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"Michael Mann, four-time Oscar-nominated filmmaker and writer-director of Heat, Collateral, Thief, Manhunter, and Miami Vice, teams up with Edgar Award-winning author Meg Gardiner to deliver Mann's first crime novel - an explosive return to the world and characters of his classic film Heat - an all-new story that illuminates what happened before and after the iconic film"--
A riveting, magical escapade about finding friendship and the courage to set yourself free against all odds. Kidnapped and forced to shovel coal underground, in a half-bombed power station, 12-year-old Luke Smith-Sharma keeps his head down and hopes he can earn his freedom from the evil Tabitha Margate. Then one day he discovers he can see things that others can’t. Ghostly things. A ghostly girl named Alma, who can bend the shape of clouds to her will and rides them through the night sky. With Alma’s help, Luke discovers his own innate powers and uncovers the terrible truth of why Tabatha is kidnapping children and forcing them to shovel coal. Desperate to escape, Luke teams up with Alma, his best friend Ravi, and new girl Jess. Can Luke and his friends get away before they each become victims to a cruel and sinister scheme? Debut author Michael Mann delivers a wildly imaginative middle grade fantasy set in a smoke-stained world that’s sure to entertain readers who are eager for an adventure with paranormal superpowers. A Kirkus Reviews Best Book of the Year
Michael Mann first made his mark as a writer for such television programs as Starsky and Hutch, Police Story, and Vegas. In 1981 he made his feature film directing debut with the James Caan thriller Thief, and in the 1980s he served as a writer and executive producer for the groundbreaking programs Miami Vice and Crime Story. Though he has delved into other genres, Mann’s career as a writer, producer, and director has consistently focused on criminal activity, from small-time hoods and professional thieves to corporate manipulators and serial killers. In Michael Mann: Crime Auteur, Steven Rybin looks at the television programs and films that Mann has stamped with his personal signature. This book closely examines the themes and techniques used in films such as Manhunter, Heat, The Insider, and Collateral and connects these elements to his work on the non-genre films The Last of the Mohicans and Ali. A revised and significantly expanded edition of The Cinema of Michael Mann (2007), this book includes new chapters on Public Enemies and the big screen version of Miami Vice, as well as Mann’s work on the shows Crime Story and Luck. Covering Mann’s entire career, this book will be of interest to fans of the writer/director’s body of work as well as to scholars of both film and television.
One of The Observer’s ‘Thirty books to help us understand the world’ Shortlisted for the Financial Times and McKinsey Business Book of the Year Award Recycle. Fly less. Eat less meat. These are some of the ways that we’ve been told we can save the planet. But are individuals really to blame for the climate crisis? Seventy-one per cent of global emissions come from the same hundred companies, but fossil-fuel companies have taken no responsibility themselves. Instead, they have waged a thirty-year campaign to blame individuals for climate change. The result has been disastrous for our planet. In The New Climate War, renowned scientist Michael E. Mann argues that all is not lost. He draws the battle lines between the people and the polluters — fossil-fuel companies, right-wing plutocrats, and petro-states — and outlines a plan for forcing our governments and corporations to wake up and make real change.
Author : Michael E. Mann Publisher : Columbia University Press Page : 450 pages File Size : 49,9 Mb Release : 2012 Category : Political Science ISBN : 9780231152549
The Hockey Stick and the Climate Wars by Michael E. Mann Pdf
A member of the Inter-governmental Panel on Climate Change examines the fossil-fuel industry's public relations campaign to discredit the science of climate change and deny the reality of global warming.
Author : Steven M. Sanders,Aeon J. Skoble,R. Barton Palmer Publisher : University Press of Kentucky Page : 368 pages File Size : 50,8 Mb Release : 2014-04-17 Category : Performing Arts ISBN : 9780813144726
The Philosophy of Michael Mann by Steven M. Sanders,Aeon J. Skoble,R. Barton Palmer Pdf
A collection of essays exploring the philosophical themes and aesthetic vision behind blockbuster film including The Insider, Public Enemies,and more. Known for his finely crafted crime thrillers, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile, the cult favorite The Keep, the American epic The Last of the Mohicans, and the Academy Award-nominated The Insider, as well as more recent works such as Ali, Miami Vice, and Public Enemies. The Philosophy of Michael Mann provides a comprehensive account of the work of this highly accomplished filmmaker, exploring the director's recognizable visual style and the various on-screen and philosophical elements he has tested in his thirty-five-year career. The essays in this wide-ranging book will appeal to fans of the revolutionary filmmaker and to philosophical scholars interested in the themes and conflicts that drive his movies.
