Making Psyence Fiction Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Making Psyence Fiction book. This book definitely worth reading, it is an incredibly well-written.
1998 saw the release of UNKLE's Psyence Fiction, an album created by James Lavelle and DJ Shadow with guests including Radiohead's Thom Yorke and Beastie Boys Mike D. The album had been years in the making with James Lavelle becoming unsatisfied with UNKLE and their early Trip Hop sound. This led to recording sessions being abandoned, including an entire albums worth of material before Lavelle brought in DJ Shadow to create a new sound for UNKLE. This book details the life of James Lavelle as he moved from local DJ, record label owner, and musician with the release of Psyence Fiction.
For almost 30 years as label boss, producer, and talent conductor at XL Recordings, Richard Russell has discovered, shaped and nurtured the artists who have rewritten the musical dictionary of the 21st century, artists like The Prodigy, The White Stripes, Adele, M.I.A, Dizzee Rascal and Giggs. LIBERATION THROUGH HEARING tells the remarkable story of XL Recordings' three decades on the frontline of innovation in music, and Russell's own story; his highs and lows steering the fortunes of an independent label in a rapidly changing industry. This is the portrait of a man who believes in the spiritual power of music to change reality, and of a label that refused to be categorised by genre. 'Taking us from the rap 80s to the rave 90s into the grimy 21st century, Richard Russell is a Firestarter in his own right and his story is a riveting adventure' Simon Reynolds 'Russell reveals his forensic love of music and its strategies. A fascinating read' Damon Albarn 'Required reading for anyone who cares about the recent history of British music' Gilles Peterson
The first decades of the 21st century saw dramatic changes in the music industry as new technology transformed creation, communication, and consumption. Amid this turmoil one change occurred relatively quietly, almost naturally: so-called bedroom producers, music makers raised on hip-hop and electronic music, went from anonymous, often unseen creators to artists in their own right. In Bedroom Beats & B-sides: Instrumental Hip Hop & Electronic Music at the Turn of the Century, Laurent Fintoni details the rise of a new generation of bedroom producers at the turn of the century through the stories of various instrumental hip-hop and electronic music scenes. From trip-hop, jungle, illbient, and IDM in the 1990s to just "beats" in the late 2000s, the book explores how these scenes acted as incubators for new ideas about composition and performance that are now taken for granted. Combining social, cultural, and musical history with extensive research, the book tells the B-side stories of hip-hop and electronic music from the 1990s to the 2010s and explores the evolution of a modern beat culture from local scenes to a global community via the diverse groups of fringe idealists who made it happen and the external forces that shaped their efforts. Includes quotes and stories drawn from more than 100 interviews with producers, DJs, label owners, and more including James Lavelle, Charlie Dark, Luke Vibert, Mark Pritchard, Flying Lotus, Georgia Anne Muldrow, El-P, Hudson Mohawke, Kode9, Prefuse 73, Anti Pop Consortium, Dabrye, Waajeed, Tekilatex, Ghislain Poirier, Kutmah, LuckyMe, Benji B, The Bug, and many more. Bedroom Beats & B-sides is the first comprehensive history of the instrumental hip-hop and electronic scenes and a truly global look at a thirty-year period of modern music culture based on a decade of research and travel across Europe, North America, and Japan.
Traverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital media Old Futures explores the social, political, and cultural forces feminists, queer people, and people of color invoke when they dream up alternative futures as a way to imagine transforming the present. Lothian shows how queer possibilities emerge when we practice the art of speculation: of imagining things otherwise than they are and creating stories from that impulse. Queer theory offers creative ways to think about time, breaking with straight and narrow paths toward the future laid out for the reproductive family, the law-abiding citizen, and the believer in markets. Yet so far it has rarely considered the possibility that, instead of a queer present reshaping the ways we relate to past and future, the futures imagined in the past can lead us to queer the present. Narratives of possible futures provide frameworks through which we understand our present, but the discourse of “the” future has never been a singular one. Imagined futures have often been central to the creation and maintenance of imperial domination and technological modernity; Old Futures offers a counterhistory of works that have sought––with varying degrees of success––to speculate otherwise. Examining speculative texts from the 1890s to the 2010s, from Samuel R. Delany to Sense8, Lothian considers the ways in which early feminist utopias and dystopias, Afrofuturist fiction, and queer science fiction media have insisted that the future can and must deviate from dominant narratives of global annihilation or highly restrictive hopes for redemption. Each chapter chronicles some of the means by which the production and destruction of futures both real and imagined takes place: through eugenics, utopia, empire, fascism, dystopia, race, capitalism, femininity, masculinity, and many kinds of queerness, reproduction, and sex. Gathering stories of and by populations who have been marked as futureless or left out by dominant imaginaries, Lothian offers new insights into what we can learn from efforts to imaginatively redistribute the future.
In Music Films, Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth. Combining historical and critical analyses, and drawing on film and music criticism, Fox examines renowned music films such as A Hard Day's Night (1964), Dig! (2004), and Amazing Grace (2006), critically lauded works like Milford Graves Full Mantis (2018) and Mistaken for Strangers (2013), and lesser-studied films including Jazz on a Summer's Day (1959) and Ornette: Made in America (1985). In doing so, he offers a comprehensive overview of the genre, situating these films within their wider cultural contexts and highlighting their formal and thematic innovations. Discussions in the book span topics from concert filmmaking to music production, the music industry, touring, and filmic representations of authenticity and truth. Overall, Music Films traces the evolution of the genre, highlighting its cultural significance and connection to broader societal phenomena.
