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Milwaukee Rock and Roll, 1950-2000 by Bruce Cole,David Luhrssen,Phillip Chiviges Naylor Pdf
Surveys and celebrates a rich musical heritage. This book is an anthology of written, vocal, and visual reflections, which will inform readers and evoke memories for those who experienced this music and era.
A never-before-seen collection of photos and stories about Bob Barry, the iconic celebrity DJ of Milwaukee. Bob Barry ruled Milwaukee's airwaves in the '60s and '70s. The only time the Beatles performed here, Barry introduced them to the audience, and he was the only local personality who spent time in private with the Fab Four. If a band or musician came to town, he met them with a microphone. Chuck Berry, the Animals, Wings, the Rolling Stones--the list goes on. His popular "Bob Barry Calls the World" segment entertained thousands with cold calls to famous personalities, including Bob Hope, Sophia Loren, Elton John and Cher. Through it all, Barry maintained a calm and fun-loving demeanor, even when mocked by the WOKY Chicken or nearly eaten by wolves on the air. Packed with never-before-seen photos, this revealing memoir recalls the iconic DJ's many celebrity encounters, his career highlights and setbacks and the hijinks that made Milwaukee radio rock.
The history of rock music in Milwaukee began at an age when some musicians played in a segregated part of the city. At the same time, a young singer named Buddy Holly kicked off a tour that ended with a plane crash in Iowa 11 days later. The following years brought the Beatles, Rolling Stones, and the rest of the British Invasion. In the late 1960s came acid rock, civil unrest, and Summerfest, a music festival that continues to this day. Milwaukee has had its moments in the spotlight: Bob Dylan left the stage after two songs in 1964, Bruce Springsteen's 1975 concert was delayed for hours while police searched for a bomb in the theater, hundreds of Black Sabbath fans rioted after a 1980 show, and the Plasmatics' Wendy O. Williams was beaten by police in 1981. And then there was the helicopter crash in which blues guitarist Stevie Ray Vaughn perished.
Milwaukee hasn't earned a reputation as a launching pad for hopeful rock stars, but for generations it has had the perfect acoustics for the garage band rock scene. Of course, the whole point of garage rock is that every place has the perfect acoustics, but just try telling that to the folks who heard Blitzkrieg Over Kenosha" for the first time. With dual citizenship in the research library and the basement show, Peter Roller follows Milwaukee's garage rockers everywhere they haul their amps, observing bands like the Stilettos, the Angry Daisies, the Palmettos, the Chevelles and the Violent Femmes in their natural habitat."
Milwaukee hasn't earned a reputation as a launching pad for hopeful rock stars, but for generations it has had the perfect acoustics for the garage band rock scene. Of course, the whole point of garage rock is that every place has the perfect acoustics, but just try telling that to the folks who heard "Blitzkrieg Over Kenosha" for the first time. With dual citizenship in the research library and the basement show, Peter Roller follows Milwaukee's garage rockers everywhere they haul their amps, observing bands like the Stilettos, the Angry Daisies, the Palmettos, the Chevelles and the Violent Femmes in their natural habitat.
Encyclopedia of Classic Rock by David Luhrssen,Michael Larson Pdf
Examining one of the most popular and enduring genres of American music, this encyclopedia of classic rock from 1965 to 1975 provides an indispensable resource for cultural historians and music fans. More than movies, literature, television, or theater, rock music set the stage for the cultural shifts that occurred from 1965 to 1975. Led by The Beatles and Bob Dylan, rock became a self-conscious art form during these years, daring to go places unimaginable to earlier rock and roll musicians. The music and outspokenness of classic rock artists inspired and moved the era's social, cultural, and political developments with a power once possessed by authors and playwrights-and influenced many artists in younger generations of rock musicians. This single-volume work tracks the careers of well-known as well as many lesser-known but influential rock artists from the period, providing readers with a handy reference to the music from a critical, groundbreaking period in popular culture and its enduring importance. The book covers rock artists who emerged or came to prominence in the period ranging 1965–1975 and follows their careers through the present. It also specifically defines the term "classic rock" and identifies the criteria that a song must meet in order to be considered as within the genre. While the coverage naturally includes the cultural importance and legacy of most well-known American and British bands of the era, it also addresses the influence of artists from Western and Eastern Europe, Africa, Asia, and Latin America. Readers will grasp how the music of the classic rock era was notably more sophisticated than what preceded it-an artistic peak from which most of contemporary rock has descended.