Michael Mann is one of the most important American filmmakers of the past forty years. His films exhibit the existential concerns of art cinema, articulated through a conspicuous and recognizable visual style and yet integrated within classical Hollywood narrative and genre frameworks. Since his beginnings as a screenwriter in the 1970s, Mann has become a key figure within contemporary American popular culture as writer, director, and producer for film and television. This volume offers a detailed study of Mann's feature films, from The Jericho Mile (1979) to Public Enemies (2009), with consideration also being given to parallels in the production, style, and characterization in his television work. It explores Mann's relationship with classical genres, his thematic concentration on issues of morality and masculinity, his film adaptations from literature, and the development and significance of his trademark visual style within modern American cinema.
Fascists presents a new theory of fascism based on intensive analysis of the men and women who became fascists. It covers the six European countries in which fascism became most dominant - Italy, Germany, Austria, Hungary, Romania and Spain. It is the most comprehensive analysis of who fascists actually were, what beliefs they held and what actions they committed. The book suggests that fascism was essentially a product of post World War I conditions in Europe and is unlikely to re-appear in its classic garb in the future. Nonetheless, elements of its ideology remain relevant to modern conditions and are now re-appearing, though mainly in different parts of the world.
Director and screenwriter Michael Mann is the creative force behind such movies as Last of the Mohicans and Ali. Markedly reticent, Mann prefers that his personal background remain an enigma, but his disparate films contain clear and consistent messages. One of Mann's focuses is on the Information Age. He addresses the nature of modern communication, its use to manipulate and coerce, and the resultant subjugation of truth. The perils inherent in modern technology and communication stand in stark contrast to the power of symbolic and oral exchange, the trusted medium of Mann's protagonists. This critical exploration of the films of Michael Mann examines his recurring focus on the nature of modern communication and information and their effect on the individual and society. Mann's films highlight the struggle to maintain a connection to reality in a world where information is a commodity manipulated and abused by forces that exert increasing control over its content and dissemination. Each chapter examines one of Mann's films--including Manhunter, The Keep, Last of the Mohicans, The Insider and Ali--in which the protagonist longs for a sense of human connection but is pitted against forces that devalue and destroy individuality. Photographs illustrate specific moments from the films. A bibliography and an index are included.
Author : Michael E. Mann,Tom Toles Publisher : Columbia University Press Page : 302 pages File Size : 42,5 Mb Release : 2016-09-27 Category : Science ISBN : 9780231541817
The Madhouse Effect by Michael E. Mann,Tom Toles Pdf
The award-winning climate scientist Michael E. Mann and the Pulitzer Prize–winning political cartoonist Tom Toles have been on the front lines of the fight against climate denialism for most of their careers. They have witnessed the manipulation of the media by business and political interests and the unconscionable play to partisanship on issues that affect the well-being of billions. The lessons they have learned have been invaluable, inspiring this brilliant, colorful escape hatch from the madhouse of the climate wars. The Madhouse Effect portrays the intellectual pretzels into which denialists must twist logic to explain away the clear evidence that human activity has changed Earth's climate. Toles's cartoons collapse counter-scientific strategies into their biased components, helping readers see how to best strike at these fallacies. Mann's expert skills at science communication aim to restore sanity to a debate that continues to rage against widely acknowledged scientific consensus. The synergy of these two climate science crusaders enlivens the gloom and doom of so many climate-themed books—and may even convert die-hard doubters to the side of sound science.
The Boat Rocker is a poetry of life that both presents a philosophy of life and describes an art of living that has been learned the hard way-by actually living a life; by having tasted all the joys life offers and having suffered many of the tragedies and pains life inevitably brings as well. While The Boat Rocker will not help a person to avoid all tragedy and pain-those are a part of every life-it will help everyone who takes it's message to heart to avoid some needless suffering and to get through whatever vale of tears is encountered through a simple act of faith, for fidelity is everything in life-fidelity to self, fidelity to our loved ones, fidelity to our purpose in life, and fidelity to God. These are essential for a well-lived, rewarding life. But love is the heart and soul of faith, and faith is but love made real.
