Miss Delay Portrait Of Beloved Violin Teacher Dorothy Delay
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Miss DeLay: portrait of beloved violin teacher Dorothy DeLay by Helen Epstein Pdf
Dorothy DeLay (1917-2002) was the first woman to become an internationally-acclaimed master teacher of the violin. Her thousands of students (at the Juilliard School in New York, the Aspen Music Festival, the University of Cincinnati, the Philadelphia College of Performing Arts, the New England Conservatory in Boston and the Royal College of Music in London) included Itzhak Perlman, Cho-Liang Lin, Midori, Nadja Salerno-Sonnenberg (who appear in this profile), Shlomo Mintz, Nigel Kennedy, and Sarah Chang. Many of her students now teach at major conservatories around the world. Author Helen Epstein first met Miss DeLay as a journalist visiting Aspen in 1974 and spent many happy hours in her studio at Juilliard and at the home she shared with her husband, author Edwin Newhouse. Miss DeLay is one of thirteen chapters in Music Talks: the lives of classical musicians, which the New York Times Sunday Book Review called "an illuminating introduction to the trials and triumphs of the classical musician."
Sergei Prokofiev: A Biography by Harlow Robinson Pdf
Sergei Prokofiev: A Biography traces the career of one of the most significant — and most popular — composers of the twentieth century. Using materials from previously closed archives in the USSR, from archives in Paris and London, and interviews with family members and musicians who knew and worked with Prokofiev, the biography illuminates the life and music of the prolific creator of such classics as Peter and the Wolf, Romeo and Juliet, Cinderella, the “Classical” Symphony, the Alexander NevskyCantata, and the Lieutenant Kizhe Suite. Prokofiev (1891-1953) lived a life complicated and enriched by the momentous political and social transformation of his homeland in the aftermath of the 1917 Bolshevik Revolution. Born to a middle-class family in rural Ukraine, he demonstrated amazing music talent at a very early age. In 1904, he began serious musical study at St. Petersburg Conservatory. For graduation, he composed (and performed) his audacious Piano Concerto No.1, which helped to make his name as the “Bad Boy of Russian Music.” As one of the most accomplished pianists of his time, Prokofiev composed many works for the instrument which remain today an important fixture of the concert repertory. Prokofiev fled the chaos following the 1917 Bolshevik Revolution for the United States, where he lived and worked for several years, producing his comic opera The Love for Three Oranges and his very popular Third Piano Concerto. But he found American taste too underdeveloped, and moved to Paris in 1923 where he collaborated on ballets with Sergei Diaghilev’s Ballets Russes (including Prodigal Son) and wrote several more operas (The Gambler, The Fiery Angel). Prokofiev also toured widely as a concert pianist, reaching nearly all major European capitals and returning several times to the United States, where his music was promoted by Serge Koussevitsky, conductor of the Boston Symphony Orchestra. During his Paris years, he began returning regularly on tours to the USSR, greeted with ecstatic enthusiasm. Dissatisfied with his music’s reception in Paris, and homesick for Russia, Prokofiev in 1936 made the controversial decision to move with his wife and two sons to Moscow, just as Josef Stalin’s purges were intensifying. Until 1938 he continued to tour abroad. In Moscow and Leningrad, Prokofiev worked with brilliant artists, including film director Sergei Eisenstein (for whom he wrote the scores toAlexander Nevsky and Ivan the Terrible), pianist Sviatoslav Richter, cellist Mstislav Rostropovich and ballerina Galina Ulanova (who danced the role of Juliet in Romeo and Juliet). But life was difficult: during World War II, Prokofiev and his second wife were evacuated to Central Asia. Even so, he managed to compose his gigantic opera War and Peace, his epic Fifth Symphony and many other seminal works of Soviet and world music. After suffering a stroke in 1945, Prokofiev’s health worsened. At the same time, his music was attacked as “formalist” by Stalin’s cultural officials in 1948, when his first wife was arrested and sent to a labor camp. Ironically, Prokofiev died on the very same day as Stalin, March 5, 1953. “One is grateful for Harlow Robinson’s Sergei Prokofiev: A Biography... which is about as good as a musical biography gets: Robinson illuminates the artist’s character, penetrates the human significance of the music, demonstrates an easy command of Russian political and cultural history, and writes with clarity and vigor. Anyone thinking about Prokofiev is deeply in his debt.” — Algis Valiunas, The Weekly Standard “Harlow Robinson’s biography of the composer is the fullest account to date, a thoughtful study of a puzzling personality in and out of music and a comprehensive history of the East-West cultural curtain as it constrained the life and work of the one major artist who had been active on both of its sides... The biographer is fair-minded, generous to Prokofiev but by no means an apologist... the best-written biography of a modern composer.” — Robert Craft, The Washington Post “An indefatigably productive composer who achieved considerable success during his lifetime, Prokofiev seldom seemed satisfied, as he restlessly sought ever-greater recognition. Mr. Robinson explores the darkest corners of this labyrinthine life and brings clarity to some of its more puzzling twists and turns... [he] skillfully relates Prokofiev’s life to greater political and cultural currents.” — Carol J. Oja, The New York Times “[Robinson] tells us more than anyone