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Author : Benjamin R. Levy Publisher : Oxford University Press Page : 305 pages File Size : 49,7 Mb Release : 2017 Category : Music ISBN : 9780199381999
Metamorphosis in Music examines the evolution of compositional technique in Ligeti's works of the 1950s and 1960s. Through careful analysis of sketches, drafts, and finished scores, it reveals complex influences on the composer's creative process as he moved from the folk-inspired world of Bartók to the forefront of the avant-garde.
Author : Benjamin R. Levy Publisher : Oxford University Press Page : 272 pages File Size : 42,6 Mb Release : 2017-09-13 Category : Music ISBN : 9780199382002
From the mid-1950s through the 1960s, Hungarian composer György Ligeti went through a remarkable period of stylistic transition, from the emulation of his fellow countryman Béla Bartók to his own individual style at the forefront of the Western-European avant-garde. Through careful study of the sketches and drafts, as well as analysis of the finished scores, Metamorphosis in Music takes a detailed look at this compositional evolution. Author Benjamin R. Levy includes sketch studies created through transcriptions and reproductions of archival material-much of which has never before been published-providing new, detailed information about Ligeti's creative process and compositional methods. The book examines all of Ligeti's compositions from 1956 to 1970, analyzing little-known and unpublished works in addition to recognized masterpieces such as Atmosphères, Aventures, the Requieim, and the Chamber Concerto. Discoveries from Ligeti's sketches, prose, and finished scores lead to an enriched appreciation of these already multifaceted works. Throughout the book, Levy interweaves sketch study with comments from interviews, counterbalancing the composer's own carefully crafted public narrative about his work, and revealing lingering attachments to older forms and insights into the creative process. Metamorphosis in Music is an essential treatment of a central figure of the musical midcentury, who found his place in a generation straddling the divide between the modern and post-modern eras.
A Companion to Ancient Greek and Roman Music by Tosca A. C. Lynch,Eleonora Rocconi Pdf
A COMPANION TO ANCIENT GREEK AND ROMAN MUSIC A comprehensive guide to music in Classical Antiquity and beyond Drawing on the latest research on the topic, A Companion to Ancient Greek and Roman Music provides a detailed overview of the most important issues raised by the study of ancient Greek and Roman music. An international panel of contributors, including leading experts as well as emerging voices in the field, examine the ancient 'Art of the Muses' from a wide range of methodological, theoretical, and practical perspectives. Written in an engaging and accessible style, this book explores the pervasive presence of the performing arts in ancient Greek and Roman culture—ranging from musical mythology to music theory and education, as well as archaeology and the practicalities of performances in private and public contexts. But this Companion also explores the broader roles played by music in the Graeco-Roman world, examining philosophical, psychological, medical and political uses of music in antiquity, and aspects of its cultural heritage in Mediaeval and Modern times. This book debunks common myths about Greek and Roman music, casting light on yet unanswered questions thanks to newly discovered evidence. Each chapter includes a discussion of the tools or methodologies that are most appropriate to address different topics, as well as detailed case studies illustrating their effectiveness. This book Offers new research insights that will contribute to the future developments of the field, outlining new interdisciplinary approaches to investigate the importance of performing arts in the ancient world and its reception in modern culture Traces the history and development of ancient Greek and Roman music, including their Near Eastern roots, following a thematic approach Showcases contributions from a wide range of disciplines and international scholarly traditions Examines the political, social and cultural implications of music in antiquity, including ethnicity, regional identity, gender and ideology Presents original diagrams and transcriptions of ancient scales, rhythms, and extant scores that facilitate access to these vital aspects of ancient music for scholars as well as practicing musicians Written for a broad range of readers including classicists, musicologists, art historians, and philosophers, A Companion to Ancient Greek and Roman Music provides a rich, informative and thought-provoking picture of ancient music in Classical Antiquity and beyond.
The origins of selected instances of metamorphosis in Germanic literature are traced from their roots in Ovid's Metamorphoses, grouped roughly on an 'ascending evolutionary scale' (invertebrates, birds, animals, and mermaids). Whilst a broad range of mythological, legendary, fairytale and folktale traditions have played an appreciable part, Ovid's Metamorphoses is still an important comparative analysis and reference point for nineteenth- and twentieth-century German-language narratives of transformations. Metamorphosis is most often used as an index of crisis: an existential crisis of the subject or a crisis in a society's moral, social or cultural values. Specifically selected texts for analysis include Jeremias Gotthelf's Die schwarze Spinne (1842) with the terrifying metamorphoses of Christine into a black spider, the metamorphosis of Gregor Samsa in Kafka's Die Verwandlung (1915), ambiguous metamorphoses in E. T. A. Hoffmann's Der goldne Topf (1814), Hermann Hesse's Piktors Verwandlungen (1925), Der Steppenwolf (1927) and Christoph Ransmayr's Die letzte Welt (1988). Other mythical metamorphoses are examined in texts by Bachmann, Fouqué, Fontane, Goethe, Nietzsche, Nelly Sachs, Thomas Mann and Wagner, and these and many others confirm that metamorphosis is used historically, scientifically, for religious purposes; to highlight identity, sexuality, a dream state, or for metaphoric, metonymic or allegorical reasons.
