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The Transcultural Critic: Sabahattin Ali and Beyond by Seyda Ozil,Michael Hofmann,Jens Peter Laut,Yasemin Dayioglu-Yücel,Cornelia Zierau Pdf
The central theme of this volume is the work of Sabahattin Ali, the Turkish author and translator from German into Turkish who achieved posthumous success with his novel Kürk Mantolu Madonna (The Madonna in the Fur Coat). Our contributors analyze this novel, which takes place largely in Germany, and several other texts by Ali in the context of world literature, (cultural) translation, and intertextuality. Their articles go far beyond the intercultural love affair that has typically dominated the discussion of Madonna. Other articles consider Zafer Şenocak’s essay collection Deutschsein and transcultural learning through picture books. An interview with Selim Özdoğan rounds out the issue.
During WWII, a teenage boy finds his voice, the courage of his convictions, and friends for life in an emotional and uplifting novel by the New York Times and #1 Amazon Charts bestselling author. 1941. Steven Katz is the son of prosperous landowners in rural California. Although his parents don't approve, he's found true friends in Nick, Suki, and Ollie, sons of field workers. The group is inseparable. But Steven is in turmoil. He's beginning to acknowledge that his feelings for Nick amount to more than friendship. When the bombing of Pearl Harbor draws the US into World War II, Suki and his family are forced to leave their home for the internment camp at Manzanar. Ollie enlists in the army and ships out. And Nick must flee. Betrayed by his own father and accused of a crime he didn't commit, he turns to Steven for help. Hiding Nick in a root cellar on his family's farm, Steven acts as Nick's protector and lifeline to the outside world. As the war escalates, bonds deepen and the fear of being different falls away. But after Nick unexpectedly disappears one day, Steven's life focus is to find him. On the way, Steven finds a place he belongs and a lesson about love that will last him his lifetime.
The Time Regulation Institute by Ahmet Hamdi Tanpinar Pdf
A literary discovery: an uproarious tragicomedy of modernization, in its first-ever English translation Perhaps the greatest Turkish novel of the twentieth century, being discovered around the world only now, more than fifty years after its first publication, The Time Regulation Institute is an antic, freewheeling send-up of the modern bureaucratic state. At its center is Hayri Irdal, an infectiously charming antihero who becomes entangled with an eccentric cast of characters—a television mystic, a pharmacist who dabbles in alchemy, a dignitary from the lost Ottoman Empire, a “clock whisperer”—at the Time Regulation Institute, a vast organization that employs a hilariously intricate system of fines for the purpose of changing all the clocks in Turkey to Western time. Recounted in sessions with his psychoanalyst, the story of Hayri Irdal’s absurdist misadventures plays out as a brilliant allegory of the collision of tradition and modernity, of East and West, infused with a poignant blend of hope for the promise of the future and nostalgia for a simpler time. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The Man Who Never Stopped Sleeping by Aharon Appelfeld Pdf
A young holocaust survivor tries to create a new life in the newly established state of Israel. Erwin doesn’t remember much about his journey across Europe when the war ended because he spent most of it asleep, carried by other survivors as they emerged from their hiding places or were liberated from the camps and made their way to Naples, where they filled refugee camps and wondered what was to become of them. Erwin becomes part of a group of boys being rigorously trained both physically and mentally by an emissary from Palestine for life in their new home. When he and his fellow clandestine immigrants are released by British authorities from their detention camp near Haifa, they are assigned to a kibbutz, where they learn how to tend the land and speak their new language. But a part of Erwin clings to the past—to memories of his parents, his mother tongue, the Ukrainian city where he was born—and he knows that despite what he is being told, who he was is just as important as who he is becoming. When he is wounded in an engagement with snipers, Erwin spends months trying to regain the use of his legs. As he exercises his body, he exercises his mind as well, copying passages from the Bible in his newly acquired Hebrew and working up the courage to create his own texts in this language both old and new, hoping to succeed as a writer where his beloved, tormented father had failed. With the support of his friends and the encouragement of his mother (who visits him in his dreams), Erwin takes his first tentative steps with his crutches—and with his pen. Once again, Aharon Appelfeld mines personal experience to create dazzling, masterly fiction with a universal resonance.
With all the wit and brilliance of Chekhov, a distinctive collection of lyrical stories from Sait Faik Abasıyanık, “Turkey’s greatest short story writer” (The Guardian) Sait Faik Abasıyanık’s fiction traces the interior lives of strangers in his native Istanbul: ancient coffeehouse proprietors, priests, dream-addled fishermen, poets of the Princes’ Isles, lovers and wandering minstrels of another time. The stories in A Useless Man are shaped by Sait Faik’s political autobiography – his resistance to social convention, the relentless pace of westernization, and the ethnic cleansing of his city – as he conjures the varied textures of life in Istanbul and its surrounding islands. The calm surface of these stories might seem to signal deference to the new Republic’s restrictions on language and culture, but Abasıyanık’s prose is crafted deceptively, with dark, subversive undercurrents. “Reading these stories by Sait Faik feels like finding the secret doors inside of poems,” Rivka Galchen wrote. Beautifully translated by Maureen Freely and Alexander Dawe, A Useless Man is the most comprehensive collection of Sait Faik’s stories in English to date.
