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In 1798 Franz Xaver Niemetschek published this biography of Mozart - the only one written by an eyewitness and authorized by Mozart's widow Konstanze. It includes a dedication to Haydn and is one of the earliest specimens of musical biography which, compared with other branches of biography, was still in its infancy even in the latter part of the 19th century. This first biography of Mozart is not only an important document of music history but also a loving and intimate portrait of the world-renowned composer. Based on documents, letters and other original sources, Mozart: The First Biography conveys a vivid picture of the social and courtly life that formed the background of Mozart's sheer magical talents as a composer and virtuoso.
Eminent historian Paul Johnson dazzles with a rich, succinct portrait of Mozart and his music As he’s done in Napoleon, Churchill, Jesus, and Darwin, acclaimed historian and author Paul Johnson here offers a concise, illuminating biography of Mozart. Johnson’s focus is on the music—Mozart’s wondrous output of composition and his uncanny gift for instrumentation. Liszt once said that Mozart composed more bars than a trained copyist could write in a lifetime. Mozart’s gift and skill with instruments was also remarkable as he mastered all of them except the harp. For example, no sooner had the clarinet been invented and introduced than Mozart began playing and composing for it. In addition to his many insights into Mozart’s music, Johnson also challenges the many myths that have followed Mozart, including those about the composer’s health, wealth, religion, and relationships. Always engaging, Johnson offers readers and music lovers a superb examination of Mozart and his glorious music, which is still performed every day in concert halls and opera houses around the world.
Sourcebooks MediaFusion and Naxos proudly present the life and works of Mozart, complete with two audio CDs and an exclusive website. In this lively and accessible biography, Jeremy Siepmann reminds us of a remarkable natural talent who was, however, all too human. Read the text and listen to two CDs containing a carefully chosen cross-section of Mozart's music. Readers also gain access to an exclusive website that offers the musical works in full, the music of Mozart's father, a detailed timeline and more. This revolutionary biography utilizes traditional and new media to provide a uniquely rounded portrait of the composer himself. Naxos is the world's leading classical music label and provider of classical music over the Internet at www.naxos.com.
From the acclaimed composer and biographer Jan Swafford comes the definitive biography of one of the most lauded musical geniuses in history, Wolfgang Amadeus Mozart. At the earliest ages it was apparent that Wolfgang Mozart’s singular imagination was at work in every direction. He hated to be bored and hated to be idle, and through his life he responded to these threats with a repertoire of antidotes mental and physical. Whether in his rabidly obscene mode or not, Mozart was always hilarious. He went at every piece of his life, and perhaps most notably his social life, with tremendous gusto. His circle of friends and patrons was wide, encompassing anyone who appealed to his boundless appetites for music and all things pleasurable and fun. Mozart was known to be an inexplicable force of nature who could rise from a luminous improvisation at the keyboard to a leap over the furniture. He was forever drumming on things, tapping his feet, jabbering away, but who could grasp your hand and look at you with a profound, searching, and melancholy look in his blue eyes. Even in company there was often an air about Mozart of being not quite there. It was as if he lived onstage and off simultaneously, a character in life’s tragicomedy but also outside of it watching, studying, gathering material for the fabric of his art. Like Jan Swafford’s biographies Beethoven and Johannes Brahms, Mozart is the complete exhumation of a genius in his life and ours: a man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music. As Swafford reveals, it’s nearly impossible to understand classical music’s origins and indeed its evolutions, as well as the Baroque period, without studying the man himself.
On the occasion of Mozart's two hundred and fiftieth birthday, read Maynard Solomon's Mozart: A Life, universally hailed as the Mozart biography of our time.
The letters of one of the world’s greatest composers Wolfgang Amadeus Mozart—seen variously as a child prodigy, musical genius, tragic Romantic artist, and cultural icon—is among the most written-about of all composers. This fascinating set of his letters offers a new understanding of his life story—his marriage, compositions, performances, occasional money worries, opinions of fellow musicians, and complex relationship with his father—and a revealing portrait of both the man and the musician.
Mozart's Letters, Mozart's Life by Robert Spaethling Pdf
"A wonderful collection that gives Mozart a voice as a son, husband, brother and friend." —New York Times Book Review "Mozart's honesty, his awareness of his own genius and his contempt for authority all shine out from these letters."—Sunday Times (London). " In Mozart's Letters, Mozart's Life, Robert Spaethling presents "Mozart in all the rawness of his driving energies" (Spectator), preserved in the "zany, often angry effervescence" of his writing (Observer). Where other translators have ignored Mozart's atrocious spelling and tempered his foul language, "Robert Spaethling's new translations are lively and racy, and do justice to Mozart's restlessly inventive mind" (Daily Mail). Carefully selected and meticulously annotated, this collection of letters "should be on the shelves of every music lover" (BBC Music Magazine).
