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'Membering Austin Clarke reflects on the life and writing of Austin Clarke, whose depictions of Black life in Canada enlarged our understanding of what Canadian literature looks like. Despite being one of Canada's most widely published, and most richly awarded writers, Austin Clarke (1934–2016) is not a household name. This collection addresses Clarke's marginalization in Canadian literature by demonstrating that his writing on Black diasporic life and the immigrant experience is a foundational, if untold, part of the story of CanLit. Novelist, short-story writer, poet, and essayist, Clarke was born in Barbados, moved to Canada in 1955 and went on to establish Black Studies programs at a number of universities in America. He returned to Canada and became one of Canadian literature’s most prolific authors and a public voice for Black people in Canada. Among his best-known works are the Giller Award–winning The Polished Hoe (2002) and his memoir ‘Membering (2015). This collection of essays from colleagues, scholars, friends, and fellow writers addresses Clarke's work in all its richness and complexity in order to understand how Clarke's legacy continues to transform Canadian writing. It includes previously unpublished poems and short stories from Clarke's archives as well as personal reflections from friends, histories of the publication of his works, essays, interviews, and short stories and poems inspired by Clarke.
Winner of the 2002 Scotiabank Giller Prize and of the 2003 Commonwealth Writers’ Prize: Best Book (Canada and the Caribbean) When an elderly Bimshire village woman calls the police to confess to a murder, the result is a shattering all-night vigil that brings together elements of the African diaspora in one epic sweep. Set on the post-colonial West Indian island of Bimshire in 1952, The Polished Hoe unravels over the course of 24 hours but spans the lifetime of one woman and the collective experience of a society informed by slavery. As the novel opens, Mary Mathilda is giving confession to Sargeant, a police officer she has known all her life. The man she claims to have murdered is Mr. Belfeels, the village plantation owner for whom she has worked for more than thirty years. Mary has also been Mr. Belfeels’ mistress for most of that time and is the mother of his only son, Wilberforce, a successful doctor. What transpires through Mary’s words and recollections is a deep meditation about the power of memory and the indomitable strength of the human spirit. Infused with Joycean overtones, this is a literary masterpiece that evokes the sensuality of the tropics and the tragic richness of Island culture.
Gathered together are three extraordinary books by renowned storyteller and memoirist Austin Clarke. ’Membering, Clarke’s breathtaking memoir, spans over fifty years of his life as a writer, chronicling his coming to Canada in the fifties, formative experiences with Malcolm X, Chinua Achebe, and LeRoi Jones, and bursting with cultural insights and poignant memories from a narrative master. In The Polished Hoe, winner of the Giller Prize and the 2003 Commonwealth Writers’ Prize, when an elderly Bimshire village woman calls the police to confess to a murder, the result is a shattering all-night vigil that brings together elements of the African diaspora in one epic sweep. Set on the post-colonial West Indian island of Bimshire in 1952, The Polished Hoe unravels over the course of 24 hours but spans the lifetime of one woman and the collective experience of a society informed by slavery. Choosing His Coffin is a selection of Clarke’s finest work from more than forty years of storytelling, drawing on his Caribbean roots and his years in Canada. These stories range in theme from growing up in West Indian society and what it means to be black in both the United States and Canada to surviving as an immigrant in a predominantly Anglo-Saxon culture.
From the author of the Giller Award - winning novel The Polished Hoe comes a new collection of 20 of his best short stories. Choosing His Coffin is a selection of Austin Clarke’s finest work from more than 40 years of storytelling, drawing on his Caribbean roots and his years in Canada. These stories range in theme from growing up in West Indian society and what it means to be black in both the United States and Canada to surviving as an immigrant in a predominantly Anglo-Saxon culture. Clarke has become one of the most respected authors in North America and is one of Canada’s national literary treasures. He is a master of fictional invention.