The History of Rock & Roll, Volume 1 by Ed Ward Pdf
Ed Ward covers the first half of the history of rock & roll in this sweeping and definitive narrative—from the 1920s, when the music of rambling medicine shows mingled with the songs of vaudeville and minstrel acts to create the very early sounds of country and rhythm and blues, to the rise of the first independent record labels post-World War II, and concluding in December 1963, just as an immense change in the airwaves took hold and the Beatles prepared for their first American tour. The History of Rock & Roll, Volume 1 shines a light on the far corners of the genre to reveal the stories behind the hugely influential artists who changed the musical landscape forever. In this first volume of a two-part series, Ward shares his endless depth of knowledge and through engrossing storytelling hops seamlessly from Memphis to Chicago, Detroit, England, New York, and everywhere in between. He covers the trajectories of the big name acts like Elvis Presley, Buddy Holly, Chuck Berry, and Ray Charles, while also filling in gaps of knowledge and celebrating forgotten heroes such as the Burnette brothers, the “5” Royales, and Marion Keisker, Sam Phillips’s assistant, who played an integral part in launching Elvis’s career. For all music lovers and rock & roll fans, Ward spins story after story of some of the most unforgettable and groundbreaking moments in rock history, introducing us along the way to the musicians, DJs, record executives, and producers who were at the forefront of the genre and had a hand in creating the music we all know and love today.
The Legendary Velvet Whip by Henry Steinfort,Dan Ball Pdf
The Velvet Whip was the Midwest's unique late 1960s answer to west coast psychedelic and experimental rock. The iconoclastic group, proud of its Milwaukee roots, eschewed national tours and albums, mesmerizing its loyal regional audience till its explosive energy inevitably fizzled and the group disbanded. The Legendary Velvet Whip is told best, and entertainingly, by the band's co-founder Dan Ball, with fellow Whipster Henry Steinfort. Included are chapters and memorable recollections from Wisconsin underground cartoonist Denis Kitchen, bass guitarist Tom Ruppenthal, lead guitarist Ken Blochowiak, drummer Chas "Chuck" Reitzner, Whipster The Richard aka Richard Bussian and Richard Ramsay and Discovery World CEO Paul Krajniak. Profusely illustrated with period b&w photos, cartoons, and distinctive Velvet Whip memorabilia. As primary author Ball summarizes, "The Velvet Whip grew out of a desire to fuse classical music instrumentation and contemporary music. It quickly became one of the hottest acts on the counterculture scene, playing at the Avant Garde Coffee House and other sixties sub-culture venues throughout the Midwest in the second half of the 1960s. Henry and I initially had the bright idea to start a rock band. I played violin, so I could obviously play guitar, and Henry could transfer from a cello to electric bass. Little did we know how inadequate those ideas were. We were clueless about the rock band scene and without experience, but driven by burning desire. It seemed like fun and a great way to meet girls. Having no connection to regional rock musicians, we looked for other long haired guys in town to join us. Long hair was a real novelty in Milwaukee in the mid-60s, so there were all of three candidates. Two could play guitar and the other (Richard Bussian aka The Richard) was an experience unto himself. This unlikely band-building strategy proved miraculous: an amazing, hilarious and totally original adventure into rock and roll ensued. Despite the forces that tried to stop us, we left an unmistakable mark, one that seems even more unlikely and miraculous in hindsight. "
Out of Our Heads is the Rare Book That is Unafraid to celebrate rock'n' roll's druggy good times-before the uptight killjoys and self-righteous reformists came along and spoiled the party.
The Legend of Rock Paper Scissors by Drew Daywalt Pdf
New York Times Bestseller! 5 Starred Reviews! "Will have listeners in stitches." —Kirkus Reviews (starred review) "Purely absurd, sidesplitting humor." —Booklist (starred review) "Demands bombastic, full-volume performances." —Publishers Weekly (starred review) "Perfect for a guffawing share with younger sibs or buddy read." —BCCB (starred review) "The sort of story that makes children love to read." —School Library Journal (starred review) From acclaimed, bestselling creators Drew Daywalt, author of The Day the Crayons Quit and The Day the Crayons Came Home, and Adam Rex, author-illustrator of Frankenstein Makes a Sandwich, comes a laugh-out-loud hilarious picture book about the epic tale of the classic game Rock, Paper, Scissors. "I couldn’t stop laughing while reading this aloud to a group of kids," commented the founder of Bookopolis.com, Kari Ness Riedel.
Rock 'n' Roll Myths by Gary Graff,Daniel Durchholz Pdf
It's perhaps the relative modernity of rock 'n' roll that makes the genre a minefield of myths and legends accepted as truth. History hasn't had time to dissect the bunk. Until now. Discover the real stories behind rock's biggest crocks, how they came to be but why they have persisted. Did Cass Elliott really asphyxiate herself with a ham sandwich? Did the Beatles spark a spliff in Buckingham? Did Willie Nelson do the same in the White House? Did Keith Richards get a complete "oil change" at a Swiss clinic in 1973 to pass a drug test necessary to embark on an American tour with the Stones? Then there's the freaky (did Michael Jackson own the remains of the Elephant Man?), the quasi-medical (Rod Stewart and that stomach pump?), the culinary (did Alice Cooper and Ozzy Osbourne really do all those things to bats, chickens, etc. onstage?), and the apocryphal (did Robert Johnson sell his soul to the Prince of Darkness in exchange for mastery of the blues?). In all, more than 50 enduring lies are examined, explained, and debunked.
