Manuscript Painting In Thirteenth Century Flanders

Author : Kerstin Carlvant
Publisher : Harvey Miller Pub
Page : 542 pages
File Size : 54,5 Mb
Release : 2012
Category : Art
ISBN : 1905375670

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Manuscript Painting in Thirteenth-century Flanders by Kerstin Carlvant Pdf

This is the first comprehensive and in-depth study of the earliest figural painting ever to have been produced in Flanders on a continual basis. Most of the manuscripts are Psalters, but Bibles, a Breviary, a Missal, a Netherlandic life of a saint, and yet other texts occur. Three main categories of illuminator are distinguishable: those working in Bruges, in Ghent, and, at least in part, for the circle of the counts of Flanders. The principal chapters and the catalog segments are organized around their individual contributions. An arrangement in time and place of the total body of work was obtained through a lengthy and rigorous process of comparison of figural, ornamental and writing styles, codicological and textual features. Several distinctive Flemish patterns of Psalter iconography have emerged; these are presented in tabular form with accompanying commentaries. A surprising amount of information about the early owners of the books, mostly well-to-do members of the laity, was yielded in the analysis for the manuscript catalogs.

Author : Gregory T. Clark
Publisher : Brepols Publishers
Page : 504 pages
File Size : 45,9 Mb
Release : 2000
Category : Art
ISBN : UOM:39015049972568

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Made in Flanders by Gregory T. Clark Pdf

The subject of this monograph is the prolific mid-fifteenth-century Flemish book illuminator whom Friedrich Winkler first identified and named in 1915 after a richly decorated copy of the statutes and privileges of Ghent and Flanders made for Philip the Good, duke of Burgungy (Vienna, Ost. National-bibl., Cod.2583). While no fewer than 15 codices and cuttings have been ascribed to the painter in the 80 years since Winkler's pioneering essay, there has been no published effort to date to order, analyze, and evaluate the work of the Ghent Privileges Master in the larger context of the history and arts of the Burgundian Netherlands. The monograph's essay is divided into five chapters. The first caracterizes the style of the Vienna Privileges itself and then carefully trace its origins and development. Compositional and iconographic sources, innovations, and problems are identified and analyzed in the second chapter; ancillary decoration -especially decorated initials and floral borders- are described and localized and collaborating miniaturists identified in the third. In the fourth chapter the stylistic evidence obtained in the first three chapters is joint together with that provided by texts and provenances in order to date and localize the subject books and leaves. The final chapter positions those codices and cuttings in the larger context of Flemish illumination in the time of Philip the Good. Following the essay are 334 figures and 141 comparative illustrations and a catalogue raisonne of 30 books and 24 leaves in the Privileges style. A decisive majority of the figures and illustrations have never before been reproduced in the scholarly literature; the physical characteristics, texts, miniatures, provenance, and bibliography of each codex and cutting are described in full detail in the catalogue. Following the latter are appendices that provide the readings and textual authorities for the Hours of the Virgin.

Author : Anne Margreet W. As-Vijvers
Publisher : Brepols Publishers
Page : 0 pages
File Size : 52,5 Mb
Release : 2013
Category : Books of hours
ISBN : 250351684X

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Re-making the Margin by Anne Margreet W. As-Vijvers Pdf

The subject of the present publication is the working practices of the Ghent-Bruges illuminators, active in Flanders in the decades around 1500. Its focus is on manuscripts featuring freestanding, isolated motifs painted in the margins of text pages. The author traces how this decorative system was created by the Master of the David Scenes in the Grimani Breviary, a prolific inventor of appealing borders, how it was applied by his closest collaborators, and how it was imitated and adapted by other illuminators. Among these were Simon Bening, the Carmelite sister Cornelia van Wulfschkercke, and a number of anonymous masters, including several whose oeuvres are identified here for the first time. The author elucidates the sources for the isolated motifs and demonstrates how the codicological structure of the manuscripts provides insight into the use and the dispersion of various models for border decorations. The book discusses the famous strewn-flower borders and other types of fully decorated borders as well. The author analyses the isolated motifs in relationship to the page layout and the decorative programme of Ghent-Bruges standardised books of hours. The stylistic examination of both the miniatures and the borders of the manuscripts under discussion completes the integrated approach of this study. The author demonstrates how the illuminators collaborated with each other and exchanged artistic models for the illumination of these precious manuscripts.

