Mahler And Strauss

Author : Charles Youmans
Publisher : Indiana University Press
Page : 308 pages
File Size : 54,5 Mb
Release : 2016-09-05
Category : Music
ISBN : 9780253021663

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Mahler and Strauss by Charles Youmans Pdf

A rare case among history's great music contemporaries, Gustav Mahler (1860-1911) and Richard Strauss (1864-1949) enjoyed a close friendship until Mahler's death in 1911. Unlike similar musical pairs (Bach and Handel, Haydn and Mozart, Schoenberg and Stravinsky), these two composers may have disagreed on the matters of musical taste and social comportment, but deeply respected one another's artistic talents, freely exchanging advice from the earliest days of professional apprenticeship through the security and aggravations of artistic fame. Using a wealth of documentary material, this book reconstructs the 24-year relationship between Mahler and Strauss through collage—"a meaning that arises from fragments," to borrow Adorno's characterization of Mahler's Sixth Symphony. Fourteen different topics, all of central importance to the life and work of the two composers, provide distinct vantage points from which to view both the professional and personal relationships. Some address musical concerns: Wagnerism, program music, intertextuality, and the craft of conducting. Others treat the connection of music to related disciplines (philosophy, literature), or to matters relevant to artists in general (autobiography, irony). And the most intimate dimensions of life—childhood, marriage, personal character—are the most extensively and colorfully documented, offering an abundance of comparative material. This integrated look at Mahler and Strauss discloses provocative revelations about the two greatest western composers at the turn of the 20th century.

Author : Gustav Mahler,Richard Strauss
Publisher : University of Chicago Press
Page : 192 pages
File Size : 43,8 Mb
Release : 1996-06-15
Category : Biography & Autobiography
ISBN : 0226057682

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Gustav Mahler--Richard Strauss by Gustav Mahler,Richard Strauss Pdf

Gustav Mahler and Richard Strauss came to know one another as young conductors in Leipzig in 1887. From then until Mahler's death in 1911—the year of the first performance of Der Rosenkavalier—they kept in touch. Mahler himself described their relationship as that of two miners tunneling from opposite directions with the hope of eventually meeting. This first publication of their correspondence, which includes twenty-five previously unknown Strauss letters, offers a portrait of two men who were as antithetical in their musical means and goals as in their temperaments and personalities, but who exercised a strong fascination for one another. These sixty-three letters show both composers advancing in their careers as they battled against adverse conditions in the musical world at the turn of the century. They present Mahler's energetic support of Strauss's Symphonia Domestica, which Mahler conducted in 1904 and, in turn, Strauss's championing of Mahler's music, especially the Second and Third Symphonies. The correspondence is fully annotated and is supplemented with a major essay by Herta Blaukopf. "Unfailingly absorbing. . . . An indispensable addition to the literature on these composers."—Norman Del Mar, Times Literary Supplement

Author : Charles Dowell Youmans
Publisher : Unknown
Page : 283 pages
File Size : 46,7 Mb
Release : 2016
Category : Music
ISBN : 0253021596

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Mahler & Strauss by Charles Dowell Youmans Pdf

A rare case among history's great music contemporaries, Gustav Mahler (1860-1911) and Richard Strauss (1864-1949) enjoyed a close friendship until Mahler's death in 1911. Unlike similar musical pairs (Bach and Handel, Haydn and Mozart, Schoenberg and Stravinsky), these two composers may have disagreed on the matters of musical taste and social comportment, but deeply respected one another's artistic talents, freely exchanging advice from the earliest days of professional apprenticeship through the security and aggravations of artistic fame. Using a wealth of documentary material, this book reconstructs the 24-year relationship between Mahler and Strauss through collage--"a meaning that arises from fragments," to borrow Adorno's characterization of Mahler's Sixth Symphony. Fourteen different topics, all of central importance to the life and work of the two composers, provide distinct vantage points from which to view both the professional and personal relationships. Some address musical concerns: Wagnerism, program music, intertextuality, and the craft of conducting. Others treat the connection of music to related disciplines (philosophy, literature), or to matters relevant to artists in general (autobiography, irony). And the most intimate dimensions of life--childhood, marriage, personal character--are the most extensively and colorfully documented, offering an abundance of comparative material. This integrated look at Mahler and Strauss discloses provocative revelations about the two greatest western composers at the turn of the 20th century.

