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Liu Ye, Catalogue Raisonné 1991-2015 by Christoph Noe Pdf
Inspired by his father, a children's book author, Beijing-based artist Liu Ye's (born 1964) paintings are reminiscent of cartoons and illustrations in children's books. This first catalogue raisonn featuring Ye's sensitive, small-format works provides an overview of his creative output during 1991-2013.
Chinese artist Liu Ye’s subtle, colorful canvases convey his love of literature in the artist’s first publication solely dedicated to his paintings of books. Beijing-based artist Liu Ye is known for his precise, deftly rendered representational paintings. Reminiscent of cartoons and illustrations in children’s books, they include references to abstract artists such as Piet Mondrian. In this new publication devoted exclusively to his Book Paintings, the artist examines the book as both a physical object and cultural totem. He simultaneously stresses the geometry in the composition while always imbuing his paintings with his uniquely recognizable style. The result is a body of work that feels both alien and familiar. Liu's Book Painting series, begun in 2013, depicts closeup views of books that are turned open to reveal empty pages, a strategy that emphasizes the object’s formal qualities over its content. Intimately scaled, these paintings indicate an appreciation of the book as an object, as well as a love of literature—Liu’s father was a children’s book author who introduced him to Western writers at a young age, fueling his curiosity and imagination. Published on the occasion of a solo exhibition presented at David Zwirner, New York, in 2020, this catalogue includes new writing by the acclaimed poet Zhu Zhu and an interview with the artist by Hans Ulrich Obrist.
Manuscripts and Archives by Alessandro Bausi,Christian Brockmann,Michael Friedrich,Sabine Kienitz Pdf
Archives are considered to be collections of administrative, legal, commercial and other records or the actual place where they are located. They have become ubiquitous in the modern world, but emerged not much later than the invention of writing. Following Foucault, who first used the word archive in a metaphorical sense as "the general system of the formation and transformation of statements" in his "Archaeology of Knowledge" (1969), postmodern theorists have tried to exploit the potential of this concept and initiated the "archival turn". In recent years, however, archives have attracted the attention of anthropologists and historians of different denominations regarding them as historical objects and "grounding" them again in real institutions. The papers in this volume explore the complex topic of the archive in a historical, systematic and comparative context and view it in the broader context of manuscript cultures by addressing questions like how, by whom and for which purpose were archival records produced, and if they differ from literary manuscripts regarding materials, formats, and producers (scribes).
Einstein once remarked "After a certain high level of technical skill is achieved, science and art tend to coalesce in aesthetics, plasticity, and form. The greatest scientists are always artists as well". In this volume, some of the world’s leading thinkers come together to expound on the interrelations between sciences and arts. While one can segregate art and place it outside the scientific realm, it is, nevertheless, inextricably linked to our essential cognitive/emotional/perceptual modalities and abilities, and therefore lies alongside and in close contact with the method of science and philosophy. What inspiration can scientists draw from art and how can scientific spirit foster our understanding and creation of aesthetic works? How are art and science grounded in our cognition? What role does perception play in science and art? Are criteria for beauty in art and science the same? How does evolution shape our understanding of art? How do science, art and scientifico-artistic frameworks shape society as a whole and help us address its pressing issues? The epistemological and ontological aspects haunt artists, philosophers and scientists alike. The essays in this volume address these manifold questions while also elucidating the pragmatic role they play in our daily life.
The Cambridge Encyclopedia of Brass Instruments by Trevor Herbert,Arnold Myers,John Wallace Pdf
Some thirty-two experts from fifteen countries join three of the world's leading authorities on the design, manufacture, performance and history of brass musical instruments in this first major encyclopedia on the subject. It includes over one hundred illustrations, and gives attention to every brass instrument which has been regularly used, with information about the way they are played, the uses to which they have been put, and the importance they have had in classical music, sacred rituals, popular music, jazz, brass bands and the bands of the military. There are specialist entries covering every inhabited region of the globe and essays on the methods that experts have used to study and understand brass instruments. The encyclopedia spans the entire period from antiquity to modern times, with new and unfamiliar material that takes advantage of the latest research. From Abblasen to Zorsi Trombetta da Modon, this is the definitive guide for students, academics, musicians and music lovers.
A History of Communications by Marshall T. Poe Pdf
A History of Communications advances a theory of media that explains the origins and impact of different forms of communication - speech, writing, print, electronic devices and the Internet - on human history in the long term. New media are 'pulled' into widespread use by broad historical trends and these media, once in widespread use, 'push' social institutions and beliefs in predictable directions. This view allows us to see for the first time what is truly new about the Internet, what is not, and where it is taking us.
The Golden Key: Modern Women Artists and Gender Negotiations in Republican China (1911-1949) by Amanda Wangwright Pdf
The first monograph devoted to women artists of the Republican period, The Golden Key recovers the history of a groundbreaking yet forgotten generation and demonstrates that women were integral to the development of modern Chinese art.
