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Still water -- Safety's sound -- Our suffering -- A body in motion -- Bedrock -- Grand theft auto -- Can't walk, can't talk -- Bull by the horns -- Hungry devils -- Deliverance -- West of home & east of eden -- Secret somethings -- Allemande left -- Queen of the ma'ams -- X-mas down -- Hungry jackals -- Spinning yarn -- Milk calls -- Cataclysm -- SCOTUS hiatus -- Virginia roads -- Our Americas -- Mama's boy.
MUST HATE DOGS Do you hate dogs? Only want to talk about yourself? Is having a sense of humor something you’ve never been accused of? Think eating for pleasure is a complete waste of time? Agree that tipping is for suckers? Then you’re the date for me. Dixon Beckett is the kind of guy who loves his mama, treats women right, and never ever wants to fall in love again. That’s why he’ll do anything to win a bet to be the last single man standing by Christmas. He’s got a plan, too. Create the most no-good, horrible, very bad dating profile in existence. Only someone actually responds to his ad... The rules say he has to go on six dates with the first (or in his case, only) person who answers—even if that person is Fiona Hartigan: Hater of dogs, non-lover of any delicious food, and zero sense of humor. But something feels off about this pariah. In fact, Dixon is almost positive Fiona is just pretending to be awful. Pretending to be the most horrible date in existence. And she’s most definitely pretending to not be as interested in him as he is in her. The more Dixon Beckett starts to unravel the mystery of why Fiona answered his ad in the first place, the more he starts considering the most vile, awful, terrible idea ever...falling in love. Each book in the Last Man Standing series is STANDALONE: * Mama's Boy * Neanderthal * Mansplainer
The Nerds make their return in this second installment of Buckley's series, and this time, the group must fight a villain so unlikely, he still lives with his mom. In other words, it's the Nerds against a nerd.
"My mother was always committing suicide. She started out young, in an amateur capacity. But it didn't take long for Mama to work out how to make psychiatrists take notice, and to get the respect reserved for the most serious cases. Written with gritty humour in the form of a confession, Mama's Boy recounts the family drama of a young man who sets out in search of his mother after a childhood spent shuffling from one foster home to another. A bizarre character with a skewed view of the world, he leads the reader on a quest that is both tender and violent."--
Mothers get the message early and often: push your sons away. Don't keep them emotionally bound to you. Back off, because boys need to learn to stand on their own. Lombardi persuasively argues that much of the entrenched 'wisdom' about mothers and sons is hopelessly outdated. Highlighting new research, she reveals that boys who are close to their mothers are happier, more secure and enjoy stronger connections with their friends and ultimately their spouses. With revealing interviews and moving case studies, Lombardi argues that men need their mother's love.
Tired of keeping his life-long secrets, author Dominic Carter, described by some as the best of New York's political television reporters, shares his remarkable, gut-wrenching story of abuse at the hands of his mother in No Momma's Boy. Shortly after his mother's death, Carter obtains her psychiatric records to learn more about the extent of her struggles. He always knew she was plagued by mental illness, but because of their limited relationship, he never truly understood its severity. In addition to revealing that she was a paranoid schizophrenic, the records contain shocking secrets from his past of which he has little or no recollection. Carter learns the revolting details of how his mother attempted to strangle him to death when he was just a toddler and her numerous suicide attempts. As he uncovers these horrific details, Carter awakens memories of unspeakable acts that he suffered at her hands. From a childhood of sexual and physical abuse to a meaningful career attending social events at the White House and interviewing Nelson Mandela, No Momma's Boy recounts Carter's tremendous highs and lows and how he survived to become the successful journalist that he is today.
At the end of this story I'm going to kill myself. And then die. That's the way it is. All good things must come to an end, including me. Mama's Boy: Game Over is the third and final book in David Goudreault's bleakly comic bestselling Mama's Boy trilogy. Mama's Boy has been transferred from prison to a psychiatric hospital. He manages to escape, and goes on the run in Montreal, hiding in plain sight. In his short but eventful life, Mama's Boy has already managed to achieve most of his ambitions: fame, fatherhood and friendship, at least in his own rather skewed perspective. But one goal remains: tracking down and reuniting with his estranged mother. By turns poignant and deeply uncomfortable, Mama's Boy's final journey is a wild, desperate bid for freedom, love, and family. Praise for Mama's Boy "David Goudreault will captivate you from the first line " --Kim Thuy, author of Vi and Ru
"When her son is accused of a violent crime, church first lady Gloria Jones finds herself battling his prosecutor--as well as her own inner demons--to save him in this drama-filled novel from bestselling, award-winning author ReShonda Tate Billingsley. Gloria Jones is living a mother's worst fear. There's a massive manhunt for her son after a regular night out with friends escalated into the fatal shooting of a police officer. Her husband, esteemed minister Elton Jones, is humiliated by the news, complicating an already strained relationship with his son. And everyone in Jasper, Texas, a town already ripe with racial tension, is up in arms. But the killer they're searching for isn't the son Gloria knows, and now she must decide whether to turn him in orhelp him run. As the seventeen-year-old battles for his life, Gloria turns to the woman hell bent on bringing him to justice--prosecutor Kay Christiansen. Kay has built a solid record putting criminals behind bars and now, as she's about to ride the record to the city's top spot--Mayor of Houston--this new case could threaten everything she's worked for. But a mother's love knows no boundaries, and Gloria will have to face an ugly past and tackle painful secrets in an effort to save her son"--
