Masterworks Of Asian Literature In Comparative Perspective
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Masterworks of Asian Literature in Comparative Perspective: A Guide for Teaching by Barbara Stoler Miller Pdf
This is a collection of 46 essays by specialists in Asian literature, who offer a wide range of possibilities for introducing Asian literature to English-speaking students. It is intended to help in promoting multicultural education.
The Comparative Study of Traditional Asian Literatures by Vladimir Braginsky Pdf
This book represents the first ever published introduction to the comparative study of traditional Asian literatures, embracing three vast literary zones: Arab-Islamic, Indo-South East Asian and Sino-Far Eastern. The aim of the book is to outline the main properties of Asian literatures in the period of 'reflective traditionalism' (the early centuries CE to the first half of the 19th century), when the creation of a vast body of aesthetically significant works was coupled with the emergence of literary self-awareness: when the nature of the creative process, the poetics and functions of the literary works, and the ways of their influence on the reader were thoroughly comprehended and committed to writing for the first time. The book is intended for specialists in Asian literatures, comparative literature, and literary theory, and for students of these topics.
Asia in Western and World History by Ainslie Thomas Embree,Carol Gluck Pdf
This comprehensive volume provides teachers and students with broad and stimulating perspectives on Asian history and its place in world and Western history. Essays by over forty leading scholars suggest many new ways of incorporating Asian history, from ancient to modern times, into core curriculum history courses. Now featuring "Suggested Resources for Maps to Be Used in Conjunction with Asia in Western and World History".
Asia: Case Studies in the Social Sciences - A Guide for Teaching by Myron L. Cohen Pdf
The material in this study is covered by Myron L. Cohen on religion and family organization in China; John R. Bowen on family, kinship, and Islam in Indonesia; Robert W. Hefner on hierarchy and stratification in Java; and Nancy Rosenberger on gender roles in Japan. Further material is provided by William W. Kelly on rural society in Japan; Theodore C. Bestor on urban life in Japan; Stephen R. Smith on the family in Japan; Doranne Jacobson on gender relations in India; Lawrence A. Babb on religion in India; Owen M. Lynch on stratification, inequality, and the caste system in India; Laurell Kendall on changing gender relations in Korea; Andrew G. Walder on comparative revolution in China and Vietnam, Maoism, and the sociology of work in China and Japan; Moni Nag on the comparative demography of China, Japan, and India; and Helen Hardacre on the new religions of Japan. Other contributors offering information through case studies are Hiroshi Ishida on stratification and mobility in Japan; Robert C. Liebman on work and education compared in Japan and the US; Joseph W. Elder on education, urban society, urban problems, and industrial society in India; Andrew J. Nathan on totalitarianism, authoritarianism, and democracy in China; Jean C. Oi on mobilisation and participation in China; Edwin A. Winckler on political development in Taiwan; Carl H. Lande on political parties and representation in the Philippines ; Clark N. Neher on political development and political participation in Thailand; and Benedict R. O'G. Anderson on political culture, the military, and authoritarianism in Indonesia. The final chapters of this work include studies by Stephen Philip Cohen on the military in India and Pakistan; Paul R. Brass on democracy and political participation in India; T.J. Pempel on Japanese democracy and political culture, political parties and representation, and bureaucracy in Japan; Han-kyo Kim on political development in South Korea; and Thomas G. Rawski on the economies of China and Japan.
What is literature? The question is difficult enough in itself. However, the West has made any hope of a proper answer literally untenable. It has provincialized literature into its own neighbourhood. This book brings together perspectives from both non-Western cultures and minority cultures within a supposed West (normally downsized to represent a part of Europe and the USA). Also considered, as parts of the problem, are various literature-related asymmetries such as global awards and translation. The prime concern of the book is awakening its readers to the fact that, incredibly but truly enough, literature in its total, all-human realization, is something yet to be discovered. It, thus, will especially appeal to literary scholars, making them conscious of the fact that their literary studies actually take into account only a fragment of literature, as well as university students of literature, in the hope it might prevent them from becoming heirs to their professors.