In this book, noted sociologist Michael Mann argues that the "new American imperialism" is actually a new militarism. Dissecting the economic, political, military and ideological resources available to the US, Mann concludes that they are so uneven as to generate only an 'incoherent empire' and increasing world disorder. The US is a military giant, though it is better at devastating than pacifying countries. It is a political schizophrenic, its personality split between multilateralism, unilateralism and an actual inability to rule over foreign lands or to control its own supposed client states. It is only a backseat driver of the global economy. It cannot steer it, but it prods poorer countries toward an unproductive and unpopular neo-liberalism.
Michael Mann - Cinema and Television by Steven Sanders Pdf
This reader is the first to bring together a selection of Mann's own interviews where he reflects on his film and television productions. The sixteen interviews provide historical context, interpretation and evaluation of the auteur's work. They encompass his entire career as a feature filmmaker and television producer/director as he and others reflect on his themes, working methods, artistic development and career achievements. The book aims to open up Mann's body of work, making it available for comparison with the work of his contemporaries, and to provide fresh insights into his film and television work. A substantive introductory essay, chronology and filmography provide additional bases for understanding the interviews, essays and work of this major filmmaker.
With a foreword by four-time Oscar nominated filmmaker Michael Mann. The story of Paul LeRoux, the twisted-genius entrepreneur and cold-blooded killer who brought revolutionary innovation to international crime, and the exclusive inside story of how the DEA’s elite, secretive 960 Group brought him down. Paul LeRoux was born in Zimbabwe and raised in South Africa. After a first career as a pioneering cybersecurity entrepreneur, he plunged hellbent into the dark side, using his extraordinary talents to develop a disruptive new business model for transnational organized crime. Along the way he created a mercenary force of ex-U.S. and NATO sharpshooters to carry out contract murders for his own pleasure and profit. The criminal empire he built was Cartel 4.0, utilizing the gig economy and the tools of the Digital Age: encrypted mobile devices, cloud sharing and novel money-laundering techniques. LeRoux’s businesses, cyber-linked by his own dark worldwide web, stretched from Southeast Asia across the Middle East and Africa to Brazil; they generated hundreds of millions of dollars in sales of arms, drugs, chemicals, bombs, missile technology and murder. He dealt with rogue nations—Iran and North Korea—as well as the Chinese Triads, Somali pirates, Serb mafia, outlaw bikers, militants, corrupt African and Asian officials and coup-plotters. Initially, LeRoux appeared as a ghost image on law enforcement and intelligence radar, an inexplicable presence in the middle of a variety of criminal endeavors. He was Netflix to Blockbuster, Spotify to Tower Records. A bold disruptor, his methods brought international crime into the age of innovation, making his operations barely detectable and LeRoux nearly invisible. But he gained the attention of a small band of bold, unorthodox DEA agents, whose brief was tracking down drugs-and-arms trafficking kingpins who contributed to war and global instability. The 960 Group, an element of the DEA’s Special Operations Division, had launched some of the most complex, coordinated and dangerous operations in the agency’s history. They used unorthodox methods and undercover informants to penetrate LeRoux’s inner circle and bring him down. For five years Elaine Shannon immersed herself in LeRoux’s shadowy world. She gained exclusive access to the agents and players, including undercover operatives who looked LeRoux in the eye on a daily basis. Shannon takes us on a shocking tour of this dark frontier, going deep into the operations and the mind of a singularly visionary and frightening figure—Escobar and Victor Bout along with the innovative vision of Steve Jobs rolled into one. She puts you in the room with these people and their moment-to-moment encounters, jeopardy, frustration, anger and small victories, creating a narrative with a breath-taking edge, immediacy and a stranger-than-fiction reality. Remarkable, disturbing, and utterly engrossing, Hunting LeRouxintroduces a new breed of criminal spawned by the savage, greed-exalting underside of the Age of Innovation—and a new kind of true crime story. It is a look into the future—a future that is dark.
Few other contemporary Hollywood filmmakers fit the category of 'genre stylist' as well as Michael Mann, the director of such films as Heat, The Insider, Ali, Collateral, Manhunter, Thief, and Miami Vice. Mann's film style marks him as a director who chooses the iconographic backdrop of a genre as a canvas upon which he and his collaborators can craft a unique cinematic vision. The Cinema of Michael Mann traces the innovative and under-explored stylistic contours of Mann's work, the director's inflection upon and innovation within preexisting genre frameworks, and the relationship of both style and genre to issues of authorship and film criticism. Steven Rybin's critical study of Mann's cinema, and the importance of the filmmaker's themes to our contemporary world, is valuable for both film scholars and cinephiles alike.