Franz Kafka, the author has very nicely narrated the story of Gregou Samsa who wakes up one day to discover that he has metamorphosed into a bug. The book concerns itself with the themes of alienation and existentialism. The author has written many important stories, including The Judgement, and much of his novels Amerika, The Castle, The Hunger Artist. Many of his stories were published during his lifetime but many were not. Over the course of the 1920s and 30s Kafkas works were published and translated instantly becoming landmarks of twentieth-century literature. Ironically, the story ends on an optimistic note, as the family puts itself back together. The style of the book epitomizes Kafkas writing. Kafka very interestingly, used to present an impossible situation, such as a mans transformation into an insect, and develop the story from there with perfect realism and intense attention to detail. The Metamorphosis is an autobiographical piece of writing, and we find that parts of the story reflect Kafkas own life.
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Music, Metamorphosis and Capitalism by John Henry Wall Pdf
The essays in this volume look at various kinds of music from a number of perspectives, including the socio-political, the aesthetic and the psychological. The music under discussion here is diverse but fits loosely into the categories rock-pop, new music, rap, metal and music video, with the caveat that much of the music discussed here is historically layered and engages self-consciously in the deconstruction of music genres. If there is an interpretative theme that links these essays, it is that of the cultural embeddedness of music. At the same time, and this is perhaps the single most important challenge taken up in these essays, this variable cultural studies approach embraces fully the aesthetic dimension of music, construing it as that which resists and articulates the signifying function of symbolic systems of meaning. Music is seen here as the kind of social critique that traces out its own phenomenological and structural pathways in such a way that, in the end, it is critical hermeneutic theory itself that comes under scrutiny. By way of reference (and perhaps indebtedness), the non-signifying property of music discussed variably in this volume is the same as that which was brought into relief in the terminologically contradictory title of Theodor Adornoâ (TM)s masterwork, Aesthetic Theory.
"Metamorphosis" by Franz Kafka is a haunting and surreal exploration of existentialism and the human condition. This novella introduces readers to Gregor Samsa, a diligent traveling salesman who wakes up one morning to find himself transformed into a gigantic insect. Kafka's narrative delves into the isolation, alienation, and absurdity that Gregor experiences as he grapples with his new identity. The novella is a profound examination of the individual's struggle to maintain a sense of self and belonging in a world that often feels incomprehensible. Kafka's writing is characterized by its dreamlike quality and a sense of impending doom. As Gregor's physical and emotional transformation unfolds, readers are drawn into a nightmarish world that blurs the lines between reality and illusion. "Metamorphosis" is a timeless work that continues to captivate readers with its exploration of themes such as identity, family, and the dehumanizing effects of modern society. Kafka's unique style and ability to evoke a sense of existential unease make this novella a literary classic. Step into the surreal and unsettling world of "Metamorphosis" and embark on a journey of self-discovery and existential reflection. Kafka's masterpiece challenges readers to confront the complexities of the human psyche and the enigmatic nature of existence. ABOUT THE AUTHOR Franz Kafka (1883-1924) was a Czech-born German-speaking novelist and short story writer whose works have had a profound influence on modern literature. Born in Prague, which was then part of the Austro-Hungarian Empire, Kafka's writing is characterized by its exploration of existentialism, alienation, and the absurdity of human existence. Kafka's most famous works include "Metamorphosis," where the protagonist wakes up one morning transformed into a giant insect, and "The Trial," a nightmarish tale of a man arrested and tried by an inscrutable and oppressive bureaucracy. His writing often delves into the themes of isolation and the struggle to find meaning in an indifferent world. Despite his relatively small body of work, Kafka's impact on literature and philosophy has been immense. His writings have been interpreted in various ways, and the term "Kafkaesque" is often used to describe situations characterized by surreal complexity and absurdity. Kafka's legacy as a literary innovator and his exploration of the human psyche continue to captivate readers and scholars alike, making him a central figure in the world of modern literature.
"Metaphonics: The Complete Field Works Recordings is a sprawling anthology of site-responsive music, imagery, and original text, spanning 7 vinyl LPs and a hardbound book. Inspired by Stuart Hyatt’s audio field recordings, musicians from around the world have contributed complex sonic narratives under the Field Works banner. Each album begins with Hyatt’s samples and soundscapes from a particular time and location, weaving them into musical phrases and ultimately into song cycles intended to give the listener a heightened and more nuanced sense of place. The companion book, Metaphonics, offers the listener context through original essays on acoustic ecology, human noise, and the aesthetics of our soundscape."--Publisher's website.
This visually stunning publication celebrates a unique collaboration between two of the UKs leading cultural institutions, the National Gallery and The Royal Ballet. Together they commissioned three contemporary artists Chris Ofili, Conrad Shawcross and Mark Wallinger to work with international choreographers and composers to create three new ballets inspired by Titian's paintings Diana and Actaeon, 'The Death of Actaeon' and 'Diana and Callisto'. As well as designing all the sets and costumes, the artists also produced entirely new works in response to Titians masterpieces for a show at the National Gallery. The book tells the story of this extraordinary, complex project from conception to stage and gallery. The artists notebooks, sketches and other material from the studio are reproduced to show how they evolved their initial ideas into working designs. Exhibition: National Gallery, London, UK (11.7.-23.9.2012).