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Lawrence Abu Hamdan. Earwitness Inventory by Anonim Pdf
The ninety-six objects in this inventory are sourced from earwitness interviews Lawrence Abu Hamdan conducted as well as from trial transcripts across the globe. After SFX explores the ways we remember sound and the ways in which cinematic sound effects have created a collective acoustic unconscious. What is revealed is our difficulty in describing these memories when precision is vital. The objects listed here stand in for a missing sonic vocabulary, a language we do not yet speak.00Exhibition: Secession, Vienna, Austria (08.12.2020-07.02.2021).
Reclaiming Artistic Research by Katayoun Arian,Lawrence Abu Hamdan,Carolyn Christov-Bakargiev,Stephanie Dinkins,Sher Doruff,Em'kal Eyongakpa,Ryan Gander,Mario García Torres,Liam Gillick,Natasha Ginwala,Sky Hopinka,Manuela Infante,Euridice Zaituna Kala,Grada Kilomba,Yo-Yo Lin,Cannupa Hanska Luger,Sarat Maharaj,Emma Moore,Richard Mosse,Rabih Mroué,Christian Nyampeta,Yuri Pattison,Falke Pisano,Sarah Rifky,Samson Young,Katarina Zdjelar Pdf
This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists' dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread reckoning with social justice, the growing role of artificial intelligence, and the urgent reality of climate change. LUCY COTTER (*1973, Ireland) is a writer, curator, and artist. She was Curator of the Dutch Pavilion, 57th Venice Biennale, 2017, and Curator in Residence at Oregon Center for Contemporary Art 2021–22. The inaugural director of the Master Artistic Research, Royal Academy of Art, The Hague, Cotter has lectured internationally, most recently at Portland State University. She holds a project residency at Stelo Arts and Culture Foundation 2023-24.
"All we wanted to do was make art accessible, non-academic, non-elitist, gossipy and fun" (Russell Tovey, quoted in the New York Times) Engaging, informative and open to everyone, Talk Art established itself as the must-listen cultural podcast in both the UK and the US, and it has now garnered 1.5 million downloads. With infectious enthusiasm, Russell and Robert have opened the doors to the art world and have welcomed people of all ages and backgrounds into the conversation. Talk Art, the book, is a beautiful and accessible celebration of contemporary art and a guidebook to navigating and engaging with the art world. Informal and jargon-free, this book proves that art really is for everyone. With a wealth of knowledge, Talk Art will become the must-have book that art lovers return to again and again. The book features highlights from interviews with: Tracey Emin, Rose Wylie, Helen Cammock, Jordan Casteel, Edward Enninful, Jerry Saltz, Elton John, Billy Porter, Grayson Perry, Michael Stipe, Lena Dunham, Rose McGowan, Ian McKellen, Deborah Frances-White, David Shrigley, Toyin Ojih Odutola and Michael Craig-Martin, among others. Chapters include: • Art & Feminism • Photojournalism as Art • Art & Political Change • How to Navigate the Art World • How do I Create My Own Collection? • Make Your Own Art • Highlights from popular features of the podcast, including 'Art Heist' and 'Favourite Colour'
Reclaiming Artistic Research by Katayoun Arian,Lawrence Abu Hamdan,Carolyn Christov-Bakargiev,Stephanie Dinkins,Sher Doruff,Em'kal Eyongakpa,Ryan Gander,Mario García Torres,Liam Gillick,Natasha Ginwala,Sky Hopinka,Manuela Infante,Euridice Zaituna Kala,Grada Kilomba,Yo-Yo Lin,Cannupa Hanska Luger,Sarat Maharaj,Emma Moore,Richard Mosse,Rabih Mroué,Christian Nyampeta,Yuri Pattison,Falke Pisano,Sarah Rifky,Samson Young,Katarina Zdjelar Pdf
This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists' dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread reckoning with social justice, the growing role of artificial intelligence, and the urgent reality of climate change. LUCY COTTER (*1973, Ireland) is a writer, curator, and artist. She was Curator of the Dutch Pavilion, 57th Venice Biennale, 2017, and Curator in Residence at Oregon Center for Contemporary Art 2021–22. The inaugural director of the Master Artistic Research, Royal Academy of Art, The Hague, Cotter has lectured internationally, most recently at Portland State University. She holds a project residency at Stelo Arts and Culture Foundation 2023-24.