June, 1914: Clara Waterfield is summoned to a large stone house in Gloucestershire, to fill a greenhouse with exotic plants from Kew Gardens and create a private paradise. Yet on arrival, Clara hears rumours: something is wrong with quiet wisteria-covered Shadowbrook. While its gardens are spectacular, its rooms are shuttered or empty. The owner is mostly absent; the housekeeper and maids seem afraid. And soon, Clara understands their fear: for something - or someone - is walking through the house at night. In the height of summer, she finds herself drawn deeper into Shadowbrook's dark interior - and into the secrets that haunt the house. Nothing, not even the men who claim they wish to help her, is quite what it seems...
The Pulitzer Prize–finalist’s intimate autobiographical novel of a marriage cut tragically short is “a beautiful love story, and an extraordinary story of loss” (Colm Tóibín). In 2005, celebrated novelist Francisco Goldman married Aura Estrada. The two were deeply in love, and Aura was a gifted young writer on the cusp of her own brilliant career. But while on vacation only a month before their second anniversary, Aura died in a tragic accident. In Say Her Name, Goldman pours his feelings of love and unspeakable grief into a fictionalized account of their brief time together. Desperate to keep Aura alive in his memory, Goldman collects everything he can about her, delving deeply into the writings she left behind. From her childhood and university days in Mexico City to her studies at Columbia University, through the couple’s time in New York City and travels to Europe, Goldman composes a vivid and multifaceted portrait. Filled with “propulsive drama” (The Boston Globe), Say Her Name is a tribute to who Aura Estrada was and who she would’ve been, that “will also transport you into the most primal joy in the human repertoire—the joy of loving—and reveal it with aching vibrancy” (San Francisco Chronicle).
Fighting the Ottoman invaders in Constantinople in 1453, Emperor Constantine XI was killed, his body never found. Legend has it that he escaped in a Genoese ship, cheating certain death at the hands of the Turks and earning himself the title of Immortal Emperor. Five centuries after his disappearance, three mysterious men contact a young professor living in Istanbul. Members of a secret sect, they have guarded the Immortal Emperor's will for generations. They tell him that he is the next Byzantine emperor and that in order to take possession of his fortune he must carry out his ancestor's last wishes. The professor embarks on a dangerous journey, taking him to the heart of a mystery of epic historical significance. The Sultan of Byzantium is a symbiosis of story and history and a homage to Byzantine civilisation.
Longlisted for the Dylan Thomas Prize 'Ambitious, clever, brilliant and very funny . . . If Elmet announced the arrival of a bright new voice in British literature, Hot Stew confirms Mozley as a writer of extraordinary empathic gifts' Observer 'A dazzling Dickensian tale . . . In an age when so many novelists of Mozley's generation take refuge in the dystopian, she has reinvigorated large-scale social realism for our times' Guardian, Book of the Day 'Where the mystical, elemental qualities of Elmet earned it comparisons with Lawrence and Hardy, her second novel is a sprawling urban comedy more likely to recall Ben Jonson or Dickens' Daily Telegraph 'Did you know in Tudor times all the brothels were south of the river in Southwark and it was only much later that they moved up this way to Soho. Stews, they were called then.' Pungent, steamy, insatiable Soho; the only part of London that truly never sleeps. Tourists dawdling, chancers skulking, addicts shuffling, sex workers strutting, punters prowling, businessmen striding, the homeless and the lost. Down Wardour Street, ducking onto Dean Street, sweeping into L'Escargot, darting down quiet back alleyways, skirting dumpsters and drunks, emerging on to raucous main roads, fizzing with energy and riotous with life. On a corner, sits a large townhouse, the same as all its neighbours. But this building hosts a teeming throng of rich and poor, full from the basement right up to the roof terrace. Precious and Tabitha call the top floors their home but it's under threat; its billionaire-owner Agatha wants to kick the women out to build expensive restaurants and luxury flats. Men like Robert, who visit the brothel, will have to go elsewhere. Those like Cheryl, who sleep in the basement, will have to find somewhere else to hide after dark. But the women won't go quietly. Soho is their turf and they are ready for a fight. 'A complex mosaic of urban life . . . The Soho Mozley captures with such intensity is not a mere locality. It is a microcosm of swarming humanity' The Times 'At its best, it recalls the kind of capacious, rollicking satires Britain produced in and around the Thatcher era - ambitious, scathing and damn good fun' TLS
Men in the Sun and Other Palestinian Stories by Ghassān Kanafānī,Hilary Kilpatrick Pdf
This collection of important stories by novelist, journalist, teacher and Palestinina activist Ghassan Kanafani includes 'Men in the Sun,' the basis of the film 'The Deceived.' Also in the volume are 'The Land of Sad Oranges', 'If You Were A Horse', 'The Falcon' and 'Letter from Gaza.'
