Le Mystère Clouzot

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Le mystère Clouzot

Author : Noël Herpe
Publisher : Companyédition Lienart/Cinémathèque française
Page : 211 pages
File Size : 46,5 Mb
Release : 2017
Category : Electronic
ISBN : 2359062034

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Le mystère Clouzot by Noël Herpe Pdf

Outre son talent de raconteur d'histoires, il y a chez Henri-Georges Clouzot un vertige et une folie qui n'appartiennent qu'à lui : la recherche d'une forme idéale, une forme que l'artiste maîtriserait totalement et qui deviendrait la figure même de la vérité. Cette ambition insensée, il l'a côtoyée dans ses portraits filmés de grands artistes, comme Picasso ou Karajan ; mais elle est déjà présente dans le cinéma qui l'a rendu célèbre, du Corbeau aux Diaboliques, en passant par Le Salaire de la peur. A la lumière d'une riche iconographie, le plus souvent inédite, et sous la plume de spécialistes, cet ouvrage nous fait découvrir le "mystère Clouzot", en montrant la diversité de son génie cinématographique, son rapport aux arts plastiques et à la modernité picturale, sa passion pour la musique - et même sa propre pratique de la photographie.

Henri-Georges Clouzot

Author : Christopher Lloyd
Publisher : Manchester University Press
Page : 204 pages
File Size : 41,8 Mb
Release : 2007-07-15
Category : Biography & Autobiography
ISBN : 0719070147

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Henri-Georges Clouzot by Christopher Lloyd Pdf

Despite his controversial reputation and international notoriety as a filmmaker, no full-length study of Clouzot has ever been published in English. This book offers a significant revaluation of Clouzot's achievement, situating his career in the wider context of French cinema and society, and providing detailed and clear analysis of his major films (Le Corbeau, Quai des Orfèvres, Le Salaire de la peur, Les Diaboliques, Le Mystère Picasso).

Les métamorphoses d'Henri-Georges Clouzot

Author : Chloé Folens
Publisher : Editions Vendémiaire
Page : 300 pages
File Size : 45,6 Mb
Release : 2017
Category : Motion picture producers and directors
ISBN : 236358287X

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Les métamorphoses d'Henri-Georges Clouzot by Chloé Folens Pdf

L'assassin habite au 21, Quai des Orfèvres, Le Corbeau, Le Salaire de la peur, Les Diaboliques, Le Mystère Picasso... Autant de films qui sont aujourd'hui des classiques. Leur réalisateur, Henri-Georges Clouzot, véritable maître du suspense, est le seul avec Michelangelo Antonioni et Robert Altman à avoir remporté au cours de sa carrière le Lion d'or de la Mostra de Venise, la Palme d'or du Festival de Cannes et l'Ours d'or du Festival de Berlin. Or son oeuvre n'avait jusqu'à présent jamais fait l'objet d'une étude proprement biographique. Pourtant, il puise son inspiration, son sens de la mise en scène, de la dramaturgie, du récit et de la direction d'acteurs dans une vie aventureuse, passionnée, dont chaque étape éclaire son processus de création. En s'appuyant sur des archives inédites conservées par la. Cinémathèque française, Chloé Folens nous révèle comment chacune de ses oeuvres scande et séquence la vie du cinéaste.

Henri-Georges Clouzot

Author : Christopher Lloyd
Publisher : Unknown
Page : 190 pages
File Size : 49,9 Mb
Release : 2016
Category : Motion picture producers and directors
ISBN : 1784992860

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Henri-Georges Clouzot by Christopher Lloyd Pdf

Now available in paperback, this book offers a significant revaluation of Clouzot's achievement, situating his career in the wider context of French cinema and society, and providing detailed and clear analysis of his major films (Le corbeau, Quai des Orfèvres, Le Salaire de la peur, Les diaboliques, Le mystère Picasso). Clouzot's films combine meticulous technical control with sardonic social commentary and the ability to engage and entertain a broad public. Although his films are characterised by an all-controlling perfectionism, allied to documentary veracity and a disturbing bleakness of vision, Clouzot is well aware that his is an art of illusion. His fondness for anatomising social pretence, the deception, violence and cruelty practised by individuals and institutions, drew him repeatedly to the thriller as a convenient and compelling model for plots and characters, but his source texts and the usual conventions of the genre receive distinctly unconventional treatment.