Author : Gail Feigenbaum
Publisher : Getty Publications
Page : 240 pages
File Size : 40,8 Mb
Release : 2018-03-06
Category : Art
ISBN : 9781606065716

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Getty Research Journal, No. 10 by Gail Feigenbaum Pdf

The Getty Research Journal features the work of art historians, museum curators, and conservators from around the world as part of the Getty’s mission to promote critical thinking in the presentation, conservation, and interpretation of the world’s artistic legacy. Articles present original research related to the Getty’s collections, initiatives, and research projects. This issue features essays on the cross-cultural features of a small alabaster vessel in the “international style” of the ancient Mediterranean, French and Flemish influences in the Montebourg Psalter, a new identification for the so-called bust of Saint Cyricus, the effects of the Reformation on the art market in northern Europe, sketchbooks kept by the Portuguese painter João Glama Stroeberle containing comments from his teachers, the origins of the architectural history survey, Japanese ink aesthetics in non-ink media, the impact of the invention of adhesive tape in the 1930s on the artistic process of abstract painters, and the importance of ephemeral artifacts for the documentation of Carolee Schneemann’s performance works. Shorter texts include notices on an Egyptian ushabti from the tomb of Neferibresaneith, a bronze statuette newly identified as representing the Alexandrian god Hermanubis, and an etching by Félix Bracquemond commissioned by the Parisian gallery Arnold & Tripp.

Author : Conrad Rudolph
Publisher : John Wiley & Sons
Page : 1238 pages
File Size : 40,7 Mb
Release : 2019-02-08
Category : Art
ISBN : 9781119077749

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A Companion to Medieval Art by Conrad Rudolph Pdf

A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.

Author : Gail Feigenbaum
Publisher : Getty Publications
Page : 226 pages
File Size : 44,6 Mb
Release : 2021-03-09
Category : Art
ISBN : 9781606067161

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Getty Research Journal, No. 13 by Gail Feigenbaum Pdf

The Getty Research Journal features the work of art historians, museum curators, and conservators around the world as part of Getty’s mission to promote the presentation, conservation, and interpretation of the world’s artistic legacy. Articles present original scholarship related to Getty collections, initiatives, and broad research interests. This issue features essays on a Parthian stag rhyton and new epigraphic and technical discoveries; gendered devotion and owner portraits in illuminated manuscripts from northern France around 1300; a technical analysis of heraldic devices in a missal from Renaissance Bologna; a new social and collective practice of drawing among French architect pensionnaires of the 1820s and 1830s at Pompeii; artist Malvina Hoffman’s representations of race during her travels to Southeastern Europe as part of her work with the American Yugo-Slav Relief; Raimundo de Madrazo y Garreta’s painting Reverie—The Letter and the small-world sensation as a methodology for global art history; arguments that disprove the attribution of the J. Paul Getty Museum’s sculpture Head with Horns to artist Paul Gauguin; Head with Horns and Gauguin’s creative appropriation of objects; and the unpublished first draft of critic Clement Greenberg’s essay "Towards a Newer Laocoon."

Author : Elizabeth Moore Hunt
Publisher : Taylor & Francis
Page : 264 pages
File Size : 50,5 Mb
Release : 2007
Category : Art
ISBN : 9780415977609

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Illuminating the Borders of Northern French and Flemish Manuscripts, 1270-1310 by Elizabeth Moore Hunt Pdf

This study first examines the marginal repertoire in two well-known manuscripts, the Psalter of Guy de Dampierre and an Arthurian Romance, within their material and codicological contexts. This repertoire then provides a template for an extended study of the marginal motifs that appear in eighteen related manuscripts, which range from a Bible to illustrated versions of the encyclopedias of Vincent de Beauvais and Brunetto Latini. Considering the manuscript as a whole work of art, the marginalia's physical relationship to nearby texts and images can shed light on the reception of these illuminated books by their medieval viewers.

Author : Lisa Moore Hunt
Publisher : Routledge
Page : 262 pages
File Size : 51,9 Mb
Release : 2013-10-14
Category : History
ISBN : 9781135868307

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Illuminating the Border of French and Flemish Manuscripts, 1270–1310 by Lisa Moore Hunt Pdf

This study first examines the marginal repertoire in two well-known manuscripts, the Psalter of Guy de Dampierre and an Arthurian Romance, within their material and codicological contexts. This repertoire then provides a template for an extended study of the marginal motifs that appear in eighteen related manuscripts, which range from a Bible to illustrated versions of the encyclopedias of Vincent de Beauvais and Brunetto Latini. Considering the manuscript as a whole work of art, the marginalia’s physical relationship to nearby texts and images can shed light on the reception of these illuminated books by their medieval viewers.