'A heart-breaker . . . it has the kind of indefinably powerful impact of The Great Gatsby' Observer 'The surprise bestseller ... read, loved and wept over by men and women of all ages' Guardian 'A tale of young love and disenchantment, of missed opportunities and passion's elusive, flickering flame' Financial Times Her dark eyes were lost in thought, absently staring into the distance, drawing on a last wisp of hope as she searched for something that she was almost certain she would never find. 'The magical novel about a Turkish man who falls in love with an artist in 1920s Berlin ... recreates a vanished era and dramatises a doomed relationship with verve, depth and poignancy. The result is a miniature masterpiece' The National 'Moving and memorable, full of yearning and melancholy' The Times 'A tale of young love and disenchantment, of missed opportunities and passion's elusive, flickering flame' Financial Times 'A gorgeously melancholic romance' Irish Times
“A raw, tender portrait of adolescent misery, reminiscent of Elena Ferrante’s fiction.” —NPR From the bestselling author of Breasts and Eggs, a sharp and illuminating novel about the impact of violence and the power of solidarity. Tormented by his peers because of his lazy eye, Kawakami’s protagonist suffers in silence. His only respite comes thanks to his friendship with a girl who is also the victim of relentless teasing. But what is the nature of a friendship if your shared bond is terror? Unflinching yet tender, intimate and multi-layered, Heaven is yet another dazzling testament to Kawakami’s uncontainable talent. “An argument in favor of meaning, of beauty, of life.” —The New York Times Book Review “If you enjoyed Mieko Kawakami’s brilliant Breasts and Eggs, you’re certain to be astonished by her latest novel exploring violence and bullying with fierce, feminist and damning candor.” —Ms. Magazine “This is the real magic of Heaven, which shows us how to think about morality as an ongoing, dramatic activity. It can be maddening and ruinous and isolating. But it can also be shared, enlivened . . . and momentarily redeemed through unheroic acts of solidarity.” —The New Yorker “Quietly devastating.” —TIME Magazine “Keen psychological insight, brilliant sensitivity, and compassionate understanding.” —Publishers Weekly, starred review “Raw and eloquent. . . . An unexpected classic.” —Kirkus Reviews, starred review “An incredible literary talent.” —Booklist, starred review “Kawakami writes with jagged, visceral beauty.” —Oprah Daily “Kawakami never lets us settle comfortably, which is a testament to her storytelling power.” —Los Angeles Review of Books “One of Japan’s brightest stars.” —Japan Times
"A heart-pounding roller coaster ride."—Tami Hoag, #1 New York Times bestselling author of The Boy *A Crime Reads Most Anticipated Book of 2021* A serial killer and his copycat are locked in a violent game of cat and mouse. Can DI Anjelica Henley stop them before it’s too late? On the day she returns to active duty with the Serial Crimes Unit, Detective Inspector Anjelica Henley is called to a crime scene. Dismembered body parts from two victims have been found by the river. The modus operandi bears a striking resemblance to Peter Olivier, the notorious Jigsaw Killer, who has spent the past two years behind bars. When he learns that someone is co-opting his grisly signature—the arrangement of victims’ limbs in puzzle-piece shapes—he decides to take matters into his own hands. As the body count rises, DI Anjelica Henley is faced with an unspeakable new threat. Can she apprehend the copycat killer before Olivier finds a way to get to him first? Or will she herself become the next victim? Drawing on her experience as a criminal attorney, debut novelist Nadine Matheson delivers the page-turning crime novel of the year. Taut, vivid and addictively sinister, The Jigsaw Man will leave you breathless until the very last page.
“Istanbul, Istanbul turns on the tension between the confines of a prison cell and the vastness of the imagination; between the vulnerable borders of the body and the unassailable depths of the mind. This is a harrowing, riveting novel, as unforgettable as it is inescapable.” —Dale Peck, author of Visions and Revisions “A wrenching love poem to Istanbul told between torture sessions by four prisoners in their cell beneath the city. An ode to pain in which Dostoevsky meets The Decameron.” —John Ralston Saul, author of On Equilibrium; former president, PEN International “Istanbul is a city of a million cells, and every cell is an Istanbul unto itself.” Below the ancient streets of Istanbul, four prisoners—Demirtay the student, the doctor, Kamo the barber, and Uncle Küheylan—sit, awaiting their turn at the hands of their wardens. When they are not subject to unimaginable violence, the condemned tell one another stories about the city, shaded with love and humor, to pass the time. Quiet laughter is the prisoners’ balm, delivered through parables and riddles. Gradually, the underground narrative turns into a narrative of the above-ground. Initially centered around people, the book comes to focus on the city itself. And we discover there is as much suffering and hope in the Istanbul above ground as there is in the cells underground. Despite its apparently bleak setting, this novel—translated into seventeen languages—is about creation, compassion, and the ultimate triumph of the imagination.
A phenomenon in Turkey with more than 120,000 copies sold, Women who Blow on Knots chronicles a voyage reaching from Tunisia to Lebanon, taken by three young women and septuagenarian Madam Lilla. Although the three young women embark on the road for different reasons - for each holds a dark secret - it is only at the journey's point of no return that Lilla's own murderous motivations for the trip become clear... Unique and controversial in its country of origin for its political rhetoric and strong, atypically Muslim female characters, Temelkuran weaves an empowering tale.