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Author : John Gassner
Publisher : Unknown
Page : 457 pages
File Size : 48,9 Mb
Release : 1987
Category : Drama, Medieval
ISBN : OCLC:1036709195
Author : John Gassner
Publisher : Unknown
Page : 474 pages
File Size : 47,9 Mb
Release : 2012-06-01
Category : Electronic
ISBN : 1258385767
Author : Alan Stewart
Publisher : Broadview Press
Page : 648 pages
File Size : 48,9 Mb
Release : 2021-02-19
Category : Literary Collections
ISBN : 9781770487260
English drama between the late fifteenth century and the late sixteenth centuries is as diverse as it is engaging; this anthology brings together eighteen of the most interesting and important dramatic works from the period. The plays have been chosen to give a broad view of the drama produced in Tudor England. They testify to the eclectic tastes of sixteenth-century audiences, ranging from morality plays (Mankind, Everyman), to comedies inspired by the Roman plays of Terence and Plautus (Ralph Roister Doister), to tragedies inspired by the plays of Seneca (Gorboduc, Cambises). In later plays, morality plots rub shoulders with slapstick comic business (The Longer Thou Livest The More Fool Thou Art, The Three Ladies of London), and classical gods intervene in the affairs of England’s regions (Gallathea). While some of the plays offer pure entertainment, others have a clear political agenda. King Johan is presented as a prototype for English resistance to Rome’s Catholicism; Gorboduc’s decision to abdicate and divide his kingdom highlights the vexed question of the English succession under a childless queen. Other plays comment more obliquely on contemporary events. Play of the Four Elements reflects on England’s nascent maritime expeditions to the New World, while The Three Ladies of London comments topically on immigrant overcrowding in England’s port towns, and the dangers of England’s trade in the Mediterranean. Some plays push the boundaries of what the theatre can do in staging violence (Cambises) and questioning gender roles (Gallathea). Designed for undergraduate use, the anthology includes extensive explanatory annotations and a substantial introduction to each play; spelling and punctuation have been partially modernized in the interests of making the texts more accessible to students. In all this, the anthology follows principles similar to those developed for Christina M. Fitzgerald’s and John T. Sebastian’s Broadview Anthology of Medieval Drama; several of the plays from that anthology are also included here, while the rest have been newly edited for this volume, under the supervision of General Editor Alan Stewart.
Author : Thomas Betteridge,Greg Walker
Publisher : Oxford University Press
Page : 709 pages
File Size : 50,6 Mb
Release : 2012-07-19
Category : Drama
ISBN : 9780199566471
A study of Tudor drama that sees the long 16th century from the accession of Henry Tudor to the death of Elizabeth as a whole, taking in the drama of the 'mystery plays' and the early work of Shakespeare. It is an account of current scholarship and an introduction to the complexity of Tudor drama.
Author : Greg Walker
Publisher : Unknown
Page : 733 pages
File Size : 50,7 Mb
Release : 2014
Category : Drama
ISBN : 9780199681129
The first comprehensive anthology of English drama in the long Tudor century, The Oxford Anthology of Tudor Drama contains sixteen of the most important plays from the long Tudor century (1485-1603) newly edited in accessible modern spelling.
Author : Roger Sherman Loomis,Henry W. Wells
Publisher : Beaufort Books
Page : 316 pages
File Size : 48,8 Mb
Release : 1970
Category : Drama, Medieval
ISBN : UCAL:B3884608
Author : Elisabeth Dutton,James McBain
Publisher : Narr Francke Attempto Verlag
Page : 310 pages
File Size : 44,9 Mb
Release : 2015-10-28
Category : Literary Criticism
ISBN : 9783823379683
This wide-ranging volume explores relationships between drama and pedagogy in the medieval and early modern periods, with contributions from an international ?eld of scholars including a number of leading authorities. Across the medieval and early modern periods, drama is seen to be a way of dissemi-nating theological and philosophical ideas. In medieval England, when literacy was low and the liturgy in Latin, drama translated and transformed spiritual truths, embodying them for a wider audience than could be reached by books alone. In Tudor England, humanist belief in the validity and potential of drama as a pedagogical tool informs the interlude, and examples of dramatized instruction abound on early modern stages. Academic drama is a particularly preg -nant locus for the exploration of drama and peda-gogy: universities and the Inns of Court trained some of the leading playwrights of the early theatre, but also supplied methods and materials that shaped professional playhouse compositions.
Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 45,5 Mb
Release : 1970
Category : Electronic
ISBN : OCLC:472925302
Author : Howard B. Norland
Publisher : U of Nebraska Press
Page : 428 pages
File Size : 48,7 Mb
Release : 1995-01-01
Category : Drama
ISBN : 080323337X
A time of great changes after nearly a century of foreign wars and civil strife, the Tudor era witnessed a significant transformation of dramatic art. Medieval traditions were modified by the forces of humanism and the Reformation, and a renewed interest in classical models inspired experimentation. Howard B. Norland examines Tudor plays performed between 1485 and 1558, a time when drama reached beyond local, popular, and religious contexts to treat more varied and more secular concerns, culminating in the emergence of comedy and tragedy as major genres. The theater also imported dramas from the Continent, adapting them to English tastes. After establishing the popular dramatic traditions of fifteenth-century Britain, Norland discusses the critical interpretation of the Latin plays of Terence studied in the schools and the views of influential authors such as Erasmus, Vives, and More about what drama should be and do. The heart of the book is its in-depth analyses of individual plays. Norland examines the secularization of the morality play in Skelton's Magnificence, Bale's King John, Respublica, and Redford's Wit and Science and he traces the changes in comic form from Medwall's Fulgens and Lucres through Calisto and Melebea and Johan Johan to Udall's Roister Doister and Gammer Gurton's Needle. The final section examines the first tragedies written in England: Watson's Absolom, Christopherson's Jephthah, and Grimald's Archipropheta. Howard B. Norland is a professor of English at the University of Nebraska-Lincoln. His articles have appeared in Genre, Sixteenth Century Journal, Fifteenth Century Studies, Comparative Drama, and Journal of Medieval and Renaissance Studies.
Author : Tamara Atkin
Publisher : Routledge
Page : 240 pages
File Size : 55,7 Mb
Release : 2018-04-17
Category : Literary Criticism
ISBN : 9781317079897
Reading Drama in Tudor England is about the print invention of drama as a category of text designed for readerly consumption. Arguing that plays were made legible by the printed paratexts that accompanied them, it shows that by the middle of the sixteenth century it was possible to market a play for leisure-time reading. Offering a detailed analysis of such features as title-pages, character lists, and other paratextual front matter, it suggests that even before the establishment of successful permanent playhouses, playbooks adopted recognisable conventions that not only announced their categorical status and genre but also suggested appropriate forms of use. As well as a survey of implied reading practices, this study is also about the historical owners and readers of plays. Examining the marks of use that survive in copies of early printed plays, it explores the habits of compilation and annotation that reflect the striking and often unpredictable uses to which early owners subjected their playbooks.
Author : Lawrence M. Clopper
Publisher : University of Chicago Press
Page : 356 pages
File Size : 51,7 Mb
Release : 2001-05
Category : Drama
ISBN : 9780226110301
How was it possible for drama, especially biblical representations, to appear in the Christian West given the church's condemnation of the theatrum of the ancient world?In a book with radical implications for the study of medieval literature, Lawrence Clopper resolves this perplexing question. Drama, Play, and Game demonstrates that the theatrum repudiated by medieval clerics was not "theater" as we understand the term today. Clopper contends that critics have misrepresented Western stage history because they have assumed that theatrum designates a place where drama is performed. While theatrum was thought of as a site of spectacle during the Middle Ages, the term was more closely connected with immodest behavior and lurid forms of festive culture. Clerics were not opposed to liturgical representations in churches, but they strove ardently to suppress May games, ludi, festivals, and liturgical parodies. Medieval drama, then, stemmed from a more vernacular tradition than previously acknowledged-one developed by England's laity outside the boundaries of clerical rule.