Author : Otto Pächt
Publisher : Unknown
Page : 0 pages
File Size : 55,8 Mb
Release : 1994
Category : Illumination of books and manuscripts, Medieval
ISBN : 1872501761

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Book Illumination in the Middle Ages by Otto Pächt Pdf

Based on lectures given at the University of Vienna, this book examines all types of book decoration and illumination between late Antiquity and the Renaissance from the point of view of format and style. Pacht explains the basic vocabulary and concepts by which this art-form is to be understood, and offers insights into the philosophy, theology, technology and culture underlying its history. His subjects include pictorial decoration in the organic structure of the book; the initial; bible illustration; didactic miniatures; illustration of the apocalypse; illustration of the psalter; the conflict of surface and space. Now available in paperback.

Author : H. A. G. Houghton
Publisher : Oxford University Press
Page : 561 pages
File Size : 45,6 Mb
Release : 2023-03-24
Category : Religion
ISBN : 9780190886097

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The Oxford Handbook of the Latin Bible by H. A. G. Houghton Pdf

"The Introduction provides an overview of the history of the Latin Bible, with a summary of the contents of each chapter in this Handbook and the rationale for their arrangement. It then discusses the terminology for referring to the Latin Bible, along with a mini-glossary of specialist terms in manuscript and textual studies which appear in the chapters. The principal editions of the Latin Bible are introduced, along with other resources for its study such as book series and databases. Finally, the conventions for the Handbook are explained, such as spelling practices for Latin and proper nouns"--

Author : Richard Marks,Nigel J. Morgan
Publisher : George Braziller
Page : 128 pages
File Size : 48,5 Mb
Release : 1981
Category : Antiques & Collectibles
ISBN : UOM:39015017036040

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The Golden Age of English Manuscript Painting, 1200-1500 by Richard Marks,Nigel J. Morgan Pdf

The authors discuss the importance of the Anglo-Saxon tradition of drawing in 13th century illumination, the role of the Court in the introduction of the French style of illumination, the elaboration of marginalia, and International Gothic style.

Author : Scot McKendrick,British Library
Publisher : Unknown
Page : 172 pages
File Size : 49,6 Mb
Release : 2003
Category : Illumination of books and manuscripts, Flemish
ISBN : STANFORD:36105113470509

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Flemish Illuminated Manuscripts, 1400-1550 by Scot McKendrick,British Library Pdf

"The remarkable and distinctive art of early Netherlandish painters such as Jan van Eyck and Rogier van der Weyden is well known to visitors of art galleries and museums. Yet illuminated manuscripts, rarely seen except by scholars and curators, offer some of the best evidence for our understanding of early Netherlandish painting through a remarkable period of 150 years. Unlike paintings, which have been varnished, cleaned, repainted and exposed to light, the illuminations kept secure within the bindings of a book retain their original colour and clarity of definition."--Book Flap.

Author : Colum Hourihane
Publisher : Unknown
Page : 4064 pages
File Size : 46,8 Mb
Release : 2012
Category : Architecture, Medieval
ISBN : 9780195395365

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The Grove Encyclopedia of Medieval Art and Architecture by Colum Hourihane Pdf

This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

Author : Anonim
Publisher : Unknown
Page : 198 pages
File Size : 52,7 Mb
Release : 2006
Category : Illumination of books and manuscripts, Flemish
ISBN : OCLC:897788226

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Flemish Manuscript Painting in Context by Anonim Pdf

Author : Elizabeth Morrison,Thomas Kren
Publisher : Getty Publications
Page : 212 pages
File Size : 50,8 Mb
Release : 2007-01-08
Category : Art
ISBN : 9780892368525

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Flemish Manuscript Painting in Context by Elizabeth Morrison,Thomas Kren Pdf

A companion to the Getty’s prize-winning exhibition catalogue Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, this volume contains thirteen selected papers presented at two conferences held in conjunction with that exhibition. The first was organized by the Getty Museum, and the second was held at the Courtauld Institute of Art under the sponsorship of the Courtauld Institute and the Royal Academy of Arts. Added here is an essay by Margaret Scott on the role of dress during the reign of Charles the Bold. Texts include Lorne Campbell’s research into Rogier van der Weyden’s work as an illuminator, Nancy Turner’s investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. A recurring theme is the structure of collaboration in manuscript production. The essays also reveal an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court. A series of biographies of Burgundian scribes is featured.