Madge Watt And The Power Of Women Working Together
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Madge Watt and the Power of Women Working Together by R. Fenner,H. Geissinger Pdf
Married at 25, widowed at 45, head of an international organization at 65! Madge Watt led an eventful life and a successful career working with women. She had the skills and attitude that would have made her a success anywhere but she chose to enhance the power of women reaching helping hands to other women. Together with thinking women from other countries, the Associated Country Women of the World (ACWW) was formed and now has over 7 million members -- all women. They understand issues from the woman's point of view and they know the pressures on them. Women today stand on the shoulders of their mothers and their mother's mothers. If you think women's voices haven't been raised before this, Madge Watt's story will help you think again.
As the founding president of the Associated Country Women of the World (ACWW), Madge Robertson Watt (1868–1948) turned imperialism on its head. During the First World War, Watt imported the “made-in-Canada” concept of Women’s Institutes – voluntary associations of rural women – to the British countryside. In the interwar years, she capitalized on the success of the Institutes to help create the ACWW, a global organization of rural women. A feminist imperialist and a liberal internationalist, Watt was central to the establishment of two organizations which remain active around the world today. In A Great Rural Sisterhood, Linda M. Ambrose uses a wealth of archival materials from both sides of the Atlantic to tell the story of Watt’s remarkable life, from her early years as a Toronto journalist to her retirement and memorialization after the Second World War.
Everyone knows three things about the Women's Institute: that they spent the war making jam; the sensational Calendar Girls were WI; and, more recently, that slow-handclapping of Tony Blair. But there's so much more to this remarkable Movement. Over 200,000 women in the UK belong to the WI and their membership is growing. They cross class and religion,include all ages -from students and metropolitan young professionals, such as the Shoreditch Sisters,to rural centenarians -with passions that range from supporting the 1920s Bastardy Bill (in response to a wartime legacy of illegitimate babies) to the current SOS for Honey Bees campaign. It was founded in 1915, not by worthy ladies in tweeds but by the feistiest women in the country, including suffragettes, academics and social crusaders who discovered the heady power of sisterhood, changing women's lives and their world in the process. Certainly its members boiled jam and sang ' Jerusalem ', but they also made history. This fascinating book reveals for the first time how they are - and always were - a force to be reckoned with.
For close to two hundred years, families and individuals across Ontario have travelled down country roads and gathered to enjoy seasonal agricultural fairs. Though some features of township and county fairs have endured for generations, these community events have also undergone significant transformations since 1850, especially in terms of women’s participation. Cultivating Community tells the story of how women’s involvement became critical to agricultural fairs’ growth and prosperity. By examining women’s diverse roles as agricultural society members, fair exhibitors, performers, volunteers, and fairgoers, Jodey Nurse shows that women used fairs’ manifold nature to present different versions of rural womanhood. Although traditional domestic skills and handicrafts, such as baking, needlework, and flower arrangement, remained the domain of women throughout this period, women steadily enlarged their sphere of influence on the fairgrounds. By the mid-twentieth century they had staked out a place in venues previously closed to them, including the livestock show ring, the athletic field, and the boardroom. Through a wealth of fascinating stories and colourful detail, Cultivating Communities adds a new dimension to the social and cultural history of rural women, placing their activities at the centre of the agricultural fair.
Gender, Power and the Unitarians in England, 1760-1860 by Ruth Watts Pdf
This new study explores the role the Unitarians played in female emancipation. Many leading figures of the late eighteenth and early nineteenth centuries were Unitarian, or were heavily influenced by Unitarian ideas, including: Mary Wollstonecraft, Elizabeth Gaskell, George Eliot, and Florence Nightingale. Ruth Watts examines how far they were successful in challenging the ideas and social conventions affecting women. In the process she reveals the complex relationship between religion, gender, class and education and her study will be essential reading for those studying the origins of the feminist movement, nineteenth-century gender history, religious history or the history of education.
Author : Linda M. Ambrose,Joan M. Jensen Publisher : University of Iowa Press Page : 273 pages File Size : 41,7 Mb Release : 2017-03 Category : History ISBN : 9781609384722
Women in Agriculture by Linda M. Ambrose,Joan M. Jensen Pdf
Taking readers into the rural hinterlands of the rapidly urbanizing societies of the United States, Canada, Great Britain, and the Netherlands, the essays in Women in Agriculture tell the stories of a cadre of professional women who worked as agricultural researchers, producers, marketers, educators, and community organizers, and acted to bridge the growing rift between those who grew food and those who only consumed it.
In a feat of extraordinary archival research Sheila Rowbotham uncovers six little-known women and men whose lives were both dramatic and startlingly radical. Rowbotham tells a story that moves from Bristol, Belfast and Edinburgh to Massachusetts and the wildernesses of California, showing how rebellious ideas were formed and travelled across the Atlantic. Rebel Crossings offers fascinating perspectives on the historical interaction of feminism, socialism, anarchism and on the incipient consciousness of a new sense of self, so vital for women seeking emancipation. Their influences ranged from Unitarianism, High Church Anglicanism, and esoteric spirituality through to Walt Whitman, William Morris, Edward Carpenter, Eleanor Marx, Peter Kropotkin, Benjamin Tucker, and Max Stirner. In differing ways they sought to combine the creation of a co-operative society with personal freedom, enhanced perception and loving friendships, experimenting with free love, rational dress, health diets and deep breathing. A work of significant originality in terms of historical scholarship, this book also speaks to the dilemmas of our own times.
Shakespeare's Women and the Fin de Siècle by Sophie Duncan Pdf
Shakespeare's Women and the Fin de Siècle illuminates the most iconoclastic performances of Shakespeare's heroines in late Victorian theatre, through the celebrity, commentary, and wider careers of the actresses who played them. By bringing together fin-de-siècle performances of Shakespeare and contemporary Victorian drama for the first time, this book illuminates the vital ways in which fin-de-siècle Shakespeare and contemporary Victorian theatre culture conditioned each other. Actresses' movements between Shakespeare and fin-de-siècle roles reveal the collisions and unexpected consonances between apparently independent areas of the fin-de-siècle repertory. Performances including Ellen Terry's Lady Macbeth, Madge Kendal's Rosalind, and Lillie Langtry's Cleopatra illuminate fin-de-siècle Shakespeare's lively intersections with cultural phenomena including the 'Jack the Ripper' killings, Aestheticism, the suicide craze, and the rise of metropolitan department stores. If, as previous studies have shown, Shakespeare was everywhere in Victorian culture, Sophie Duncan explores the surprising ways in which late-Victorian culture, from Dracula to pornography, and from Ruskin to the suffragettes, inflected Shakespeare. Via a wealth of unpublished archival material, Duncan reveals women's creative networks at the fin de siècle, and how Shakespearean performance traditions moved between actresses via little-studied performance genealogies. At the same time, controversial new stage business made fin-de-siècle Shakespeare as much a crucible for debates over gender roles and sexuality as plays by Ibsen and Shaw. Increasingly, actresses' creative networks encompassed suffragist activists, who took personal inspiration from star Shakespearean actresses. From a Salome-esque Juliet to a feminist Paulina, fin-de-siècle actresses created cultural legacies which Shakespeare-in-performance still negotiates today.