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Mark Twain and William James by Jason Gary Horn Pdf
Focusing on the experience of freedom embodied in three Twain texts, Adventures of Huckleberry Finn, Personal Recollections of Joan of Arc, and No. 44, the Mysterious Stranger, this book encapsulates both Twain's early and late theoretical speculations on the nature of the divided self. From the thoughts and actions of the protagonists in these works, we can trace and follow Twain's fictive map of mind, one that eventually leads to a new vision of personal freedom.
The comparative method is commonly employed in fields such as literature and law, but less frequently is it used in philosophy. In these pages, Philip E. Davis uses a systematically comparative approach to present and consider multiple perspectives on a subject almost simultaneously-and does so in an accessible and entertaining way that employs the words and ideas of four of American history's prominent thinkers, who he demonstrates to be pragmatists. What am I? Is life worth living? What are the optimal circumstances for telling a lie? Davis explores these and many more of the questions and issues that arise from being human, in a manner that expands the mind and pushes the boundaries of daily thinking. For example, his chapter on one's sense of place breaks the boundaries of the five senses to demonstrate that humans have names for many more, such as the sense of justice, sense of pride, and sense of humor. By the book's end, readers can expect to not only have learned much more about these iconic historical figures but to also better understand themselves, what they think about life, and how they interact with the world.
The Routledge Encyclopedia of Mark Twain by J.R. LeMaster,James D. Wilson Pdf
"A model reference work that can be used with profit and delight by general readers as well as by more advanced students of Twain. Highly recommended." - Library Journal The Routledge Encyclopedia of Mark Twain includes more than 700 alphabetically arranged entries that cover a full variety of topics on this major American writer's life, intellectual milieu, literary career, and achievements. Because so much of Twain's travel narratives, essays, letters, sketches, autobiography, journalism and fiction reflect his personal experience, particular attention is given to the delicate relationship between art and life, between artistic interpretations and their factual source. This comprehensive resource includes information on: Twain’s life and times: the author's childhood in Missouri and apprenticeship as a riverboat pilot, early career as a journalist in the West, world travels, friendships with well-known figures, reading and education, family life and career Complete Works: including novels, travel narratives, short stories, sketches, burlesques, and essays Significant characters, places, and landmarks Recurring concerns, themes or concepts: such as humor, language; race, war, religion, politics, imperialism, art and science Twain’s sources and influences. Useful for students, researchers, librarians and teachers, this volume features a chronology, a special appendix section tracking the poet's genealogy, and a thorough index. Each entry also includes a bibliography for further study.
Gillman (English, University of Cal., Santa Cruz) challenges the widely held assumption that Twain's concern with identity is purely biographical and argues that what has been regarded as a problem of individual psychology must be located instead within American society around the turn of the century. Paper edition available at $12.95. Annotation copyrighted by Book News, Inc., Portland, OR
Mark Twain once claimed that he could read human character as well as he could read the Mississippi River, and he studied his fellow humans with the same devoted attention. In both his fiction and his nonfiction, he was disposed to dramatize how the human creature acts in a given environment—and to understand why. Now one of America’s preeminent Twain scholars takes a closer look at this icon’s abiding interest in his fellow creatures. In seeking to account for how Twain might have reasonably believed the things he said he believed, Tom Quirk has interwoven the author’s inner life with his writings to produce a meditation on how Twain’s understanding of human nature evolved and deepened, and to show that this was one of the central preoccupations of his life. Quirk charts the ways in which this humorist and occasional philosopher contemplated the subject of human nature from early adulthood until the end of his life, revealing how his outlook changed over the years. His travels, his readings in history and science, his political and social commitments, and his own pragmatic testing of human nature in his writing contributed to Twain’s mature view of his kind. Quirk establishes the social and scientific contexts that clarify Twain’s thinking, and he considers not only Twain’s stated intentions about his purposes in his published works but also his ad hoc remarks about the human condition. Viewing both major and minor works through the lens of Twain’s shifting attitude, Quirk provides refreshing new perspectives on the master’s oeuvre. He offers a detailed look at the travel writings, including The Innocents Abroad and Following the Equator, and the novels, including The Adventures of Tom Sawyer, Adventures of Huckleberry Finn, and Pudd’nhead Wilson, as well as an important review of works from Twain’s last decade, including fantasies centering on man’s insignificance in Creation, works preoccupied with isolation—notably No. 44,The Mysterious Stranger and “Eve’s Diary”—and polemical writings such as What Is Man? Comprising the well-seasoned reflections of a mature scholar, this persuasive and eminently readable study comes to terms with the life-shaping ideas and attitudes of one of America’s best-loved writers. Mark Twain and Human Nature offers readers a better understanding of Twain’s intellect as it enriches our understanding of his craft and his ineluctable humor.