Hydroxyapatite and Other Calcium Orthophosphates by Sergey V. Dorozhkin Pdf
As the inorganic constituents of skeletons, dentine and the enamel of teeth in all vertebrates, as well as antlers of male deer, calcium orthophosphates (CaPO4) appear to be the key materials to sustain all life on Earth. Therefore, biologically relevant CaPO4 possess all the necessary features of the biomaterials, such as biocompatibility, bioactivity, bioresorbability, osteoconductivity, osteoinductivity, and appear to be non-toxic, non-inflammatory and non-immunogenic. In this book, the author presents current state-of-the-art applications on the occurrence, major properties and biomimetic crystallisation of CaPO4, as well as information on their history. Topics discussed include the geological and biological occurrences, a brief description of all known members of the CaPO4 family, their presence and major functions in the hard tissues of living organisms as both desired (normal) and undesired (pathological) calcifications, as well as the available information on biomimetic crystallisation. The detailed description of the historical development of our knowledge on CaPO4 is given in the second section of this book.
Author : Wannaporn Rienjang,Peter Stewart Publisher : Classical Art Research Centre Page : 264 pages File Size : 44,9 Mb Release : 2020-09-02 Category : Social Science ISBN : 9781789696967
The Global Connections of Gandhāran Art by Wannaporn Rienjang,Peter Stewart Pdf
Gandhāran art is often regarded as the epitome of cultural exchange in antiquity. The ancient region of Gandhāra, centred on what is now the northern tip of Pakistan, has been called the ‘crossroads of Asia’. The Buddhist art produced in and around this area in the first few centuries AD exhibits extraordinary connections with other traditions across Asia and as far as the Mediterranean. Since the nineteenth century, the Graeco-Roman associations of Gandhāran art have attracted particular attention. Classically educated soldiers and administrators of that era were astonished by the uncanny resemblance of many works of Gandhāran sculpture to Greek and Roman art made thousands of miles to the west. More than a century later we can recognize that the Gandhāran artists’ appropriation of classical iconography and styles was diverse and extensive, but the explanation of this ‘influence’ remains puzzling and elusive. The Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre was initiated principally to cast new light on this old problem. This volume is the third set of proceedings of the project’s annual workshop, and the first to address directly the question of cross-cultural influence on and by Gandhāran art. The contributors wrestle with old controversies, particularly the notion that Gandhāran art is a legacy of Hellenistic Greek rule in Central Asia and the growing consensus around the important role of the Roman Empire in shaping it. But they also seek to present a more complex and expansive view of the networks in which Gandhāra was embedded. Adopting a global perspective on the subject, they examine aspects of Gandhāra’s connections both within and beyond South Asia and Central Asia, including the profound influence which Gandhāran art itself had on the development of Buddhist art in China and India.
Progress in Artificial Intelligence by Paulo Moura Oliveira,Paulo Novais,Luís Paulo Reis Pdf
This book constitutes the refereed proceedings of the 19th EPIA Conference on Artificial Intelligence, EPIA 2019, held in Funchal, Madeira, Portugal, in September 2019. The 119 revised full papers and 6 short papers presented were carefully reviewed and selected from a total of 252 submissions. The papers are organized in 18 tracks devoted to the following topics: AIEd - Artificial Intelligence in Education, AI4G - Artificial Intelligence for Games, AIoTA - Artificial Intelligence and IoT in Agriculture, AIL - Artificial Intelligence and Law, AIM - Artificial Intelligence in Medicine, AICPDES - Artificial Intelligence in Cyber-Physical and Distributed Embedded Systems, AIPES - Artificial Intelligence in Power and Energy Systems, AITS - Artificial Intelligence in Transportation Systems, ALEA - Artificial Life and Evolutionary Algorithms, AmIA - Ambient Intelligence and Affective Environments, BAAI - Business Applications of Artificial Intelligence, GAI- General AI, IROBOT - Intelligent Robotics, KDBI - Knowledge Discovery and Business Intelligence, KRR - Knowledge Representation and Reasoning, MASTA - Multi-Agent Systems: Theory and Applications, SSM - Social Simulation and Modelling, TeMA - Text Mining and Applications.
The work of the Chinese artist Jia Aili (*1979 in Liaoning) possesses an unparalleled intensity. Whether reflecting on China's inauguration of the atomic bomb or the first satellites in 1970, the theme of Aili's oil paintings is the dramatic transformation of Chinese society over the past 50 years. The works simultaneously also convey a feeling of wonderment and fascination for the achievements and new possibilities that technological progress offers. It is a feeling Aili has particularly developed in his apocalyptic-seeming desert landscapes, which only allow space for isolated masked figures, usually astronauts. The monograph documents Aili's exhibitions over the past 10 years and shows the young Chinese artist's disparate sources of inspiration with the aid of discussions of individual works.
Li Hui (1977 in Beijing) creates three-dimensional sculptures and installations, generally out of powerful materials such as steel, wood, and laser or LED lights. His works generate surreal atmospheres: the wreck of a shattered ship, for instance, hovers above viewers' heads; red laser beams envelop the ruins of a car; prehistoric-looking skeletons are stored in vehicles or display cases illuminated by bluish light. According to the artist, these environments are to be regarded as references to Buddhist philosophy, which says that when opposites collide, something new is created. This extensive monograph is the first to examine the artist's most recent works, dating from 2005 to the present. In collaboration with the Zentrum für Internationale Lichtkunst Unna, the editor, curators, and critics shed light on Hui's themes, techniques, perspectives, and motivation; on an artist who combines the skills and knowledge of Western art and culture with the values of an Eastern worldview.