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Making the Detective Story American by J.K. Van Dover Pdf
This critical text examines the fiction of Earl Derr Biggers, S. S. Van Dine, and Dashiell Hammett during a crucial half-decade when they transformed the detective story. The characters they created, including Charlie Chan, Philo Vance, and the Continental Op, represented a new style of detective solving crimes in fresh ways. Their successes would push crime and detective fiction in startling and rejuvenating directions. Topics covered include the highbrow detective, the ethnic detective, the exploitation of contemporary sensations, and the exploitation of women. Instructors considering this book for use in a course may request an examination copy here.
The Origins of the American Detective Story by LeRoy Lad Panek Pdf
Edgar Allan Poe essentially invented the detective story in 1841 with Murders in the Rue Morgue. In the years that followed, however, detective fiction in America saw no significant progress as a literary genre. Much to the dismay of moral crusaders like Anthony Comstock, dime novels and other sensationalist publications satisfied the public's hunger for a yarn. Things changed as the century waned, and eventually the detective was reborn as a figure of American literature. In part these changes were due to a combination of social conditions, including the rise and decline of the police as an institution; the parallel development of private detectives; the birth of the crusading newspaper reporter; and the beginnings of forensic science. Influential, too, was the new role model offered by a wildly popular British import named Sherlock Holmes. Focusing on the late 19th century and early 20th, this volume covers the formative years of American detective fiction. Instructors considering this book for use in a course may request an examination copy here.
The Essential Elements of the Detective Story, 1820–1891 by LeRoy Lad Panek,Mary M. Bendel-Simso Pdf
Until recently, only a privileged few could read the rare, early writings that formed the basis of detective fiction in America and made it one of the most popular literary genres of the 19th century. Drawing on the unprecedented access provided by digital collections of period newspapers and magazines, this book examines detective fiction during its formative years, focusing on such crucial elements as setting, lawyers and the law, physicians and forensics, women as victims and heroes, crime and criminals, and police and detectives.
DigiCat Publishing presents to you this special edition of "Mystery Mile" by Margery Allingham. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
After forty years, Hammett has a worthy successor' The Times Dave Brandstetter stands alongside Philip Marlowe, Sam Spade and Lew Archer as one of the best fictional PIs in the business. Like them, he was tough, determined, and ruthless when the case demanded it. Unlike them, he was gay. Joseph Hansen's groundbreaking novels follow Brandstetter as he investigates cases in which motives are murky, passions run high, and nothing is ever as simple as it looks. Set in 1970s and 80s California, the series is a fascinating portrait of a time and a place, with mysteries to match Chandler and Macdonald. In Fadeout, Dave is sent to investigate the death of radio personality Fox Olsen. His car is found crashed in a dry river bed. But there is no body - and as Dave looks deeper into his life, it seems as though he had good reasons to disappear.
The Centrality of Crime Fiction in American Literary Culture by Alfred Bendixen,Olivia Carr Edenfield Pdf
This collection of essays by leading scholars insists on a larger recognition of the importance and diversity of crime fiction in U.S. literary traditions. Instead of presenting the genre as the property of Dashiell Hammett and Raymond Chandler, this book maps a larger territory which includes the domains of Mark Twain, F. Scott Fitzgerald, William Faulkner, Richard Wright, Flannery O’Connor, Cormac McCarthy and other masters of fiction.The essays in this collection pay detailed attention to both the genuine artistry and the cultural significance of crime fiction in the United States. It emphasizes American crime fiction’s inquiry into the nature of democratic society and its exploration of injustices based on race, class, and/or gender that are specifically located in the details of American experience.Each of these essays exists on its own terms as a significant contribution to scholarship, but when brought together, the collection becomes larger than the sum of its pieces in detailing the centrality of crime fiction to American literature. This is a crucial book for all students of American fiction as well as for those interested in the literary treatment of crime and detection, and also has broad appeal for classes in American popular culture and American modernism.
