Leitmotiv And Drama

Author : Hilda Meldrum Brown
Publisher : Oxford University Press, USA
Page : 240 pages
File Size : 52,8 Mb
Release : 1991
Category : Drama
ISBN : UOM:39015037060434

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Leitmotiv and Drama by Hilda Meldrum Brown Pdf

Wagner and Brecht are seemingly opposed in their approach to drama, music, and visual representation, the former believing in the integration of these different elements in the "Gesamtkunstwerk", the other in their separation. However, they share common ground in their sophisticated use of leitmotivic networks, a bridging device for Wagner who builds onto its verbal and semantic foundation a unique and complex musical language. Both use the device to explain and evaluate a dramatic action as it unfolds, i.e. as a major form of perspectival commentary. Brown discusses the paradox that Wagner's theory can shed light on Brecht's dramatic practice, since Brecht's own thematical concerns focus almost exclusively on the gestic and disjunctive perspectives identified with epic theatre.

Author : Michael Saffle
Publisher : Routledge
Page : 576 pages
File Size : 55,8 Mb
Release : 2010-06-10
Category : Music
ISBN : 9781135839529

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Richard Wagner by Michael Saffle Pdf

Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer.

Author : Matthew Bribitzer-Stull
Publisher : Cambridge University Press
Page : 357 pages
File Size : 53,8 Mb
Release : 2015-05-14
Category : Language Arts & Disciplines
ISBN : 9781107098398

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Understanding the Leitmotif by Matthew Bribitzer-Stull Pdf

Through analysis, Matthew Bribitzer-Stull explores the legacy of the leitmotif, from Wagner's Ring cycle to present-day Hollywood film music.

Author : David Gallagher
Publisher : Rodopi
Page : 471 pages
File Size : 41,9 Mb
Release : 2009
Category : Literary Criticism
ISBN : 9789042027084

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Metamorphosis by David Gallagher Pdf

The origins of selected instances of metamorphosis in Germanic literature are traced from their roots in Ovid's Metamorphoses, grouped roughly on an 'ascending evolutionary scale' (invertebrates, birds, animals, and mermaids). Whilst a broad range of mythological, legendary, fairytale and folktale traditions have played an appreciable part, Ovid's Metamorphoses is still an important comparative analysis and reference point for nineteenth- and twentieth-century German-language narratives of transformations. Metamorphosis is most often used as an index of crisis: an existential crisis of the subject or a crisis in a society's moral, social or cultural values. Specifically selected texts for analysis include Jeremias Gotthelf's Die schwarze Spinne (1842) with the terrifying metamorphoses of Christine into a black spider, the metamorphosis of Gregor Samsa in Kafka's Die Verwandlung (1915), ambiguous metamorphoses in E. T. A. Hoffmann's Der goldne Topf (1814), Hermann Hesse's Piktors Verwandlungen (1925), Der Steppenwolf (1927) and Christoph Ransmayr's Die letzte Welt (1988). Other mythical metamorphoses are examined in texts by Bachmann, Fouqué, Fontane, Goethe, Nietzsche, Nelly Sachs, Thomas Mann and Wagner, and these and many others confirm that metamorphosis is used historically, scientifically, for religious purposes; to highlight identity, sexuality, a dream state, or for metaphoric, metonymic or allegorical reasons.

Author : Roger W. H. Savage
Publisher : Routledge
Page : 213 pages
File Size : 40,9 Mb
Release : 2009-09-10
Category : Art
ISBN : 9781135839253

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Hermeneutics and Music Criticism by Roger W. H. Savage Pdf

Hermeneutics and Music Criticism forges new perspectives on aesthetics, politics and contemporary interpretive strategies. By advancing new insights into the roles judgment and imagination play both in our experiences of music and its critical interpretation, this book reevaluates our current understandings of music’s transformative power. The engagement with critical musicologists and philosophers, including Adorno, Gadamer, and Ricoeur, provides a nuanced analysis of the crucial issues affecting the theory and practice of music criticism. By challenging musical hermeneutics’ deployment as a means of deciphering social values and meanings, Hermeneutics and Music Criticism offers an answer to the long-standing question of how music’s expression of moods and feelings affects us and our relation to the world.