hitherto about the composer’s life as well as much about the origins and qualities of the music... The first full biography published in English to avoid the pitfalls of cold-war politics... [A] book of many virtues. [Robinson] gives us more facts about Prokofiev’s life than any previous biographer, and he weaves them into a story of politics, art, and romance that marvelously gathers momentum... Robinson writes with the skill of a novelist; but the story, in this instance, is true.” — George Martin, The Opera Quarterly “A splendid life, by a Slavic-studies specialist who is also a musician, of one of our century’s most popular composers... Mr. Robinson’s account of the musical development of his monomaniacal hero is first-rate.” — The New Yorker “[A] well-written, scholarly, and very detailed book...” — April FitzLyon, The Times Literary Supplement “Certainly, there is nothing in English to rival Robinson’s book in scope and detail...” — Richard Dyer, The Boston Globe “[Prokofiev] has long been in need of the full, impressively researched, congenially written study that Robinson gives us.” — Gary Schmidgall, Opera News “[A] fluent, readable and detailed biography of Prokofiev from the perspective of a musically informed cultural historian... Robinson has made a complicated and contradictory life accessible to the western reader... Robinson has performed the important first step of chronicling for the general reader one of the twentieth century’s major musical personalities – and his biography will stitch music into the Russian cultural scene for many professional Slavists as well.” — Caryl Emerson, The Russian Review “The manner in which [Stravinsky and Prokofiev] pursued their careers in tandem for a while is one of the subjects generously described by Harlow Robinson with his flair for interesting and relevant information in his absorbing new biography of Prokofiev.” — Arthur Berger, The New York Review of Books “More detailed and comprehensive, and less politically partisan, than previous biographies, this readable account... deals objectively but compassionately with the life and work of a major Russian composer.” — Publishers Weekly “This is the best biography in English to date on Prokofiev... Robinson candidly exposes Prokofiev’s flaws, from his musical capriciousness and opportunism to his unpardonable social tactlessness... Throughout, the writing is intended for the lay reader — crisp, fast-paced, and unencumbered by technical jargon. Highly recommended.” — Library Journal
The first complete biography in English of the painter Henri de Toulouse-Lautrec (1864-1901), whose short but intensely active life is portrayed against a colorful “gay nineties” background of dance-halls, brothels, cafés-concerts, theaters, circuses, and racecourses. A descendant of one of the noblest families in France, grotesquely deformed, hideously ugly, Lautrec voluntarily renounced the life of a country gentleman for the tawdry environment of Montmartre, where dissipation wrecked his health and brought about his premature death at the age of thirty-seven. Strangely enough, drink and debauchery had little apparent effect on his work; he remained to the end a great artist: a sensitive painter, a superb draughtsman and lithographer, and an unrivaled designer of pictorial posters. “Gerstle Mack’s book, so complete, so searching, so just, adds to his already high prestige as a biographer and, once more (as with respect to the previous book on Cézanne) puts the art world in his debt. The Toulouse-Lautrec biography is informed throughout, with a spirit of warm human understanding and of fine critical integrity.” — Edward Alden Jewell, The New York Times (November 6, 1938) “[A] distinguished and authoritative biography... a definitive work..." — Charles Poore,The New York Times (October 15, 1938) “First-rate biography of the dwarf genius who was one of the best draftsmen of his or any age. Lautrec’s circus-and-brothel background is neatly worked in and the book is full of understanding and sympathy.” — The New Yorker “A distinguished book” — The Atlantic “Mr. Mack’s biography [is] complete, unmitigated, authoritative... a thorough documentation not only of the works but of the milieu of Toulouse-Lautrec.” — The Nation “This is a thoroughly sound and entertaining piece of work.” — Saturday Review “Various biographers have chronicled the brief and meteoric career of Lautrec but none has done it with the thoroughness and dispassionate scholarship, the sensitivity and sympathy, as has Gerstle Mack. The personality of the man rather than his analysis as an artist is Mack’s motivating purpose and he has patiently tracked Lautrec through all the haunts he loved and introduced all of the period’s personalities who were habitués of Lautrec’s world. Mr. Mack has also demolished the popular theory that Lautrec loathed his models and really was a-crusader against the vice he portrayed. Lautrec was a powerful critic of the time and place but always presented the scene with a sympathetic, if trenchant, wit. He provided a profound insight into the times. He displayed the tawdriness disguised as glamour and the boredom disguised as excitement. He created a wonderful and powerful style that has influenced generations of artists, particularly in the graphic arts.” — Irvin Haas, Book Find News “Gerstle Mack has written a book of remarkable interest not only from the point of view of the artist but from the point of view of the variety of human personality. This desperate and talented man shoved his way into the late nineteenth century life of Paris. This book will shove its way into the midtwentieth century life of that western world which is still free to contemplate the essential violence and harmony of