This heartfelt, deeply personal memoir explores how a celebrated filmmaker and activist and his conservative Mormon mother built bridges across today’s great divides—and how our stories hold the power to heal. • Adapted as an HBO documentary now streaming on HBO Max. “A beautifully written, utterly compelling account of growing up poor and gay with a thrice married, physically disabled, deeply religious Mormon mother, and the imprint this irrepressible woman made on the character of Dustin Lance Black.” —Jon Krakauer, bestselling author of Missoula and Under the Banner of Heaven Dustin Lance Black wrote the Oscar-winning screenplay for Milk and helped overturn California’s anti–gay marriage Proposition 8, but as an LGBTQ activist he has unlikely origins—a conservative Mormon household outside San Antonio, Texas. There he was raised by a single mother who, as a survivor of childhood polio, endured brutal surgeries as well as braces and crutches for life. Despite the abuse and violence of two questionably devised Mormon marriages, she imbued Lance with her inner strength and irrepressible optimism. When Lance came out to his mother at age twenty-one, she initially derided his sexuality as a sinful choice. It may seem like theirs was a house destined to be divided—and at times it was. But in the end, they did not let their differences define them or the relationship that had inspired two remarkable lives. This heartfelt, deeply personal memoir explores how a mother and son built bridges across great cultural divides—and how our stories hold the power to heal.
Mama's Boy describes the life of author Robert Hood: his early years in a coal-mining village during the Depression, his life in the navy during World War II, and his later professional success. At the heart of Hood's memoir is his proud and talented mother, who is determined that her headstrong son will become somebody. But the impish boy is more interested in sports than poetry recitations or declamation contests. Anxious to enter the war, seventeen-year-old Hood enlists in the U.S. Navy in 1944 and serves on Guam. He returns, attends college, and eventually ends up in New York City as the editor-in-chief of Boys' Life Magazine. As Hood achieves success, he meets some of the distinguished artists and authors of the twentieth century. He lunches with Andre Kertesz, Alex Haley, and Isaac Asimov; takes tea with Salvador Dali and Philippe Halsman; and chats on the phone with Margaret Coit, Catherine Drinker Bowen, and Margaret Bourke-White. He also interviews great athletes such as Hank Greenberg, Mickey Mantle, and Willie Mays. But most important to Hood are those people in his family who mentored him so well. Mama's Boy pays tribute to his parents, grandparents, siblings, uncles, and aunt. His love for them bears witness to the endurance of human memory.
In postwar America, the discourse of Momism advanced the idea that an over-affectionate or too-distant mother hampers the social and psychosexual development of her children, in particular her sons. Deemed worst of all was the outcome of homosexuality, since the period saw an intense policing of sexual deviance. van den Oever zooms in on four instances of the cultural representation of Momism: The Grotto, by Grace Zaring Stone, Suddenly Last Summer, by Tennessee Williams, Alfred Hitchcock's Psycho, and Portnoy's Complaint, by Philip Roth, to offer new commentary on canonical texts, a particular moment in American culture, and future reading strategies.
The all new graphic novel based on the syndicated Mama's Boyz comic strip. It follows the humorous struggles of a mom trying to raise her two teenage boys.
A New York Times contributor offers a radical reexamination of a hot-button issue of the mother and son relationship and advocates the end of the "mama's boy" taboo. New York Times contributor Kate Stone Lombardi unveils the surprisingly close relationship between mothers and sons. Mother after mother confessed to Lombardi that her husband, brothers, and even female friends and family criticize the fact that she is "too close" to her sons. Many of these women are often startled by the strong connection they feel with their sons; but rarely do they talk about it because society tells them to push their little boys away and not "baby" them with too much cuddling and comforting. It is as if there were an existing playbook-based on gender preconceptions dating back to Freud, Oedipus, and beyond-that prescribes the way mothers and their sons should interact. Lombardi's much-needed narrative is the first and only book to share truly revealing interviews with mothers who have close relationships with their sons, as well as interviews with these women's sons and husbands. Lombardi persuasively argues that the rise of the new male-one who is more emotionally intelligent and more sensitive without being less "manly"-is directly attributable to women who are rejecting the "mama's boy" taboo. Highlighting new scientific studies, The Mama's Boy Myth begins a fresh story-one that will be welcomed by mothers, fathers, and sons alike.
Long before Kevin Jennings began advocating to end anti-LGBT bias in schools, he was a victim of it. In Mama's Boy, Preacher's Son, Jennings traces the roots of his activism to his elementary school days in the conservative South, where "faggot" became more familiar to him than his own name. Mama's Boy, Preacher's Son is that rare memoir that is both a riveting personal story and an inside account of a critical chapter in our recent history. Creating safe schools for all youth is now a central part of the progressive agenda in American education—and Kevin Jennings is at the forefront of that fight. Mama's Boy, Preacher's Son earned an A- in Entertainment Weekly, was featured in Salon and The Advocate, and was called "a great read" by People.