Routledge Handbook of International Law and the Humanities by Shane Chalmers,Sundhya Pahuja Pdf
This Handbook brings together 40 of the world’s leading scholars and rising stars who study international law from disciplines in the humanities – from history to literature, philosophy to the visual arts – to showcase the distinctive contributions that this field has made to the study of international law over the past two decades. Including authors from Australia, Canada, Europe, India, South Africa, the UK and the USA, all the contributors engage the question of what is distinctive, and critical, about the work that has been done and that continues to be done in the field of ‘international law and the humanities’. For many of these authors, answering this question involves reflecting on the work they themselves have been contributing to this path-breaking field since its inception at the end of the twentieth century. For others, it involves offering models of the new work they are carrying out, or else reflecting on the future directions of a field that has now taken its place as one of the most important sites for the study of international legal practice and theory. Each of the book’s six parts foregrounds a different element, or cluster of elements, of international law and the humanities, from an attention to the office, conduct and training of the jurist and jurisprudent (Part 1); to scholarly craft and technique (Part 2); to questions of authority and responsibility (Part 3); history and historiography (Part 4); plurality and community (Part 5); as well as the challenge of thinking, and rethinking, international legal concepts for our times (Part 6). Outlining new ways of imagining, and doing, international law at a moment in time when original, critical thought and practice is more necessary than ever, this Handbook will be essential for scholars, students and practitioners in international law, international relations, as well as in law and the humanities more generally.
In both art and research, Beirut- and London-based artist Lawrence Abu Hamdan (b. 1985) explores the perception of language and sound. His latest project, A Politics of Listening, is an intervention into and reorganization of the forms listening takes. His latest artist book provides a glimpse into an elaborate and productive career that began with Hamdans interest in DIY music and includes audiovisual installations, performances, graphic works, photography, Islamic sermons, cassette tape compositions, essays and lectures. The slender publication, accompanying two recent shows, features transcriptions of sermons, monologues, testimonies and interviews made over the last five years engaging questions of national identity, human rights and the administration of justice. Hamdans audio-aesthetic practice includes sonic forensics for legal investigations and advocacy. Hamdan is a current fellow at Vera List Center for Art and Politics, the New School, NY, and his work is collected by MoMA, NY, Van Abbemuseum, Eindhoven, Barjeel Art Foundation, UAE, among others. Essays by Omar Kholeif and Fabian Schoneich.
This study of the subtlety, complexity, and variety of modes of hearing maps out a “sonorous archipelago”—a heterogeneous set of shifting sonic territories shaped by the vicissitudes of desire and discourse. Profoundly intimate yet immediately giving onto distant spaces, both an “organ of fear” and an echo chamber of anticipated pleasures, an uncontrollable flow subject to unconscious selection and augmentation, the subtlety, complexity, and variety of modes of hearing has meant that sound has rarely received the same philosophical attention as the visual. In The Order of Sounds, François J. Bonnet makes a compelling case for the irreducible heterogeneity of “sound,” navigating between the physical models constructed by psychophysics and refined through recording technologies, and the synthetic production of what is heard. From primitive vigilance and sonic mythologies to digital sampling and sound installations, he examines the ways in which we make sound speak to us, in an analysis of listening as a plurivocal phenomenon drawing on Foucault, Deleuze and Guattari, Barthes, Nancy, Adorno, and de Certeau, and experimental pioneers such as Tesla, Bell, and Raudive. Stringent critiques of the “soundscape” and “reduced listening” demonstrate that univocal ontologies of sound are always partial and politicized; for listening is always a selective fetishism, a hallucination of sound filtered by desire and convention, territorialized by discourse and its authorities. Bonnet proposes neither a disciplined listening that targets sound “itself,” nor an “ocean of sound” in which we might lose ourselves, but instead maps out a sonorous archipelago—a heterogeneous set of shifting sonic territories shaped and aggregated by the vicissitudes of desire and discourse.
