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Author : Resi Schwarzbauer,Chris Bell
Publisher : Unknown
Page : 0 pages
File Size : 41,6 Mb
Release : 2021-04-16
Category : Artists
ISBN : 0648957411
Biography of emigré artist Ludwig Hirschfeld-Mack
Author : Felicity Renowden,Resi Schwartbaur
Publisher : Unknown
Page : 128 pages
File Size : 42,9 Mb
Release : 2014-07-30
Category : Electronic
ISBN : 192139496X
Author : Ludwig Hirschfeld-Mack
Publisher : Unknown
Page : 0 pages
File Size : 50,5 Mb
Release : 2024-06-13
Category : Electronic
ISBN : OCLC:1420464506
Author : Lyonel Feininger,Ludwig Hirschfeld-Mack,Nicholas Draffin,Art Gallery of New South Wales
Publisher : Unknown
Page : 68 pages
File Size : 54,6 Mb
Release : 1974
Category : Electronic
ISBN : UVA:X000646291
Author : Nicholas Draffin
Publisher : Unknown
Page : 0 pages
File Size : 41,7 Mb
Release : 1974
Category : Electronic
ISBN : OCLC:1419348803
Author : Sascha Bru
Publisher : Taylor & Francis
Page : 370 pages
File Size : 41,5 Mb
Release : 2024-03-13
Category : Art
ISBN : 9781003856665
This book examines the many functions of paper in the fine art and aesthetics of the early twentieth-century modernist or historic avant-garde (Expressionism, Cubism, Futurism, Dadaism, Surrealism, Constructivism and many more). With its many collages and photomontages, the historic avant-garde is generally considered to have transformed paper from a mere support into an artistic medium and to have assisted in art on paper gaining a firm autonomy. Bringing together an international team of scholars, this book shows that the story of paper in the avant-garde has thereby hardly been told. The first section looks at a selection of canonized individual avant-gardists’ work on paper to demonstrate that the material and formal analysis of paper in the avant-garde’s artistic production still holds much in store. In the second section, chapters zoom in on forms and formats of collective artistic production that deployed paper to move around reproductions of fine art works, to facilitate the dialogue between avant-gardists, to better promote their work among patrons, and to make their work available to a wider audience. Chapters in the third section lay bare how certain groups within the avant-garde began to massively create monochrome works, because these could be easily reproduced when transferred to, or reproduced as, linocuts. In the last section of the book, chapters explore how the avant-garde’s attentiveness to paper almost always also implied a critique of the ways in which paper, and all that it stood for, was treated and labored in European culture and society more broadly. The book will be of interest to scholars working in art history, modernism, and design.
Author : Magdalena Droste
Publisher : Taschen
Page : 266 pages
File Size : 46,9 Mb
Release : 2002
Category : Architecture
ISBN : 3822821055
Seventy years after its foundation in Weimar, the Bauhaus has become a concept, indeed a catchprase all over the world. The respect which it commands is associated above all with the design it pioneered, one which we know describe as 'Bauhaus style'. This volume traces the history of Bauhaus.
Author : Sascha Bru
Publisher : Walter de Gruyter
Page : 547 pages
File Size : 40,6 Mb
Release : 2009
Category : Aufsatzsammlung
ISBN : 9783110217711
Biographical note: Sascha Bru, Genth University, Belgium; Peter Nicholls, University of Sussex, UK.
Author : Moritz Baßler,Benedikt Hjartarson,Ursula Frohne,David Ayers,Sascha Bru
Publisher : Walter de Gruyter GmbH & Co KG
Page : 644 pages
File Size : 50,9 Mb
Release : 2020-09-21
Category : Literary Criticism
ISBN : 9783110637533
The historical avant-gardes defined themselves largely in terms of their relationship to various versions of realism. At first glance modernism primarily seems to take a counter-position against realism, yet a closer investigation reveals that these relations are more complex. This book is dedicated to the links between realism, modernism and the avant-garde in their international context from the late 19th century up to the present day.
Author : Peter Monteath
Publisher : National Library of Australia
Page : 274 pages
File Size : 48,8 Mb
Release : 2018-08-01
Category : History
ISBN : 9780642279248
Captured Lives peers behind the barbed wire drawn around people deemed threats to Australia's security during the two world wars. Civilians from enemy nations, even if born in Australia, were subjects of suspicion and locked away in internment camps. Prisoners-of-war were shipped from the other side of the world and shut away in camps in country Australia. No matter how unjust their internment or how severe the privations, most internees and POWs worked out ways to relieve their discomfort, physical and mental, and their boredom. Internees devoted their time to creative pursuits like theatre, musical ensembles, art and photography, while others involved themselves in sporting activities, gardening or studying. Captured Lives mentions over 30 of the main camps that were spread across Australia during the two world wars. Included are sketches, watercolours and photographs made by internees serve as references of the conditions and life in the camps from an insider's perspective.
