunch of people come together under court-ordered integration. What follows is unique blend of humour, power, irony, and love. Excerpt: "Death is always the same, but each man dies in his own way. For J.T. Malone it began in such a simple ordinary way that for a time he confused the end of life with the beginning of a new season. The winter of his fortieth year was an unusually cold one for the Southern town—with icy, pastel days and radiant nights. The spring came violently in middle March in that year of 1953, and Malone was lazy and peaked during those days of early blossoms and windy skies."
The Greatest Works of Carson McCullers by Carson McCullers Pdf
McCullers was an American novelist, short-story writer, playwright, essayist, and poet. McCullers' work is often described as Southern Gothic and indicative of her southern roots. Critics also describe her writing and eccentric characters as universal in scope. Her stories have been adapted to stage and film. Contents: The Heart is a Lonely Hunter – A moving saga of the struggles of a lonely deaf man after his one and only mute-friend is consigned to a mental asylum. Clock Without Hands – A poignant re-examination of racial prejudices during the volatile 60s when a bunch of disparate people come together under court-ordered integration. Reflections in a Golden Eye – An intriguing tale of homosexuality, extra-marital affair, and unfulfilled desires inside the shrouded Army life.Private Ellgee Williams, a solitary man full of secrets and desires, has served for two years and is assigned to stable duty. After doing yard work at the home of Capt. Penderton, he sees the captain's wife nude and becomes obsessed with her. Capt. Penderton, as a closeted homosexual, realizes that he is physically attracted to Pvt. Williams, but remains unaware of the his attraction to his wife, Leonora. What will be the outcome of this love triangle? Who will win and who will lose?
A captivating portrait of Lorraine Hansberry's life, art, and political activism--one of O Magazine's best books of April 2021 "Hits the mark as a fresh and timely portrait of an influential playwright."--Publishers Weekly In this biography of Lorraine Hansberry (1930-1965), the author of A Raisin in the Sun, Soyica Diggs Colbert considers the playwright's life at the intersection of art and politics, with the theater operating as a "rehearsal room for [her] political and intellectual work." Colbert argues that the success of Raisin overshadows Hansberry's other contributions, including the writer's innovative journalism and lesser known plays touching on controversial issues such as slavery, interracial communities, and black freedom movements. Colbert also details Hansberry's unique involvement in the black freedom struggles during the Cold War and the early civil rights movement, in order to paint a full portrait of her life and impact. Drawing from Hansberry's papers, speeches, and interviews, this book presents its subject as both a playwright and a political activist. It also reveals a new perspective on the roles of black women in mid-twentieth-century political movements.
Slave Revolt on Screen by Alyssa Goldstein Sepinwall Pdf
Recipient of the 2021 Honorary Mention for the Haiti Book Prize from the Haitian Studies Association In Slave Revolt on Screen: The Haitian Revolution in Film and Video Games author Alyssa Goldstein Sepinwall analyzes how films and video games from around the world have depicted slave revolt, focusing on the Haitian Revolution (1791–1804). This event, the first successful revolution by enslaved people in modern history, sent shock waves throughout the Atlantic World. Regardless of its historical significance however, this revolution has become less well-known—and appears less often on screen—than most other revolutions; its story, involving enslaved Africans liberating themselves through violence, does not match the suffering-slaves-waiting-for-a-white-hero genre that pervades Hollywood treatments of Black history. Despite Hollywood’s near-silence on this event, some films on the Revolution do exist—from directors in Haiti, the US, France, and elsewhere. Slave Revolt on Screen offers the first-ever comprehensive analysis of Haitian Revolution cinema, including completed films and planned projects that were never made. In addition to studying cinema, this book also breaks ground in examining video games, a pop-culture form long neglected by historians. Sepinwall scrutinizes video game depictions of Haitian slave revolt that appear in games like the Assassin’s Creed series that have reached millions more players than comparable films. In analyzing films and games on the revolution, Slave Revolt on Screen calls attention to the ways that economic legacies of slavery and colonialism warp pop-culture portrayals of the past and leave audiences with distorted understandings.
The works of African American authors and artists are too often interpreted through the lens of authenticity. They are scrutinized for “positive” or “negative” representations of Black people and Black culture or are assumed to communicate some truth about Black identity or the “Black experience.” However, many contemporary Black artists are creating works that cannot be slotted into such categories. Their art resists interpretation in terms of conventional racial discourse; instead, they embrace opacity, uncertainty, and illegibility. John Brooks examines a range of abstractionist, experimental, and genre-defying works by Black writers and artists that challenge how audiences perceive and imagine race. He argues that literature and visual art that exceed the confines of familiar conceptions of Black identity can upend received ideas about race and difference. Considering photography by Roy DeCarava, installation art by Kara Walker, novels by Percival Everett and Paul Beatty, drama by Suzan-Lori Parks, and poetry by Robin Coste Lewis, Brooks pinpoints a shared aesthetic sensibility. In their works, the devices that typically make race feel familiar are instead used to estrange cultural assumptions about race. Brooks contends that when artists confound expectations about racial representation, the resulting disorientation reveals the incoherence of racial ideologies. By showing how contemporary literature and art ask audiences to question what they think they know about race, The Racial Unfamiliar offers a new way to understand African American cultural production.