art.” — Paul Engle, Chicago Tribune “This first complete English biography is an admirable portrait of Lautrec and his times. Based upon thorough research and first-hand interviews, it makes absorbing reading... We are not told specifically how the simple, eager boy became the strange and contradictory man. Nevertheless, in these days of biographies filled with the speculations of amateur psychiatrists, it is both refreshing and good to re-encounter this sound and unpretentious study.” — Art Digest “An artist’s biography, good reading, with a well-filled background of Montmartre cafés and their owners and entertainers, the theatre, the circus, whorehouses and so on. The man himself is interesting. The sources of his artistic material equally so. He loved sports and his eccentric father wanted him to attain physical perfection, but he was handicapped in his teens by having his legs badly broken. So he turned to art, studying, worshipping Degas and Japanese prints, seeking Paris night life for his subjects, and producing illustrations and poster designs that equalled the fame of his lithographs. An art book as well as excellent biography.” — Kirkus Reviews
Villard: The Life and Times of an American Titan by Alexandra Villard de Borchgrave,John Cullen Pdf
Born Heinrich Hilgard in Bavaria, Henry Villard (1835-1900) emigrated to the United States at age 18 after a disagreement with his father, penniless, not speaking a word of English and without his parents’ knowledge. Within five years, he had mastered the English language and was covering the events of the day for the nation’s top newspapers. Villard reported firsthand on the Lincoln-Douglas debates and from the front lines of the Civil War, filed graphic, hard-hitting reports that earned him the admiration of the newspaper community. His circle of acquaintances included President Lincoln, General Grant, and the famed abolitionist William Lloyd Garrison, whose daughter Villard married. When the Civil War ended, Villard’s penchant for risk-taking and adventure and his uncanny business acumen led him to become a restless innovator, breaking new ground in many areas. In journalism, he launched the first news syndicate in the United States; in the world of finance, he was a pioneer of venture capitalism and one of the first to employ the leveraged buyout. He catapulted himself into the presidency of the Northern Pacific Railroad and shared with Thomas Edison the vision of an electrified nation. His investment in Edison’s electrical enterprises paved the way for Villard to mastermind the consolidation of what is now known as the General Electric Company. In 1883, triumphantly driving the last spike himself, he completed the nation’s second transcontinental railroad. Later that year a financial panic nearly ruined him, but within a few years he made a phenomenal comeback based on his faith in Edison and the future of electricity. Drawing on unpublished letters, Henry Villard’s German and English memoirs, and other sources, this biography vividly recreates Villard’s times and tells the rags-to-riches story of a German immigrant who made major contributions to his adopted homeland. “[Villard’s] story is worth telling and in this biography it is told well.” — The Economist “The account here of young Henry’s ghastly first year as an immigrant is terrific, as good a piece of American biography as I’ve read. In general, you come away from the book with a much clearer idea of the Civil War as opportunity, not merely disaster, and as the watershed in U.S. history... Villard was an attractive character: optimistic, generous, affectionate. His attitudes toward slavery and female emancipation need cause his great-granddaughter no blush... [B]ecause we have so much information about Henry Villard [...] he comes alive for us as no other businessman of his age.” — James Buchan, The Observer “In their well-crafted biography, Alexandra Villard de Borchgrave and John Cullen lovingly recount the meteoritic rise of one of the nineteenth century’s most unsung business ‘titans,’ Henry Villard.” — Ryan J. Carey, Harvard Business School’s Business History Review “An insightful, lively and much-needed biography...” — John M. Lindley, Ramsey County History “Henry Villard is a name not widely known today, but a century ago this would not have been the case. Alexandra de Borchgrave’s and John Cullen’s biography of her greatgrandfather’s rise from penniless and prospectless young German immigrant to prominence and wealth has the fast pace and rich detail of a good novel and the meticulous research of a good history.” — Dr. Henry A. Kissinger “Henry Villard’s great-granddaughter Alexandra de Borchgrave and John Cullen have brought us a fascinating, brisk, and judicious life of one of the most intriguing figures in American history. Villard is the story not only of one man’s heroic enterprise, but also of Abraham Lincoln, William Lloyd Garrison, and the Civil War, the rise of railroads, the contradictions of the Gilded Age, and New York’s arrival as a world-class city.” — Michael Beschloss, historian “A spruce, engaging account of the life and services of one of the great public and private figures of our time. Anyone engaged with New York and American values in the past century should certainly read it. It will be time admirably spent.” — John Kenneth Galbraith, professor of economics, Harvard University “A remarkable, illuminating portrait of one of the great figures of New York history. Superbly told. An important adjunct to the library of anyone who is interested in the history of New York City.” — George Plimpton, author; editor of The Paris Review “The stirring saga of a truly remarkable man who enthusiastically embraced the challenges of his turbulent