Masque And Opera In England 1656 1688

Author : Andrew R. Walkling
Publisher : Taylor & Francis
Page : 354 pages
File Size : 54,6 Mb
Release : 2016-08-25
Category : Music
ISBN : 9781317099703

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Masque and Opera in England, 1656-1688 by Andrew R. Walkling Pdf

Masque and Opera in England, 1656–1688 presents a comprehensive study of the development of court masque and through-composed opera in England from the mid-1650s to the Revolution of 1688–89. In seeking to address the problem of generic categorization within a highly fragmentary corpus for which a limited amount of documentation survives, Walkling argues that our understanding of the distinctions between masque and opera must be premised upon a thorough knowledge of theatrical context and performance circumstances. Using extensive archival and literary evidence, detailed textual readings, rigorous tabular analysis, and meticulous collation of bibliographical and musical sources, this interdisciplinary study offers a host of new insights into a body of work that has long been of interest to musicologists, theatre historians, literary scholars and historians of Restoration court and political culture, but which has hitherto been imperfectly understood. A companion volume will explore the phenomenon of "dramatick opera" and its precursors on London’s public stages between the early 1660s and the first decade of the eighteenth century.

Author : Andrew R. Walkling
Publisher : Routledge
Page : 344 pages
File Size : 42,6 Mb
Release : 2019-03-19
Category : Music
ISBN : 9781315524191

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English Dramatick Opera, 1661–1706 by Andrew R. Walkling Pdf

English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).

Author : Thomas McGeary
Publisher : Boydell & Brewer
Page : 445 pages
File Size : 46,7 Mb
Release : 2022-07-26
Category : Great Britain
ISBN : 9781783277155

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Opera and Politics in Queen Anne's Britain, 1705-1714 by Thomas McGeary Pdf

Explores the political meanings that Italian opera - its composers, agents and institutions - had for audiences in eighteenth-century Britain.

Author : Anonim
Publisher : Cambridge University Press
Page : 379 pages
File Size : 48,9 Mb
Release : 2024-06-29
Category : Electronic
ISBN : 9780521823593

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The Cambridge Companion to Seventeenth-Century Opera by Anonim Pdf

Author : Andrew R. Walkling
Publisher : Routledge
Page : 344 pages
File Size : 46,6 Mb
Release : 2019-03-19
Category : Music
ISBN : 9781315524207

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English Dramatick Opera, 1661–1706 by Andrew R. Walkling Pdf

English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).

Author : Joseph Arthur Mann
Publisher : Liverpool University Press
Page : 306 pages
File Size : 48,8 Mb
Release : 2020-09-11
Category : Music
ISBN : 9781949979244

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Printed Musical Propaganda in Early Modern England by Joseph Arthur Mann Pdf

Printed Musical Propaganda in Early Modern England reveals how consistently music, in theory and practice, was used as propaganda in a variety of printed genres that included or discussed music from the English Civil Wars through the reign of William and Mary. These printed items—bawdy broadside ballads, pamphlets paid for by Parliament, sermons advertising the Church of England’s love of music, catch-all music collections, music treatises addressed to monarchs, and masque and opera texts—when connected in a contextual mosaic, reveal a new picture of not just individual propaganda pieces, but multi-work propaganda campaigns with contributions that cross social boundaries. Musicians, Royalists, Parliamentarians, government officials, propagandists, clergymen, academics, and music printers worked together setting musical traps to catch the hearts and minds of their audiences and readers. Printed Musical Propaganda proves that the influential power of music was not merely an academic matter for the early modern English, but rather a practical benefit that many sought to exploit for their own gain.

Author : Stephanie Carter,Stephanie Louise Carter,Kirsten Gibson,Roz Southey
Publisher : Boydell & Brewer
Page : 343 pages
File Size : 44,6 Mb
Release : 2020
Category : History
ISBN : 9781783275410

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Music in North-east England, 1500-1800 by Stephanie Carter,Stephanie Louise Carter,Kirsten Gibson,Roz Southey Pdf

This collection situates the North-East within a developing nationwide account of British musical culture.

Author : Sarah Barber,Corinna M. Peniston-Bird
Publisher : Routledge
Page : 255 pages
File Size : 53,9 Mb
Release : 2020-04-13
Category : History
ISBN : 9781351106559

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Approaching Historical Sources in their Contexts by Sarah Barber,Corinna M. Peniston-Bird Pdf

In Approaching Historical Sources in Their Contexts, 12 academics examine how space, time and performance interact to co-create context for source analysis. The chapters cover 2000 years and stretch across the Americas and Europe. They are grouped into three themes, with the first four exploring aspects of movement within and around an environment: buildings, the tension between habitat and tourist landscape, cemeteries and war memorials. Three chapters look at different aspects of performance: masque and opera in which performance is (re)constructed from several media, radio and television. The final group of chapters consider objects and material culture in which both spatial placement and performance influence how they might be read as historical sources: archaeological finds and their digital management, the display of objects in heritage locations, clothing, photograph albums and scrapbooks. Supported by a range of case studies, the contributors embed lessons and methodological approaches within their chapters that can be adapted and adopted by those working with similar sources, offering students both a theoretical and practical demonstration of how to analyse sources within their contexts. Drawing out common threads to help those wishing to illuminate their own historical investigation, this book encourages a broad and inclusive approach to the physical and social contexts of historical evidence for those undertaking source analysis.