Author : Lindsay Ann Reid
Publisher : Routledge
Page : 230 pages
File Size : 46,6 Mb
Release : 2016-05-23
Category : Literary Criticism
ISBN : 9781317084464
Ovidian Bibliofictions and the Tudor Book examines the historical and the fictionalized reception of Ovid’s poetry in the literature and books of Tudor England. It does so through the study of a particular set of Ovidian narratives-namely, those concerning the protean heroines of the Heroides and Metamorphoses. In the late medieval and Renaissance eras, Ovid’s poetry stimulated the vernacular imaginations of authors ranging from Geoffrey Chaucer and John Gower to Isabella Whitney, William Shakespeare, and Michael Drayton. Ovid’s English protégés replicated and expanded upon the Roman poet’s distinctive and frequently remarked ’bookishness’ in their own adaptations of his works. Focusing on the postclassical discourses that Ovid’s poetry stimulated, Ovidian Bibliofictions and the Tudor Book engages with vibrant current debates about the book as material object as it explores the Ovidian-inspired mythologies and bibliographical aetiologies that informed the sixteenth-century creation, reproduction, and representation of books. Further, author Lindsay Ann Reid’s discussions of Ovidianism provide alternative models for thinking about the dynamics of reception, adaptation, and imitatio. While there is a sizeable body of published work on Ovid and Chaucer as well as on the ubiquitous Ovidianism of the 1590s, there has been comparatively little scholarship on Ovid’s reception between these two eras. Ovidian Bibliofictions and the Tudor Book begins to fill this gap between the ages of Chaucer and Shakespeare by dedicating attention to the literature of the early Tudor era. In so doing, this book also contributes to current discussions surrounding medieval/Renaissance periodization.
Author : Michael Hirst
Publisher : Simon and Schuster
Page : 356 pages
File Size : 47,7 Mb
Release : 2008-06-30
Category : History
ISBN : 9781439107058
The Tudors is an intimate, delicious, and daring drama revealing the early years of Henry VIII, an idealistic, lustful tyrant torn between bedding wives and mistresses and conquering Europe. This is not the story of the old, fat Henry you've read about in history books. At eighteen, the throne and the entire world became his. Young, sexy, and the most powerful man of his time, the king was known for his good looks and athletic prowess. He was so arrogant that he despised dealing with the consequences of his actions. King Henry executed people with little excuse, and single-handedly tore apart the Roman Catholic Church, the most powerful institution in medieval Europe. Passionate, vibrant, and scandalous, he forever altered the course of history. The Tudors, a Showtime Original Series starring Jonathan Rhys Meyers, brings to life Henry's tumultuous early years in exquisite fashion. THE BOOK ALSO INCLUDES a foreward by Michael Hirst, creator and executive producer, eight pages of lush, full-color photos, detailed essays about the Tudor era and dynasty Tune into The Tudors on Showtime -- Sundays at 10pm starting April 1st
Author : Christina M. Fitzgerald,John T. Sebastian
Publisher : Broadview Press
Page : 595 pages
File Size : 42,7 Mb
Release : 2012-12-05
Category : Drama
ISBN : 9781554810567
The past generation has been an extraordinarily active one in medieval drama scholarship; our appreciation of the range of medieval drama has been significantly broadened, and our understanding of certain medieval genres—most notably, biblical drama—has been fundamentally altered. The Broadview Anthology of British Literature has been widely praised for the degree to which it has taken this scholarship into account in its selection of and presentation of medieval plays. Now Broadview launches a new anthology that takes those plays as its base while expanding very substantially beyond them to represent the full range of drama in English (and, where strong connections exist, in French, Latin, Cornish, and Welsh as well) through to 1576. In all, over forty plays are included. Each work has been fully annotated and is prefaced by a substantial introduction. In many cases the language is to some extent modernized in order to make the plays more accessible to readers today.
Author : J. Leeds Barroll
Publisher : Fairleigh Dickinson Univ Press
Page : 460 pages
File Size : 51,6 Mb
Release : 1995-03
Category : Literary Criticism
ISBN : 0838635709
Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare.
