Memory And The Moving Image

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Memory and Intermediality in Artists’ Moving Image

Author : Sarah Durcan
Publisher : Springer Nature
Page : 258 pages
File Size : 53,9 Mb
Release : 2020-10-19
Category : Art
ISBN : 9783030473969

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Memory and Intermediality in Artists’ Moving Image by Sarah Durcan Pdf

This book addresses the preoccupation with memory in contemporary artists’ moving image installations. It situates artists’ moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists’ remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists’ film and video, the following chapters identify five different mnemonic modes in artists’ moving image: critical nostalgia, database narrative, the ‘echo-chamber’, documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media.

Memory and the Moving Image

Author : Isabelle McNeill
Publisher : Edinburgh University Press
Page : 192 pages
File Size : 42,7 Mb
Release : 2012-05-23
Category : Performing Arts
ISBN : 9780748689491

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Memory and the Moving Image by Isabelle McNeill Pdf

This book investigates the role of the moving image in cultural memory, taking into account the impact of digital technologies on visual culture.

Memory, Forgetting and the Moving Image

Author : Caterina Albano
Publisher : Springer
Page : 209 pages
File Size : 42,7 Mb
Release : 2016-09-30
Category : History
ISBN : 9781137365880

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Memory, Forgetting and the Moving Image by Caterina Albano Pdf

Throughout this book we discover what our idea of memory would be without the moving image. This thought provoking analysis examines how the medium has informed modern and contemporary models of memory. The book examines the ways in which cinematic optic procedures inform an understanding of memory processes. Critical to the reciprocity of mind and screen is forgetting and the problematic that it inscribes into memory and its relation to contested histories. Through a consideration of artworks (film/video and sound installation) by artists whose practice has consistently engaged with issues surrounding memory, amnesia and trauma, the book brings to bear neuro-psychological insight and its implication with the moving image (as both image and sound) to a consideration of the global landscape of memory and the politics of memory that inform them. The artists featured include Kerry Tribe, Shona Illingworth, Bill Fontana, Lutz Becker, Yervant Gianikian and Angela Ricci Lucchi, Harun Faorcki, and Eyal Sivan.

Mapping the Moving Image

Author : Pasi Väliaho
Publisher : Amsterdam University Press
Page : 255 pages
File Size : 51,5 Mb
Release : 2010
Category : Art
ISBN : 9789089641403

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Mapping the Moving Image by Pasi Väliaho Pdf

In Mapping the Moving Image, Pasi Valiaho offers a compelling study of how the medium of film came to shape our experience and thinking of the world and ourselves. By locating the moving image in new ways of seeing and saying as manifest in the arts, science and philosophy at the turn of the twentieth century, the book redefines the cinema as one of the most important anthropological processes of modernity. Moving beyond the typical understanding of cinema based on optical and linguistic models, Mapping the Moving Image takes the notion of rhythm as its cue in conceptualizing the medium's morphogenetic potentialities to generate affectivity, behaviour, and logics of sense. It provides a clear picture of how the forms of early film, while mobilizing bodily gestures and demanding intimate, affective engagement from the viewer, emerged in relation to bio-political investments in the body. The book also charts from a fresh perspective how the new gestural dynamics and visuality of the moving image fed into our thinking of time, memory and the unconscious.

Stillness and Time

Author : David Green,Joanna Lowry
Publisher : Unknown
Page : 196 pages
File Size : 42,8 Mb
Release : 2006
Category : Photography
ISBN : STANFORD:36105123594140

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Stillness and Time by David Green,Joanna Lowry Pdf

"This collection of essays by leading photographic and film theorists considers the changing relationship between the still and moving image in contemporary culture. The photograph has traditionally been seen as a quintessentially still image. Its ability to freeze and hold a moment in time has been the source of its peculiar fascination and the foundation of much of the theoretical discussion about it. New technological developments in digital media, however, have fundamentally altered the ways in which we think about photography, in particular forcing us to reconsider our assumptions about the still and the moving image and their relationships to differing conceptions of time. Amongst the topics addressed in these essays are: the work of artists who extend the still image in time through the use of video or narrative sequencing; the aesthetic and philosophical analyses of stasis; the place of the pose and tableau in contemporary photography and film; the iconography of photography in cinema; and the notion of the cinematic fragment and cultural memory."--BOOK JACKET.

