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"John Tietjen's close account of the conflict within a Christian body moves withthe skill, the drama, and the characterization of a novel. But there is no shredof fiction here. The author stood at the center of the conflict. His observationsof the events (both broadly public and closeted in private) that altered the face-politicof Lutheranism in this country are absolutely accurate. Here is the selfishexpression of faith, as well as the dangers of the right hand of power withinchurches. Here, too, is the sweetness of human community-even while individualpeople of faith must stand in their decisions ultimately alone. Tietjen haswritten a memoriam and a history and a jubilate and a confession. Excellent!"Walter Wangerin Jr."John Tietjen tells the unpleasant story of crisis and conflict in the church. It is a storythat needs to be told, and he tells it in a way that people will find both gripping anduplifting. This is his personal account, done with the precision and documentationof a professional historian, but his writing also produces a narration of many keyevents and a strikingly human portrayal of the people on both sides of the conflict.In John Tietjen's hands, this story of conflict and crisis brings us back to the Godwho produces order out of chaos and blessing out of the suffering of God's people."Jeanette H. BauermeisterJohn H. Tietjen, formerly president of ConcordiaSeminary, St. Louis, and Christ Seminary-Seminex, Saint Louis and Chicago, was pastor of Trinity LutheranChurch, Fort Worth, Texas.
Ali is a young camel in Egypt when he is captured by humans. Determined to "work, but never surrender," he earns a reputation as a disobedient animal and is sold to an American colonel. The year is 1856 and Ali soon finds himself in Texas as part of the U.S. Camel Corps. Crossing the landscape of 19th century America, Ali learns to balance his pride with the needs of his new companions, and slowly matures into a noble creature. Compellingly written from the camel's point of view, this unusual book offers a fresh and unusual perspective on a little-known slice of American history.
After Pearl Harbor, little Marie Mitsui’s typical life of school and playing with friends in San Francisco is upended. Her family and thousands of others of Japanese heritage are under suspicion and forcibly relocated to internment camps far from home. Living conditions in the camps are harsh, but in the end Marie finds freedom and hope for the future. Told from a child’s perspective, The Little Exile deftly conveys Marie’s innocence, wonder, fear, and outrage. This work of autobiographical fiction is based on the author’s own experience as a wartime internee. Jeanette Arakawa was born in San Francisco in 1932 and was interned in the 1940s at the Rohwer War Relocation Center in Arkansas.
Memoirs of a Joyous Exile and a Worldly Christian by James M. Houston Pdf
This book traces personal memoirs to encourage others in their personal sense of insecurity to be freed by God’s grace, to become bold “in Christ.” It binds memoirs of the inner self, with one’s opportunities of public service. Two highlights are recorded: how three Soviet leaders as Christians negotiated with three American Christian leaders, to prevent a nuclear holocaust; and how crowds saying the Lord’s prayer, as they marched into Romanian towns, overcame the dictatorship. The Western press has never recorded both of these events.
In this highly personal account, Chao Tzang Yawnghwe, a son of the first President of the Union of Burma, tells of his youth and involvement in the Shan resistance movement. He gives his version of Shan history and explains the complexity of Shan politics as well as discusses the personalities involved in the war. The final part of this book is a compendium of who's who in Shan history and politics.
Memoirs of Montparnasse is a delicious book about being young, restless, reckless, and without cares. It is also the best and liveliest of the many chronicles of 1920s Paris and the exploits of the lost generation. In 1928, nineteen-year-old John Glassco escaped Montreal and his overbearing father for the wilder shores of Montparnasse. He remained there until his money ran out and his health collapsed, and he enjoyed every minute of his stay. Remarkable for their candor and humor, Glassco’s memoirs have the daft logic of a wild but utterly absorbing adventure, a tale of desire set free that is only faintly shadowed by sadness at the inevitable passage of time.