Author : Anna Lydia Motto,John R. Clark,Shannon N. Byrne,Edmund P. Cueva
Publisher : Bolchazy-Carducci Publishers
Page : 366 pages
File Size : 48,7 Mb
Release : 1999-01-01
Category : Literary Criticism
ISBN : 0865164541

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Veritatis Amicitiaeque Causa by Anna Lydia Motto,John R. Clark,Shannon N. Byrne,Edmund P. Cueva Pdf

John Scott Campbell, "Pisspots and Pumpkins: Three Notes to the Apocolocyntosis"; Mark Morford, "The Dual Citizenship of the Roman Stoics"; Jo-Ann Shelton, "Elephants, Pompey, and the Reports of Popular Displeasure in 55 BC"; Daniel R. White, "Seneca and the Empire of Signs"

Author : Patrice Pavis
Publisher : University of Toronto Press
Page : 492 pages
File Size : 47,9 Mb
Release : 1998-01-01
Category : Performing Arts
ISBN : 0802081630

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Dictionary of the Theatre by Patrice Pavis Pdf

An encyclopedic dictionary of technical and theoretical terms, the book covers all aspects of a semiotic approach to the theatre, with cross-referenced alphabetical entries ranging from absurd to word scenery.

Author : Claude Bremond,Joshua Landy,Thomas Pavel
Publisher : State University of New York Press
Page : 244 pages
File Size : 40,7 Mb
Release : 1994-12-05
Category : Biography & Autobiography
ISBN : 9780791497418

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Thematics by Claude Bremond,Joshua Landy,Thomas Pavel Pdf

This book aims at refocusing critical reflection on thematics in the arts, a topic that has been neglected recently. The volume is divided into four sections: theoretical essays, applications to literature, reflections on thematics in music and the visual arts, and a conclusion. The contributors, of international reputation, include Jean-Yves Bosseur, Claude Bremond, Menachem Brinker, Peter Cryle, Lubomír Dolezel, Françoise Escal, Thomas Pavel, Shlomith Rimmon-Kenan, Georges Roque, Jean-Marie Schaeffer, Cesare Segre, and Werner Sollars. In the theoretical section, the authors assess the need for new thematics, relate thematics to structural analysis and interpretation, and sketch a history of the discipline. The second section contains three applications to literature and examines the theme of the double, the Faustian literary theme, and the relation between literary theme and plot. The third section includes essays on classical music, modern music, and painting. The volume concludes with an essay on the aesthetic implications of thematic studies. The contributors answer questions about the nature of themes in general, and what would constitute a modern theory of literary themes.

Author : Raymond Monelle
Publisher : Princeton University Press
Page : 265 pages
File Size : 54,8 Mb
Release : 2010-09-17
Category : Music
ISBN : 9781400824038

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The Sense of Music by Raymond Monelle Pdf

The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history.

Author : Irving Brown (Consulting Bibliographer),Natasha Rappaport (Bibliographer),Don Rubin (General Editor),Rosabel Wang (Consulting Bibliographer)
Publisher : Routledge
Page : 546 pages
File Size : 40,7 Mb
Release : 2013-10-11
Category : Performing Arts
ISBN : 9781136119002

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World Encyclopedia of Contemporary Theatre by Irving Brown (Consulting Bibliographer),Natasha Rappaport (Bibliographer),Don Rubin (General Editor),Rosabel Wang (Consulting Bibliographer) Pdf

An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.

Author : Thomas S. Grey
Publisher : Princeton University Press
Page : 561 pages
File Size : 40,5 Mb
Release : 2009-07-27
Category : Music
ISBN : 9781400831784

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Richard Wagner and His World by Thomas S. Grey Pdf

Richard Wagner (1813-1883) aimed to be more than just a composer. He set out to redefine opera as a "total work of art" combining the highest aspirations of drama, poetry, the symphony, the visual arts, even religion and philosophy. Equally celebrated and vilified in his own time, Wagner continues to provoke debate today regarding his political legacy as well as his music and aesthetic theories. Wagner and His World examines his works in their intellectual and cultural contexts. Seven original essays investigate such topics as music drama in light of rituals of naming in the composer's works and the politics of genre; the role of leitmotif in Wagner's reception; the urge for extinction in Tristan und Isolde as psychology and symbol; Wagner as his own stage director; his conflicted relationship with pianist-composer Franz Liszt; the anti-French satire Eine Kapitulation in the context of the Franco-Prussian War; and responses of Jewish writers and musicians to Wagner's anti-Semitism. In addition to the editor, the contributors are Karol Berger, Leon Botstein, Lydia Goehr, Kenneth Hamilton, Katherine Syer, and Christian Thorau. This book also includes translations of essays, reviews, and memoirs by champions and detractors of Wagner; glimpses into his domestic sphere in Tribschen and Bayreuth; and all of Wagner's program notes to his own works. Introductions and annotations are provided by the editor and David Breckbill, Mary A. Cicora, James Deaville, Annegret Fauser, Steven Huebner, David Trippett, and Nicholas Vazsonyi.

