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Memory and Mourning by Valerie M. Hope,Janet Huskinson Pdf
This volume challenges boundaries between traditional academic disciplines and utilizes current approaches in Scholarship. It-highlights how death was interwoven with Roman life and brings together diverse evidence such is poetry, oratory, portraiture, epigraphy, and funerary monuments. These chapters individually and collectively demonstrate the significance of studying the evidence for Roman death and death rituals, and how concerns for memory and mourning both shaped and were reflected in that evidence. --Book Jacket.
Romanticism, Memory, and Mourning by Mark Sandy Pdf
The subject of Romanticism, Memory, and Mourning could not be timelier with Zizek’s recent proclamation that we are ’living in the end times’ and in an era which is preoccupied with the process and consequences of ageing. We mourn both for our pasts and futures as we now recognise that history is a continuation and record of loss. Mark Sandy explores the treatment of grief, loss, and death across a variety of Romantic poetic forms, including the ballad, sonnet, epic, elegy, fragment, romance, and ode in the works of poets as diverse as Smith, Hemans, Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, and Clare. Romantic meditations on grief, however varied in form and content, are self-consciously aware of the complexity and strength of feelings surrounding the consolation or disconsolation that their structures of poetic memory afford those who survive the imaginary and actual dead. Romantic mourning, Sandy shows, finds expression in disparate poetic forms, and how it manifests itself both as the spirit of its age, rooted in precise historical conditions, and as a proleptic power, of lasting transhistorical significance. Romantic meditations on grief and loss speak to our contemporary anxieties about the inevitable, but unthinkable, event of death itself.
Author : Martin W. Huang Publisher : State University of New York Press Page : 234 pages File Size : 47,8 Mb Release : 2018-03-01 Category : History ISBN : 9781438469010
Sheds new light on pre-modern Chinese gender relationships in the context of marriage, male Confucian literati self-presentation, and social networks. In the first study of its kind about the role played by intimate memory in the mourning literature of late imperial China, Martin W. Huang focuses on the question of how men mourned and wrote about women to whom they were closely related. Drawing upon memoirs, epitaphs, biographies, litanies, and elegiac poems, Huang explores issues such as how intimacy shaped the ways in which bereaved male authors conceived of womanhood and how such conceptualizations were inevitably also acts of self-reflection about themselves as men. Their memorial writings reveal complicated self-images as husbands, brothers, sons, and educated Confucian males, while their representations of women are much more complex and diverse than the representations we find in more public genres such as Confucian female exemplar biographies. Martin W. Huang is Professor of Chinese at the University of California, Irvine and the author of Negotiating Masculinities in Late Imperial China.
Sites of Memory, Sites of Mourning by Jay Winter Pdf
Jay Winter's powerful 1998 study of the 'collective remembrance' of the Great War offers a major reassessment of one of the critical episodes in the cultural history of the twentieth century. Dr Winter looks anew at the culture of commemoration and the ways in which communities endeavoured to find collective solace after 1918. Taking issue with the prevailing 'modernist' interpretation of the European reaction to the appalling events of 1914 18, Dr Winter instead argues that what characterised that reaction was, rather, the attempt to interpret the Great War within traditional frames of reference. Tensions arose inevitably. Sites of Memory, Sites of Mourning is a profound and moving book of seminal importance for the attempt to understand the course of European history during the first half of the twentieth century."
Death, Memory and Material Culture by Elizabeth Hallam,Jenny Hockey Pdf
- How do the living maintain ongoing relationships with the dead in Western societies? - How have the residual belongings of the dead been used to evoke memories? - Why has the body and its material environment remained so important in memory-making? Objects, images, practices, and places remind us of the deaths of others and of our own mortality. At the time of death, embodied persons disappear from view, their relationships with others come under threat and their influence may cease. Emotionally, socially, politically, much is at stake at the time of death. In this context, memories and memory-making can be highly charged, and often provide the dead with a social presence amongst the living. Memories of the dead are a bulwark against the terror of forgetting, as well as an inescapable outcome of a life's ending. Objects in attics, gardens, museums, streets and cemeteries can tell us much about the processes of remembering. This unusual and absorbing book develops perspectives in anthropology and cultural history to reveal the importance of material objects in experiences of grief, mourning and memorializing. Far from being ‘invisible', the authors show how past generations, dead friends and lovers remain manifest - through well-worn garments, letters, photographs, flowers, residual drops of perfume, funerary sculpture. Tracing the rituals, gestures and materials that have been used to shape and preserve memories of personal loss, Hallam and Hockey show how material culture provides the deceased with a powerful presence within the here and now.
This volume sheds twenty-first-century light on the charged interactions between memory, mourning and landscape. A century after Freud, our understanding of how memory and mourning function continues to be challenged, revised and refined. Increasingly, scholarly attention is paid to the role of situation in memorialising, whether in commemorations of individuals or in marking the mass deaths of late modern warfare and disasters. Memory, Mourning, Landscape offers the nuanced insights provided by interdisciplinarity in nine essays by leading and up-and-coming academics from the fields of history, museum studies, literature, anthropology, architecture, law, geography, theology and archaeology. The vital visual element is reinforced with an illustrated coda by a practising artist. The result is a unique symbiotic dialogue which will speak to scholars from a range of disciplines.