A witty philosophical murder mystery with a charming twist: the crack detectives are sheep determined to discover who killed their beloved shepherd. On a hillside near the cozy Irish village of Glennkill, a flock of sheep gathers around their shepherd, George, whose body lies pinned to the ground with a spade. George has cared devotedly for the flock, even reading them books every night. Led by Miss Maple, the smartest sheep in Glennkill (and possibly the world), they set out to find George’s killer. The A-team of investigators includes Othello, the “bad-boy” black ram; Mopple the Whale, a Merino who eats a lot and remembers everything; and Zora, a pensive black-faced ewe with a weakness for abysses. Joined by other members of the richly talented flock, they engage in nightlong discussions about the crime, wild metaphysical speculations, and embark on reconnaissance missions into the village, where they encounter some likely suspects. Along the way, the sheep confront their own all-too-human struggles with guilt, misdeeds, and unrequited love. Funny, fresh, and endearing, it introduces a wonderful new breed of detectives to Canadian readers.
Latin American Mystery Writers by Darrell B. Lockhart Pdf
Latin America has a rich literary tradition that is receiving growing amounts of attention. The body of Latin American mystery writing is especially vast and diverse. Because it is part of Latin American popular culture, it also reflects many of the social and cultural concerns of that region. This reference provides an overview of mystery fiction of Latin America. While many of the authors profiled have received critical attention, others have been relatively neglected. Included are alphabetically arranged entries on 54 writers, most of whom are from Argentina, Mexico, and Cuba. Every effort has been made to include balanced coverage of the few female mystery writers. Each entry is written by an expert contributor and includes a brief biography, a critical discussion of the writer's works, and primary and secondary bibliographies. The volume closes with a general bibliography of anthologies and criticism.
Latin American Detectives against Power by Fabricio Tocco Pdf
This book examines how Latin American detective stories portray individualism and the state through the figures of the private eye and the police. Fabricio Tocco argues that these portrayals constitute a far more radical critique than the one developed by the Anglo-American canon, culminating in a transnational “poetics of failure” rooted in dissatisfaction with the neoliberal state.
AMERICAN MURDER MYSTERY Boxed Set: 60 Thriller Novels & Detective Stories by Arthur B. Reeve Pdf
This meticulously edited Mystery & Crime Collection is formatted for your eReader with a functional and detailed table of contents: The Craig Kennedy Series: The Dream Doctor The War Terror The Social Gangster The Ear in the Wall Gold of the Gods The Exploits of Elaine The Romance of Elaine The Soul Scar The Film Mystery The Silent Bullet The Scientific Cracksman The Bacteriological Detective The Deadly Tube The Seismograph Adventure The Diamond Maker The Azure Ring "Spontaneous Combustion" The Terror in the Air The Black Hand The Artificial Paradise The Steel Door The Poisoned Pen The Yeggman The Germ of Death The Firebug The Confidence King The Sand-Hog The White Slave The Forger The Unofficial Spy The Smuggler The Invisible Ray The Campaign Grafter The Treasure Train The Truth-detector The Soul-analysis The Mystic Poisoner The Phantom Destroyer The Beauty Mask The Love Meter The Vital Principle The Rubber Dagger The Submarine Mine The Gun-runner The Sunken Treasure Other Mysteries: Guy Garrick The Master Mystery Constance Dunlap The Forgers The Embezzlers The Gun Runners The Gamblers The Eavesdroppers The Clairvoyants The Plungers The Abductors The Shoplifters The Blackmailers The Dope Fiends The Fugitives The Conspirators
The Oxford Book of American Detective Stories by Tony Hillerman,Rosemary Herbert Pdf
