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Canadian composer Louis Applebaum devoted his life to the cultural awakening of his native land, and this "magnificent obsession" drove him to become a founder of the Canadian League of Composers and the Canadian Music Centre. He was an instrumental figure in the early development of the National Film Board, the Stratford Festival, and the National Art Centre in Ottawa. For nearly half a century he composed music for the Stratford Festival, television, radio, and films. This illustrated biography explores the man who was beloved by his fellow artists and the icon to whom every Canadian, knowingly or not, is indebted.
North of America by Asa McKercher,Michael D. Stevenson Pdf
In 1941, influential publishing magnate Henry Luce wrote a stirring essay on American global power, declaring that the world was in the midst of the first great American century. What did a newly outward-looking and hegemonic United States mean for its northern neighbour? From constitutional reform to transit policy, from national security to the arrival of television, Canadians were ever mindful of the American experience. This sharp-eyed study provides a unique look at postwar Canada, bringing to the fore the opinions and perceptions of a broad range of Canadians – from consumers to diplomats, jazz musicians to urban planners, and a diverse cross-section in between.
Best known as the writer of the lyric for the popular Disney song "Who's Afraid of the Big Bad Wolf?" as well as the American standard "Willow Weep for Me," Ann Ronell was also a translator and orchestrator for operatic works. This biography traces Ronell's life from her early days in Omaha, Nebraska, and recounts her marriage to producer Lester Cowan and her friendships with George Gershwin, Kurt Weill and the baritone John Charles Thomas. Includes more than 40 photographs, a chronology, family tree and film credits.
John P.L. Roberts, the CBC/Radio Canada, and Art Music by Friedemann Sallis,Regina Landwehr Pdf
This book examines the impact of the Canadian Broadcasting Corporation/Société Radio Canada (CBC/SRC) on the development of art music in Canada during the broadcaster’s first fifty years (1936-1986). In so doing, it investigates the achievement of one man: John Peter Lee Roberts. Born in Australia, he arrived in Canada in 1955, and, over the next thirty years, he worked tirelessly as a producer, administrator and adviser at the state broadcaster to bring the music of Canada to the world and the world of music to Canadians. Roberts also played a crucially important role in commissioning, disseminating and promoting new music by Canadian composers.
Monstrosity, Identity and Music by Alexis Luko,James K. Wright Pdf
Taking Mary Shelley's novel as its point of departure, this collection of essays considers how her creation has not only survived but thrived over 200 years of media history, in music, film, literature, visual art and other cultural forms. In studying monstrous figures torn from the deepest and darkest imaginings of the human psyche, the essays in this book deploy the latest analytical approaches, drawn from such fields as musicology, critical race studies, feminist studies, queer theory and psychoanalysis. The book interweaves the manifold sounds, sights and stories of monstrosity into a conversation that sheds light on important social issues, aesthetic trends and cultural concerns that are as alive today as they were when Shelley's landmark novel was published 200 years ago.
In a career that spanned five decades, Elmer Iseler proved himself pivotal to the development of choral music in Canada. After founding Canada’s first professional choir in 1954, he became artistic director and conductor of the Toronto Mendelssohn Choir. In 1979 he established Canada’s leading chamber choir, the Elmer Iseler Singers. He also enjoyed a long association with the Toronto Symphony Orchestra, conducting more than 150 performances of Handel’s Messiah and premiering complex twentieth-century music. Under his baton, choirs achieved international stature for technical brilliance and artistic versatility. He has, in the estimation of many, created a vibrant, world-class choral infrastructure in Canada. The most decorated musician in Canada, honoured with many awards nationally and internationally, Iseler has made an impact that will continue undiminished through his many recordings, the Elmer Iseler Singers, the Elmer Iseler Chair in Conducting, and the Elmer Iseler National Graduate Fellowships in Choral Conducting at the University of Toronto.
Tom Symons: A Canadian Life is a compelling portrait of one of Canada’s pre-eminent educational and cultural statesmen of the twentieth century. An outstanding public figure, Symons was a leader in many areas of Canadian life, including as the founding president of Trent University, as a pioneer in Canadian and Aboriginal studies, as an architect of national unity and French-language education in Ontario, as a champion of human rights, and as the chief policy advisor to the federal Progressive Conservative party in the 1960s and 1970s. The volume’s contributors are as remarkable as its subject. They include Madam Justice Rosalie Silberman Abella of the Supreme Court of Canada; the Honourable Tom McMillan, former federal Minister of the Environment; the Honourable Charles Beer, former Ontario Cabinet Minister; Ivan Fellegi, former Chief Statistician of Canada; John Fraser, one of Canada’s most distinguished journalists; and Denis Smith, award-winning biographer of John Diefenbaker, among others. Tom Symons: A Canadian Life is a study in leadership. It brings to light the unique human and personal qualities that allowed Symons to lead in such a wide range of areas and to exercise such deep and lasting influence on so many Canadian institutions -- contributions that continue to be meaningful and relevant for Canada today.
Eldon Davis Rathburn (1916-2008), one of the most multi-dimensional, prolific, and endlessly fascinating composers of the twentieth century, wrote more music than any other Canadian composer of his generation. During a long and productive career that spanned seventy-five years, Rathburn served for thirty years as a staff composer with the National Film Board of Canada (1947-76), scored the first generation of IMAX films, and created a diverse catalogue of orchestral and chamber works. With the aid of extensive archival and documentary materials, They Shot, He Scored chronicles Rathburn's life and works, beginning with his formative years in Saint John, New Brunswick, and his breakthrough in Los Angeles in connection with Arnold Schoenberg and the LA Philharmonic Orchestra. The book follows his work at the NFB, his close encounters with some of the most celebrated international figures in his field, and his collaboration with the team of innovators who launched the IMAX film corporation. James Wright undertakes a close analytical reading of Rathburn's film and concert scores to outline his methods, compositional techniques, influences, and idiosyncratic approach to instrumentation, as well as his proto-postmodern proclivity for borrowing from diverse styles and genres. Authoritative and insightful, They Shot, He Scored illuminates the extraordinary career of an unsung creative force in the film and music industry.
This is an account of the life and cultural contribution of one of Canadas most talented conductors. He was known for his limitless enthusiasm and support of Canadian music and young musicians, as well as for his insistence on playing music by Canadian composers.
This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video.
