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Lippincott's Monthly Magazine, April 1888 by J. B. Lippincott Company Pdf
Lippincott's Monthly Magazine from April 1888 begins with The Quick or the Dead?: A Study, by Amelie Rivers, and includes an articles on western investments for eastern capital, an essay on the endowment of genius, and contemporary advertisements.
Lippincott's Monthly Magazine, September 1888 by J. B. Lippincott Company Pdf
Lippincott's Monthly Magazine from September 19888 begins with the play Herod and Mariamne, by Amelie Rivers, and includes articles on famous hoaxes and the Temperance Reform Movement, a recital of things that happened on September dates in history, and contemporary advertisements.
Lippincott's Monthly Magazine, September, 1888, Pp. 305-462 by Amelie Rives Pdf
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Filled with glamour, mystery, and madness, Archie and Amélie is the true story chronicling a tumultuous love affair in the Gilded Age. John Armstrong "Archie" Chanler was an heir to the Astor fortune, an eccentric, dashing, and handsome millionaire. Amélie Rives, Southern belle and the goddaughter of Robert E. Lee, was a daring author, a stunning temptress, and a woman ahead of her time. Archie and Amélie seemed made for each other—both were passionate, intense, and driven by emotion—but the very things that brought them together would soon tear them apart. Their marriage began with a “secret” wedding that found its way onto the front page of the New York Times, to the dismay of Archie’s relatives and Amélie’s many gentleman friends. To the world, the couple appeared charmed, rich, and famous; they moved in social circles that included Oscar Wilde, Teddy Roosevelt, and Stanford White. But although their love was undeniable, they tormented each other, and their private life was troubled from the start. They were the F. Scott and Zelda Fitzgerald of their day—a celebrated couple too dramatic and unconventional to last—but their tumultuous story has largely been forgotten. Now, Donna M. Lucey vividly brings to life these extraordinary lovers and their sweeping, tragic romance. “In the Virginia hunt country just outside of Charlottesville, where I live, the older people still tell stories of a strange couple who died some two generations ago. The stories involve ghosts, the mysterious burning of a church, a murder at a millionaire’s house, a sensational lunacy trial, and a beautiful, scantily clad young woman prowling her gardens at night as if she were searching for something or someone—or trying to walk off the effects of the morphine that was deranging her. I was inclined to dismiss all of this as tall tales Virginians love to spin out; but when I looked into these yarns I found proof that they were true. . . .” —Donna M. Lucey on Archie and Amélie
General Society of Mechanics and Tradesmen of the City of New York. Apprentices' Library
Author : General Society of Mechanics and Tradesmen of the City of New York. Apprentices' Library Publisher : Unknown Page : 428 pages File Size : 48,7 Mb Release : 1892 Category : Architecture ISBN : UCAL:B4523839
Catalogue of the J. Morgan Slade Library and Other Architectural Works in the Apprentices' Library by General Society of Mechanics and Tradesmen of the City of New York. Apprentices' Library Pdf
General Society of Mechanics and Tradesmen of the City of New York. Free Library
Author : General Society of Mechanics and Tradesmen of the City of New York. Free Library Publisher : Unknown Page : 440 pages File Size : 47,6 Mb Release : 1889 Category : Library catalogs ISBN : PRNC:32101073753657
This book revisits the debate over manners and morals that raged in France, Britain and the United States in the late nineteenth century. It was in essence a debate about gender and sexuality, and one of the foremost figures in the transnational discussions was the French writer and lecturer Paul Blouet, alias Max O’Rell (1847–1903). Although largely forgotten today, O’Rell deserves remembrance as a major phenomenon of the fin-de-siècle publishing and entertainment world. A Frenchman living in England but catering primarily to the American market, he disseminated national and gender stereotypes in an unprecedented way. Admired for the wit deployed in his lectures and his many best-selling books, he is a colorful exemplar of the many bourgeois commentators, male and female; most of them with mainstream political, social and cultural views, who engaged in these discussions, producing dense webs of assertion and opinion across countries and even continents. The elegant French salonnière, the independent but trustworthy English girl, the bitter American spinster activist meddling in public affairs: these are just a few examples of the many caricatural representations of women thrust into the debate. Max O’Rell and his fellow observers commented on women’s position in family and society, their partnership in the couple, their education, their sexual fulfilment, their right to paid work, aspects of social etiquette, feminism, domestic abuse, adultery and prostitution. There were frequent disagreements and sometimes hostile exchanges, but this analysis of the debate reveals a fundamentally common outlook among its participants: an agreement on patriarchy as the foundation of bourgeois society, and on the necessity to confine women in carefully stereotyped roles.