Edgar Allan Poe's "Murders in the Rue Morgue" launched the detective story in 1841. The genre began as a highbrow form of entertainment, a puzzle to be solved by a rational sifting of clues. In Britain, the stories became decidedly upper crust: the crime often committed in a world of manor homes and formal gardens, the blood on the Persian carpet usually blue. But from the beginning, American writers worked important changes on Poe's basic formula, especially in use of language and locale. As early as 1917, Susan Glaspell evinced a poignant understanding of motive in a murder in an isolated farmhouse. And with World War I, the Roaring '20s, the rise of organized crime and corrupt police with Prohibition, and the Great Depression, American detective fiction branched out in all directions, led by writers such as Dashiell Hammett and Raymond Chandler, who brought crime out of the drawing room and into the "mean streets" where it actually occurred. In The Oxford Book of American Detective Stories, Tony Hillerman and Rosemary Herbert bring together thirty-three tales that illuminate both the evolution of crime fiction in the United States and America's unique contribution to this highly popular genre. Tracing its progress from elegant "locked room" mysteries, to the hard-boiled realism of the '30s and '40s, to the great range of styles seen today, this superb collection includes the finest crime writers, including Erle Stanley Gardner, Raymond Chandler, Ross Macdonald, Rex Stout, Ellery Queen, Ed McBain, Sue Grafton, and Hillerman himself. There are also many delightful surprises: Bret Harte, for instance, offers a Sherlockian pastiche with a hero named Hemlock Jones, and William Faulkner blends local color, authentic dialogue, and dark, twisted pride in "An Error in Chemistry." We meet a wide range of sleuths, from armchair detective Nero Wolfe, to Richard Sale's journalist Daffy Dill, to Robert Leslie Bellem's wise-cracking Hollywood detective Dan Turner, to Linda Barnes's six-foot tall, red-haired, taxi-driving female P.I., Carlotta Carlyle. And we sample a wide variety of styles, from tales with a strongly regional flavor, to hard-edged pulp fiction, to stories with a feminist perspective. Perhaps most important, the book offers a brilliant summation of America's signal contribution to crime fiction, highlighting the myriad ways in which we have reshaped this genre. The editors show how Raymond Chandler used crime, not as a puzzle to be solved, but as a spotlight with which he could illuminate the human condition; how Ed McBain, in "A Small Homicide," reveals a keen knowledge of police work as well as of the human sorrow which so often motivates crime; and how Ross Macdonald's Lew Archer solved crime not through blood stains and footprints, but through psychological insight into the damaged lives of the victim's family. And throughout, the editors provide highly knowledgeable introductions to each piece, written from the perspective of fellow writers and reflecting a life-long interest--not to say love--of this quintessentially American genre. American crime fiction is as varied and as democratic as America itself. Hillerman and Herbert bring us a gold mine of glorious stories that can be read for sheer pleasure, but that also illuminate how the crime story evolved from the drawing room to the back alley, and how it came to explore every corner of our nation and every facet of our lives.
Early American Detective Stories by LeRoy Panek,Mary M. Bendel-Simso Pdf
Although the classic tales of mystery have faded from popular culture, avid collectors and cataloguers have ensured their place in the annals of literature. This anthology offers readers an exemplary sample of the hundreds of detective stories published in 19th century newspapers and magazines. All but two are stories published before 1891, before Sherlock Holmes appeared in America. The stories are categorized according to common motifs, including the largely unexplored field of women in late 19th century detection. Revealing cultural intricacies that other kinds of fiction cannot, the literature presented here provides new insights into the history of the detective story.
NEP British American And Indian Popular Fiction 5th Sem by Amit Ganguly ,Jay Bansal Pdf
1. Literary Terms 2. Earlier Trends in Fiction 3. Trends in 20th and 21st Century Fiction British Fiction 4. Charles Dickens : A Tale of Two Cities 5. Jane Austen : Pride and Prejudice American Fiction 6. Harper Lee : To Kill a Mockingbird 7. Ernest Hemingway : The Old Man and the Sea Indian Popular Fiction 8. Arvind Adiga : The White Tiger 9. Sudha Murthy : Dollar Bahu.