The Life and Times of Wolfgang Amadeus Mozart by John Bankston Pdf
As a little boy, Wolfgang Amadeus Mozart began writing musical compositions when most kids his age were still learning to read. By the time he was seven, Mozart was an accomplished musician who could play several instruments and also sing. Accompanied by his older sister, Nannerl, and his father, Leopold, young Wolfgang toured Europe. He performed before royalty and some of the richest members of society. By the time he was twelve, Wolfgang was famous. He first tasted failure as a teenager, as audiences ignored his operas, and he had trouble making money. He began to be known for his bad jokes and relentless pursuit of women. He eventually married the sister of the woman who broke his heart. In adulthood, Mozart's problems grew. He couldn't keep a job. He was usually broke. One of the greatest composers the world had ever known was forced to make a living giving piano lessons. Yet today, he is one of the most celebrated and respected composers of all time.
Mozart: A Cultural Biography is a fresh interpretation of a musical genius, meticulously researched and gracefully written. It places Mozart's life and music in the context of the intellectual, political, and artistic currents of eighteenth-century Europe. Even as he delves into philosophic and aesthetic questions, Robert Gutman keeps in sight, clearly and firmly, the composer and his works. He discusses the major genres in which Mozart worked - chamber music; liturgical, theatre, and keyboard compositions; concerto; symphony; opera; and oratorio. All of these riches unfold within the framework of the composer's brief but remarkable life.With Gutman's informed and sensitive handling, Mozart emerges in a light more luminous than in previous renderings. The composer was an affectionate and generous man to family and friends, self-deprecating, witty, winsome, but also an austere moralist, incisive and purposeful.Mozart is both an extraordinary portrait of a man in his time and a brilliant distillation of musical thought.
John Wells introduces the opera with a high-spirited account of the action-packed career of the author, in many respects the prototype of Figaro himself. Basil Deane explores the score: he shows that Mozart's characters are illuminated here not so much in soliloquies but in their reactions to each other. Composer Stephen Oliver discusses how the comedy exists not just in the words but, essentially, in the music. The full Italian text is given, with a note on the order of scenes in Act Three and the alternative passages Mozart wrote for the 1789 revival. The classic translation of E.J. Dent is an excellent way to get to know the twists and turns of the plot and the stylish wit of da Ponte's innuendos.Contents: A Society Marriage, John Wells; A Musical Commentary, Basil Deane; Music and Comedy in 'The Marriage of Figaro, Stephen Oliver; Beaumarchais's Characters; Le nozze di Figaro: Libretto by Lorenzo da Ponte; The Marriage of Figaro: English version by Edward J. Dent
Wolfgang Amadeus Mozart by Charles River Charles River Editors Pdf
*Analyzes the themes and progression of Mozart's most famous works, comparing and contrasting them to each other and other composers' great works. *Includes pictures of important people and places in Mozart's life. *Includes a bibliography for further reading. *Includes a list of Mozart's works. "It is a mistake to think that the practice of my art has become easy to me. I assure you, dear friend, no one has given so much care to the study of composition as I. There is scarcely a famous master in music whose works I have not frequently and diligently studied." - Mozart Wolfgang Amadeus Mozart (1756-1791), baptized Johannes Chrysostom Wolfgangus Theophilus Mozart, is widely considered to be the culminating figure of the Classical Period in music, which spanned much of the 18th to early 19th centuries. As such, he is remembered as one of Western Civilization's most prodigious and spontaneous natural talents, on par with Leonarado da Vinci and Johann Sebastian Bach. Mozart once called music "my life," and indeed few were as naturally gifted at it. Mozart's memory and genius for music allowed him to compose lengthy works, even full-length operas, without transferring them to paper until he had fully visualized and retained them. He regarded copying as a tedious task, and this caused no small amount of consternation among performers, in particular the orchestra, some of whom received their parts minutes before curtain. This was said to be the case for the premiere of Don Giovanni, where Mozart was furiously scrawling and handing out parts to the overture with the audience in attendance. Surprisingly, these entire works, sometimes hundreds of pages, not penned until they were complete in his mind, usually arrived to the manuscript without a single blemish or change of heart. Mozart's eccentricities are remembered centuries after his death, to the point that much of his life, illnesses and death have been mythologized, and today a lot of his legacy has been shaped by the manner in which his personality has been depicted in biographical works like Amadeus. In addition to a large and consistently high-level body of work, Mozart represents for some the real beginning of the German lineage to the 20th century, although Ludwig Beethoven, greatly under Mozart's influence, created much of that transition's reality. Three of Mozart's operas are continually in the top 10 works performed around the world, his piano concerti and symphonies are all in the standard repertoire (save for some of the earliest), and his choral works are treasures of the West. The bulk of his reputation was not garnered by breaking with tradition and destroying it but rather by fulfilling it with a greater beauty and naturalness than was possible for any other artist of the time. Mozart was perhaps the world's greatest master of the modern melody, coming onto the scene after centuries of rule-laden, pedantic and convoluted procedures dominated by the Catholic Church, and he certainly possessed one of the most astonishing levels of intelligence in European history. Wolfgang Amadeus Mozart: The Life and Music of the Great Composer comprehensively analyzes the themes and revolutionary advancements of Mozart's music, looking at his most famous works and comparing and contrasting them. Along with pictures of important people, places, and events, you will learn about Mozart and his music like never before, in no time at all.
Boyhood of Mozart, as child prodigy at the various royal courts of Europe. Before he died at the age of thirty-six he had left the world a great heritage of music.
