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Les Brown's Encyclopedia of Television by Les Brown Pdf
Some 3,000 entries (900 new) describe programs and personalities from the birth of the industry until today. In addition, coverage encompasses technological matters, legal issues and cases, mergers and acquisitions, terms and concepts, and events in the industry's history. The scope is international. Includes some small photos, but the temptation to litter the text with portraits and stills has been resisted.
Author : Les Brown,Outlet Publisher : Random House Value Pub Page : 128 pages File Size : 51,6 Mb Release : 1983-05-01 Category : Television broadcasting ISBN : 0517391929
"Conservative Bias examines one of the most notorious figures of modern American politics: Jesse Helms. Thrift shows that Helms was not merely a right-wing demagogue but rather a brilliant media mastermind who built a national movement from a little television soundstage in Raleigh."--Neil J. Young, Princeton University "In this careful, thoughtful, and thoroughly researched study, Bryan Hardin Thrift provides the first comprehensive study of Jesse Helms's long career as a conservative journalist and television ideologue prior to his long tenure as a U.S. senator from North Carolina."--William A. Link, author of Righteous Warrior: Jesse Helms and the Rise of Modern Conservatism "Traces a little-known, but pivotal, phase of Helms's pre-senatorial career and explains how the future New Right leader used the power of local television broadcasts in the 1960s to forge a new ideology that moved the nation to the right."--Daniel K. Williams, author of God's Own Party Before Bill O'Reilly and Glenn Beck, there was Jesse Helms. From in front of a camera at WRAL-TV, Helms forged a new brand of southern conservatism long before he was a senator from North Carolina. As executive vice president of the station, Helms delivered commentaries on the evening news and directed the news and entertainment programming. He pioneered the attack on the liberal media, and his editorials were some of the first shots fired in the culture wars, criticizing the influence of "immoral entertainment." Through the emerging power of the household television Helms established a blueprint and laid the foundation for the modern conservative movement. Bryan Thrift mines over 2,700 WRAL-TV "Viewpoint" editorials broadcast between 1960 and 1972 to offer not only a portrait of a skilled rhetorician and wordsmith but also a lens on the way the various, and at times competing, elements of modern American conservatism cohered into an ideology couched in the language of anti-elitism and "traditional values." Decades prior to the invention of the blog, Helms corresponded with his viewers to select, refine, and sharpen his political message until he had reworked southern traditionalism into a national conservative movement. The realignment of southern Democrats into the Republican Party was not easy or inevitable, and by examining Helms's oft-forgotten journalism career, Thrift shows how delicately and deliberately this transition had to be cultivated. Bryan Hardin Thrift teaches history at Johnston Community College.
The Columbia History of American Television by Gary Edgerton Pdf
Television is a form of media without equal. It has revolutionized the way we learn about and communicate with the world and has reinvented the way we experience ourselves and others. More than just cheap entertainment, TV is an undeniable component of our culture and contains many clues to who we are, what we value, and where we might be headed in the future. Media historian Gary R. Edgerton follows the technological developments and increasing cultural relevance of TV from its prehistory (before 1947) to the Network Era (1948-1975) and the Cable Era (1976-1994). He begins with the laying of the first telegraph line in 1844, which gave rise to the idea that images and sounds could be transmitted over long distances. He then considers the remodeling of television's look and purpose during World War II; the gender, racial, and ethnic components of its early broadcasts and audiences; its transformation of postwar America; and its function in the political life of the country. He talks of the birth of prime time and cable, the influence of innovators like Sylvester "Pat" Weaver, Roone Arledge, and Ted Turner, as well as television's entrance into the international market, describing the ascent of such programs as Dallas and The Cosby Show, and the impact these exports have had on transmitting American culture abroad. Edgerton concludes with a discerning look at our current Digital Era (1995-present) and the new forms of instantaneous communication that continue to change America's social, political, and economic landscape. Richly researched and engaging, Edgerton's history tracks television's growth into a convergent technology, a global industry, a social catalyst, a viable art form, and a complex and dynamic reflection of the American mind and character. It took only ten years for television to penetrate thirty-five million households, and by 1983, the average home kept their set on for more than seven hours a day. The Columbia History of American Television illuminates our complex relationship with this singular medium and provides historical and critical knowledge for understanding TV as a technology, an industry, an art form, and an institutional force.
The Encyclopedia of Television, second edtion is the first major reference work to provide description, history, analysis, and information on more than 1100 subjects related to television in its international context. For a full list of entries, contributors, and more, visit the Encyclo pedia of Television, 2nd edition website.
