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Author : Nikolaĭ Petrovich Likhachev
Publisher : Unknown
Page : 128 pages
File Size : 43,5 Mb
Release : 1906
Category : Icons
ISBN : OCLC:28764339
Author : Gerolʹd Ivanovich Vzdornov,Nancy McDarby
Publisher : Unknown
Page : 402 pages
File Size : 42,7 Mb
Release : 1997
Category : Art
ISBN : 9780814624524
"This volume provides the history of Russian icon painting from its origins to the beginning of the sixteenth century. Viktor Lazarev deliberately followed these chronological limits, since the "Golden Age" of icon painting in Russia was the fourteenth and fifteenth centuries, after which followed a rapid decline." "In a clear and intelligible form, using extensive scholarly material, Lazarev describes the birth of the Russian national painting on wood plate, the technique and aesthetics of Russian icons, the main schools of icon painting, and discusses the work of significant artists."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author : Victor Nikitich Lasareff
Publisher : Unknown
Page : 86 pages
File Size : 41,6 Mb
Release : 2013-10
Category : Electronic
ISBN : 1258827077
Author : Lucy Maxym
Publisher : Unknown
Page : 156 pages
File Size : 52,7 Mb
Release : 1986
Category : Icon painting
ISBN : UCSC:32106018577095
Author : Boris Andreevich Uspenski?
Publisher : John Benjamins Publishing
Page : 110 pages
File Size : 45,7 Mb
Release : 1976
Category : Christian art and symbolism
ISBN : 9031600784
Author : Philipp Schweinfurth
Publisher : Unknown
Page : 74 pages
File Size : 47,9 Mb
Release : 1953
Category : Christian art and symbolism
ISBN : UOM:39015007572640
26 reproductions, 14 in color. Notes for each color plate and an introduction describing the origin and history of icon painting, interpretation of icons, and the techniques used by the painters.
Author : Nikodim Pavlovich Kondakov
Publisher : Parkstone International
Page : 256 pages
File Size : 41,9 Mb
Release : 2012-05-08
Category : Art
ISBN : 9781780429250
Icon painting has reached its zenith in Ukraine between the 11th and 18th centuries. This art is appealing because of its great openness to other influences – the obedience to the rules of Orthodox Christianity in its early stages, the borrowing from Roman heritage or later to the Western breakthroughs – combined with a never compromised assertion of a distinctly Slavic soul and identity. This book presents a handpicked and representative selection of works from the 11th century to the late Baroque period.
Author : Nikodim Pavlovich Kondakov
Publisher : Unknown
Page : 374 pages
File Size : 45,8 Mb
Release : 1927
Category : Art
ISBN : STANFORD:36105003662447
Author : Gosudarstvenny I Istoricheski I Muze I
Publisher : Unknown
Page : 148 pages
File Size : 40,8 Mb
Release : 1988
Category : Art
ISBN : STANFORD:36105004433459
Author : Энгелина Сергеевна Смирнова
Publisher : Unknown
Page : 334 pages
File Size : 51,5 Mb
Release : 1989
Category : Art museums
ISBN : UOM:39015038925106
14th century Moscow was a significant cultural centre in Russia and played a leading role in the development of Russian art. The Moscow school of early Russian painting included such artists as Theophanes the Greek, Andrei Rublev and Dionysius, who rank among the artistic geniuses of medieval Russia. This volume, written by a specialist in early Russian painting, contains reproductions of works by icon painters for cathedrals in Zagorsk, Vladimir and Moscow. The works are now housed in the Soviet museums, among them the Kremlin, the Tretyakov Gallery, Moscow and the Russian Museum, Leningrad. Also included are works by contemporaries and followers as well as a detailed catalogue of all the works illustrated. -- Provided by publisher.
Author : Oleg Tarasov,Oleg I︠U︡rʹevich Tarasov
Publisher : Reaktion Books
Page : 428 pages
File Size : 40,5 Mb
Release : 2002
Category : Art
ISBN : 1861891180
By tracing the artistic vocabulary, techniques and working methods of icon painters in the last 400 years, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk traditions and Western European currents alike.
Author : Vladimir Ivanov (prêtre)
Publisher : Rizzoli International Publications
Page : 222 pages
File Size : 53,5 Mb
Release : 1988
Category : Architecture
ISBN : UOM:39015014054202
Author : Oleg Tarasov
Publisher : Open Book Publishers
Page : 171 pages
File Size : 46,9 Mb
Release : 2024-02-09
Category : Art
ISBN : 9781805111610
How Divine Images Became Art tells the story of the parallel ‘discovery’ of Russian medieval art and of the Italian ‘primitives’ at the beginning of the twentieth century. While these two developments are well-known, they are usually studied in isolation. Tarasov’s study has the great merit of showing the connection between the art world in Russia and the West, and its impact in the cultural history of the continent in the pre-war period. Drawing on a profound familiarity with Russian sources, some of which are little known to Western scholars, and on equally expert knowledge of Western material and scholarship, Oleg Tarasov presents a fresh perspective on early twentieth-century Russian and Western art. The author demonstrates that during the Belle Époque, the interest in medieval Russian icons and Italian ‘primitives’ lead to the recognition of both as distinctive art forms conveying a powerful spiritual message. Formalist art theory and its influence on art collecting played a major role in this recognition of aesthetic and moral value of ‘primitive’ paintings, and was instrumental in reshaping the perception of divine images as artworks. Ultimately, this monograph represents a significant contribution to our understanding of early twentieth-century art; it will be of interest to art scholars, students and anyone interested in the spiritual and aesthetic revival of religious paintings in the Belle Époque.
Author : Oleg Tarasov
Publisher : Reaktion Books
Page : 418 pages
File Size : 46,8 Mb
Release : 2012-01-01
Category : Art
ISBN : 9781780230023
The notion of the frame in art can refer not only to a material frame bordering an image, but also to a conceptual frame. Both meanings are essential to how the work is perceived. In Framing Russian Art, art historian Oleg Tarasov investigates the role of the frame in its literal function of demarcating a work of art and in its conceptual function affectingthe understanding of what is seen. The first part of the book is dedicated to the framework of the Russian icon. Here, Tarasov explores the historical and cultural meanings of the icon’s,setting, and of the iconostasis. Tarasov’s study then moves through Russian and European art from ancient times to the twentieth century, including abstract art and Suprematism. Along the way, Tarasov pays special attention to the Russian baroque period and the famous nineteenth century Russian battle painter Vasily Vereshchagin. This enlightening account of the cultural phenomenon of the frame and its ever-changing functions will appeal to students and scholars of Russian art history.
Author : Gosudarstvennyĭ istoricheskiĭ muzeĭ (Moscow, Russia)
Publisher : Unknown
Page : 128 pages
File Size : 49,6 Mb
Release : 1988
Category : Icons, Russian
ISBN : OCLC:1222001648