Memory and Intermediality in Artists' Moving Image

Author : Sarah Durcan
Publisher : Unknown
Page : 0 pages
File Size : 50,8 Mb
Release : 2021
Category : Electronic
ISBN : 303047397X

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Memory and Intermediality in Artists' Moving Image by Sarah Durcan Pdf

This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists' remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists' film and video, the following chapters identify five different mnemonic modes in artists' moving image: critical nostalgia, database narrative, the 'echo-chamber', documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media.

The Moving Image Workshop

Author : Heather D. Freeman
Publisher : Bloomsbury Publishing
Page : 280 pages
File Size : 41,9 Mb
Release : 2017-07-06
Category : Computers
ISBN : 9781474253000

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The Moving Image Workshop by Heather D. Freeman Pdf

If you need a fun, hands-on introduction to core animation techniques - then look no further! Heather Freeman guides you through a wide range of practical projects, helping you establish and build skills in narrative animation, motion graphics and visual effects. Each chapter begins by summarizing historical and theoretical concerns and connecting them with current practice and applications - all beautifully illustrated with stills from classic commercial and independent films, as well as contemporary examples from student work. Having established this context, the remainder of the chapter focuses on walking readers through their own creative projects. Topics covered include early animation technologies and techniques, scenes and staging, character animation, animated type, visual effects and motion graphics, pre- through post-production and experimental approaches to motion graphics. Dozens of sample files are available online, for experimentation and to get readers started on each exercise. The companion website also includes example animations as well as links to recommended software tutorials, recommended artist websites, blogs and animation channels.

The City and the Moving Image

Author : R. Koeck,L. Roberts
Publisher : Springer
Page : 281 pages
File Size : 54,7 Mb
Release : 2010-10-13
Category : Performing Arts
ISBN : 9780230299238

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The City and the Moving Image by R. Koeck,L. Roberts Pdf

This edited collection explores the relationship between urban space, architecture and the moving image. Drawing on interdisciplinary approaches to film and moving image practices, the book explores the recent developments in research on film and urban landscapes, pointing towards new theoretical and methodological frameworks for discussion.

Holocaust and the Moving Image

Author : Toby Haggith,Joanna Newman
Publisher : Wallflower Press
Page : 354 pages
File Size : 41,7 Mb
Release : 2005
Category : History
ISBN : 1904764517

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Holocaust and the Moving Image by Toby Haggith,Joanna Newman Pdf

Based on an event held at the Imperial War Museum in 2001, this book is a blend of voices and perspectives - archivists, curators, filmmakers, scholars, and Holocaust survivors. Each section examines films and how they have contributed to wider awareness and understanding of the Holocaust since the war.

The Performance of Trauma in Moving Image Art

Author : Dirk Cornelis de Bruyn
Publisher : Cambridge Scholars Publishing
Page : 245 pages
File Size : 40,9 Mb
Release : 2014-10-02
Category : Social Science
ISBN : 9781443868754

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The Performance of Trauma in Moving Image Art by Dirk Cornelis de Bruyn Pdf

With reference to recent neurological research into Post-Traumatic Stress Disorder (PTSD) using new imaging technologies and models of implicit and explicit memory systems developed from this research, The Performance of Trauma in Moving Image Art examines the capacity of an artist’s cinema of experimental and avant-garde film to perform and communicate traumatic experience. De Bruyn analyses key films from the 1940s to the present that perform aspects of overwhelming experience through their approach, structure, content and perceptual impact, mapping a trajectory from analogue to contemporary digital moving image practice. He argues for the inclusion of Peter Gidal’s 1970s conception of ‘materialist film’ into the genre of ‘trauma cinema’ through its capacity to articulate un-locatability and perceptually perform dis-orientation and a flashback effect, all further identified here as key characteristics of digital moving image practice. The discussion explores the following questions. Can ‘materialist film’ model traumatic memory and perform the traumatic flashback? Does the capacity to articulate trauma’s un-speakability and invisibility give this practice a renewed relevance in digital media’s preoccupation with surface and the impact of information overload? De Bruyn’s phenomenological ‘traumatic’ reading of materialist film steps beyond Gidal’s original anti-illusionist rationale to incorporate critiques effectively mounted against it by the founders of a ‘70s feminist psychoanalytic counter-cinema. This contemporary re-reading further re-evaluates the Minimalist turn in painting and sculpture after the Second World War, arguing that this development is not essentialist or visionary but makes visible the implicit mechanisms of denial and erasure at the core of traumatic remembering. For de Bruyn, the initial traumatic impact of industrialization on the body’s perceptual apparatus, traceable through the advent of cinema and train travel, is communicated by such moving image art. The development of digital technology marks a new cycle of such perceptual re-balancing for which materialist film is uniquely positioned and which it critically addresses.

