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Maxine's Guide to Aging Gracelessly by Chris Brethwaite,John Wagner,Shoebox Greetings Pdf
She's crabby, she's feisty, and she takes no guff from anyone. Maxine has been a hit character since she first appeared on a greeting card back in 1986. No sweet sentiment here; Maxine just tells it like it is! One of Shoebox Greetings' most eccentric and beloved personalities, Maxine now gets her own birthday gift book that is sure to delight cranky birthday observers everywhere. Some of Maxine's choice sayings on aging include: "Birthdays are like relatives at the holidays. They show up whether you want them to or not."Birthdays are a time when there's a whole lotta shakin' goin' on. Yeah, those upper arms are always the first to go."Mother Nature thinks of everything. She makes your hair turn gray before it falls out so you don't miss it as much."Birthdays are like chocolate chip cookies. If you think about how many you've had, it kinda makes you sick."
An "inventive spy romp that's fast, playful and fun" inspired by an actual letter in the John F. Kennedy Library written by Jackie Kennedy, revealing her job offer from the newly formed CIA (Chris Ewan, author of The Good Thief's Guide to Venice). When young Jackie Bouvier receives her second assignment from the CIA, she knows it will go better than her first. She managed to survive the Paris job-while looking her best in Givenchy, no less-but now she's completed her official CIA training. So she's excited to show her boss exactly what she can do for her country. Her new mission: Go undercover in sultry Havana and investigate a young revolutionary named Fidel Castro. But before Jackie can infiltrate the communist cabal, she's in past her hemline in danger. In another exciting adventure, she colludes with Grace Kelly, dances with Frank Sinatra, and flirts with an up-and-coming congressman from Massachusetts. As the international intrigue escalates, Jackie must use all her finely honed skills to stay ahead of her enemies . . . and make sure spying never goes out of fashion.
Critical Theory Today is the essential introduction to contemporary criticial theory. It provides clear, simple explanations and concrete examples of complex concepts, making a wide variety of commonly used critical theories accessible to novices without sacrificing any theoretical rigor or thoroughness. This new edition provides in-depth coverage of the most common approaches to literary analysis today: feminism, psychoanalysis, Marxism, reader-response theory, new criticism, structuralism and semiotics, deconstruction, new historicism, cultural criticism, lesbian/gay/queer theory, African American criticism, and postcolonial criticism. The chapters provide an extended explanation of each theory, using examples from everyday life, popular culture, and literary texts; a list of specific questions critics who use that theory ask about literary texts; an interpretation of F. Scott Fitzgerald's The Great Gatsby through the lens of each theory; a list of questions for further practice to guide readers in applying each theory to different literary works; and a bibliography of primary and secondary works for further reading.
The incredible bestselling first novel from Pulitzer Prize- winning author, Jhumpa Lahiri. 'The kind of writer who makes you want to grab the next person and say "Read this!"' Amy Tan
A unique exploration of the history of the bicycle in cinema, from Hollywood blockbusters and slapstick comedies to documentaries, realist dramas, and experimental films. Cycling and Cinema explores the history of the bicycle in cinema from the late nineteenth century through to the present day. In this new book from Goldsmiths Press, Bruce Bennett examines a wide variety of films from around the world, ranging from Hollywood blockbusters and slapstick comedies to documentaries, realist dramas, and experimental films, to consider the complex, shifting cultural significance of the bicycle. The bicycle is an everyday technology, but in examining the ways in which bicycles are used in films, Bennett reveals the rich social and cultural importance of this apparently unremarkable machine. The cinematic bicycles discussed in this book have various functions. They are the source of absurd comedy in silent films, and the vehicles that allow their owners to work in sports films and social realist cinema. They are a means of independence and escape for children in melodramas and kids' films, and the tools that offer political agency and freedom to women, as depicted in films from around the world. In recounting the cinematic history of the bicycle, Bennett reminds us that this machine is not just a practical means of transport or a child's toy, but the vehicle for a wide range of meanings concerning individual identity, social class, nationhood and belonging, family, gender, and sexuality and pleasure. As this book shows, two hundred years on from its invention, the bicycle is a revolutionary technology that retains the power to transform the world.