Josephine Baker's Cinematic Prism by Terri Simone Francis Pdf
A history and in-depth analysis of the film career of the iconic Black star, activist, and French military intelligence agent. Josephine Baker, the first Black woman to star in a major motion picture, was both liberated and delightfully undignified, playfully vacillating between allure and colonialist stereotyping. Nicknamed the “Black Venus,” “Black Pearl,” and “Creole Goddess,” Baker blended the sensual and the comedic when taking 1920s Europe by storm. Back home in the United States, Baker’s film career brought hope to the Black press that a new cinema centered on Black glamour would come to fruition. In Josephine Baker’s Cinematic Prism, Terri Simone Francis examines how Baker fashioned her celebrity through cinematic reflexivity, an authorial strategy in which she placed herself, her persona, and her character into visual dialogue. Francis contends that though Baker was an African American actress who lived and worked in France exclusively with a white film company, white costars, white writers, and white directors, she holds monumental significance for African American cinema as the first truly global Black woman film star. Francis also examines the double-talk between Baker and her characters in Le Pompier de Folies Bergère, La Sirène des Tropiques, Zou Zou, Princesse Tam Tam, and The French Way, whose narratives seem to undermine the very stardom they offered. In doing so, Francis illuminates the most resonant links between emergent African American cinephilia, the diverse opinions of Baker in the popular press, and African Americans’ broader aspirations for progress toward racial equality. Examining an unexplored aspect of Baker’s career, Josephine Baker’s Cinematic Prism deepens the ongoing conversation about race, gender, and performance in the African diaspora.
Postcolonial Past & Present by Anne Collett,Leigh Dale Pdf
In Postcolonial Past & Present twelve outstanding scholars look to those spaces Epeli Hau’ofa has insisted are full not empty to analyse the ways artists and intellectuals in the postcolonial world make sense of turbulent local and global forces.
Old Mother West Wind (Illustrated Edition) by Thornton Burgess Pdf
"Old Mother West Wind" is a famous series of children's books written by Thornton Burgess. The author used his outdoor observations of nature as plots for his stories. The characters in the Old Mother West Wind series include Peter Rabbit (known briefly as Peter Cottontail), Jimmy Skunk, Sammy Jay, Bobby Raccoon, Little Joe Otter, Grandfather Frog, Billy Mink, Jerry Muskrat, Spotty the Turtle, Old Mother West Wind, and her Merry Little Breezes. Table of Contents: Old Mother West Wind Mother West Wind's Children Mother West Wind's Animal Friends Mother West Wind "Why" Stories Mother West Wind "How" Stories Mother West Wind "When" Stories Mother West Wind "Where" Stories
Thornton Burgess Collection: 37 Children's Books & Bedtime Stories with Original Illustrations by Thornton Burgess Pdf
Good Press presents to you a meticulously edited Thornton Burgess collection. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Content: Bedtime Story-Books: The Adventures of Reddy Fox The Adventures of Johnny Chuck The Adventures of Peter Cottontail The Adventures of Unc' Billy Possum The Adventures of Mr. Mocker The Adventures of Jerry Muskrat The Adventures of Danny Meadow Mouse The Adventures of Grandfather Frog The Adventures of Chatterer, the Red Squirrel The Adventures of Sammy Jay The Adventures of Buster Bear The Adventures of Old Mr. Toad The Adventures of Prickly Porky The Adventures of Old Man Coyote The Adventures of Paddy the Beaver The Adventures of Poor Mrs. Quack The Adventures of Bobby Coon The Adventures of Jimmy Skunk The Adventures of Bob White The Mother West Wind Series: Old Mother West Wind Mother West Wind's Children Mother West Wind's Animal Friends Mother West Wind "Why" Stories Mother West Wind "How" Stories Mother West Wind "When" Stories Mother West Wind "Where" Stories The Green Meadow Series: Happy Jack Mrs. Peter Rabbit Bowser the Hound Old Granny Fox Other Children's Books: Lightfoot the Deer Blacky the Crow Whitefoot the Woodmouse The Burgess Bird Book for Children The Burgess Animal Book for Children Boy Scout Books: The Boy Scouts of Woodcraft Camp The Boy Scouts in a Trapper's Camp
THORNTON BURGESS Ultimate Collection: 37 Children's Books & Bedtime Stories with Original Illustrations by Thornton Burgess Pdf
e-arnow present to you this meticulously edited children's book collection of the beloved bedtime stories, warmhearted tales of nature and animals for the youngest: Bedtime Story-Books: The Adventures of Reddy Fox The Adventures of Johnny Chuck The Adventures of Peter Cottontail The Adventures of Unc' Billy Possum The Adventures of Mr. Mocker The Adventures of Jerry Muskrat The Adventures of Danny Meadow Mouse The Adventures of Grandfather Frog The Adventures of Chatterer, the Red Squirrel The Adventures of Sammy Jay The Adventures of Buster Bear The Adventures of Old Mr. Toad The Adventures of Prickly Porky The Adventures of Old Man Coyote The Adventures of Paddy the Beaver The Adventures of Poor Mrs. Quack The Adventures of Bobby Coon The Adventures of Jimmy Skunk The Adventures of Bob White The Mother West Wind Series: Old Mother West Wind Mother West Wind's Children Mother West Wind's Animal Friends Mother West Wind "Why" Stories Mother West Wind "How" Stories Mother West Wind "When" Stories Mother West Wind "Where" Stories The Green Meadow Series: Happy Jack Mrs. Peter Rabbit Bowser the Hound Old Granny Fox Other Children's Books: Lightfoot the Deer Blacky the Crow Whitefoot the Woodmouse The Burgess Bird Book for Children The Burgess Animal Book for Children Boy Scout Books: The Boy Scouts of Woodcraft Camp The Boy Scouts in a Trapper's Camp