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Little Miss Dynamite by Brenda Lee,Robert K. Oermann,Julie Clay Pdf
A self-portrait of the child star who rose from the Georgia backwoods to pop music stardom illuminates the passion and drive that made Brenda Lee a celebrity and describes her tumultuous private life.
In Scarborough, a low-income urban neighborhood, three kids struggle to rise above poverty, abuse, and a system that consistently fails them. The adults in their lives either rise to the occasion or fall by the wayside; together, they make up a troubled yet inspired community that refuses to be undone. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
Broadcasting the Ozarks by Kitty Ledbetter,Scott Foster Siman Pdf
"Broadcasting the Ozarks explores the vibrant music scene in Springfield, Missouri, that reached its apex during the 1950s and '60s. Central to this history is the Ozark Jubilee (1955-61), the first weekly country music show on network television. Performers, promoters, talent managers, booking agents, and tourists from every corner of the United States followed the music trail to the Jubilee. Dubbed the 'king of the televised barn dances,' the show introduced the Ozarks region to viewers across America and put Springfield in the running with Nashville for dominance of the country music industry-with the Jubilee's producer, Si Siman, at the helm"
When you live in a volcano, ride to school in a helicopter, and regularly see your dad on the news with the caption EVIL GENIUS underneath his picture, it takes a lot to rattle you. Until you get a message that says: We have your father. Deliver the NOVA in 24 hours or we will kill him. What's a NOVA, you ask? It's a nuclear bomb capable of turning the city into a radioactive mushroom cloud, and ever since Fiona's dad built it, it's caused nothing but grief. But telling him to stop building weapons is like telling Michelangelo to stop painting. And that's why thirteen-year-old Fiona has a flamethrower strapped to her arm. After all, who'd mess with a girl who can throw fireballs? Apparently, these guys. Big mistake.
Lady Dynamite traces the life of one wife of the millions of women married to a Coal Miner. She carries the brunt of the hardships and trials of the Coal Mining Family. The story starts in the early part of nineteenth century and goes through to the end of the century. That one life begins in the United States and quickly transitions to northern Italy where she grew to a young lady. Then she came back to the States and to the coal towns to begin a life of a miner's wife.
Once upon a time, the princesses of classic fairy tales banded together to save their kingdoms from war! Rapa, a redheaded girl with a fiery spirit and lost memories, discovers a conspiracy that threatens the peace among all the mythical creatures of the land. Joined by the Little Mermaid, the Frog Prince, and Red Riding Hood, Rapa journeys through fabled forests and legendary realms on a quest to foil the scheme! Who has stolen the identities of beloved heroines Rapunzel, Belle, and Talia, and plots to destroy all the Faerie races?
Author : B. Lee Cooper,Rebecca A. Condon Publisher : Bloomsbury Publishing USA Page : 386 pages File Size : 47,5 Mb Release : 2004-04-30 Category : Language Arts & Disciplines ISBN : 9780313072727
The Popular Music Teaching Handbook by B. Lee Cooper,Rebecca A. Condon Pdf
The function of print resources as instructional guides and descriptors of popular music pedagogy are addressed in this concise volume. Increasingly, public school teachers and college-level faculty members are introducing and utilizing music-related educational approaches in their classrooms. This book lists reports dealing with popular music resources as classroom teaching materials, and will stimulate further thought among students and teachers. It focuses on the growing spectrum of published scholarship available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical directories and encyclopedias of artist profiles). Building on two recent publications: Teaching with Popular Music Resources: A Bibliography of Interdisciplinary Instructional Approaches, Popular Music and Society, XXII, no. 2 (Summer 1998), and American Culture Interpreted through Popular Music: Interdisciplinary Teaching Approaches (Bowling Green State University Popular Press, 2000), this volume focuses on the growing spectrum of published scholarship that is available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical directories and encyclopedias of artist profiles).
Too Much Too Young investigates how age and gender have shaped the careers and images of pop music stars, examining the role of youth and youthfulness in pop music through a series of themed case studies. Whiteley begins by investigating the exploitation of child stars such as Brenda Lee and Michael Jackson, offering a psychoanalytic reading of the relationship between child star and oppressive manager, and looks at the current glut of boy- and girl- bands and stars in the mold of Britney Spears to examine the continuing fatal attraction of stardom for adolescents. Whiteley then considers the star images of female singer-songwriters Kate Bush, Tori Amos, and Bjork, whose 'little girl' voices and characterization by the media suggests a girlish feminitity which is often at odds with the intentions of their musical output. She then moves on to explore the rock/pop divide as it affects the image of male performers, considering why male stars usually fall into the category of 'wild boys' such as Kurt Cobain or Jim Morrison, or 'nice boys', like Cliff Richard, The Monkees, and Wham! Whiteley ends by asking what happens to stars who set so much store by manipulations of youthfulness when they begin to age, and points to stars like Robbie Williams, Kylie Minogue and Cher to demonstrate that it is possible to achieve iconic pop status even without dying young.