The Artist, His Model, Her Image, His Gaze

Author : Karen L. Kleinfelder
Publisher : University of Chicago Press
Page : 294 pages
File Size : 40,7 Mb
Release : 1993-04-15
Category : Art
ISBN : 0226439836

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The Artist, His Model, Her Image, His Gaze by Karen L. Kleinfelder Pdf

Although Pablo Picasso's name is virtually synonymous with modernity, his late graphics repeatedly turn back to the traditional theme of the artist and model. Had the aging artist turned reactionary, or is Picasso's treatment of the theme more subversive than anyone has suspected? In this innovative study, Karen L. Kleinfelder rejects the claim that Picasso's later work was a failure. The failing, she claims, lies more in the way we typically have read the images, treating them merely as reflections of an "old-age" style or of the artist's private life. Focusing on graphics dating from 1954 to 1970, Kleinfelder shows how Picasso plays with the artist-model theme to extend, subvert, and parody both the possibilities and limits of representation. For Kleinfelder, Picasso's graphic work both mystifies and demystifies the creative process, venerates and mocks the effects of aging and the artist's self-image as a living "old master," and acknowledges and denies his own fear of death. Using recent interpretive and literary theory, Kleinfelder probes the three-way relationship between artist, model, and canvas. The dynamics of this relationship provided Picasso with an open-ended textual framework for exploring the dichotomies of man/woman, self/other, and vitality/mortality. What unfolds is the artist's struggle not only with the impossibility of representing the model on canvas, but also with the inevitability of his own death. Kleinfelder explores how Picasso's means of pursuing these issues allows him to defer closure on a long, productive career. By focusing on the graphics rather than the paintings, Kleinfelder contradicts the primacy of the painted "masterpiece"; she steers the reader away from the assumption that the artist must work toward creating a final body of work that signifies the culmination of his search for a coherent identify. Picasso's search, she argues, realizes itself in the creative process. She interprets the late graphics not as a biographical statement but as a tool for investigating the possibilities of representation within the limits of Picasso's medium and his lifetime. Richly illustrated, Kleinfelder's book will open up new approaches to the late work of this complex artist.

Les Diaboliques (Henri-Georges Clouzot, 1955)

Author : Susan Hayward
Publisher : University of Illinois Press
Page : 134 pages
File Size : 41,6 Mb
Release : 2005
Category : Performing Arts
ISBN : 0252073304

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Les Diaboliques (Henri-Georges Clouzot, 1955) by Susan Hayward Pdf

Les Diaboliques (The Fiends) was a top grossing film in 1955. Clouzot shrouded his film in mystery, beseeching his audience not to give away the ending. He also radically changed the original story of Boileau and Narcejeac's novel (Celle qui n'etait plus), heterosexualising the original lesbian plot. His film demonstrates how to imply, rather than show, horror, keeping the spectator in a state of continued suspense, only releasing us in the few final frames. Fifty years later, Les Diaboliques still intrigues perhaps due to its excessive ambiguities and numerous plot twists that make it a film noir to end all films noirs, and not least the great performance of Simone Signoret. In this enjoyable and challenging film stuy Susan Hayward, leading writer on French cinema, sets Les Diaboliques against the political culture of its time and demonstrates the importance of Clouzot as a master of the thriller genre. She gives an illuminating in-depth textual analysis of the film and presents a comparison with its US remake which, juxtaposed with the original film book, highlights the great staying power of Clouzot's version, still a popular film with international audiences half a century after its premiere. Book jacket.

Making Time

Author : Memory Jockisch Holloway
Publisher : Peter Lang
Page : 292 pages
File Size : 40,5 Mb
Release : 2006
Category : Art
ISBN : 0820450464

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Making Time by Memory Jockisch Holloway Pdf

Between March and October of 1968 Picasso produced 347 etchings in varying sizes and techniques. Uncharacteristically, he did very little drawing and almost no painting during that year. He abandoned sculpture altogether. Instead he turened his gaze almost entirely in the direction of the etchings. His concentration on them to the exclusion of other media marks Suite 347 as a particularly condensed site for the construction of meaning. One of the aims of this book is to establish how and under what conditions he contructed that meaning.

Film, Art, New Media: Museum Without Walls?