Originality, Imitation, and Plagiarism by Caroline Eisner,Martha Vicinus Pdf
"At long last, a discussion of plagiarism that doesn't stop at 'Don't do it or else,' but does full justice to the intellectual interest of the topic!" ---Gerald Graff, author of Clueless in Academe and 2008 President, Modern Language Association This collection is a timely intervention in national debates about what constitutes original or plagiarized writing in the digital age. Somewhat ironically, the Internet makes it both easier to copy and easier to detect copying. The essays in this volume explore the complex issues of originality, imitation, and plagiarism, particularly as they concern students, scholars, professional writers, and readers, while also addressing a range of related issues, including copyright conventions and the ownership of original work, the appropriate dissemination of innovative ideas, and the authority and role of the writer/author. Throughout these essays, the contributors grapple with their desire to encourage and maintain free access to copyrighted material for noncommercial purposes while also respecting the reasonable desires of authors to maintain control over their own work. Both novice and experienced teachers of writing will learn from the contributors' practical suggestions about how to fashion unique assignments, teach about proper attribution, and increase students' involvement in their own writing. This is an anthology for anyone interested in how scholars and students can navigate the sea of intellectual information that characterizes the digital/information age. "Eisner and Vicinus have put together an impressive cast of contributors who cut through the war on plagiarism to examine key specificities that often get blurred by the rhetoric of slogans. It will be required reading not only for those concerned with plagiarism, but for the many more who think about what it means to be an author, a student, a scientist, or anyone who negotiates and renegotiates the meaning of originality and imitation in collaborative and information-intensive settings." ---Mario Biagioli, Professor of the History of Science, Harvard University, and coeditor of Scientific Authorship: Credit and Intellectual Property in Science "This is an important collection that addresses issues of great significance to teachers, to students, and to scholars across several disciplines. . . . These essays tackle their topics head-on in ways that are both accessible and provocative." ---Andrea Lunsford, Louise Hewlett Nixon Professor of English, Claude and Louise Rosenberg Jr. Fellow, and Director of the Program in Writing and Rhetoric at Stanford University and coauthor of Singular Texts/Plural Authors: Perspectives on Collaborative Writing digitalculturebooks is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.
Maxine: Yelling It Like It Is by John M. Wagner Pdf
* Dubbed the "Mother Lode of Laughs" by People magazine, Maxine boasts her own fan club and licensed merchandise sales. Never afraid of telling it like it is, or at least how it should be, Maxine is a lean, mean, griping machine lambasting everything from fast food to feng shui. Complete with over-the-top one-liners and classic Maxine rants, this hilarious humor collection offers something for every closet curmudgeon. * "Start each day off on the right foot, unless you kick better with your left." * "The world is going to hell in an SUV, and whoever is driving is too busy talking on a cell phone to notice."
That's the Joint! by Murray Forman,Mark Anthony Neal Pdf
Spanning 25 years of serious writing on hip-hop by noted scholars and mainstream journalists, this comprehensive anthology includes observations and critiques on groundbreaking hip-hop recordings.
"... a vitally new understanding that takes us from the terms of the representation of sexual difference to an anatomy of female subjectivity which will be widely influential." -- Stephen Heath "An original work likely to have significant impact on all those with an interest in the vibrant intersection of feminism, film theory, and psychoanalysis... " -- Naomi Schor "... powerfully argued study... impressive... " -- Choice "... important because of its innovative work on Hollywood's ideologically-charged construction of subjectivity.... what is exciting about The Acoustic Mirror is that it inspires one to reevaluate a number of now classical theoretical texts, and to see films with an eye to how authorship is constructed and subjectivity is generated." -- Literature and Psychology "As evocative as it is shrewdly systematic, the pioneering theory of female subjectivity formulated in the final three chapters will have wide impact as a major contribution to feminist theory." -- SubStance The Acoustic Mirror attempts to do for the sound-track what feminist film theory of the past decade has done for the image-track -- to locate the points at which it is productive of sexual difference. The specific focus is the female voice understood not merely as spoken dialogue, narration, and commentary, but as a fantasmatic projection, and as a metaphor for authorship.