century. Immigrant, journalist, explorer, war correspondent, entrepreneur, tycoon, and visionary — Villard’s boundless energy, adventurous spirit, and courage in the face of adversity are an inspiration.” — Brian C. Pohanka, Civil War author and consultant to Time-Life Books’ The Civil War “Alexandra de Borchgrave and John Cullen at last do justice to a forgotten giant of American journalism and finance. A Civil War correspondent who invented the news syndicate and knew and was admired by President Lincoln, he then entered the world of finance to tussle with the likes of J. P. Morgan in the building of American railroads, and the founding of what became General Electric. Almost ruined in the panic of 1883, he returned to rebuild his empire and regain his place both in business and society. It’s a great addition to the story of America.” — Walter B. Wriston, former chairman, Citicorp
Paul Cézanne (1839-1906), whose work profoundly influenced modern art, is revealed here in all his sensitivity and complexity. With over one hundred letters to Zola and others, poems and photographs. “In this biography, admirable from beginning to end, Paul Cézanne is at last brought convincingly to life... Gerstle Mack has produced a full-length portrait [...] likely to prove, all in all, the most sympathetic, unbiased and complete picture of the extraordinary ‘hermit of Aix’ that we shall ever have... to read Mr. Mack’s beautifully coordinated narrative is sheer pleasure... With what amounts virtually to a novelist’s grasp of the whole situation, Mr. Mack causes Cézanne’s friends — those who played in any measure a significant part in his life — to come alive along with him... Gerstle Mack, in preparing this exceptionally fine biography of Cézanne, has assembled the existing material, weighed it with discriminating judgment, and woven the strands together to form a portrait that seems irradiated with truth...the life of Paul Cézanne as reconstructed by Mr. Mack is extraordinarily full and satisfying. It is a deft, engrossing, revelatory piece of work.” — Edward Arden Jewell, The New York Times(October 13, 1935) “The best biography [of Paul Cézanne] in English.” — John Rewald, The History of Impressionism “A thorough, dependable biography... It will remain the one indispensable source for those who undertake to interpret the modern master.” — The Nation “[Gerstle Mack] gives an excellent account of the impressionist movement... while his discussion of Cézanne’s painting is always lucid.” — London Times Literary Supplement “Mr. Mack’s chief reward is likely to come in finding that his work has set a date in our understanding of Cézanne’s real part in the history of modern painting.” — The New Republic “Definitive life of the painter who probably influenced modern art more than any man of his time... An important book for anyone interested in the history of art.” — Kirkus Reviews
Abraham Lincoln and the Union by Oscar Handlin,Lilian Handlin Pdf
Abraham Lincoln and the Union is a compassionate character study of Lincoln’s fascinating persona — the counterpoise of “strength and frailty, faith and skepticism, rationality and emotion” — comprising qualities so seldom found singly but that in Lincoln were found combined, and which continue to have significance for us to this day: his capacity for continual growth, for the wise use of power, for humane feeling, and most of all, for his sincere expression of the thoughts and feelings of common people. “[A] good — and readable — short biography.” — Kirkus “Oscar and Lilian Handlin have produced a very readable life, which introduces the reader to the main events and issues of Lincoln’s remarkable career.” — Michael Perman, Civil War History “This modest, well-done volume gives us Lincoln in brief.” — David Lindsey, The American Historical Review
“Mahler’s great orchestral works have been gathering a massive audience. Perhaps his strongest following is among the young... As a logical corollary of the burgeoning interest in the music has come a new interest in the man. What kind of mind shaped the music, what social experience shaped the mind? [Blaukopf’s] portrait of Mahler [1860-1911] as a developing individual is securely drawn, despite the complexities of the subject.” — Carl Schorske, New York Times Book Review “The study makes fascinating reading... Mostly an account of [his] life and career, the book clears up a number of questions regarding the composer’s life and sheds new light on various aspects of his personality... the final chapter, a review of the Mahler literature and a discussion of the changing opinions about Mahler, is especially valuable.” — Library Journal “Goodwin’s excellent translation makes Blaukopf’s work readily available to English readers, and the book is filled with important insights [into] Mahler and his contemporaries... will be meaningful to all readers who enjoy Mahler’s music, and help convert those who do not.” — Choice “[A] concise and... comprehensive survey of Mahler’s life and work.” — Stereo Review