The Rough Guide to the Best Music You've Never Heard by Nigel Williamson Pdf
The Rough Guide to the Best Music You've Never Heard is a winning collection of amazing stories of tragic mavericks and unlucky contenders, with hundreds of lost classics and hidden gems. The guide traces the musicians that fell by the wayside from the bands that could have been The Beatles to the acts that were better than the acts that made it. Find out why David Ackles is the Elton John that never was (and why Elton John agrees). Whether they were psychedelic hippies, lost soul divas, geeky prog-rockers, hell-raising rockers or pop-star wannabes, they are all in this book for one reason- they made truly fantastic music. Frank and opinionated, the guide is packed with playlists, includes stylish archive photos as well as contributions from music industry insiders including Bat for Lashes. Clue-up on the infamous lost albums from some of rock's biggest stars and discover the tails of the famous-name side-projects that got away, not forgetting the cult albums reviled at the time. . . that are actually really good. If you're looking for great new music, this book will show it to you. If you think you've heard it all, it'll put you to the test. With the finest tunes that time forgot, this guide could feed your iPod for life.
How sampling remade hip-hop over forty years, from pioneering superstar Grandmaster Flash through crate-digging preservationist and innovator Madlib Sampling—incorporating found sound and manipulating it into another form entirely—has done more than any musical movement in the twentieth century to maintain a continuum of popular music as a living document and, in the process, has become one of the most successful (and commercial) strains of postmodern art. Bring That Beat Back traces the development of this transformative pop-cultural practice from its origins in the turntable-manning, record-spinning hip-hop DJs of 1970s New York through forty years of musical innovation and reinvention. Nate Patrin tells the story of how sampling built hip-hop through the lens of four pivotal artists: Grandmaster Flash as the popular face of the music’s DJ-born beginnings; Prince Paul as an early champion of sampling’s potential to elaborate on and rewrite music history; Dr. Dre as the superstar who personified the rise of a stylistically distinct regional sound while blurring the lines between sampling and composition; and Madlib as the underground experimentalist and record-collector antiquarian who constantly broke the rules of what the mainstream expected from hip-hop. From these four artists’ histories, and the stories of the people who collaborated, competed, and evolved with them, Patrin crafts a deeply informed, eminently readable account of a facet of pop music as complex as it is commonly underestimated: the aesthetic and reconstructive power of one of the most revelatory forms of popular culture to emerge from postwar twentieth-century America. And you can nod your head to it.
Gender and Crime by Marisa Silvestri,Chris Crowther-Dowey Pdf
This book is a comprehensive and critical introduction to the field of gender and crime, re-thinking the key themes and debates within a human rights framework. Integrating empirical, theoretical and policy-related material, this Second Edition has been significantly updated, and now includes; Full consideration of the 2010-2015 Coalition Government and its effect on gender and crime within England and Wales A new chapter relating criminological theory to gender and crime A new chapter discussing the history of gender and crime A new chapter analysing contemporary issues in gender and crime in a globalised world Fully updated learning features including; Chapter Overviews, Key Words, Study Questions, Chapter Summaries, Key Further Readings and a Glossary. Gender and Crime: A Human Rights Approach is essential reading for students studying criminology, sociology, social policy and gender studies.
Trip-hop described some of the 1990s' best music, and it was one of the decade's most revealing bad ideas. The music itself was an intoxication of beats, bass, and voice. It emerged amid the social tensions of the late 1980s, and as part of hip-hop's rise to global dominance. It carried the innovations of Jamaican soundsystem culture, the sweet refuge of Lovers Rock, the bliss of club jazz dancefloors and post-rave chill-out rooms. It went mainstream with Massive Attack, Portishead, Tricky, DJ Shadow, Kruder & Dorfmeister, and Björk; and with record labels like Ninja Tune and Mo' Wax. To the artists' despair, the music was tagged with a silly label and packaged as music for the boutique and the lounge; made respectable with awards and acclaim. But the music at its best still sounds experimental and dramatic; and its influence lingers through artists like FKA twigs, Sevdaliza, James Blake, Billie Eilish, and Lana Del Rey. This short book is a guide to 'trip-hop' in its context of the weird 1990s: nostalgia and consumerism; pre-millenium angst and lo-fi technology; casual exoticism amid accelerating globalization and gentrification. This book presents a survey of the music and its leading artists, packed with recommended listening, essential tracks, great remixes, and under-recognized albums.
The A to X of Alternative Music by Steve Taylor Pdf
Covers those bands and artists who have rejected the mainstream in favor of innovation, originality and the pursuit of their own unique musical identity.
The Encyclopedia of Popular Music: Swift, Rob - ZZ Top by Colin Larkin Pdf
Containing 27,000 entries and over 6,000 new entries, the online edition of the Encyclopedia of Popular Music includes 50% more material than the Third Edition. Featuring a broad musical scope covering popular music of all genres and periods from 1900 to the present day, including jazz, country, folk, rap, reggae, techno, musicals, and world music, the Encyclopedia also offers thousands of additional entries covering popular music genres, trends, styles, record labels, venues, and music festivals. Key dates, biographies, and further reading are provided for artists covered, along with complete discographies that include record labels, release dates, and a 5-star album rating system.