Author : Gary R. Edgerton,Jeffrey P. Jones Publisher : University Press of Kentucky Page : 372 pages File Size : 51,5 Mb Release : 2013-07-24 Category : Performing Arts ISBN : 9780813143712
The Essential HBO Reader by Gary R. Edgerton,Jeffrey P. Jones Pdf
The founding of Home Box Office in the early 1970s was a harbinger of the innovations that transformed television as an industry and a technology in the decades that followed. HBO quickly became synonymous with subscription television and became the leading force in cable programming. Having interests in television, motion picture, and home video industries was crucial to its success. HBO diversified into original television and movie production, home video sales, and international distribution as these once-separate entertainment sectors began converging into a global entertainment industry in the mid-1980s. HBO has grown from a domestic movie channel to an international cable-and-satellite network with a presence in over seventy countries. It is now a full-service content provider with a distinctive brand of original programming and landmark shows such as The Sopranos and Sex and the City. The network is widely recognized for its award-winning, innovative and provocative programming, including dramatic series such as Six Feet Under and The Wire, miniseries such as Band of Brothers and Angels in America, comedies such as Curb Your Enthusiasm and Def Comedy Jam, sports shows such as Inside the NFL and Real Sports with Bryant Gumbel, documentary series such as Taxi Cab Confessions and Autopsy, and six Oscar-winning documentaries between 1999 and 2004. In The Essential HBO Reader, editors Gary R. Edgerton and Jeffrey P. Jones bring together an accomplished group of scholars to explain how HBO's programming transformed the world of cable television and how the network continues to shape popular culture and the television industry. Now, after more than three and a half decades, HBO has won acclaim in four distinct programming areas—drama, comedy, sports, and documentaries—emerging as TV's gold standard for its breakout series and specials. The Essential HBO Reader provides a comprehensive and compelling examination of HBO's development into the prototypical entertainment corporation of the twenty-first century.
Information Sources in the Social Sciences by David Fisher,Sandra Price,Terry Hanstock Pdf
The aim of each volume of this series Guides to Information Sources is to reduce the time which needs to be spent on patient searching and to recommend the best starting point and sources most likely to yield the desired information. The criteria for selection provide a way into a subject to those new to the field and assists in identifying major new or possibly unexplored sources to those who already have some acquaintance with it. The series attempts to achieve evaluation through a careful selection of sources and through the comments provided on those sources.
Author : Bernard M. Timberg,Robert J. Erler Publisher : University of Texas Press Page : 416 pages File Size : 41,5 Mb Release : 2010-01-01 Category : Performing Arts ISBN : 9780292773660
Television Talk by Bernard M. Timberg,Robert J. Erler Pdf
Flip through the channels at any hour of the day or night, and a television talk show is almost certainly on. Whether it offers late-night entertainment with David Letterman, share-your-pain empathy with Oprah Winfrey, trash talk with Jerry Springer, or intellectual give-and-take with Bill Moyers, the talk show is one of television's most popular and enduring formats, with a history as old as the medium itself. Bernard Timberg here offers a comprehensive history of the first fifty years of television talk, replete with memorable moments from a wide range of classic talk shows, as well as many of today's most popular programs. Dividing the history into five eras, he shows how the evolution of the television talk show is connected to both broad patterns in American culture and the economic, regulatory, technological, and social history of the broadcasting industry. Robert Erler's "A Guide to Television Talk" complements the text with an extensive "who's who" listing of important people and programs in the history of television talk.
Narrative and Culture by Janice Carlisle,Daniel R. Schwarz Pdf
Narrative and Culture draws together fourteen essays in which leading scholars discuss narrative texts and practices in a variety of media and genres, subjecting them to sustained cultural analysis. The essays cross national borders and historical periods as often and as easily as they traverse disciplinary boundaries, and they examine canonical fiction as well as postmodern media—photography, film, television. The primary subject of these pieces, notes Janice Carlisle, is “the relation between the telling of tales and the engagement of their tellers and listeners in the practices of specific societies.” Contributors: Nina Auerbach, Thomas B. Byers, Jay Clayton, Marcel Cornis-Pope, Mary Lou Emery, Colleen Kennedy, Vera Mark, Caroline McCracken-Flesher, Paul Morrison, Ingeborg Majer O'Sickey, John Carlos Rowe, Daniel R. Schwarz, Carol Siegel, Felipe Smith
Encyclopedia of Journalism by Christopher H. Sterling Pdf