On 22 November 2007, the city of Kolkata came to a rude, screeching halt as a virulent mob of religious fanatics took to the streets. Armed with a fatwa from their ideologues, the mob demanded Taslima Nasrin leave the city immediately. While the Kolkata Police allegedly stood watching, mere dumb witnesses to such hooliganism, a morally, intellectually and politically bankrupt Left Front government, tottering under the strain of their thirty-year-old backward-looking rule, decided to ban her book and drive her out of Kolkata, a city she has always considered her second home. Dark, provocative and, at times, surreal, Exile is a moving and shocking chronicle of Taslima Nasrin’s struggles in India over a period of five months, set against a rising tide of fundamentalism and intolerance that will resonate powerfully with the present sociopolitical scenario.
This insightful work examines the variety of ways that collective memory, oral tradition, history, and history writing intersect. Integral to all this are the ways in which ancient Israel was shaped by the monarchy, the Babylonian exile, and the dispersions of Judeans and the ways in which Israel conceptualized and interacted with the divine-Yahweh as well as other deities.
If I were given five minutes with my younger self—that little girl who cried every time we had to leave for another country—I would hold her tight and not say a word. I would just be still and have her feel my beating heart, a thud to echo her own—a silent message that, no matter the outcome, she would survive and be stronger and happier than she might think as she stood at the threshold of each new home. Sisonke Msimang was born in exile, the daughter of South African freedom fighters. Always Another Country is the story of a young girl’s path to womanhood—a journey that took her from Africa to America and back again, then on to a new home in Australia. Frank, fierce and insightful, she reflects candidly on the abuse she suffered as a child, the naive, heady euphoria of returning at last to her parents’ homeland—and her disillusionment with present-day South Africa and its new elites. Sisonke Msimang is a bold new voice on feminism, race and politics—in her beloved South Africa, in Australia, and around the world. Sisonke Msimang was born in exile to South African parents—a freedom fighter and an accountant—and raised in Zambia, Kenya and Canada before studying in the US as an undergraduate. Her family returned to South Africa after apartheid was abolished in the early 1990s. Sisonke has held fellowships at Yale University, the Aspen Institute and the University of the Witwatersrand in Johannesburg, and is a regular contributor to the Guardian, Daily Maverick and New York Times. She now lives in Perth, Australia, where she is head of oral storytelling at the Centre for Stories. ‘Few of us have felt the grinding force of history as consciously or as constantly as Sisonke Msimang. Her story is a timely insight into a life in which the gap between the great world and the private realm is vanishingly narrow and it bears hard lessons about how fragile our hopes and dreams can be.' Tim Winton ‘Brutally and uncompromisingly honest, Sisonke’s beautifully crafted storytelling enriches the already extraordinary pool of young African women writers of our time.’ Graça Machel, Minister for Education and Culture of Mozambique ‘Msimang is a talented and passionate writer, one possessed of an acerbic intelligence...This memoir is also full of warmth and humour.’ Saturday Paper ‘Sisonke Msimang kindles a new fire in our store of memoir, a fire that will warm and singe and sear for a long, long while.’ Njabulo S. Ndebele, author The Cry of Winnie Mandela 'An excellent blend of both the personal and political...a bold memoir...a tale that will sustain itself for generations.’ Books & Publishing ‘Msimang pours herself into these pages with a voice that is molten steel; her radiant warmth and humour sit alongside her fearlessness in naming and refusing injustice. Msimang is a masterful memoirist, a gifted writer, and she comes bearing a message that is as urgent and timely as it is eternal.’ Sarah Krasnostein ‘It is rare to hear from such a voice as Sisonke’s—powerful, accomplished, unabashed and brave. This is a gripping and important memoir that is also self-aware and funny, revealing the depths of a country we’ve mostly only seen through a colonial perspective.’ Alice Pung ‘It is not possible to do this book justice in so few words...Always Another Country is eloquent and powerful. Msimang’s explication of what it means to be from – but not of – a place is profoundly moving. Msimang deserves to be widely read and fans of Roxane Gay and Maxine Beneba Clarke, in particular, will not be disappointed.’ Readings ‘[An] eloquent memoir of home, belonging and race politics.’ Big Issue ‘Msimang’s graceful memoir is one of those rare books that managed to make me less cynical about the state of literature...It’s a coming-of-age story for those children for whom home is marked by more than a single physical location.’ New York Times