Author : Angela Dalle Vacche
Publisher : Springer
Page : 326 pages
File Size : 45,8 Mb
Release : 2012-06-12
Category : Art
ISBN : 9781137026132

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Film, Art, New Media: Museum Without Walls? by Angela Dalle Vacche Pdf

In the footsteps of Andre Bazin, this anthology of 15 original essays argues that the photographic origin of twentieth-century cinema is anti-anthropocentric. Well aware that the twentieth century stands out as the only period in history with its own photographic film record for posterity, Angela Dalle Vacche has convened international scholars at The Sterling and Francine Clark Art Institute, and asked them to rethink the history and theory of the cinema as a new model for the museum of the future. By exploring the art historical tropes of face and landscape, and key areas of film studies such as early cinema, Soviet film theory, documentary, the avant-garde and the newly-born genre of the museum film, this collection includes detailed discussions of installation art, and close analyses of media relations which range from dance to painting to performance art. Thanks to the title of Andre Malraux's famous project, Film, Art, New Media: Museum Without Walls? invites readers to reflect on the museum of the future, where twentieth-century cinema will play a pivotal role by interrogating the relation between art and science, technology and nature, from the side of photography in dialogue with digitalization.

The Films in My Life

Author : François Truffaut
Publisher : Diversion Books
Page : 452 pages
File Size : 49,8 Mb
Release : 2014-08-24
Category : Art
ISBN : 9781626813960

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The Films in My Life by François Truffaut Pdf

From a cinematic grand master, “one of the most readable books of movie criticism, and one of the most instructive” (American Film Institute). An icon. A rebel. A legend. The films of François Truffaut defined an exhilarating new form of cinema for moviegoers the world over. But before Truffaut became a great director, he was a critic who stood at the vanguard, pioneering an innovative way to view movies and to write about the cinematic arts. Now, for the first time in eBook, the legendary director shares his own words, as one of the most influential filmmakers of all time examines the art of movie-making through engaging and deeply personal reviews about the movies he loves. Truffaut writes extensively about his heroes, from Hitchcock to Welles, Chaplin to Renoir, Buñuel to Bergman, Clouzot to Cocteau, Capra to Hawks, Guitry to Fellini, sharing analysis and insight as to what made them film legends, and how their work led Truffaut and his fellow directors into classics like The 400 Blows, Jules and Jim, and the French New Wave movement. Articulate and candid, The Films in My Life is for everyone who has sat in a dark movie theater and dreamed. “Truffaut brings the same intelligence and grace to the printed page that he projects onto the screen. The Films in My Life provides a rare knowledgeable look at movies and moviemaking.” —Newsday

French Cinema: a Very Short Introduction

Author : Dudley Andrew
Publisher : Oxford University Press
Page : 193 pages
File Size : 53,8 Mb
Release : 2023-10-18
Category : History
ISBN : 9780198718611

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French Cinema: a Very Short Introduction by Dudley Andrew Pdf

It is often claimed that the French invented cinema, and although their prominence may have been supplanted by Hollywood today, the French film industry remains both prolific and highly lauded. Exploring the entire French cinematic oeuvre, Andrew teases out the distinguishing themes, to bring the defining features of French cinema to light.

French Cinema

Author : Rémi Fournier Lanzoni
Publisher : Bloomsbury Publishing USA
Page : 632 pages
File Size : 40,9 Mb
Release : 2015-10-22
Category : Performing Arts
ISBN : 9781501303098

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French Cinema by Rémi Fournier Lanzoni Pdf

To a large extent, the story of French filmmaking is the story of moviemaking. From the earliest flickering images of the late nineteenth century through the silent era, Surrealist influences, the Nazi Occupation, the glories of the New Wave, the rebirth of the industry in the 1990s with the exception culturelle, and the present, Rémi Lanzoni examines a considerable number of the world's most beloved films. Building upon his 2004 best-selling edition, the second edition of French Cinema maintains the chronological analysis, factual reliability, ease of use, and accessible prose, while at once concentrating more on the current generation of female directors, mainstream productions such as The Artist and The Intouchables, and the emergence of minority filmmakers (Beur cinema).