How does an extended family, bound by shared history, affection, and duty but divided by generation, gender, status, and personality, memorialize its dead? This fascinating study shows how members of the prominent Yu family passed down their personal and familial memories over five generations, through the traumatic transition from imperial to modern China and amidst the radical change and destruction of the nineteenth and twentieth centuries. Their memory writing is unusual and compelling for its quantity, variety, and resonance of themes across generations. It reflects a particular cultural moment and family, yet offers insight into universal practices of writing and remembrance. Ink and Tears begins and ends with the Yu family’s two most famous members: the late Qing writer Yu Yue and his great-great grandson Yu Pingbo, each among the most famous and prolific scholars of their respective generations. Over a span of one and a half centuries, they and their lesser-known female and male kin made use of an impressive diversity of genres—poetry, prefaces, biographies, diaries, correspondence, and strange tales—to preserve their family’s memories. During the times in which they wrote, the technologies of printing and the institutions of publication and book distribution were being transformed, and by the time of the great-grandchildren the language of education and governance, definitions of scholarship and literature, and the map of literary genres had all been remade. The Yus’ memory writing thus reveals not just how different family members remembered and mourned, but the changing tools they had with which to convey their loss. Drawing on a wealth of archival material, Rania Huntington focuses on questions of how memory was crafted, preserved, and transmitted as much as on what was remembered, tracing common tropes and shared strategies. Her beautifully observed study will interest scholars of late imperial and early Republican literature and history, as well as readers more broadly concerned with the family, women’s writing, themes of memory and bereavement, and the personal functions of literature.
Author : Peter Homans Publisher : University of Virginia Press Page : 276 pages File Size : 51,5 Mb Release : 2000 Category : Family & Relationships ISBN : 081391986X
Historically, many world cultures have linked three disparate phenomena: collective loss; mourning; and the construction of monuments and cultural symbols to represent the loss over time and render it memorable, meaningful, and thereby bearable. In a century of great loss, observers of western culture have commented on the decline of mourning practices and the absence of their associated rituals. The ten essays assembled here by Peter Homans represent, in a genuinely interdisciplinary way, the recent work of scholars attempting to understand this trend. Arranged in sections on cultural studies, architecture, history, and psychology, this accessible collection can serve as an introduction to the uses of mourning in contemporary cultures. Contributors: Paul A. Anderson, University of MichiganDoris L. Bergen, University of Notre DameMitchell Breitwieser, University of California, BerkeleyPeter Homans, University of ChicagoPatrick H. Hutton, University of VermontMarie-Claire Lavabre, National Institute for Scientific Research, ParisPeter C. Shabad, Northwestern University Medical School and Columbia Michael Reese Hospital and Medical CenterLevi P. Smith, Art Institute of ChicagoJulia Stern, Northwestern UniversityJames E. Young, University of Massachusetts, Amherst
How is the memory of traumatic events, such as genocide and torture, inscribed within human bodies? In this book, Paul Connerton discusses social and cultural memory by looking at the role of mourning in the production of histories and the reticence of silence across many different cultures. In particular he looks at how memory is conveyed in gesture, bodily posture, speech and the senses – and how bodily memory, in turn, becomes manifested in cultural objects such as tattoos, letters, buildings and public spaces. It is argued that memory is more cultural and collective than it is individual. This book will appeal to researchers and students in anthropology, linguistic anthropology, sociology, social psychology and philosophy.
Grief and Its Transcendence by Adele Tutter,Léon Wurmser Pdf
Grief and its Transcendence: Memory, Identity, Creativity is a landmark contribution that provides fresh insights into the experience and process of mourning. It includes fourteen original essays by pre-eminent psychoanalysts, historians, classicists, theologians, architects, art-historians and artists, that take on the subject of normal, rather than pathological mourning. In particular, it considers the diversity of the mourning process; the bereavement of ordinary vs. extraordinary loss; the contribution of mourning to personal and creative growth; and individual, social, and cultural means of transcending grief. The book is divided into three parts, each including two to four essays followed by one or two critical discussions. Co-editor Adele Tutter’s Prologue outlines the salient themes and tensions that emerge from the volume. Part I juxtaposes the consideration of grief in antiquity with an examination of the contemporary use of memorials to facilitate communal remembrance. Part II offers intimate first-person accounts of mourning from four renowned psychoanalysts that challenge long-held psychoanalytic formulations of mourning. Part III contains deeply personal essays that explore the use of sculpture, photography, and music to withstand, mourn, and transcend loss on individual, cultural and political levels. Drawing on the humanistic wisdom that underlies psychoanalytic thought, co-editor Léon Wurmser’s Epilogue closes the volume. Grief and its Transcendence will be a must for psychoanalysts, psychotherapists, psychiatrists, and scholars within other disciplines who are interested in the topics of grief, bereavement and creativity.
