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Anton Chekhov's Life and Thought by Anton Pavlovich Chekhov Pdf
First published in 1973, this collection of Chekhov's correspondence is widely regarded as the best introduction to this great Russian writer. Weighted heavily toward the correspondence dealing with literary and intellectual matters, this extremely informative collection provides fascinating insight into Chekhov's development as a writer. Michael Henry Heim's excellent translation and Simon Karlinsky's masterly headnotes make this volume an essential text for anyone interested in Chekhov.
Chekhov's Letters by Carol Apollonio,Radislav Lapushin Pdf
This collection examines the letters of Anton Chekhov, which have received relatively little scholarly attention. The contributors approach the letters from a variety of angles—biography, psychology, literary criticism, poetics, and history—to characterize Chekhov’s key epistolary concerns and to examine their role in his life.
Maxim Gorky said that no one understood -- the tragedy of life's trivialities -- as clearly as Anton Chekhov, widely considered the father of the modern short story and the modern play. Chekhov's singular ability to speak volumes with a single, impeccably chosen word, mesh comedy and pathos, and capture life's basic sadness as he entertains us, are why so many aspire to emulate him. How to Write Like Chekhov meticulously cherry-picks from Chekhov's plays, stories, and letters to his publisher, brother, and friends, offering suggestions and observations on subjects including plot and characters (and their names), descriptions and dialogue, and what to emphasize and avoid. This is a uniquely clear roadmap to Chekhov's intelligence and artistic expertise and an essential addition to the writing-guide shelf.
Letters of Anton Chekhov to His Family and Friends by Anton Pavlovich Chekhov Pdf
"Letters of Anton Chekhov to His Family and Friends" is the selection from the bunch of eighteen hundred and ninety letters Chekhov wrote in his lifetime. According to the book's editor, the letters presented in the book are best to illustrate Chekhov's life, character, and opinions. A reader gets a unique opportunity to learn about the personality of this Russian short-story writer, playwright, and physician, considered to be one of the greatest short-story writers in world literature.
From his teenage years in provincial Russia to his premature death in 1904, Anton Chekhov wrote thousands of letters to a wide range of correspondents. This fascinating new selection tells Chekhov's story as a man and a writer through affectionate bulletins to his family, insightful discussions of literature with publishers and theater directors, and tender love letters to his actress wife. Vividly evoking landscapes, people, and his daily life, the letters offer revealing glimpses into Chekhov's preoccupations-the onset of tuberculosis, his dual careers as doctor and writer, and his ambivalence about his growing reputation as Russia's foremost playwright and author. This volume takes us inside the mind of one of the world's greatest writers, and the character that emerges from these pages is resilient, generous, charming, and life enhancing.
Dear Writer, Dear Actress by Anton Pavlovich Chekhov Pdf
Letters between the playwright and the actress who eventually became his wife; chronicles love struggling against the handicap of distance and the ravages of terminal illness.
Letters of Anton Chekhov to His Family and Friends by Anton Pavlovich Chekhov Pdf
The present compandium of letters and abridged memoirs written by the noted Russian short story writer Anton Pavlovich Chekhov to his family and friends was first published in this form in the year 1920.
Letters of Anton Chekhov to His Family and Friends; With biographical sketch by Anton Pavlovich Chekhov Pdf
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
The description 'definitive' is too easily used, but Donald Rayfield's biography of Chekhov merits it unhesitatingly. To quote no less an authority than Michael Frayn: 'With question the definitive biography of Chekhov, and likely to remain so for a very long time to come. Donald Rayfield starts with the huge advantage of much new material that was prudishly suppressed under the Soviet regime, or tactfully ignored by scholars. But his mastery of all the evidence, both old and new - a massive archive - is magisterial, his background knowledge of the period is huge; his Russian is sensitive to every colloquial nuance of the day, and his tone is sure. He captures a likeness of the notoriously elusive Chekhov which at last begins to seem recognisably human - and even more extraordinary.' Chekhov's life was short, he was only forty-four when he died, and dogged with ill-health but his plays and short stories assure him of his place in the literary pantheon. Here is a biography that does him full justice, in short, unapologetically to repeat that word 'definitive'. 'I don't remember any monograph by a Western scholar on a Russian author having such success. . . Nikita Mikhalkov said that before this book came out we didn't know Chekhov. . . The author doesn't invent, add or embellish anything . . . Rayfield is motivated by the Westerner's urge not ot hold information back, however grim it may be.' Anatoli Smelianski, Director of Moscow Arts Theatre School 'It is hard to imagine another book about Chekhov after this one by Donald Rayfield.' Arthur Miller, Sunday Times 'Donald Rayfield's exemplary biography draws on a daunting array of material inacessible or ignored by his predecessors.' Nikolai Tolstoy, The Literary Review 'Donald Rayfield, Chekhov's best and definitive biographer.' William Boyd, Guardian