The Mark Twain Encyclopedia by J. R. LeMaster,James Darrell Wilson,Christie Graves Hamric Pdf
A reference guide to the great American author (1835-1910) for students and general readers. The approximately 740 entries, arranged alphabetically, are essentially a collection of articles, ranging significantly in length and covering a variety of topics pertaining to Twain's life, intellectual milieu, literary career, and achievements. Because so much of Twain's writing reflects Samuel Clemens's personal experience, particular attention is given to the interface between art and life, i.e., between imaginative reconstructions and their factual sources of inspiration. Each entry is accompanied by a selective bibliography to guide readers to sources of additional information. Annotation copyright by Book News, Inc., Portland, OR
ÊIs Shakespeare Dead? is a short, semi-autobiographical work by American humorist Mark Twain. It explores the controversy over the authorship of the Shakespearean literary canon via satire, anecdote, and extensive quotation of contemporary authors on the subject. Ê The original publication spans only 150 pages, and the formatting leaves roughly half of each page blank. The spine is thread bound. It was published in April 1909 by Harper & Brothers, twelve months before Mark Twain's death. Ê The book attracted controversy for incorporating a chapter from The Shakespeare Problem Restated by George Greenwood without permission or proper credit, an oversight Twain blamed on the accidental omission of a footnote by the printer. Ê The book has been described as "one of his least well received and most misunderstood works". Although she admits that Twain appears to have been sincere in his beliefs concerning Shakespeare, Karen Lystra argues that the essay reveals satirical intentions that went beyond the ShakespeareÑBacon controversy of the time. Ê Though it is commonly assumed to be nothing more than a stale and embarrassing rehash of the Shakespeare-Bacon controversy, Twain was up to something more than flimsy literary criticism. He was using the debate over Shakespeare's real identity to satirize prejudice, intolerance, and self-importanceÑin himself as well as others.... But after his passionate diatribe against the "Stratfordolators" and his vigorous support of the Baconians, he cheerfully admits that both sides are built on inference. Leaving no doubt about his satirical intent, Twain then gleefully subverts his entire argument. After seeming to be a serious, even angry, combatant, he denies that he intended to convince anyone that Shakespeare was not the real author of his works. "It would grieve me to know that any one could think so injuriously of me, so uncomplimentarily, so unadmiringly of me," he writes mockingly. "Would I be so soft as that, after having known the human race familiarly for nearly seventy-four years?" We get our beliefs at second hand, he explains, "we reason none of them out for ourselves. It is the way we are made." Twain has set a trapÑan elaborate joke at the expense of what he scornfully refers to as the "Reasoning Race." He is satirizing the need to win an argument when it is virtually impossible to convince anyone to change sides in almost any debate. His excessive rhetoric of attack is obviously absurdÑcalling the other side "thugs," for exampleÑyet it has been taken at face value.
Mark Twain, who was often photographed with a cigar, once remarked that he came into the world looking for a light. In this new biography, published on the centennial of the writer’s death, Jerome Loving focuses on Mark Twain, humorist and quipster, and sheds new light on the wit, pathos, and tragedy of the author of Adventures of Huckleberry Finn. In brisk and compelling fashion, Loving follows Twain from Hannibal to Hawaii to the Holy Land, showing how the southerner transformed himself into a westerner and finally a New Englander. This re-examination of Twain’s life is informed by newly discovered archival materials that provide the most complex view of the man and writer to date.
Centenary Reflections on Mark Twain's No. 44, the Mysterious Stranger by Joseph Csicsila,Chad Rohman Pdf
In this first book on No. 44 in thirty years, thirteen especially commissioned essays by some of today's most accomplished Twain scholars cover an array of topics, from domesticity and transnationalism to race and religion, and reflect a variety of scholarly and theoretical approaches to the work. This far-reaching collection considers the status of No. 44 within Twain's oeuvre as they offer cogent insights into such broad topics as cross-culturalism, pain and redemption, philosophical paradox, and comparative studies of the "Mysterious Stranger" manuscripts. All of these essays attest to the importance of this late work in Twain's canon, whether considering how Twain's efforts at truth-telling are premeditated and shaped by his own experiences, tracing the biblical and religious influences that resonate in No. 44, or exploring the text's psychological dimensions. Several address its importance as a culminating work in which Twain's seemingly disjointed story lines coalesce in meaningful, albeit not always satisfactory, ways. An afterword by Alan Gribben traces the critical history of the "Mysterious Stranger" manuscripts and the contributions of previous critics. A wide-ranging critical introduction and a comprehensive bibliography on the last century of scholarship bracket the contributions. Close inspection of this multidimensional novel shows how Twain evolved as a self-conscious thinker and humorist--and that he was a more conscious artist throughout his career than has been previously thought. Centenary Reflections deepens our understanding of one of Twain's most misunderstood texts, confirming that the author of No. 44 was a pursuer of an elusive truth that was often as mysterious a stranger as Twain himself.
Tracks the genesis and evolution of Twain's reputation as a writer, revealing how and why the writer has been under fire since the advent of his career.