Author : Barry Bergdoll,Leah Dickerman
Publisher : The Museum of Modern Art
Page : 348 pages
File Size : 42,5 Mb
Release : 2009
Category : Art
ISBN : 0870707582
The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers in an extraordinary conversation about modern art. Bauhaus 1919-1933, published to accompany a major multimedia exhibition at MoMA, is the first comprehensive treatment of the subject by MoMA since 1938 and offers a new generational perspective on the 20th century's most influential experiment in artistic education. It brings together works in a broad range of mediums, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theatre and costume design, and painting and sculpture - many of which have rarely if ever been seen outside of Germany. Featuring about 400 colour plates and a rich range of documentary images, this publication includes two overarching images by the exhibition's curators, Leah Dickerman and Barry Bergdoll, concise interpretive essays on key objects by over twenty leading scholars, and an illustrated, narrative chronology.
Author : R. Bruce Elder
Publisher : Wilfrid Laurier Univ. Press
Page : 516 pages
File Size : 48,7 Mb
Release : 2010-04-22
Category : Performing Arts
ISBN : 9781554580866
R. Bruce Elder argues that the authors of many of the manifestoes that announced in such lively ways the appearance of yet another artistic movement shared a common aspiration: they proposed to reformulate the visual, literary, and performing arts so that they might take on attributes of the cinema. The cinema, Elder argues, became, in the early decades of the twentieth century, a pivotal artistic force around which a remarkable variety and number of aesthetic forms took shape. To demonstrate this, Elder begins with a wide-ranging discussion that opens up some broad topics concerning modernity’s cognitive (and perceptual) regime, with a view to establishing that a crisis within that regime engendered some peculiar, and highly questionable, epistemological beliefs and enthusiasms. Through this discussion, Elder advances the startling claim that a crisis of cognition precipitated by modernity engendered, by way of response, a peculiar sort of “pneumatic (spiritual) epistemology.” Elder then shows that early ideas of the cinema were strongly influenced by this pneumatic epistemology and uses this conception of the cinema to explain its pivotal role in shaping two key moments in early-twentieth-century art: the quest to bring forth a pure, “objectless” (non-representational) art and Russian Suprematism, Constructivism, and Productivism.
Author : Gregory Zinman
Publisher : University of California Press
Page : 391 pages
File Size : 48,6 Mb
Release : 2020-01-03
Category : Art
ISBN : 9780520302730
Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of “handmade cinema” from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema’s shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.
Author : Lesley Harding,Sue Cramer
Publisher : The Miegunyah Press
Page : 273 pages
File Size : 50,7 Mb
Release : 2009
Category : Art
ISBN : 9780522856736
Cubism was a movement that changed fundamentally the course of twentieth-century art. It had far-reaching effects, both conceptual and stylistic, which are still being felt today. Described in 1912 by French poet and commentator Guillaume Apollinaire as 'not an art of imitation, but an art of conception', Cubism irreversibly altered art's relationship to visual reality. 'I paint things as I think them, not as I see them', Picasso said. Cubism and Australian Art examines for the first time the impact of this transformative art movement on the work of Australian artists, from the early 1920s to the present day. The authors argue that by its very nature, Cubism was characterised by variation and change, that the idea of a pure or original Cubism was short lived, and that its appearance in Australian art parallels its uptake and re-interpretation by artists internationally. In the words of French artist Andr Lhote, mentor to several Australians who studied at his Academy in Paris: 'There are a thousand defi nitions of Cubism, because there are a thousand painters practising it'. More than eighty international and Australian artists are showcased with over 300 works, featuring Sam Atyeo, Ralph Balson, Grace Crowley, Frank Hinder, Roger Kemp, Godfrey Miller, Stephen Bram and Daniel Crooks, as well as Pablo Picasso, Georges Braque and Fernand L ger.
Author : Elizabeth Otto
Publisher : MIT Press
Page : 324 pages
File Size : 44,6 Mb
Release : 2023-12-20
Category : Social Science
ISBN : 9780262381024
An investigation of the irrational and the unconventional currents swirling behind the Bauhaus's signature sleek surfaces and austere structures. The Bauhaus (1919–1933) is widely regarded as the twentieth century's most influential art, architecture, and design school, celebrated as the archetypal movement of rational modernism and famous for bringing functional and elegant design to the masses. In Haunted Bauhaus, art historian Elizabeth Otto liberates Bauhaus history, uncovering a movement that is vastly more diverse and paradoxical than previously assumed. Otto traces the surprising trajectories of the school's engagement with occult spirituality, gender fluidity, queer identities, and radical politics. The Bauhaus, she shows us, is haunted by these untold stories. The Bauhaus is most often associated with a handful of famous artists, architects, and designers—notably Paul Klee, Walter Gropius, László Moholy-Nagy, and Marcel Breuer. Otto enlarges this narrow focus by reclaiming the historically marginalized lives and accomplishments of many of the more than 1,200 Bauhaus teachers and students (the so-called Bauhäusler), arguing that they are central to our understanding of this movement. Otto reveals Bauhaus members' spiritual experimentation, expressed in double-exposed “spirit photographs” and enacted in breathing exercises and nude gymnastics; their explorations of the dark sides of masculinity and emerging female identities; the “queer hauntology” of certain Bauhaus works; and the role of radical politics on both the left and the right—during the school's Communist period, when some of the Bauhäusler put their skills to work for the revolution, and, later, into the service of the Nazis. With Haunted Bauhaus, Otto not only expands our knowledge of a foundational movement of modern art, architecture, and design, she also provides the first sustained investigation of the irrational and the unconventional currents swirling behind the Bauhaus's signature sleek surfaces and austere structures. This is a fresh, wild ride through the Bauhaus you thought you knew.