Author : Gustav Mahler,Richard Strauss
Publisher : Unknown
Page : 172 pages
File Size : 52,9 Mb
Release : 1984
Category : Composers
ISBN : OCLC:59162895

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Gustav Mahler, Richard Strauss by Gustav Mahler,Richard Strauss Pdf

Author : John Talbot
Publisher : Unknown
Page : 418 pages
File Size : 45,9 Mb
Release : 1966
Category : Electronic
ISBN : OCLC:225558687

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The Music of Gustav Mahler and Richard Strauss by John Talbot Pdf

Author : Alex Ross
Publisher : Farrar, Straus and Giroux
Page : 706 pages
File Size : 52,8 Mb
Release : 2007-10-16
Category : Music
ISBN : 9781429932882

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The Rest Is Noise by Alex Ross Pdf

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

Author : Ed Blaukopf H Staff
Publisher : Unknown
Page : 128 pages
File Size : 47,7 Mb
Release : 1988-03-01
Category : Electronic
ISBN : 0571150047

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Mahler/Strauss Correspondence by Ed Blaukopf H Staff Pdf

Author : Michael Haas
Publisher : Yale University Press
Page : 505 pages
File Size : 53,5 Mb
Release : 2013-04-15
Category : Music
ISBN : 9780300154313

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Forbidden Music by Michael Haas Pdf

DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div

Author : John Tyrrell
Publisher : Palgrave Macmillan
Page : 352 pages
File Size : 48,8 Mb
Release : 1985-04-25
Category : Juvenile Nonfiction
ISBN : UCSD:31822001855550

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The New Grove Turn Of The Century Masters by John Tyrrell Pdf

Omhandler Leos Janacek, Gustav Mahler, Richard Strauss og Jean Sibelius.

Author : John Tyrrell
Publisher : W W Norton & Company Incorporated
Page : 324 pages
File Size : 55,8 Mb
Release : 1985
Category : Composers
ISBN : 0393016943

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The New Grove Turn of the Century Masters by John Tyrrell Pdf

Omhandler Leos Janacek, Gustav Mahler, Richard Strauss og Jean Sibelius.

Author : Alex Ross
Publisher : HarperCollins UK
Page : 46 pages
File Size : 45,8 Mb
Release : 2013-01-17
Category : Music
ISBN : 9780007519552

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The Rest Is Noise Series: The Golden Age: Strauss, Mahler, and the Fin de Siecle by Alex Ross Pdf

This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.

Author : Stephen Johnson
Publisher : University of Chicago Press
Page : 321 pages
File Size : 55,6 Mb
Release : 2020-10-20
Category : Music
ISBN : 9780226740966

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The Eighth by Stephen Johnson Pdf

This “thrilling study of Gustav Mahler’s Symphony No 8 . . . makes a strong case for its quality . . . we shall never listen to it in the same way again” (Guardian, UK). On September 12, 1910, Gustav Mahler’s Eighth Symphony had its world premiere at Munich’s new Musik Festhalle. It was the artistic breakthrough for which the composer had yearned all his life. An array of royals and stars from the musical and literary world were in attendance, including Thomas Mann and the young Arnold Schoenberg. Also present were Alma Mahler, the composer’s wife, and Alma’s longtime lover, the architect Walter Gropius. In The Eighth, Stephen Johnson provides a masterful account of the symphony’s far-reaching consequences and its effect on composers, conductors, and writers of the time. The Eighth looks behind the scenes at the demanding one-week rehearsal period leading up to the premiere—something unheard of at the time—and provides fascinating insight into Mahler’s compositional habits, his busy life as a conductor, his philosophical and literary interests, and his personal and professional relationships. Johnson expertly contextualizes Mahler’s work among the prevailing attitudes and political climate of his age, considering the art, science, technology, and mass entertainment that informed the world in 1910. The Eighth is an absorbing history of a musical masterpiece and the troubled man who created it.