Critique of Fantasy, Vol. 2

Author : Laurence A. Rickels
Publisher : punctum books
Page : 235 pages
File Size : 48,5 Mb
Release : 2020-11-24
Category : Literary Criticism
ISBN : 9781953035196

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Critique of Fantasy, Vol. 2 by Laurence A. Rickels Pdf

In the "Introduction; or, How Star Wars Became Our Oldest Cultural Memory" of the first volume of Critique of Fantasy, the gambit of a contest between science fiction and fantasy was already sketched out. J.R.R. Tolkien and C.S. Lewis aimed to separate the fantasy from the techno-science foregrounded in works by H.G. Wells, for example, and raise the fantasy or fairy-story to the power of an alternate adult literary genre. My study of the contest between the B-genres for ownership of the evolution of the social relation of art out of the condemned site of day dreaming required in the first place a reading apparatus, which the first volume derived from psychoanalytic theories of daydreaming's relationship to conscious thought, the unconscious, and artistic production as well as from their prehistory, the philosophies of dreams, ghosts, willing and wishing.

Revolution in Paradise

Author : Yehuda Moraly
Publisher : Liverpool University Press
Page : 354 pages
File Size : 42,7 Mb
Release : 2019-11-01
Category : History
ISBN : 9781782845843

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Revolution in Paradise by Yehuda Moraly Pdf

The era of the German Occupation of France constituted, surprisingly, a golden age for the arts: literature, theater, popular music and cinema. These works of art seem to be devoid of political impact. The widespread trend of unrealistic and fantastic art during this period is explained by some scholars as the artists escape from the omnipotent eye of German censorship. The purpose of the book is to show that, contrary to the accepted view, some of these films were intimately linked to the political situation. They convey the demonization of characters that, while not specifically presented as Jews nevertheless manifested anti-Semitic stereotypes of the Jew as ugly, rootless, low, hypocritical, immoral, cruel and power hungry. All five movies analysed (Les Inconnus dans la maison, dir. Henri Decoin, 1942; Les Visiteurs du Soir, dir. Marcel Carne, 1942; L'Eternel retour, dir. Jean Delannoy, 1943; Les Enfants du Paradis, dir. Marcel Carne, 1943) present characters not identified as Jews but who exhibit negative Jewish traits, in contrast to the aristocratic characters whom they aspire to emulate. They demonstrate, implicitly, central themes of explicit anti-Semitic propaganda. Yehuda Moraly addresses two current major misconceptions regarding the Cinema of Occupied France: (1) that the accepted view that there were almost no explicitly Jewish characters in the cinema of that time and place is patently incorrect; and (2) that the feature films of Occupied France were not as it is commonly thought free of the propaganda messages that permeated the press, the radio and documentary films. Analysis of these films brings out the contradictory nature of European anti-Semitism. On one hand, the Jew is the anti-Christ, throttling the world with disgusting materialism while on the other hand, he is representative of an ancestral stifling morality, which it is time to abolish.

The Mediatization of the Artist

Author : Rachel Esner,Sandra Kisters
Publisher : Springer
Page : 269 pages
File Size : 55,6 Mb
Release : 2018-01-31
Category : Social Science
ISBN : 9783319662305

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The Mediatization of the Artist by Rachel Esner,Sandra Kisters Pdf

This book offers trans-historical and trans-national perspectives on the image of “the artist” as a public figure in the popular discourse and imagination. Since the rise of notions of artistic autonomy and the simultaneous demise of old systems of patronage from the late eighteenth century onwards, artists have increasingly found themselves confronted with the necessity of developing a public persona. In the same period, new audiences for art discovered their fascination for the life and work of the artist. The rise of new media such as the illustrated press, photography and film meant that the needs of both parties could easily be satisfied in both words and images. Thanks to these “new” media, the artist was transformed from a simple producer of works of art into a public figure. The aim of this volume is to reflect on this transformative process, and to study the specific role of the media themselves. Which visual media were deployed, to what effect, and with what kind of audiences in mind? How did the artist, critic, photographer and filmmaker interact in the creation of these representations of the artist’s image?

The Taste for Beauty

Author : Eric Rohmer
Publisher : Cambridge University Press
Page : 238 pages
File Size : 54,7 Mb
Release : 1989
Category : Performing Arts
ISBN : 052138592X

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The Taste for Beauty by Eric Rohmer Pdf

A collection of essays by the film-maker and critic Eric Rohmer written between 1948-1979.