“Opera is enjoyed only by those who know something about it. This is the idea behind this book... It was written for people who love opera and want to know a little more about its history and evolution, its lore and lure, and the people who create and re-create it.” — Joseph Wechsberg, Foreword to The Opera Joseph Wechsberg — musician and lifelong opera addict, claqueur, listener and critic — takes the reader on a journey through centuries of operatic history, from Dafne, performed during the 1590s, generally thought to be the first opera, to productions at La Scala, the Metropolitan or Vienna’s Staatsoper. He explains why, of the 42,000 operas said to have been written, only a few hundred survive. These classics are discussed, with analyses of their thematic components and musical qualities and biographical vignettes of their composers, and performers. “Mr. Wechsberg has written this book very much with the inexperienced opera-goer in mind... a readable and enjoyable summary of all that the novice to the opera house should know about. Within his survey appears a short account of operatic history and material on all the people concerned with opera: composers and librettists, singers, players, managers, conductors, producers, audiences, claques and critics.” — M.F.R., Music & Letters “Even the informed reader can learn from Wechsberg how to integrate his material and achieve a degree of perspective when viewing the enormous historical landscape that provides the background for the evolution of [the opera].” — Elaine Brody, Notes
Jointly published by Plunkett Lake Press and Cornell University Press. “In the early years of my psychotherapeutic practice, I was struck by the pervasive uncertainty that many of my patients, both young and not so young, felt about their work lives. I soon became dissatisfied with constructions that depended solely on internal conflict for an explanation when there was so obviously a cultural and historical dimension to the problem... I decided to embark on a more extended study of the James family... I found the Jameses to be vivid personalities with a gift for self scrutiny and an enviable habit of weekly letter writing and letter saving that spans American history from the close of the American Revolution to the end of the first World War. They could, I thought, be looked upon as an avant garde with characteristics that are commonplace now but were unusual then. They were urban and educated, with sufficient means to have genuine choices. Hoping to discover the historical and cultural context for what I heard and saw in my consultation room, I set out to harvest the James family experience.” — Howard M. Feinstein, Introduction to the 1999 edition of Becoming William James Becoming William James was a finalist for the Pulitzer Prize in Biography in 1985. “Howard Feinstein has written a brilliant study of William’s crises over idleness, illness, and vocation within the context of intense parental and sibling entanglement.” — London Review of Books “Dr. Feinstein’s book is certainly a success. He has offered us a rich new vocabulary with which to describe William James.” — Willard Gaylin, The New York Times “Howard M. Feinstein, a psychiatrist and historian, has finally given us a life study equal in richness to James himself... a superb developmental biography.” — Dorothy Ross, The American Historical Review “Becoming William James is a work of painstaking scholarship, written in an engaging and energetic style... Feinstein is also to be commended for a playful sense of irony, which prevents this psychobiographical study from degenerating, as others have, into a series of diagnostic vignettes... [an] excellent study.” — Brian Mahan, The Journal of Religion “The best and truest thing one could say about the richly provocative Becoming William James is that William, while perhaps raising an eyebrow here and there, would have welcomed it and praised it lavishly.” — Times Literary Supplement “[Feinstein] offers us much new or reevaluated information about James and his family. In particular, he offers a series of challenges to the received views of James’s life: the nature of his relationship with his father and brother Henry, the causes of his abandonment of a career as a painter, the etiology of his various crises...” — James Campbell, CrossCurrents “Feinstein’s volume presents a finely nuanced reading of the internal Sturm und Drang of William James’s early years; he places center stage the familial conflicts over vocation... Feinstein’s deep penetration into the documentary sources of the James family history unearths many new insights and facts...” — George Cotkin, American Quarterly “[A] solidly documented, steadily perceptive, and long overdue biography... Feinstein’s thesis is strong in its outline, rich in its detail… [Feinstein] sheds penetrating light into the darker regions of one of America’s great families.” — Kirkus “Since its first publication in 1984, the book has been highly praised for its imaginative yet painstaking exploration of the parent-child and sibling relationships of one of America’s most complexly gifted families.” — Marcus Cunliffe, American Studies International “Becoming William James does much to restore the intellectual respectability of psychoanalytic history. Written by a historian and psychiatrist with a sensitivity to the nuances and rich subtlety of emotional phenomena, the book depicts the early turmoils and ultimate triumphs of one of America’s great philosophers. And it does so without succumbing to the crude reductionism that plagues psychohistory in the hands of amateur psychologists... a solid achievement. The writing is vivid and well-paced, the research is thorough.” — John Patrick Diggins, Reviews in American History “Becoming William James is a psychobiography of James that covers the early part of his life. James begs for this sort of treatment... Feinstein is well equipped to undertake such a biography. He is professionally qualified as a psychiatrist but is also an indefatigable researcher and industrious historian... possibly the finest work yet to appear in the genre of psychohistory... On every page the author’s intelligence is at work.” — Bruce Kuklick, American Journal of Education “Howard M. Feinstein has written a remarkable biography of William James that narrates the course of his character development up to the year he was formally appointed to Harvard’s Philosophy Department as an Assistant Professor in 1880. Feinstein’s work is revisionary in the best sense... Feinstein argues persistently and persuasively that intergenerational battles between father and son — cultural variants to be sure — accounted more than anything else for William James’s personal and professional development which, indeed, were one and the same.” — Henry Samuel Levinson, Transactions of the Charles S. Peirce Society “A well-focused theme and inventive but rigorous scholarship mean that Howard M. Feinstein’s study of the first three decades in the life of William James is timely and valuable.” — Steven Weiland, The Journal of American History “Feinstein’s chronicle is absorbing.” — Lawrence Willson, The Sewanee Review “This absorbing study of the intergenerational effects one famous family had upon its individual members remains invaluable” — Seana Graham, Simply Charly