Death, Memory and Material Culture by Elizabeth Hallam,Jenny Hockey Pdf
- How do the living maintain ongoing relationships with the dead in Western societies? - How have the residual belongings of the dead been used to evoke memories? - Why has the body and its material environment remained so important in memory-making? Objects, images, practices, and places remind us of the deaths of others and of our own mortality. At the time of death, embodied persons disappear from view, their relationships with others come under threat and their influence may cease. Emotionally, socially, politically, much is at stake at the time of death. In this context, memories and memory-making can be highly charged, and often provide the dead with a social presence amongst the living. Memories of the dead are a bulwark against the terror of forgetting, as well as an inescapable outcome of a life's ending. Objects in attics, gardens, museums, streets and cemeteries can tell us much about the processes of remembering. This unusual and absorbing book develops perspectives in anthropology and cultural history to reveal the importance of material objects in experiences of grief, mourning and memorializing. Far from being ‘invisible', the authors show how past generations, dead friends and lovers remain manifest - through well-worn garments, letters, photographs, flowers, residual drops of perfume, funerary sculpture. Tracing the rituals, gestures and materials that have been used to shape and preserve memories of personal loss, Hallam and Hockey show how material culture provides the deceased with a powerful presence within the here and now.
Romanticism, Memory, and Mourning by Mark Sandy Pdf
The subject of Romanticism, Memory, and Mourning could not be timelier with Zizek’s recent proclamation that we are ’living in the end times’ and in an era which is preoccupied with the process and consequences of ageing. We mourn both for our pasts and futures as we now recognise that history is a continuation and record of loss. Mark Sandy explores the treatment of grief, loss, and death across a variety of Romantic poetic forms, including the ballad, sonnet, epic, elegy, fragment, romance, and ode in the works of poets as diverse as Smith, Hemans, Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, and Clare. Romantic meditations on grief, however varied in form and content, are self-consciously aware of the complexity and strength of feelings surrounding the consolation or disconsolation that their structures of poetic memory afford those who survive the imaginary and actual dead. Romantic mourning, Sandy shows, finds expression in disparate poetic forms, and how it manifests itself both as the spirit of its age, rooted in precise historical conditions, and as a proleptic power, of lasting transhistorical significance. Romantic meditations on grief and loss speak to our contemporary anxieties about the inevitable, but unthinkable, event of death itself.
How digital technology—from Facebook tributes to QR codes on headstones—is changing our relationship to death. Facebook is the biggest cemetery in the world, with countless acres of cyberspace occupied by snapshots, videos, thoughts, and memories of people who have shared their last status updates. Modern society usually hides death from sight, as if it were a character flaw and not an ineluctable fact. But on Facebook and elsewhere on the internet, we can't avoid death; digital ghosts—electronic traces of the dead—appear at our click or touch. On the Internet at least, death has once again become a topic for public discourse. In Online Afterlives, Davide Sisto considers how digital technology is changing our relationship to death. Sisto describes the various modes of digital survival after biological death—including Facebook tributes, chatbots programmed to speak in the voice of a dead person, and QR codes on headstones—and discusses their philosophical ramifications. Sisto reports on such phenomena as the Tweet Hereafter, a website that collects people's last tweets; the intimacy of sending a WhatsApp message to someone who has died; and digital cremation, the deactivation of a dead person's account. Because we can mingle with the dead online almost as we mingle with the living, he warns, we may find it difficult to distinguish communication at a distance from communication with the dead. The digital afterlife has restored the communal dimension of death, rescuing both mourners and the mourned from social isolation. A society willing to engage with death and mortality, Sisto argues, is a more balanced and mature society.
The Thought of Death and the Memory of War by Marc Crépon Pdf
War lays bare death and our relation to it. And in the wars—or more precisely the memories of war—of the twentieth century, images of the deaths of countless faceless or nameless others eclipse the singularity of each victim’s death as well as the end of the world as such that each death signifies. Marc Crépon’s The Thought of Death and the Memory of War is a call to resist such images in which death is no longer actual death since it happens to anonymous others, and to seek instead a world in which mourning the other whose mortality we always already share points us toward a cosmopolitics. Crépon pursues this path toward a cosmopolitics of mourning through readings of works by Freud, Heidegger, Sartre, Patocka, Levinas, Derrida, and Ricœur, and others. The movement among these writers, Crépon shows, marks a way through—and against—twentieth-century interpretation to argue that no war, genocide, or neglect of people is possible without suspending how one relates to the death of another human being. A history of a critical strain in contemporary thought, this book is, as Rodolphe Gasché says in the Foreword, “a profound meditation on what constitutes evil and a rigorous and illuminating reflection on death, community, and world.” The translation of this work received financial support from the French Ministry of Foreign Affairs.
Author : Antonius C. G. M. Robben Publisher : University of Pennsylvania Press Page : 304 pages File Size : 52,7 Mb Release : 2018-04-25 Category : History ISBN : 9780812250053
Argentina Betrayed by Antonius C. G. M. Robben Pdf
This riveting analysis of the aftermath of Argentina's massive disappearances uncovers a dynamic of trust and betrayal that has driven relentless confrontations between the state, the military, former insurgents, and bereaved relatives about how to remember, mourn, and punish atrocities committed against fellow citizens.