Author : Norman Del Mar
Publisher : Faber & Faber
Page : 468 pages
File Size : 42,7 Mb
Release : 2013-12-19
Category : Music
ISBN : 9780571309436

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Richard Strauss by Norman Del Mar Pdf

Norman Del Mar (1919-1994) was universally recognised as a leading authority on the music of Richard Strauss, and his masterly three-volume study of his life and works remains a classic. Volume I deals with the years from the composer's birth (1864) to Der Rosenkavalier (1912), discussing the early orchestral and chamber music, the tone poems and the operas Guntram, Feuersnot, Salome and Elektra. 'Deploying a well-nigh encyclopaedic knowledge, Mr Del Mar acquits himself brilliantly of his task of disentangling and reassembling the numerous strands that make up the backcloth of poetry and philosophy which Strauss, while not always understanding every intricacy, yet needed as a constant reference map for his composing. The three volumes of this magnificent book should be studied by all lovers of the late-romantic music, amateurs and professionals alike...a monumental achievement.' Times Literary Supplement 'A brilliant and copiously analytical study ... a constant fascination.' Guardian

Author : Bryan Randolph Gilliam
Publisher : Princeton University Press
Page : 444 pages
File Size : 47,6 Mb
Release : 1992-08-30
Category : Biography & Autobiography
ISBN : 0691027625

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Richard Strauss and His World by Bryan Randolph Gilliam Pdf

Strongly influencing European musical life from the 1880s through the First World War and remaining highly productive into the 1940s, Richard Strauss enjoyed a remarkable career in a constantly changing artistic and political climate. This volume presents six original essays on Strauss's musical works--including tone poems, lieder, and operas--and brings together letters, memoirs, and criticism from various periods of the composer's life. Many of these materials appear in English for the first time. In the essays Leon Botstein contradicts the notion of the composer's stylistic "about face" after Elektra; Derrick Puffett reinforces the argument for Strauss's artistic consistency by tracing in the tone poems and operas the phenomenon of pitch specificity; James Hepokoski establishes Strauss as an early modernist in an examination of Macbeth; Michael Steinberg probes the composer's political sensibility as expressed in the 1930s through his music and use of such texts as Friedenstag and Daphne; Bryan Gilliam discusses the genesis of both the text and the music in the final scene of Daphne; Timothy Jackson in his thorough source study argues for a new addition to the so-called Four Last Songs. Among the correspondence are previously untranslated letters between Strauss and his post-Hofmannsthal librettist, Joseph Gregor. The memoirs range from early biographical sketches to Rudolf Hartmann's moving account of his last visit with Strauss shortly before the composer's death. Critical reviews include recently translated essays by Theodor Adorno, Guido Adler, Paul Bekker, and Julius Korngold [Publisher description].

Author : K.M. Knittel
Publisher : Routledge
Page : 241 pages
File Size : 46,6 Mb
Release : 2016-04-01
Category : Social Science
ISBN : 9781317057789

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Seeing Mahler: Music and the Language of Antisemitism in Fin-de-Siècle Vienna by K.M. Knittel Pdf

No-one doubts that Gustav Mahler's tenure at the Vienna Court Opera from 1897-1907 was made extremely unpleasant by the antisemitic press. The great biographer, Henry-Louis de La Grange, acknowledges that 'it must be said that antisemitism was a permanent feature of Viennese life'. Unfortunately, the focus on blatant references to Jewishness has obscured the extent to which 'ordinary' attitudes about Jewish difference were prevalent and pervasive, yet subtle and covert. The context has been lost wherein such coded references to Jewishness would have been immediately recognized and understood. By painstakingly reconstructing 'the language of antisemitism', Knittel recreates what Mahler's audiences expected, saw, and heard, given the biases and beliefs of turn-of-the-century Vienna. Using newspaper reviews, cartoons and memoirs, Knittel eschews focusing on hostile discussions and overt attacks in themselves, rather revealing how and to what extent authors call attention to Mahler's Jewishness with more subtle language. She specifically examines the reviews of Mahler's Viennese symphonic premieres for their resonance with that language as codified by Richard Wagner, though not invented by him. An entire chapter is also devoted to the Viennese premieres of Richard Strauss's tone poems, as a proof text against which the reviews of Mahler can also be read and understood. Accepting how deeply embedded this way of thinking was, not just for critics but for the general population, certainly does not imply that one can find antisemitism under every stone. What Knittel suggests, ultimately, is that much of early criticism was unease rather than 'objective' reactions to Mahler's music - a new perspective that allows for a re-evaluation of what makes his music unique, thought-provoking and valuable.