A Jewish Athlete: Swimming Against Stereotype in 20th Century Europe by Helen Epstein Pdf
This daughter's profile of Czechoslovak swimmer and water polo player Kurt Epstein (1904-1975) traces the history of Jewish athletes in Central Europe and provides a case study of one such life-long athlete. Epstein grew up a stone's throw from the Elbe River and began swimming before the First World War, when his town of Roudnice nad Labem was still part of Austria-Hungary. In high school, he became a competitive rower and swimmer, challenging prevailing stereotypes about Jews and becoming a leading Czechoslovak water polo player and swimming coach, representing his country at two Olympic Games, in 1928 and 1936. In addition to describing the cultural background of the Epstein family in the Bohemian countryside, the book examines Kurt Epstein's decision to participate in the 1936 Berlin "Nazi" Olympics, and follows him through a series of Nazi concentration camps back to Prague, where he was elected member of the Czechoslovak National Olympic Committee. After the Communist putsch of 1948, Epstein vowed to flee "in a swimsuit if necessary" and, at 44, emigrated to New York City where he became a cutter in the garment district, swam weekly at the St. George pool in Brooklyn, and served as Treasurer of The Association of Czechoslovak Sportsmen in Exile in the Western World.
Rosa Bonheur: The Artist’s (Auto)biography by Anna Klumpke Pdf
Hailed as one of the foremost painters of the nineteenth century, Rosa Bonheur (1822-1899) lived to see her name become a household word. In a century that did its best to keep women “in their place,” she earned her own money, managed her own property, wore trousers, hunted, smoked, and lived in retreat with women companions in a château near Fontainebleau. Rosa Bonheur: The Artist’s (Auto)biography brings this extraordinary woman to life, blending Bonheur’s first-person account with the memoirs of Anna Klumpke, a young American artist who was Bonheur’s last companion and chosen portraitist. Klumpke recounts their first meeting, her growing affection for the much older Bonheur, and her decision to live with the artist. Bonheur’s account of her own life story, set within Klumpke’s narrative, sheds light on such currently compelling subjects as gender formation, governmental intervention in the arts, the social and legal regulation of dress codes, and the transgressive nature of same-sex relationships in a repressive society. “What a pleasure to have this essential document of art history available in an up-to-date translation. Anna Klumpke’s biography of Rosa Bonheur is, of course, not only an important art-historical document, but a major contribution to the social history of nineteenth-century France and a moving testimony to human attachment as well.” —Linda Nochlin “The remarkable life of Rosa Bonheur, one of the most highly decorated artists and certainly the best known female artist of her time in nineteenth-century France, is long overdue for further scrutiny.” — Therese Dolan, Temple University “... tells the fascinating, unconventional story of the famous 19th-century French artist. Written by Bonheur’s lover, American artist Anna Klumpke, with input from Bonheur herself, the biography effectively shows Bonheur’s devotion to the great loves of her life: her mother, her art, and her female companions.” — Washington Blade “A cigar-smoking, cross-dressing eccentric à la George Sand, Rosa Bonheur was one of the 19th century’s most popular artists... Drawing on her own meticulous journal entries as well as Bonheur’s letters, sketches, and diaries, Klumpke traces Bonheur’s trailblazing life and recounts how she met Bonheur, fell in love and became her official portraitist, companion and sole heir.” — Publishers Weekly “It is a treat to have Rosa Bonheur: The Artist’s (Auto)biography... available in English. Bonheur (1822-1899), a lesbian born in France, channeled her formidable talent into painting animals, lived a highly unconventional life, and received special permission to wear pants in public... This combination autobiography and biography, originally published in 1908, includes a vibrant introduction by the translator.” —Feminist Bookstore News “Each part of the story — translator’s, Klumpke’s, and Bonheur’s — is so engagingly written that reading it is like an adventure with an emphasis on the development and support of female creativity... Anna Klumpke poured her love into magnificent portraits of Bonheur and later into writing and managing Bonheur’s estate. Translator Gretchen van Slyke has rendered the original French into graceful, compelling prose. After finishing this book, my strongest emotion was gratitude for having been allowed to see so intimately into the lives of these productive, caring women.” — Lambda Book Report
Furious Improvisation: How the WPA and a Cast of Thousands Made High Art out of Desperate Times by Susan Quinn Pdf