This is the first book in Austin Clarke’s acclaimed trilogy about a group of West Indian domestics, their friends, lovers, spouses and employers living in Toronto. In rich, exuberant language, the novel illuminates the world of Bernice Leach, a Barbadian woman, working in the infamous ‘Canadian Domestic Scheme’ as a live-in maid. Oddly situated in the employ of the Burrmanns, a wealthy Jewish-Canadian couple, Bernice becomes privy to some household secrets which serve both she and her friend Dots with cause for amusement and outrage. And when Bernice’s sister Estelle comes over, apparently on holiday from Barbados, her stay has first comic, then tragic results. The Meeting Point is a poignant study of the clashes, tensions and sheer comedy resulting from the confrontation of opposing lifestyles and cultures. Set in the 1950s, the novel brilliantly captures a portrait of a vital city as a it faces, for the first time, a significant black immigrant presence upon its landscape. “Masterful.” —The New York Times “A beautiful, comic, innovative, spellbinding and tragic novel. . . . A treat from beginning to end.” —The Boston Globe “Zings with life [and] a humorous appreciation of the injustices of today’s world.” —St. Catherine’s Standard
The Celestial Tradition by Demetres P. Tryphonopoulos Pdf
Despite the painstaking work of Pound scholars, the mythos of The Cantos has yet to be properly understood — primarily because until now its occult sources have not been examined sufficiently. Drawing upon archival as well as recently published material, this study traces Pound’s intimate engagement with specific occultists (W.B. Yeats, Allen Upward, Alfred Orage, and G.R.S. Mead) and their ideas. The author argues that speculative occultism was a major factor in the evolution of Pound’s extraordinary aesthetic and religious sensibility, much noticed in Pound criticism. The discussion falls into two sections. The first section details Pound’s interest in particular occult movements. It describes the tradition of Hellenistic occultism from Eleusis to the present, and establishes that Pound’s contact with the occult began at least as early as his undergraduate years and that he came to London already primed on the occult. Many of his London acquaintances were unquestionably occultists. The second section outlines a tripartite schema for The Cantos (katabasis/dromena/epopteia) which, in turn, is applied to the poem. It is argued here that The Cantos is structured on the model of a initiation rather than a journey, and that the poem does not so much describe an initiation rite as enact one for the reader. In exploring and attempting to understand Pounds’ occultism and its implications to his [Pounds’] oeuvre, Tryphonopoulos sheds new light upon one of the great works of modern Western literature.
A compelling collection that explores the lives of Afro-Caribbean immigrants living in Canada, these eight short stories delve into the experiences of displaced persons living in contemporary society--all with a richness of language and rhythm that is authentically urban.
Blackfoot Ways of Knowing by Betty Bastien,Jürgen W. Kremer Pdf
Blackfoot Ways of Knowing is a journey into the heart and soul of Blackfoot culture. In sharing her personal story of "coming home" to reclaim her identity within that culture, Betty Bastien offers us a gateway into traditional Blackfoot ways of understanding and experiencing the world.
Love, Loss, Death and Beauty In Re-Membering, subtitled "In the midst of life we are in death." from Book of Common Prayer, 1662, Burial of the Dead, Alice Hildebrand explores the complicated relationships within families, especially between mother and daughter, brought into sharp relief by illness and death. Her poems start with the description of the impact of a mother's alcoholism on a child as seen through that child's yearning for greater connection, and move through the life cycle to finally letting go of that wish. In it we see the sadness of the child turn into the compassion and acceptance of maturity, and an exploration of what it means for a daughter to also be a mother herself. Throughout, the poems celebrate the richness of the natural world in which human lives unfold, and express the persistent presence of endings, of loss and death as an integral part of life. The author locates herself and us within the stream of her family's history, and contextualizes that stream within the larger motions of the universe.
The long-awaited biography of one of Canada’s most intriguing and beguiling artists. Do artists really thrive in big cities, or do they just learn to imitate New York? Is it a contradiction for an artist to be fiercely local and profoundly identified with international art movements? If the brilliant colourist and regionalist pioneer Greg Curnoe stood for any one thing, it was making trouble. An intriguing rebel throughout his life, he challenged ideas about what art should be, and pushed it in radical new directions — including away from Toronto, a city he rejected while succeeding masterfully in its galleries. His untimely death in 1992 cut short a career of constant reinvention. This first biography of Curnoe recaptures in vivid detail the public and personal life of an iconoclast who was called a “walking autobiography,” as his work seemed to document his endless struggle against many of the core tenets of the art of his time. An anti-establishment firebrand and a fierce opponent of American dominance in Canadian culture, Curnoe, in his conceptual practice, constructed a stunning body of work that remains a hallmark in late-twentieth-century Canadian art.
2016 OCM Bocas Prize for Caribbean Literature — Longlisted 2016 RBC Taylor Prize — Longlisted The unforgettable memoir of Giller Prize–winning author and poet Austin Clarke, called “Canada’s first multicultural writer.” Austin Clarke is a distinguished and celebrated novelist and short-story writer. His works often centre around the immigrant experience, of which he writes with humour and compassion, happiness and sorrow. In ’Membering, Clarke shares his own experiences growing up in Barbados and moving to Toronto to attend university in 1955 before becoming a journalist. With vivid realism he describes Harlem of the ’60s, meeting and interviewing Malcolm X and writers Chinua Achebe and LeRoi Jones. Clarke went on to become a pioneering instructor of Afro-American Literature at Yale University and inspired a new generation of Afro-American writers. Clarke has been called Canada’s first multicultural writer. Here he eschews a traditional chronological order of events and takes the reader on a lyrical tour of his extraordinary life, interspersed with thought-provoking meditations on politics and race. Telling things as he ’members them.