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Manila by Night: A Queer Film Classic by Joel David Pdf
Manila by Night follows denizens of the city’s sordid yet exuberant underworld as they pursue their notions of life, love, and pleasure. In turn, this book follows the film’s equally arduous yet exhilarating journey through repression and censorship to a reluctanct release by the Marcos government as proof of its liberalism during the 1986 uprising.
Forbidden Love: A Queer Film Classic by Jean Bruce,Gerda Cammaer Pdf
A Queer Film Classic on the 1992 feature documentary on lesbian experience from the 1940s to the 1960s as seen through the lens of lesbian pulp fiction. This award-winning movie became the most popular ever produced by the National Film Board of Canada, and became emblematic of the bold new queer cinema of the early 1990s. In 2014, the NFB re-released the film in a digitally remastered version. Jean Bruce and Gerda Cammaer are both associate professors in the School of Image Arts at Ryerson University in Toronto.
C.R.A.Z.Y.: A Queer Film Classic by Robert Schwartzwald Pdf
A Queer Film Classic on the 2005 film debut by French-Canadian director Jean-Marc Vallée (best known for Dallas Buyers Club and Wild), about a young gay man who struggles to find his sense of self amidst a "crazy" family of four brothers and a homophobic father who seeks to cure him. The film won a best picture Genie Award (Canada's version of the Oscars) in 2006. Robert Schwartzwald in a professor at the Université de Montréal.
L.A. Plays Itself/Boys in the Sand by Cindy Patton Pdf
A Queer Film Classic on two groundbreaking gay arthouse porn films from 1972, both examples of the growing liberalization of social attitudes toward sex and homosexuality in post-Stonewall America. Where Fred Halsted's Boys in the Sand is a frothy romp at a gay beach resort community, Wakefield Poole's L.A. Plays Itself is a dark treatise on violence and urban squalor. Both films represent particular, polarizing moments in the early history of the gay movement. Cindy Patton is a longtime activist and scholar. She is currently professor of sociology at Simon Fraser University in British Columbia.
Queer Southeast Asia by Shawna Tang,Hendri Yulius Wijaya Pdf
Tang and Wijaya present a range of new and established scholarly voices, including local activists directly involved in developments in Southeast Asia. This groundbreaking collection presents the current state of play and longstanding LGBTQ+ debates in this often-overlooked region of Asia. The diversity of both the subject and the region is reflected in the broad scope of topics addressed, from the impact of Japanese queer popular culture on queer Filipinos, to the politics of public toilets in Singapore, and the impact of digital governance on queer communities across ASEAN. Taken in combination, these investigations not only highlight the operations of queer politics in Southeast Asia, but also present a concrete basis to reflect on queer knowledge production in the region. A vital resource for students and scholars of gender and sexuality in Southeast Asia, or any Queer or LGBTQ+ studies looking beyond the West.
Farewell My Concubine, one of three new QUEER FILM CLASSICS this fall, is a thought-provoking consideration of Chen Kaige's acclaimed 1992 Chinese film set in the mid-20th century about two male Peking opera stars and the woman who comes between them, set against the political turmoil of a China in transition. The film's treatment of gender performance and homosexuality was a first in Chinese cinema, and the subject of much controversy there. The movie, which helped to bring contemporary Chinese films onto the world stage, won the Palme d'Or at the Cannes Film Festival (the first Chinese film to do so), and was nominated for a Best Foreign-Language Film Oscar. This book, one of two new QFCs to focus on Asian queer cinema, places the film in its historical and cultural context while drawing on fresh insights from recent works on transgender and queer studies to provide readers with an intimate, provocative, and original look at the film.
QUEER FILM CLASSICS is a critically acclaimed series that launched in 2009, edited by Thomas Waugh and Matthew Hays, covering some of the most important and influential films about and/or by LGBT people made between 1950 and 2005, and written by leading LGBT film scholars and critics. A Queer Film Classic on the 2005 film by French-Canadian director Jean-Marc Vallee (best known for Dallas Buyers Club and Wild), about a young gay man named Zac growing up in the 1960s and '70s who struggles to find his sense of self amidst a "crazy" family of four brothers, a loving mother, and a macho father who seeks to cure him when the boy reveals that he prefers dolls to hockey, David Bowie to Patsy Cline, and his cousin's boyfriend Paul's luscious lips to those of the girl next door. With exquisite attention to period detail, at once highly realistic and magical, C.R.A.Z.Y. chronicles Zac's place in an evolving family romance set against the backdrop of Quebec's "Quiet Revolution," when traditional Catholic culture made way for the modern age. The film won a best picture Genie Award (Canada's version of the Oscars) in 2006. Robert Schwartzwald's book discusses the film's context within a turbulent Quebec, and how French Canada is situated between, and conflicted about, American and French popular culture.