Author : Neil Verma Publisher : University of Chicago Press Page : 305 pages File Size : 40,8 Mb Release : 2012-06-29 Category : Performing Arts ISBN : 9780226853529
For generations, fans and critics have characterized classic American radio drama as a “theater of the mind.” This book unpacks that characterization by recasting the radio play as an aesthetic object within its unique historical context. In Theater of the Mind, Neil Verma applies an array of critical methods to more than six thousand recordings to produce a vivid new account of radio drama from the Depression to the Cold War. In this sweeping exploration of dramatic conventions, Verma investigates legendary dramas by the likes of Norman Corwin, Lucille Fletcher, and Wyllis Cooper on key programs ranging from The Columbia Workshop, The Mercury Theater on the Air, and Cavalcade of America to Lights Out!, Suspense, and Dragnet to reveal how these programs promoted and evolved a series of models of the imagination. With close readings of individual sound effects and charts of broad trends among formats, Verma not only gives us a new account of the most flourishing form of genre fiction in the mid-twentieth century but also presents a powerful case for the central place of the aesthetics of sound in the history of modern experience.
At the Temperature of My Body by Heather Dewey-Hagborg Pdf
Catalog for the 2019 exhibition "At the temperature of my body" by Heather Dewey-Hagborg at Fridman Gallery, New York. Including essays by the artist and by Joel Kuennen.
"First published in late 2007, Paul Graham's a shimmer of possibility was quickly hailed as "one of the most important advances in contemporary photographic practice that has taken place in a long while" and marked a paradigm shift in the medium. The first edition redefined what a photobook can be. Comprising 12 individual hardback books in an edition of 1,000 copies, it sold out immediately. This second edition brings together the 12 books in one single volume at an accessible price. Loosely inspired by Chekhov's short stories, a shimmer of possibility comprises a series of photographic short stories of everyday life in today's America. Each story is a small sequence of images, such as a man smoking a cigarette while he waits for a bus in Las Vegas, or a walk down a street in Boston on an autumn afternoon. Often two, three or four sequences intertwine in a single chapter, like separate but related lives co-existing in suburban America. Sometimes the quiet narrative breaks unexpectedly into a sublime moment - while a couple carry their shopping home in Texas a small child dances with a plastic bag in a garden; as a man cuts the grass in Pittsburgh it begins to rain and the low sun breaks through to illuminate every raindrop. These filmic haikus avoid the forceful summation we usually find in photography, shunning any tidy packaging of the world into perfect images. Instead, life simply flows around and past us while we stand and stare, quietly astonished by its beauty and grace. The radical form of this work is reflected in the book's sequences, giving the flow of life precedence over conclusiveness, where nothing much happens, but nothing is foreclosed either, where everything shimmers with possibility." -- Publisher's description
Exhibition catalogue. Curators Anna Colin & Lydia Yee have chosen 42 contemporary artists for this years touring exhibition. The exhibition will tour Leeds Art Gallery, the Scottish National Gallery of Modern Art (Edinburgh), Norwich University of the Arts and Norwich Castle Museum and Art Gallery, as well as the John Hansard Gallery (University of Southampton) and the Southampton City Art Gallery between October 2015 and January 2017.
Master classic and cutting-edge Foley techniques that will allow you to create rich, convincing sound for any medium, be it film, television, radio, podcasts, animation, or games. In The Foley Grail, Second Edition award-winning Foley artist Vanessa Theme Ament teaches you how Foley is designed, crafted, and edited for any project, right down to the nuts and bolts of spotting, cueing, and performing sounds. Various renowned sound artists provide a treasure trove of shortcuts, hot tips, and other tricks of the trade. This new edition features: Entirely new chapters dedicated to Foley in games, television, broadcasting, and animation, as well as what is new in sound for media education All new sound "recipes" that include proven Foley methods you can immediately use on your own projects New case studies from well-known films, shows, games, and animations Interviews with current sound artists from across the globe An extensive companion website (www.focalpress.com/cw/ament) featuring video demonstrations of Foley artists at work, video tutorials of specific Foley techniques, lectures from the author, and much more