The short story is moving from relative neglect to a central position in the curriculum; as a teaching tool, it offers students a route into many complex areas, including critical theory, gender studies, postcolonialism and genre. This book offers a practical guide to the short story in the classroom, covering all these fields and more.
Dream of the Red Chamber by Riccardo Moratto,Kanglong Liu,Di-kai Chao Pdf
This edited volume contains an excellent collection of contributions and presents various informative topics under the central theme: literary and translation approaches to China’s greatest classical novel Hongloumeng. Acclaimed as one of the Four Great Classical Novels of Chinese literature, Hongloumeng (known in English as The Dream of the Red Chamber or The Story of the Stone) epitomizes 18th century Chinese social and cultural life. Owing to its kaleidoscopic description of Chinese life and culture, the novel has also exerted a significant impact on world literature. Its various translations, either full-length or abridged, have been widely read by an international audience. The contributors to this volume provide a renewed perspective into Hongloumeng studies by bringing together scholarship in the fields of literary and translation studies. Specifically, the use of corpora in the framework of digital humanities in a number of chapters helps re-address many issues of the novel and its translations, from an innovative angle. The book is an insightful resource for both scholars of Chinese literature and for linguists with a focus on translation studies.
The rise of world literature is the most noticeable phenomenon in literary studies in the twenty-first century. However, truly well-known and globally circulating works are all canonical works of European or Western literature, while non-European and even "minor" European literatures remain largely unknown beyond their culture of origin. World Literature as Discovery: Expanding the World Literary Canon argues that world literature for our time must go beyond Eurocentrism and expand the canon to include great works from non-European and "minor" European literatures. As much of the world’s literature remains untranslated and unknown, the expansion will be an exciting process of discovery. By discussing fundamental questions around canon, circulation, aesthetic values, translation, cosmopolitanism, and the literary universal, Zhang Longxi proposes a new and liberating concept of world literature that will shape world literature worthy of its name. This book speaks for a more inclusive idea of world literature and shows students and scholars alike that all the literary traditions, particularly non-European traditions, will be able to make important contributions and expand the canon of world literature.
This collection gives a diversified account of world literature, examining not only the rise of the concept, but also problems such as the relation between the local and the universal, and the tensions between national culture and global ethics. In this context, it focuses on the complex relationship between Chinese literature and world literature, not only in the sense of providing an exemplary case study, but also as an introspection and re-location of Chinese literature itself. The book activates the concept of world literature at a time when it is facing the rising modern day challenges of race, class and culture.
Poetics of Emptiness traces the historically specific, intertextual pathways of a single, if polyvalent, philosophical term, emptiness, as it is transformed within twentieth-century American poetry and poetics.This conceptual migration is detailed in two sections. The first, focusing on transpacific Buddhist poetics, discusses Ernest Fenollosa's The Chinese Written Character as a Medium for Poetryas an expression of Fenollosa's Buddhist poetics, explores classical Chinese poetics as it was known by Fenollosa, and talks about the role of emptiness in Gary Snyder. The second half, on transpacific Daoist poetics, explores the career of poet/translator/critic Wai-lim Yip and engages the weave of post-structural thought and Daoist and shamanistic discourses in Theresa Hak Kyung Cha. Formulating interpretive frames as hybrid as the texts being read, this book unveils one of the most important yet still largely unknown stories of American poetry and poetic
Artists, Writers, and Musicians by Michel-Andre Bossy,Thomas Brothers,John Craig McEnroe Pdf
Disney's animated trailblazing, Dostoyevsky's philosophical neuroses, Hendrix's electric haze, Hitchcock's masterful manipulation, Frida Kahlo's scarifying portraits, Van Gogh's vigorous color, and Virginia Woolf's modern feminism: this multicultural reference tool examines 200 artists, writers, and musicians from around the world. Detailed biographical essays place them in a broad historical context, showing how their luminous achievements influenced and guided contemporary and future generations, shaped the internal and external perceptions of their craft, and met the sensibilities of their audience.