Fire, one of three new QUEER FILM CLASSICS this fall, delves into the controversial 1996 lesbian love story by Indian-born director Deepa Mehta. Set in a contemporary middle-class Hindu household in the heart of Delhi, Fire is the story of Radha and Sita, the wives of two brothers, who fall in love with one another. Crisis overtakes the extended family when a servant discovers the relationship and tells one of the husbands; overcoming both a literal and allegorical 'trial by fire,' the two women leave their marriages to make a life together. The film premiered to great acclaim in 1996, and travelled the international circuit before being finally released in India in 1999. The consequences of the films Indian premiere were both profound and provocative: outraged by the film's explicit depiction of a lesbian relationship, protesters went on a rampage, tearing down posters, vandalizing cinemas showing the film, and disrupting screenings in Delhi and Bombay, setting off a maelstrom of public discourse on issues such as homosexuality and freedom of speech in India. Director Deepa Mehta and the two leading actresses were targeted for attack and harassment by extremists of the Hindu Right. This book examines the controversy that divided a nation, but which ultimately led to counter protests among the films supporters, resulting in its successful and uninterrupted run in Indian theaters. The book also considers Fire's scathing attack on both heterosexism and Hindu practices in India that oppress and marginalize women, as well as its revolutionary treatment of female characters, whose traditional duties are imbued with an unprecedented sensuality.
Montreal Main, one of three QUEER FILM CLASSICS this fall, considers the brilliant yet neglected 1974 Canadian film set in Montreal's bohemian neighborhood ''the Main' and hailed at its premiere at the Whitney Museum of American Art. The movie, directed and starring Frank Vitale, is both a great indie film and a great queer film; a fascinating cinema vrit take on North American social mores and relationships in the 1970s, about a twenty something photographer living among the outcasts, junkies, and artists populating the Main, and his growing obsession with Johnny, the young son of acquaintances, a relationship that is doomed from the start. Disarming in its matter-of-fact treatment of potentially sensational themes, Montreal Main is a quiet yet powerful look at human relations among the post-flower power generation. The book, a collaboration between Thomas Waugh and Jason Garrison, details the nuanced history of this peculiar film, which was released on DVD for the first time in 2009. It also considers the politics and aesthetics of the trope of intergenerational love that director Vitale and collaborators Allan Moyle and Stephen Lack so brazenly probed, in a way that would make the film virtually impossible to produce in present day.
“This series will be a significant, valuable contribution to the history and literature of gay cinema. Each of these works will be valuable additions for academic and popular students of film and gay culture.”—Library Journal Gods and Monsters, one of three inaugural titles in Arsenal Pulp Press' new film book series Queer Film Classics, deals with the acclaimed 1998 film about openly gay film director James Whale, best known for the Frankenstein films of the 1930s. Written and directed by Bill Condon (Dreamgirls), Gods and Monsters stars Ian McKellen as Whale in the final days of his life during the 1950s. Moving from the slums of Britain in the early twentieth century to the new era of "talkies" in Hollywood and beyond, Gods and Monsters trains a gay eye on the historical events that helped shape Whale and his films. The result was widely acclaimed, winning an Oscar for Condon's screenplay and nominations for both McKellen and costar Lynn Redgrave. This book examines Gods and Monsters from a variety of perspectives, highlighting the complexity and significance of its achievements, including its fusion of fantasy and biography. It also delves into a history of gay Hollywood during this era, including both its homophobic surface and its queer underpinnings. Noah Tsika is a PhD candidate in Cinema Studies at New York University, Tisch School of the Arts, and he is the author of numerous essays on film, television, and new media. The Queer Film Classics series, starting this fall, consists of critical yet populist monographs on classic films of interest to LGBT audiences written by esteemed film scholars and critics.
Zero Patience by Wendy Gay Pearson,Susan Knabe Pdf
A Queer Film Classic on John Greyson's controversial 1993 film musical about the AIDS crisis which combines experimental, camp musical, and documentary aesthetics while refuting the legend of Patient Zero, the male flight attendant accused in Randy Shilts' book And the Band Played On of bringing the AIDS crisis to North America. Wendy Gay Pearson and Susan Knabe both teach in the women's studies and Feminist Research department at the University of Western Ontario. Arsenal's Queer Film Classics series cover some of the most important and influential films about and by LGBTQ people.
A Queer Film Classic: a great Canadian indie film from 1974 that has become a cult classic, about a photographer living among various outcasts in the Montreal neighborhood known as the Main, who becomes obsessed with the teenaged son of friends.