Letters of Anton Chekhov by Anton Pavlovich Chekhov Pdf
Excerpt: ...The nights here are foggy, sailing is dangerous, I shall send off this letter at Gorbitsa. ... I am going first class because my companions are in the second. I have got away from them. We have driven together (three in one chaise), we have slept together and are sick of each other, especially I of them. My handwriting is very bad, shaky. That is because the steamer rocks. It's difficult to write. I broke off here. I went to my lieutenants and had tea. They have both had a long sleep and were in a very cordial mood. One of them, Lieutenant N. (the surname jars upon my ear), is in the infantry; he is a tall, well-fed, loud-voiced Courlander, a great braggart and Hlestakov, who sings songs from every opera, but has no more ear than a smoked herring, an unlucky fellow who has squandered all the money for his travelling expenses, knows all Mickiewicz by heart, is ill-bred, far too unreserved, and babbles till it makes you sick. Like me, he is fond of talking about his uncles and aunts. The other lieutenant, M., a geographer, is a quiet, modest, thoroughly well-educated fellow. If it were not for N., I could travel with the other for a million versts without being bored. But with N., who intrudes into every conversation, the other bores me too.... I believe we are reaching Gorbitsa. To-morrow I will make up the form of a telegram which you must send me to Sahalin. I will try to put all I want to know in thirty words, and you must try and keep strictly to the pattern. The gad-flies bite. TO N. A. LEIKIN. GORBITSA, June 20, 1890. Greetings, dear Nikolay Alexandrovitch I wrote you this as I approached Gorbitsa, one of the Cossack settlements on the banks of the Shilka, a tributary of the Amur. This is where I have got to. I am sailing down the Amur. I sent you a letter from Irkutsk. Did you get it? Since then more than a week has passed, in the course of which I have crossed Lake Baikal and driven through Transbaikalia. Lake Baikal is wonderful, and...
ANTON CHEKHOV: Letters, Diary, Reminiscences & Biography by Anton Chekhov Pdf
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Excerpt: "DEAR BROTHER MISHA, I got your letter when I was fearfully bored and was sitting at the gate yawning, and so you can judge how welcome that immense letter was. Your writing is good, and in the whole letter I have not found one mistake in spelling. But one thing I don't like: why do you style yourself "your worthless and insignificant brother”? You recognize your insignificance? … Recognize it before God; perhaps, too, in the presence of beauty, intelligence, nature, but not before men. Among men you must be conscious of your dignity. Why, you are not a rascal, you are an honest man, aren't you? Well, respect yourself as an honest man and know that an honest man is not something worthless. Don't confound "being humble” with "recognizing one's worthlessness.” …” (Letters of Anton Chekhov To His Family and Friends) Anton Chekhov (1860 -1904) was a Russian physician, dramaturge and author who is considered to be among the greatest writers of short stories in history. Chekhov practised as a medical doctor throughout most of his literary career. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them. Contents: Biography by Constance Garnett Autobiographical Writings: Letters of Anton Chekhov to his Family and Friends Notebook of Anton Chekhov Reminiscences of Anton Chekhov: Fragments of Recollections by Maxim Gorky A. P. Chekhov by Ivan Bunin To Chekhov's Memory by Alexander Kuprin
Antosha and Levitasha is the first book in English devoted to the complex relationship between Anton Chekhov and Isaac Levitan, one of Russia's greatest landscape painters. Outside of Russia, a general lack of familiarity with Levitan's life and art has undermined an appreciation of the cultural significance of his friendship with Chekhov. Serge Gregory's highly readable study attempts to fill that gap for Western readers by examining a friendship that may have vacillated between periods of affection and animosity, but always reflected an unwavering shared aesthetic. In Russia, where entire rooms of galleries in Moscow and St. Petersburg are devoted to Levitan's paintings, the lives of the famous writer and the equally famous artist have long been tied together. To those familiar with the work of both men, it is evident that Levitan's "landscapes of mood" have much in common with the way that Chekhov's characters perceive nature as a reflection of their emotional state. Gregory focuses on three overarching themes: the artists' similar approach to depicting landscape; their romantic and social rivalries within their circle of friends, which included many of Moscow's leading cultural figures; and the influence of Levitan's personal life on Chekhov's stories and plays. He emphasizes the facts of Levitan's life and his place in late nineteenth-century Russian art, particularly with respect to his dual loyalties to the competing Itinerant and World of Art movements. Accessible and engaging, Antosha and Levitasha will appeal to scholars and general readers interested in art history, late nineteenth-century Russian culture, and biographies.