Projections of Memory

Author : Richard I. Suchenski
Publisher : Oxford University Press
Page : 368 pages
File Size : 48,8 Mb
Release : 2016-06-30
Category : Performing Arts
ISBN : 9780190274122

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Projections of Memory by Richard I. Suchenski Pdf

Projections of Memory is an exploration of a body of innovative cinematic works that utilize their extraordinary scope to construct monuments to the imagination that promise profound transformations of vision, selfhood, and experience. This form of cinema acts as a nexus through which currents from the other arts can interpenetrate. By examining the strategies of these projects in relation to one another and to the larger historical forces that shape them--tracing the shifts and permutations of their forms and aspirations--Projections of Memory remaps film history around some of its most ambitious achievements and helps to clarify the stakes of cinema as a twentieth-century art form.

Experimental and Expanded Animation

Author : Vicky Smith,Nicky Hamlyn
Publisher : Springer
Page : 286 pages
File Size : 47,8 Mb
Release : 2018-08-21
Category : Performing Arts
ISBN : 9783319738734

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Experimental and Expanded Animation by Vicky Smith,Nicky Hamlyn Pdf

This book discusses developments and continuities in experimental animation that, since Robert Russet and Cecile Starr’s Experimental Animation: Origins of a New Art (1976), has proliferated in the context of expanded cinema, performance and live ‘making’ and is today exhibited in galleries, public sites and online. With reference to historical, critical, phenomenological and inter-disciplinary approaches, international researchers offer new and diverse methodologies for thinking through these myriad animation practices. This volume addresses fundamental questions of form, such as drawing and the line, but also broadens out to encompass topics such as the inter-medial, post-humanism, the real, fakeness and fabrication, causation, new forms of synthetic space, ecology, critical re-workings of cartoons, and process as narrative. This book will appeal to cross and inter-disciplinary researchers, animation practitioners, scholars, teachers and students from Fine Art, Film and Media Studies, Philosophy and Aesthetics.

Moving Images

Author : Helen Groth
Publisher : Edinburgh University Press
Page : 224 pages
File Size : 53,5 Mb
Release : 2013-08-23
Category : Performing Arts
ISBN : 9780748669509

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Moving Images by Helen Groth Pdf

This book examines how the interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the mind.

Performing Moving Images

Author : SIEWERT
Publisher : Framing Film
Page : 178 pages
File Size : 47,8 Mb
Release : 2020-09-14
Category : Electronic
ISBN : 9462985839

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Performing Moving Images by SIEWERT Pdf

Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-screenings, re-enactments, and found footage works, that are using archival material? How does the affective experience of the images, sounds and music resonate today? Performing Moving Images: Access, Archive and Affects proposes a theoretical framework from the perspective of the performative practice of programming, curating, and reconstructing, bringing in insights from original interviews with cultural agents together with an interdisciplinary academic discourse.

Installation and the Moving Image

Author : Catherine Elwes
Publisher : Columbia University Press
Page : 323 pages
File Size : 40,8 Mb
Release : 2015-05-12
Category : Performing Arts
ISBN : 9780231850803

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Installation and the Moving Image by Catherine Elwes Pdf

Film and video create an illusory world, a reality elsewhere, and a material presence that both dramatizes and demystifies the magic trick of moving pictures. Beginning in the 1960s, artists have explored filmic and televisual phenomena in the controlled environments of galleries and museums, drawing on multiple antecedents in cinema, television, and the visual arts. This volume traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video from the 1960s, 1970s, and 1980s. Sound is given due attention, along with the shift from analogue to digital, issues of spectatorship, and the insights of cognitive science. Woven into this genealogy is a discussion of the procedural, political, theoretical, and ideological positions espoused by artists from the mid-twentieth century to the present. Historical constructs such as Peter Gidal's structural materialism, Maya Deren's notion of vertical and horizontal time, and identity politics are reconsidered in a contemporary context and intersect with more recent thinking on representation, subjectivity, and installation art. The book is written by a critic, curator, and practitioner who was a pioneer of British video and feminist art politics in the late 1970s. Elwes writes engagingly of her encounters with works by Anthony McCall, Gillian Wearing, David Hall, and Janet Cardiff, and her narrative is informed by exchanges with other practitioners. While the book addresses the key formal, theoretical, and historical parameters of moving-image installation, it ends with a question: "What's in it for the artist?"