Lucas Cranach The Elder Martin Luther And The Art Of The Reformation
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Lucas Cranach the Elder, Martin Luther, and the Art of the Reformation by Arjun Gupta Pdf
Lucas Cranach the Elder, Martin Luther & the Art of the Reformation examines the collaboration between the revolutionary leader of the Reformation and one of the great artists of early modern Germany, his friend and supporter, Lucas Cranach the elder. On the 500th anniversary of Luther's 95 Theses, this book examines the nature of art and image-making in the context of Reformation iconoclasm and the tradition of Catholic Renaissance art in the North. It focuses on Luther's Doctrine of Justification, which states the path of salvation lies in faith alone, and how it shaped the religious art that helped spread his new vision of Christianity.
Law and gospel and the strategies of pictorial rhetoric -- The Schneeberg altarpiece and the structure of worship -- The Wittenberg altarpiece : communal devotion and identity -- Holy visions and pious testimony: Weimar altarpiece -- Public worship to private devotion : Cranach's Reformation Madonna panels.
This compelling book retells and revises the story of the German Renaissance and Reformation through the lives of two controversial men of the sixteenth century: the Saxon court painter Lucas Cranach (the Serpent) and the Wittenberg monk-turned-reformer Martin Luther (the Lamb). Contemporaries and friends (each was godfather to the other's children), Cranach and Luther were very different Germans, yet their collaborative successes merged art and religion into a revolutionary force that became the Protestant Reformation. Steven Ozment, an internationally recognized historian of the Reformation era, reprises the lives and works of Cranach (1472-1553) and Luther (1483-1546) in this generously illustrated book. He contends that Cranach's new art and Luther's oratory released a barrage of criticism upon the Vatican, the force of which secured a new freedom of faith and pluralism of religion in the Western world. Between Luther's pulpit praise of the sex drive within the divine estate of marriage and Cranach's parade of strong, lithe women, a new romantic, familial consciousness was born. The "Cranach woman" and the "Lutheran household"--both products of the merged Renaissance and Reformation worlds--evoked a new organization of society and foretold a new direction for Germany.
This compelling book retells and revises the story of the German Renaissance and Reformation through the lives of two controversial men of the sixteenth century: the Saxon court painter Lucas Cranach (the Serpent) and the Wittenberg monk-turned-reformer Martin Luther (the Lamb). Contemporaries and friends (each was godfather to the other's children), Cranach and Luther were very different Germans, yet their collaborative successes merged art and religion into a revolutionary force that became the Protestant Reformation. Steven Ozment, an internationally recognized historian of the Reformation era, reprises the lives and works of Cranach (1472-1553) and Luther (1483-1546) in this generously illustrated book. He contends that Cranach's new art and Luther's oratory released a barrage of criticism upon the Vatican, the force of which secured a new freedom of faith and pluralism of religion in the Western world. Between Luther's pulpit praise of the sex drive within the divine estate of marriage and Cranach's parade of strong, lithe women, a new romantic, familial consciousness was born. The "Cranach woman" and the "Lutheran household"—both products of the merged Renaissance and Reformation worlds—evoked a new organization of society and foretold a new direction for Germany.
Many North Americans have little understanding or knowledge of the deep history of the conflicts involving First Nations and other Canadians. Taking place in the lands of the Cree Indians and the original 17th century settlers with the Hudson's Bay Company, 'Requiem' traces family history and the land's metamorphosis from a simple, nature-centered life to a complex world of trade, politics and intrigue. Penned by Canadian novelist, publisher and editor, Ashis Gupta, 'Requiem for the Last Indian' offers a deeper understanding of the roots of conflicts between First Nations and other Canadians. A bittersweet tale of love, wisdom and redemption, the novel is set largely in the frozen, inhospitable land of the Cree Indians bordering the James and Hudson Bays in northern Canada at the end of the 20th century, 'Requiem' tells the ill-fated love story of Charlie, son of a London mapmaker, and Rosie, a Cree school teacher. When 'Requiem' opens, the police are interviewing Charlie about the murder of three men following the brutal death of his Cree lover, who met the same fate of many of her real life Aboriginal sisters.
Maryan W. Ainsworth,Joshua P. Waterman,Dorothy Mahon,Metropolitan Museum of Art (New York, N.Y.)