Author : Robert W. Witkin
Publisher : Routledge
Page : 238 pages
File Size : 47,5 Mb
Release : 2013-06-17
Category : Philosophy
ISBN : 9781136215445

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Adorno on Music by Robert W. Witkin Pdf

Adorno is one of the leading cultural thinkers of the twentieth century. This is the first detailed account of Adorno's texts on music from a sociological perspective. In clear, non-technical language, Robert Witkin guides the reader through the complexities of Adorno's argument about the link between music and morality and between musical works and social structure. It was largely through these works Adorno established the right of the arts to be acknowledged as a moral and critical force in the development of a modern society. By recovering them for non-musicologists, Witkin adds immeasurably to our appreciation of this giant of twentieth-century thought.

Author : Carl Dahlhaus
Publisher : Univ of California Press
Page : 432 pages
File Size : 43,7 Mb
Release : 1989
Category : Biography & Autobiography
ISBN : 0520076443

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Nineteenth-Century Music by Carl Dahlhaus Pdf

This magnificent survey of the most popular period in music history is an extended essay embracing music, aesthetics, social history, and politics, by one of the keenest minds writing on music in the world today. Dahlhaus organizes his book around "watershed" years--for example, 1830, the year of the July Revolution in France, and around which coalesce the "demise of the age of art" proclaimed by Heine, the musical consequences of the deaths of Beethoven and Schubert, the simultaneous and dramatic appearance of Chopin and Liszt, Berlioz and Meyerbeer, and Schumann and Mendelssohn. But he keeps us constantly on guard against generalization and clich . Cherished concepts like Romanticism, tradition, nationalism vs. universality, the musical culture of the bourgeoisie, are put to pointed reevaluation. Always demonstrating the interest in socio-historical influences that is the hallmark of his work, Dahlhaus reminds us of the contradictions, interrelationships, psychological nuances, and riches of musical character and musical life. Nineteenth-Century Music contains 90 illustrations, the collected captions of which come close to providing a summary of the work and the author's methods. Technical language is kept to a minimum, but while remaining accessible, Dahlhaus challenges, braces, and excites. This is a landmark study that no one seriously interested in music and nineteenth-century European culture will be able to ignore.

Author : Anonim
Publisher : Unknown
Page : 562 pages
File Size : 50,6 Mb
Release : 1946
Category : Electronic journals
ISBN : UCSC:32106012933179

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Monatshefte by Anonim Pdf

Author : Caryl Flinn
Publisher : Princeton University Press
Page : 206 pages
File Size : 44,9 Mb
Release : 1992-06-15
Category : Performing Arts
ISBN : 9781400820658

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Strains of Utopia by Caryl Flinn Pdf

When Dmitri Tiomkin thanked Johannes Brahms, Johann Strauss, Richard Strauss, and Richard Wagner upon accepting the Academy Award for his score of The High and the Mighty in 1954, he was honoring a romantic style that had characterized Hollywood's golden age of film composition from the mid-1930s to the 1950s. Exploring elements of romanticism in film scores of composers ranging from Erich Korngold to Bernard Herrmann, Caryl Flinn argues that films tended to link music to the sense of an idealized, lost past. Just as the score of Gone with the Wind captured the grandeur of the antebellum South, others prompted flashbacks or suggested moments of emotional intensity and sensuality. Maintaining that many films treated this utopian impulse as a female trait, Flinn investigates the ways Hollywood genre films--particularly film noir and melodrama--sustained the connection between music and nostalgia, utopia, and femininity. The author situates Hollywood film scores within a romantic aesthetic ideology, noting compositional and theoretical affinities between the film composers and Wagner, with emphasis on authorship, creativity, and femininity. Pointing to the lasting impact of romanticism on film music, Flinn draws from poststructuralist, Marxist, feminist, and psychoanalytic criticism to offer fresh insights into the broad theme of music as an excessive utopian condition.