Author : Ellen T. Harris
Publisher : Oxford University Press
Page : 256 pages
File Size : 45,7 Mb
Release : 2017-11-07
Category : Music
ISBN : 9780190861445

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Henry Purcell's Dido and Aeneas by Ellen T. Harris Pdf

Purcell's Dido and Aeneas stands as the greatest operatic achievement of seventeenth-century England, and yet, despite its global renown, it remains cloaked in mystery. The date and place of its first performance cannot be fixed with precision, and the absolute accuracy of the surviving scores, which date from almost 100 years after the work was written, cannot be assumed. In this thirtieth-anniversary new edition of her book, Ellen Harris closely examines the many theories that have been proposed for the opera's origin and chronology, considering the opera both as political allegory and as a positive exemplar for young women. Her study explores the work's historical position in the Restoration theater, revealing its roots in seventeenth-century English theatrical and musical traditions, and carefully evaluates the surviving sources for the various readings they offer-of line designations in the text (who sings what), the vocal ranges of the soloists, the use of dance and chorus, and overall layout. It goes on to provide substantive analysis of Purcell's musical declamation and use of ground bass. In tracing the performance history of Dido and Aeneas, Harris presents an in-depth examination of the adaptations made by the Academy of Ancient Music at the end of the eighteenth century based on the surviving manuscripts. She then follows the growing interest in the creation of an "authentic" version in the nineteenth and early twentieth centuries through published editions and performance reviews, and considers the opera as an important factor in the so-called English Musical Renaissance. To a significant degree, the continuing fascination with Purcell's Dido and Aeneas rests on its apparent mutability, and Harris shows this has been inherent in the opera effectively from its origin.

Author : Jennifer Thorp
Publisher : Liverpool University Press
Page : 388 pages
File Size : 48,9 Mb
Release : 2024-04-28
Category : Music
ISBN : 9781835533383

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The Gentleman Dancing-Master by Jennifer Thorp Pdf

The Gentleman Dancing-Master: Mr Isaac and the English Royal Court from Charles II to Queen Anne considers the life and times of the dancer known as Mr Isaac, performer, teacher and creator of prestigious dances for performance at the royal court. Includes facsimiles and discussion of his surviving dances and their context.

Author : Anna Battigelli
Publisher : Rutgers University Press
Page : 185 pages
File Size : 52,9 Mb
Release : 2023-10-13
Category : Literary Criticism
ISBN : 9781644533130

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Literature and the Arts by Anna Battigelli Pdf

The ten essays in Literature and the Arts explore the intermedial plenitude of eighteenth-century English culture, honoring the memory of James Anderson Winn, whose work demonstrated how seeing that interplay of the arts and literature was essential to a full understanding of Restoration and eighteenth-century English culture. Scenery, machinery, music, dance, and texts transformed one another, both enriching and complicating generic distinctions. Artists were alive to the power of the arts to reflect and shape reality, and their audience was quick to turn to the arts as performative pleasures and critical lenses through which to understand a changing world. This collection's eminent authors discuss estate design, musicalized theater, the visual spectacle of musical performance, stage machinery and set designs, the social uses of painting and singing, drama’s reflection of a transformed military infrastructure, and the arts of memory and of laughter.

Author : Peter Holman
Publisher : Boydell & Brewer
Page : 434 pages
File Size : 48,6 Mb
Release : 2020
Category : Music
ISBN : 9781783274567

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Before the Baton by Peter Holman Pdf

How was large-scale music directed or conducted in Britain before baton conducting took hold in the 1830s?

Author : Katie Bank
Publisher : Routledge
Page : 284 pages
File Size : 42,7 Mb
Release : 2020-08-16
Category : History
ISBN : 9781000169676

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Knowledge Building in Early Modern English Music by Katie Bank Pdf

Knowledge Building in Early Modern English Music is a rich, interdisciplinary investigation into the role of music and musical culture in the development of metaphysical thought in late sixteenth-, early seventeenth-century England. The book considers how music presented questions about the relationships between the mind, body, passions, and the soul, drawing out examples of domestic music that explicitly address topics of human consciousness, such as dreams, love, and sensing. Early seventeenth-century metaphysical thought is said to pave the way for the Enlightenment Self. Yet studies of the music’s role in natural philosophy has been primarily limited to symbolic functions in philosophical treatises, virtually ignoring music making’s substantial contribution to this watershed period. Contrary to prevailing narratives, the author shows why music making did not only reflect impending change in philosophical thought but contributed to its formation. The book demonstrates how recreational song such as the English madrigal confronted assumptions about reality and representation and the role of dialogue in cultural production, and other ideas linked to changes in how knowledge was built. Focusing on music by John Dowland, Martin Peerson, Thomas Weelkes, and William Byrd, this study revises historiography by reflecting on the experience of music and how music contributed to the way early modern awareness was shaped.

Author : Joseph P. Swain
Publisher : Rowman & Littlefield
Page : 465 pages
File Size : 54,9 Mb
Release : 2023-05-08
Category : Music
ISBN : 9781538151624

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Historical Dictionary of Baroque Music by Joseph P. Swain Pdf

Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.

Author : Ingo Berensmeyer
Publisher : Walter de Gruyter GmbH & Co KG
Page : 748 pages
File Size : 41,5 Mb
Release : 2019-10-08
Category : Literary Criticism
ISBN : 9783110444889

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Handbook of English Renaissance Literature by Ingo Berensmeyer Pdf

This handbook of English Renaissance literature serves as a reference for both students and scholars, introducing recent debates and developments in early modern studies. Using new theoretical perspectives and methodological tools, the volume offers exemplary close readings of canonical and less well-known texts from all significant genres between c. 1480 and 1660. Its systematic chapters address questions about editing Renaissance texts, the role of translation, theatre and drama, life-writing, science, travel and migration, and women as writers, readers and patrons. The book will be of particular interest to those wishing to expand their knowledge of the early modern period beyond Shakespeare.