In his own words, Bret Hart’s honest, perceptive, startling account of his life in and out of the pro wrestling ring. The sixth-born son of the pro wrestling dynasty founded by Stu Hart and his elegant wife, Helen, Bret Hart is a Canadian icon. As a teenager, he could have been an amateur wrestling Olympic contender, but instead he turned to the family business, climbing into the ring for his dad’s western circuit, Stampede Wrestling. From his early twenties until he retired at 43, Hart kept an audio diary, recording stories of the wrestling life, the relentless travel, the practical jokes, the sex and drugs, and the real rivalries (as opposed to the staged ones). The result is an intimate, no-holds-barred account that will keep readers, not just wrestling fans, riveted. Hart achieved superstardom in pink tights, and won multiple wrestling belts in multiple territories, for both the WWF (now the WWE) and WCW. But he also paid the price in betrayals (most famously by Vince McMahon, a man he had served loyally); in tragic deaths, including the loss of his brother Owen, who died when a stunt went terribly wrong; and in his own massive stroke, most likely resulting from a concussion he received in the ring, and from which, with the spirit of a true champion, he has battled back. Widely considered by his peers as one of the business’s best technicians and workers, Hart describes pro wrestling as part dancing, part acting, and part dangerous physical pursuit. He is proud that in all his years in the ring he never seriously hurt a single wrestler, yet did his utmost to deliver to his fans an experience as credible as it was exciting. He also records the incredible toll the business takes on its workhorses: he estimates that twenty or more of the wrestlers he was regularly matched with have died young, weakened by their own coping mechanisms, namely drugs, alcohol, and steroids. That toll included his own brother-in-law, Davey Boy Smith. No one has ever written about wrestling like Bret Hart. No one has ever lived a life like Bret Hart’s. For as long as I can remember, my world was filled with liars and bullshitters, losers and pretenders, but I also saw the good side of pro wrestling. To me there is something bordering on beautiful about a brotherhood of big tough men who pretended to hurt one another for a living instead of actually doing it. Any idiot can hurt someone. —from Hitman
Overcome with the desire for revenge after failing her mission and being soundly defeated by the Iron Eagle Elite, Vanessa enlists the help of Monty's contacts to track them down, acting without approval or permission from her boss. Vanessa is now hot on their tracks, with the deadly intention of paying them back for what they did to her with interest. Will Vanessa and Monty defeat the mercenaries, or will they perish trying?
Music of the Twentieth Century by Poets World-Wide,Marithal Wandigar. Pdf
This book by such poets is to help raise badly needed funds for the ongoing relief work in Haiti. The book is a tribute in poetic form to the talented men and women who have entertained us with their music for the past century. Here you will see names from the world of Popular Music, Heavy Rock, Folk, Gospel, and Opera. You name it and it’s represented here. For some of you there will be names that you grew up with, as far back as the nineteen sixties who are still making chart topping hits, even today. Music is an art form that can stir the emotions, and the brutal passions of a revolution to the gentle elegance of love.
Young Vimal is an outcast, constantly bullied and brutalized by his peers. Having never met his father, he has been told by his schoolmates that he''s the horrific offspring of a demon that impregnated his noble mother. When he accidentally awakens Jara, an actual demon of sinister beauty and malevolent power, from a centuries-long slumber, his life takes a turn for the evil. Fed by the boy''s anger and pain, Jara twists the trauma into a thirst for vengeance, offering him a ''magic'' powder with which to exact revenge on his tormentors. But such gifts come with a price... This original tale is the first East-meets-West collaboration between British comics'' master Mike Carey (X-Men, Lucifer, Unwritten) and Indian writer Samit Basu (Devi, Tall Tales).
For the past 40 years, acclaimed graphic novelist Jaime Hernandez has been creating a Love and Rockets-adjacent world ― set in the heyday of 1960s and ’70s women’s wrestling and lucha libre! ― with an entirely separate cast of characters who have aged and evolved: the beautiful and brutal Bettie Rey, the I.F.W. Pacific Women’s Champion ― a.k.a. Golden Girl ― as well as former champions Pantera Negra, Miss Kitty Perez, and many more. As Hernandez puts it, “It’s my Love and Rockets world that’s not my Love and Rockets world.” This best-of book spotlights the women who are often ignored in pro wrestling in 125 full color illustrations: pin-ups, action shots, fake wrestling magazine covers, all presented in a large paperback format that echoes the lucha libre magazines of the 1960s. Hernandez also discusses the work in an interview with fellow cartoonist Katie Skelly. Despite having created one of the most expansive and remarkable casts of characters of any cartoonist who ever lived (under the umbrella of the ongoing L&R comic book series), acclaimed graphic novelist Jaime Hernandez ― Will Eisner Hall of Famer; Eisner, Harvey, Ignatz, and PEN Award winner; L.A. Times Book Prize winner; and on a very short list of contenders for the title of America’s Greatest Living Cartoonist ― has been privately amassing a body of work that no one else has ever seen for over 40 years. Until now.