Under the direction of Hallie Flanagan, a daring 5-foot dynamo, the Federal Theater Project managed to turn a WPA relief program into a platform for some of the most cutting-edge theater of its time. This unique experiment by the US government in support of the arts electrified audiences with exciting, controversial productions, created by some of the greatest figures in 20th century American arts — including Orson Welles, John Houseman and Sinclair Lewis. Plays like Voodoo Macbeth and The Cradle Will Rock stirred up politicians by defying segregation and putting the spotlight on the inequities that led to the Great Depression. Furious Improvisation brings to life the challenges of this desperate era when Franklin Delano Roosevelt, Eleanor Roosevelt and the tough-talking idealist Harry Hopkins furiously improvised programs to get millions of hungry, unemployed people back to work. Quinn’s compelling story of politics and creativity reaches a dramatic climax with the entrance of Martin Dies and his newly formed House Un-American Activities Committee, which turned the Federal Theatre Project into the first victim of a Red scare that would roil the nation for decades to come. “Insightful, judiciously selective history of the Federal Theatre Project (FTP), the most controversial branch of the New Deal’s Works Progress Administration (WPA)... With careful attention to the underlying political and cultural issues, Quinn cogently retells this sad story of ‘a brief time in our history [when] Americans had a vibrant national theatre almost by accident.’“ — Kirkus “[A] fascinating new book that describes a rare happy marriage between art and government.” — Maureen Corrigan, Fresh Air, National Public Radio “Quinn does a superb job of recounting the rise and fall of the Federal Theatre Project, a wing of FDR’s WPA meant to employ playwrights and actors while providing diversion and inspiration for Depression-ravaged Americans... Quinn describes eloquently and artfully... a not-so-distant time when a nation bled and great artists rushed as healers into the countryside.” — Publishers Weekly “Quinn skillfully weaves together the cultural, political, personal and theatrical events that shaped the course of the [Federal Theatre Project]... Quinn enriches the prevalent narrative of FTP history... with her thorough analysis of key events outside the theatres.” — Theatre Survey “An energetic and adeptly detailed account of the remarkable achievements of the Federal Theatre Project... Much more than the sum of its fascinating parts.” — Booklist “[A]n excellent book, a model of narrative history...” — Scott Eyman, The Observer “Quinn’s well-written narrative is both fascinating and frightening as politics and idealism come to metaphorical blows with the rise of Martin Dies.” — Library Journal “Susan Quinn has gifted us with a key moment in the history of F.D.R’s New Deal. Especially thrilling and revelatory is the work of the Arts Project of the WPA. Not only were there rakes and shovels, jobs and food for family, there was exhilarating and hopeful theatre, music, and painting, lifting our spirits. They gave us all hope.” — Studs Terkel “This fine book combines elements of political history, theater lore, and a saga of social justice. In showing us a rare triumph of bold artists in league with brave public servants, Quinn rescues the idea that the imagination and government can be friends instead of strangers. Our times are desperate, too, and Furious Improvisation comes at just the right moment.” — James Carroll, author of House of War and Constantine’s Sword “Susan Quinn’s Furious Improvisation is a fascinating account of a fleeting moment in American history when the US government felt some obligation to provide work for its more indigent citizens, including artists. Hallie Flanagan, the heroine of this book, emerges as a true saint of the theatre — passionate, visionary, and inspired. Well written and thoroughly engrossing.” — Robert Brustein, Founder, Yale Repertory Theatre and American Repertory Theatre “With a cast of period icons ranging from Harry Hopkins to Orson Welles, Quinn’s fast-paced, highly readable narrative exposes the myriad ‘isms’ — racism, sexism, communism, fascism — defying the birthright of a young democracy whose survival was still very much in question. A provocative reminder of how consistent national conflicts remain.” — Diane McWhorther, author of Carry Me Home “Anyone interested in how theatre can make a difference in the world should read this book. Susan Quinn inspires us with the courage of Hallie Flanagan and her fellow artists, showing how theatre can be both life sustaining and dangerous — and have a huge impact on the political landscape.” — Tina Packer, Founder of Shakespeare & Company
More Work for Mother: The Ironies of Household Technology from the Open Hearth to the Microwave by Ruth Schwartz Cowan Pdf