"Written in a clear and accessible style that would suit the needs of journalists and scholars alike, this encyclopedia is highly recommended for large news organizations and all schools of journalism." —Starred Review, Library Journal Journalism permeates our lives and shapes our thoughts in ways we′ve long taken for granted. Whether we listen to National Public Radio in the morning, view the lead story on the Today show, read the morning newspaper headlines, stay up-to-the-minute with Internet news, browse grocery store tabloids, receive Time magazine in our mailbox, or watch the nightly news on television, journalism pervades our daily activities. The six-volume Encyclopedia of Journalism covers all significant dimensions of journalism, including print, broadcast, and Internet journalism; U.S. and international perspectives; history; technology; legal issues and court cases; ownership; and economics. The set contains more than 350 signed entries under the direction of leading journalism scholar Christopher H. Sterling of The George Washington University. In the A-to-Z volumes 1 through 4, both scholars and journalists contribute articles that span the field′s wide spectrum of topics, from design, editing, advertising, and marketing to libel, censorship, First Amendment rights, and bias to digital manipulation, media hoaxes, political cartoonists, and secrecy and leaks. Also covered are recently emerging media such as podcasting, blogs, and chat rooms. The last two volumes contain a thorough listing of journalism awards and prizes, a lengthy section on journalism freedom around the world, an annotated bibliography, and key documents. The latter, edited by Glenn Lewis of CUNY Graduate School of Journalism and York College/CUNY, comprises dozens of primary documents involving codes of ethics, media and the law, and future changes in store for journalism education. Key Themes Consumers and Audiences Criticism and Education Economics Ethnic and Minority Journalism Issues and Controversies Journalist Organizations Journalists Law and Policy Magazine Types Motion Pictures Networks News Agencies and Services News Categories News Media: U.S. News Media: World Newspaper Types News Program Types Online Journalism Political Communications Processes and Routines of Journalism Radio and Television Technology
The Revolution Wasn't Televised by Lynn Spigel,Michael Curtin Pdf
Caricatures of sixties television--called a "vast wasteland" by the FCC president in the early sixties--continue to dominate our perceptions of the era and cloud popular understanding of the relationship between pop culture and larger social forces. Opposed to these conceptions, The Revolution Wasn't Televised explores the ways in which prime-time television was centrally involved in the social conflicts of the 1960s. It was then that television became a ubiquitous element in American homes. The contributors in this volume argue that due to TV's constant presence in everyday life, it became the object of intense debates over childraising, education, racism, gender, technology, politics, violence, and Vietnam. These essays explore the minutia of TV in relation to the macro-structure of sixties politics and society, attempting to understand the struggles that took place over representation the nation's most popular communications media during the 1960s.
The Official Dick Van Dyke Show Book [Deluxe Expanded Archive Edition] by Vince Waldron Pdf
The most acclaimed comedy series of TV's golden age, The Dick Van Dyke Show comes to life in this deluxe enhanced eBook that features hundreds of black and white and color photos, documents, and other rare images that are available only in this expanded edition. This fun-filled and impeccably researched book takes readers backstage to witness the creation of this TV classic through the eyes of the show's cast and crew, including Carl Reiner, Mary Tyler Moore, Rose Marie, Morey Amsterdam, Larry Mathews, and, of course, Dick Van Dyke himself. This expanded eBook includes never-before-published backstage and rehearsal photos—many in full color!—as well as the ultimate The Dick Van Dyke Show episode guide, which features the cast and title pages of every one of the show's 158 original scripts! Written by Emmy-winning writer Vince Waldron, this deluxe edition of The Official Dick Van Dyke Show Book offers readers the last word on the most influential TV comedy ever. “It was the very best time of my life and Vince's book helps me recall every treasured moment. Thanks, Vince!"—Dick Van Dyke “What an unexpected pleasure to read a book on a subject about which I thought I knew everything, only to find out that I didn’t. A very serious contribution to understanding what really were the best years of my theatrical life. I’d say it was a wonderfully scholarly work--but I won’t, because I don’t want to scare people away from a book that’s as much fun to read as this is.”—Carl Reiner, Producer and creator of The Dick Van Dyke Show "Wonderful. You got all the facts down in the right order. No embellishments. All the truth. Somebody finally got the whole story right.”—Rose Marie “The Official Dick Van Dyke Show Book is the best reference book on my shelf. It makes it even more fun to watch the show, if that's possible.”—Morey Amsterdam “Vince's tribute to our show offers as accurate a snapshot of the series—and the era that begat it—as any I've seen.”—Sheldon Leonard, Executive Producer of The Dick Van Dyke Show “A compelling narrative. . . . Waldron waltzes through the series’ story as gracefully as Van Dyke sidestepped his living room ottoman.” —Entertainment Weekly “Vince Waldron lovingly and very thoroughly recounts the history of The Dick Van Dyke Show." —Los Angeles Daily News "The definitive history...offers a wealth of backstage anecdotes."—Emmy Magazine "Entertaining and exhaustively researched...fans of the show will not be disappointed."—The Milwaukee Journal Sentinel "A terrific writer and painstaking researcher...it doesn't get any better than this, folks."—The TV Collector