History of Rock 'n' Roll in Ten Songs by Greil Marcus Pdf
The legendary critic and author of Mystery Train “ingeniously retells the tale of rock and roll” (Publishers Weekly, starred review). Unlike previous versions of rock ’n’ roll history, this book omits almost every iconic performer and ignores the storied events and turning points everyone knows. Instead, in a daring stroke, Greil Marcus selects ten songs and dramatizes how each embodies rock ’n’ roll as a thing in itself, in the story it tells, inhabits, and acts out—a new language, something new under the sun. “Transmission” by Joy Division. “All I Could Do Was Cry” by Etta James and then Beyoncé. “To Know Him Is to Love Him,” first by the Teddy Bears and almost half a century later by Amy Winehouse. In Marcus’s hands these and other songs tell the story of the music, which is, at bottom, the story of the desire for freedom in all its unruly and liberating glory. Slipping the constraints of chronology, Marcus braids together past and present, holding up to the light the ways that these striking songs fall through time and circumstance, gaining momentum and meaning, astonishing us by upending our presumptions and prejudices. This book, by a founder of contemporary rock criticism—and its most gifted and incisive practitioner—is destined to become an enduring classic. “One of the epic figures in rock writing.”—The New York Times Book Review “Marcus is our greatest cultural critic, not only because of what he says but also, as with rock-and-roll itself, how he says it.”—The Washington Post Winner of the Deems Taylor Virgil Thomson Award in Music Criticism, given by the American Society of Composers, Authors & Publishers
Rock ‘n’ Roll Radio Milwaukee: Stories from the Fifth Beatle by Bob Barry Pdf
A never-before-seen collection of photos and stories about Bob Barry, the iconic celebrity DJ of Milwaukee. Bob Barry ruled Milwaukee's airwaves in the '60s and '70s. The only time the Beatles performed here, Barry introduced them to the audience, and he was the only local personality who spent time in private with the Fab Four. If a band or musician came to town, he met them with a microphone. Chuck Berry, the Animals, Wings, the Rolling Stones--the list goes on. His popular "Bob Barry Calls the World" segment entertained thousands with cold calls to famous personalities, including Bob Hope, Sophia Loren, Elton John and Cher. Through it all, Barry maintained a calm and fun-loving demeanor, even when mocked by the WOKY Chicken or nearly eaten by wolves on the air. Packed with never-before-seen photos, this revealing memoir recalls the iconic DJ's many celebrity encounters, his career highlights and setbacks and the hijinks that made Milwaukee radio rock.
Author : Joseph Church Publisher : Oxford University Press, USA Page : 217 pages File Size : 44,6 Mb Release : 2019 Category : Music ISBN : 9780190943462
Today's musical theatre world rocks. Now that rock 'n' roll music and its offshoots, including pop, hard rock, rap, r&b, funk, folk, and world-pop music, are the standard language of musical theatre, theatre singers need a source of information on these styles, their origins, and their performance practices. Rock in the Musical Theatre: A Guide for Singers fills this need. Today's musical theatre training programs are now including rock music in their coursework and rock songs and musicals in their repertoires. This is a text for those trainees, courses, and productions. It will also be of great value to working professionals, teachers, music directors, and coaches less familiar with rock styles, or who want to improve their rock-related skills. The author, an experienced music director, vocal coach, and university professor, and an acknowledged expert on rock music in the theatre, examines the many aspects of performing rock music in the theatre and offers practical advice through a combination of aesthetic and theoretical study, extensive discussions of musical, vocal, and acting techniques, and chronicles of coaching sessions. The book also includes advice from working actors, casting directors, and music directors who specialize in rock music for the stage.
A “fascinating, intimate” oral history of the golden age of the rock concert based on nearly 100 interviews with musicians, fans, and others (Publishers Weekly). Decades after the rise of rock music in the 1950s, the rock concert retains its power as a unifying experience—and as a multi-billion-dollar industry. In Rock Concert, acclaimed music writer Marc Myers delves into the history of this cultural phenomenon, weaving together ground-breaking accounts from the people who were there. Myers combines the tales of icons like Joan Baez, Ian Anderson, Alice Cooper, Steve Miller, Roger Waters, and Angus Young with the disc jockeys, audio engineers, and music journalists, and promoters who organized it all, like Michael Lang, co-founder of Woodstock, to create a rounded and vivid account of live rock’s stratospheric rise. Rock Concert offers a backstage view of rock ‘n’ roll as it evolved through live performance—from the rise of R&B in the 1950s, to the hippie gatherings of the ‘60s, and the growing arena tours of the ‘70s and ‘80s. Elvis Presley’s gyrating hips, the “British Invasion” of the Beatles, the Grateful Dead’s free flowing jams, and Pink Floyd’s The Wall are just a few of the defining musical acts that drive this rich narrative.