Surrounded by mechanical appliances and electronic gadgets, today’s woman devotes as much time to housework as a woman living in the early decades of the 20th century. This book explains why. “This work won the 1984 Dexter Prize of the Society for the History of Technology. It is a history of housework and household technology from the 17th century to the present. Ruth Schwartz Cowan contends that households were not industrialized the way other workplaces were in the 19th century and that women’s work was industrialized incompletely or differently from men’s. Despite technological advances, housework thus remains a full-time task. Critics praised the book’s clarity and insights.” — The New York Times “More Work for Mother is a major contribution to the social history of technology and a book that attempts feats few scholars undertake... it is lucid, engaging, and provocative... On balance, More Work for Mother is a remarkable book. It makes some important aspects of the history of technology accessible to a popular audience; provides a stimulating, scholarly overview of domestic technology for courses in the history of women, labor, or technology; and seems destined to set the next decade’s research agenda for scholarship on housework and household technology.” — Isis “[A] perceptive contribution to the social history of technology.” — The Business History Review “More Work for Mother is an engaging and thought-provoking general history of household technology in America from colonial times to the present... All students of the subject will greatly benefit by the framework [Cowan] has constructed and the stimulating ideas she has put forward.” — Journal of Social History “The strength of Cowan’s work is her consistent ability to demonstrate how tools have shaped human behavior... Cowan’s book is knowledgeable, deft, and stimulating.” — The American Historical Review “Ruth Cowan’s knowledgeable, witty, and concise survey of three hundred years of household work — and her original interpretation of the industrialization of the household — will open the eyes and provoke the thoughts of historians and general readers alike.” — Nancy Cott, Yale University “It is written with eloquence and fluency revealing a subtlety of mind and an eye for the neglected obvious which I much admire.” — Daniel J. Boorstin, The Librarian of Congress “So interesting and so well written that you scarcely realize how much you are learning.” — Jessie Bernard, author, The Female World
Child prodigies have been observed in a range of disciplines - particularly music, mathematics, chess, and art. The question of what makes a prodigy has long been controversial. Some have dismissed the notion of giftedness, arguing that most famous prodigies had strong parental, cultural, and environmental influences that helped them develop their extraordinary abilities. One recent theory suggested that anyone could achieve outstanding success in whatever endeavour they wanted with a minimum of 10,000 hours of practice. Nevertheless, many studies of prodigies have suggested that there might be strong underlying cognitive differences, regarding their use of short-term versus long-term memory, spatial memory, imagery, and language. Whatever the arguments - for those interested in child development - prodigies remain a fascinating subject of study when considering questions about creativity, intelligence, development, and the impact of nature versus nurture. This books breaks new ground in presenting the first scientific exploration on the topic of musical prodigies. It brings together research from a range of disciplines, including psychology, neurobiology, and genetics, to provide a thorough exploration of prodigious talent. In addition, the book includes fascinating case studies of prodigies and also looks at their long-term development into adulthood - many child prodigies have had problems making the transition into adolescence and adulthood. Musical prodigies will be required reading for anyone interested in child development, music, and the arts
In 1947, Virginia Axline introduced professional psychotherapists to a new way of working with children called Nondirective Play Therapy. In 1964, she introduced the rest of the world to “Dibs”. Dibs is silent. Dibs is a mystery to his parents and teachers. Dibs cannot be reached no matter how hard they try. He hides under tables and lashes out at other children. Some think he’s incapable of learning and interacting in a regular classroom. Some think he’s emotionally disturbed. Everyone is desperate to fix him, except for “Miss A”. “Miss A,” as Dibs calls her, believes that Dibs already knows the answers and can show her what he needs if she is patient enough, accepting enough, and observant enough. Dibs’ parents think she’s wasting her time trying to watch him play. He doesn’t play and he doesn’t talk. Dibs’ mother finally agrees to let Miss A try her methods, but she’s not holding her breath. “Miss A” then introduces Dibs and us to her special play room, where children can be just exactly who they truly are. The room is not magical, but the relationship between therapist and child is. In the safety and freedom of this special relationship, we begin to see what Axline meant when she first encouraged therapists to offer children the opportunity to “play out these feelings” and “realize the power within [themselves]”. “A ‘must read’ classic for play therapists!” — Charles E. Schaefer, PhD, RPT-S, Professor Emeritus of Psychology, Fairleigh Dickinson University; Co-Founder and Director Emeritus, The Association for Play Therapy “Dibs: In Search of Self is a timeless account of Axline as play therapist, advocate, and partner in Dibs’ therapeutic journey. I marvel at Axline’s ability to encompass multiple roles while demonstrating integration in all of her interactions; whether in the playroom, conducting classroom observations or working with Dibs’ parents. This is essential reading for play therapists, child development and counseling practitioners.” — Natalya Ann Lindo, PhD, LPC, CCPT-S, CPRT-S, Associate Professor & Counseling Program Coordinator, University of North Texas “There are many books on play therapy theory. There are many books on play therapy techniques. There is only one book that goes beyond theory and technique, getting to the heart of what play therapy is all about. Dibs captures the depth of connection and life-changing impact that play therapy can engender between a child and a therapist.” — Nick Cornett, PhD, LPC, LMFT, RPT, Assistant Professor, John Brown University