Author : Maryan W. Ainsworth,Joshua P. Waterman,Dorothy Mahon,Metropolitan Museum of Art (New York, N.Y.) Publisher : Metropolitan Museum of Art Page : 386 pages File Size : 41,8 Mb Release : 2013 Category : History ISBN : 9781588394873
German Paintings in the Metropolitan Museum of Art, 1350-1600 by Maryan W. Ainsworth,Joshua P. Waterman,Dorothy Mahon,Metropolitan Museum of Art (New York, N.Y.) Pdf
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
The Origins of Protestant Aesthetics in Early Modern Europe by William A. Dyrness Pdf
The aesthetics of everyday life, as reflected in art museums and galleries throughout the western world, is the result of a profound shift in aesthetic perception that occurred during the Renaissance and Reformation. In this book, William A. Dyrness examines intellectual developments in late Medieval Europe, which turned attention away from a narrow range liturgical art and practices and towards a celebration of God's presence in creation and in history. Though threatened by the human tendency to self-assertion, he shows how a new focus on God's creative and recreative action in the world gave time and history a new seriousness, and engendered a broad spectrum of aesthetic potential. Focusing in particular on the writings of Luther and Calvin, Dyrness demonstrates how the reformers' conceptual and theological frameworks pertaining to the role of the arts influenced the rise of realistic theater, lyric poetry, landscape painting, and architecture in the sixteenth and seventeenth centuries.
Author : Joseph Leo Koerner Publisher : University of Chicago Press Page : 508 pages File Size : 49,9 Mb Release : 2004-05-03 Category : Art ISBN : 0226450066
The Reformation of the Image by Joseph Leo Koerner Pdf
With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God—shattering years of Catholic tradition and obviating the need for intermediaries like priests and saints between the individual believer and God. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation—not priestly ritual and saintly iconography. But if words—not iconic images—showed the way to salvation, why didn't religious imagery during the Reformation disappear along with indulgences? The answer, according to Joseph Leo Koerner, lies in the paradoxical nature of Protestant religious imagery itself, which is at once both iconic and iconoclastic. Koerner masterfully demonstrates this point not only with a multitude of Lutheran images, many never before published, but also with a close reading of a single pivotal work—Lucas Cranach the Elder's altarpiece for the City Church in Wittenberg (Luther's parish). As Koerner shows, Cranach, breaking all the conventions of traditional Catholic iconography, created an entirely new aesthetic for the new Protestant ethos. In the Crucifixion scene of the altarpiece, for instance, Christ is alone and stripped of all his usual attendants—no Virgin Mary, no John the Baptist, no Mary Magdalene—with nothing separating him from Luther (preaching the Word) and his parishioners. And while the Holy Spirit is nowhere to be seen—representation of the divine being impossible—it is nonetheless dramatically present as the force animating Christ's drapery. According to Koerner, it is this "iconoclash" that animates the best Reformation art. Insightful and breathtakingly original, The Reformation of the Image compellingly shows how visual art became indispensable to a religious movement built on words.
A revealing new account of the life and work of this early modern German printmaker. This captivating biography brings Lucas Cranach the Elder into the spotlight for the twenty-first century. The illuminating narrative unveils an artist whose vision transcended personal brilliance, seeking rather to elevate his nascent nation. Perhaps Cranach’s most remarkable achievement lay in forging a robust Lutheran community around his work. Using prints, the prevailing medium of mass communication, he developed an intricate symbolism that resonated with the populace in early modern Germany. On the other hand, Cranach also produced many paintings of female nudes, which this book returns to their central place in the artist’s life as symbols of Germany’s rich cultural connections with ancient Greece and Rome.
Martin Luther's Christmas Book by Martin Luther Pdf
Martin Luther's conception of the Nativity found expression in sermon, song, and art. This beautiful gift edition of a classic collection combines all three.
In 1517, a humble monk by the name of Martin Luther posted a list of 95 grievances against the Church of Rome, and in so doing he changed the course of history. Never had anyone so openly questioned the Church’s authority. No one could suspect–not even Luther himself–that his speaking out would herald the beginning of a new movement that came to be known as the Reformation.
An affordable guide to the main themes and motifs of this much-loved genius of the Northern Renaissance Lucas Cranach the Elder (1472-1553) created around 500 works during his lifetime. With his portraits of Martin Luther and Philipp Melanchton, and in his position as court painter to Frederick the Wise, Cranach quickly became one of the most sought-after painters of the Reformation. At the same time, Cranach was the first to translate the Italian Renaissance tradition of the life-size nude into art north of the Alps; his lascivious, barely veiled depiction of Venus, the goddess of love, bears witness to this. On the occasion of the epochal Cranach exhibition at the Kunsthistorisches Museum in Vienna, the Austrian novelist Teresa Präauer explores the work of this busy prince of painters from A to Z. She focuses both on Cranach's art and on the society that surrounded him, the subjects he painted and the events that shaped his development.
