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The comic playwright Menander was one of the most popular writers throughout antiquity. This book reconstructs his life and the legacy of his work until the end of antiquity employing a broad range of sources such as portraits, illustrations of his plays, papyri preserving their texts and inscriptions recording their public performances. These are placed within the context of the three social and cultural institutions which appropriated his comedy, thereby ensuring its survival: public theatres, dinner parties and schools. Dr Nervegna carefully reconstructs how each context approached Menander's drama and how it contributed to its popularity over the centuries. The resultant, highly illustrated, book will be essential for all scholars and students not just of Menander's comedy but, more broadly, of the history and iconography of the ancient theatre, ancient social history and reception studies.
The comedies of the Athenian dramatist Menander (c. 342-291 BC) and his contemporaries were the ultimate source of a Western tradition of light drama that has continued to the present day. Yet for over a millennium, Menander’s own plays were thought to have been completely lost. Thanks to a long and continuing series of papyrus discoveries, Menander has now been able to take his place among the major surviving ancient Greek dramatists alongside Aeschylus, Sophocles, Euripides and Aristophanes. In this book, sixteen contributors examine and explore the Menander we know today in light of the various literary, intellectual, and social contexts in which his plays can be viewed. Topics covered include: the society, culture, and politics of his generation; the intellectual currents of the period; the literary precursors who inspired Menander (or whom he expected his audiences to recall); and responses to Menander, from his own time to ours. As the first wide-ranging collective study of Menander in English, this book is essential reading for those interested in ancient comedy the world over.
This book introduces readers who may have no previous knowledge of Menander's comedies to Epitrepontes (The Arbitration), arguably the most exquisitely crafted of his better-preserved plays. It explains what we know about the play, how we know it, and how far we can tentatively fill in the gaps in our knowledge. Sommerstein analyses the nature of the dramatic genre (Athenian New Comedy) to which Epitrepontes belongs. He assesses the plot and the characters, every one of whom makes an essential contribution to the uplifting outcome, and the social and ethical assumptions that dramatist and audience shared. As well as looking at the influences of earlier drama and of contemporary philosophical and popular thought, he considers the afterlife of Menandrian comedy in general and of Epitrepontes in particular, both in antiquity and in modern times, but also in the long period in between, when Menander was the great dramatist whose plays were thought to have been irrevocably lost.
Aristotle and Menander on the Ethics of Understanding by Valeria Cinaglia Pdf
In Aristotle and Menander on the Ethics of Understanding, Valeria Cinaglia offers a parallel study of Menander’s New Comedy and Aristotle’s philosophy focusing on subjects ranging from epistemology and psychology to ethics. Cinaglia does not aim to demonstrate the direct philosophical influence of Aristotle on Menander, but explores the hypothesis that there are significant analogies between the two that disclose a shared thought-world. Cinaglia shows that Aristotle and Menander offer analogous views of the way that perceptions and emotional responses to situations are linked with the presence or absence of ethical and cognitive understanding, or the state of ethical character development: the study of these analogies contributes to a deeper understanding of both frameworks involved.
The Cambridge Companion to Greek Comedy by Martin Revermann Pdf
This book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.
Author : S. Douglas Olson Publisher : Walter de Gruyter Page : 1098 pages File Size : 50,6 Mb Release : 2013-12-12 Category : History ISBN : 9781614511250
Ancient Comedy and Reception by S. Douglas Olson Pdf
This wide-ranging collection, consisting of 50 essays by leading international scholars in a variety of fields, provides an overview of the reception history of a major literary genre from Greco-Roman antiquity to the present day. Section I considers how the 5th- and 4th-century Athenian comic poets defined themselves and their plays, especially in relation to other major literary forms. It then moves on to the Roman world and to the reception of Greek comedy there in art and literature. Section II deals with the European reception of Greek and Roman comedy in the Medieval, Renaissance, and Early Modern periods, and with the European stage tradition of comic theater more generally. Section III treats the handling of Greco-Roman comedy in the modern world, with attention not just to literary translations and stage-productions, but to more modern media such as radio and film. The collection will be of interest to students of ancient comedy as well as to all those concerned with how literary and theatrical traditions are passed on from one time and place to another, and adapted to meet local conditions and concerns.
The comedies of the Athenian dramatist Menander (c. 342-291 BC) and his contemporaries were the ultimate source of a Western tradition of light drama that has continued to the present day. Yet for over a millennium, Menander’s own plays were thought to have been completely lost. Thanks to a long and continuing series of papyrus discoveries, Menander has now been able to take his place among the major surviving ancient Greek dramatists alongside Aeschylus, Sophocles, Euripides and Aristophanes. In this book, sixteen contributors examine and explore the Menander we know today in light of the various literary, intellectual, and social contexts in which his plays can be viewed. Topics covered include: the society, culture, and politics of his generation; the intellectual currents of the period; the literary precursors who inspired Menander (or whom he expected his audiences to recall); and responses to Menander, from his own time to ours. As the first wide-ranging collective study of Menander in English, this book is essential reading for those interested in ancient comedy the world over.
Menander: Without individual title by Menander (of Athens.) Pdf
Menander (?344/3-292/1 BCE), the dominant figure in New Comedy, wrote over 100 plays, of which one complete play, substantial portions of six others, and smaller but interesting fragments have been recovered. The complete play, Dyskolos (The Peevish Fellow), won first prize in Athens in 317 BCE. Menander, the dominant figure in New Comedy, wrote over 100 plays. By the Middle Ages they had all been lost. Happily papyrus finds in Egypt during the past century have recovered one complete play, substantial portions of six others, and smaller but still interesting fragments. Menander was highly regarded in antiquity and his plots, set in Greece, were adapted for the Roman world by Plautus and Terence. Geoffrey Arnott's new Loeb edition is in three volumes. Volume I contains six plays, including the only complete one extant, Dyskolos (The Peevish Fellow), which won first prize in Athens in 317 BCE, and Dis Expaton (Twice a Swindler), the original of Plautus' Two Bacchises. Volume II contains the surviving portions of ten Menander plays. Among these are the recently published fragments of Misoumenos (The Man She Hated), which sympathetically presents the flawed relationship of a soldier and a captive girl; and the surviving half of Perikeiromene (The Girl with Her Hair Cut Short), a comedy of mistaken identity and lovers' quarrel. Volume III begins with Samia (The Woman from Samos), which has come down to us nearly complete. Here too are the very substantial extant portions of Sikyonioi (The Sicyonians) and Phasma (The Apparition) as well as Synaristosai (Women Lunching Together), on which Plautus's Cistellaria was based. Arnott's edition of the great Hellenistic playwright has been garnering wide praise for making these fragmentary texts more accesible, elucidating their dramatic movement.
This book undertakes a fundamental assessment of Menander of Laodicea ('Menander Rhetor'), and of the nature and functions of rhetoric in later antiquity (second to fifth centuries AD). It examines Menander's fragments, collected here for the first time, in detail, showing that he was primarily an expert on judicial and deliberative oratory; a source-critical analysis of the Demosthenes scholia shows that his influential commentary on Demosthenes can be partially reconstructed. It explores the educational practices of the rhetorical schools, and shows that the skills which they taught still had a direct application in the subsequent careers of the rhetoricians' pupils.
Painter and Poet in Ancient Greece by Eva C. Keuls Pdf
The volumes published in the series "Beiträge zur Altertumskunde" comprise monographs, collective volumes, editions, translations and commentaries on various topics from the fields of Greek and Latin Philology, Ancient History, Archeology, Ancient Philosophy as well as Classical Reception Studies. The series thus offers indispensable research tools for a wide range of disciplines related to Ancient Studies.