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Author : Margaret Ann Jackson
Publisher : UNM Press
Page : 250 pages
File Size : 45,8 Mb
Release : 2008
Category : Art
ISBN : 9780826343659
This multidisciplinary study analyzes the visual, linguistic, and cultural significance of the imagery used by the Moche in their ceramics and murals.
Author : Steve Bourget,Kimberly L. Jones
Publisher : University of Texas Press
Page : 317 pages
File Size : 45,8 Mb
Release : 2009-06-03
Category : Social Science
ISBN : 9780292783195
Renowned for their monumental architecture and rich visual culture, the Moche inhabited the north coast of Peru during the Early Intermediate Period (AD 100-800). Archaeological discoveries over the past century and the dissemination of Moche artifacts to museums around the world have given rise to a widespread and continually increasing fascination with this complex culture, which expressed its beliefs about the human and supernatural worlds through finely crafted ceramic and metal objects of striking realism and visual sophistication. In this standard-setting work, an international, multidisciplinary team of scholars who are at the forefront of Moche research present a state-of-the-art overview of Moche culture. The contributors address various issues of Moche society, religion, and material culture based on multiple lines of evidence and methodologies, including iconographic studies, archaeological investigations, and forensic analyses. Some of the articles present the results of long-term studies of major issues in Moche iconography, while others focus on more specifically defined topics such as site studies, the influence of El Niño/Southern Oscillation on Moche society, the nature of Moche warfare and sacrifice, and the role of Moche visual culture in decoding social and political frameworks.
Author : Joanne Pillsbury
Publisher : Ngw-Stud Hist Art
Page : 368 pages
File Size : 43,7 Mb
Release : 2005
Category : Architecture
ISBN : PSU:000058314722
This volume explores the art and archaeology of the Moche, who created impressive monuments and metal objects centuries before the rise of the Inca. A major theme of the volume is how the visual arts and political representation are connected.
Author : Steve Bourget
Publisher : University of Texas Press
Page : 463 pages
File Size : 46,5 Mb
Release : 2016-05-03
Category : Social Science
ISBN : 9781477310496
In a special precinct dedicated to ritual sacrifice at Huaca de la Luna on the north coast of Peru, about seventy-five men were killed and dismembered, their remains and body parts then carefully rearranged and left on the ground with numerous offerings. The discovery of this large sacrificial site—one of the most important sites of this type in the Americas—raises fundamental questions. Why was human sacrifice so central to Moche ideology and religion? And why is sacrifice so intimately related to the notions of warfare and capture? In this pioneering book, Steve Bourget marshals all the currently available information from the archaeology and visual culture of Huaca de la Luna as he seeks to understand the centrality of human sacrifice in Moche ideology and, more broadly, the role(s) of violence in the development of social complexity. He begins by providing a fully documented account of the archaeological contexts, demonstrating how closely interrelated these contexts are to the rest of Moche material culture, including its iconography, the regalia of its elite, and its monumental architecture. Bourget then probes the possible meanings of ritual violence and human sacrifice and their intimate connections with concepts of divinity, ancestry, and foreignness. He builds a convincing case that the iconography of ritual violence and the practice of human sacrifice at all the principal Moche ceremonial centers were the main devices used in the establishment and development of the Moche state.
Author : Steve Bourget
Publisher : University of Texas Press
Page : 335 pages
File Size : 49,9 Mb
Release : 2010-06-28
Category : Social Science
ISBN : 9780292783188
The Moche people who inhabited the north coast of Peru between approximately 100 and 800 AD were perhaps the first ancient Andean society to attain state-level social complexity. Although they had no written language, the Moche created the most elaborate system of iconographic representation of any ancient Peruvian culture. Amazingly realistic figures of humans, animals, and beings with supernatural attributes adorn Moche pottery, metal and wooden objects, textiles, and murals. These actors, which may have represented both living individuals and mythological beings, appear in scenes depicting ritual warfare, human sacrifice, the partaking of human blood, funerary rites, and explicit sexual activities. In this pathfinding book, Steve Bourget raises the analysis of Moche iconography to a new level through an in-depth study of visual representations of rituals involving sex, death, and sacrifice. He begins by drawing connections between the scenes and individuals depicted on Moche pottery and other objects and the archaeological remains of human sacrifice and burial rituals. He then builds a convincing case for Moche iconography recording both actual ritual activities and Moche religious beliefs regarding the worlds of the living, the dead, and the afterlife. Offering a pioneering interpretation of the Moche worldview, Bourget argues that the use of symbolic dualities linking life and death, humans and beings with supernatural attributes, and fertility and social reproduction allowed the Moche to create a complex system of reciprocity between the world of the living and the afterworld. He concludes with an innovative model of how Moche cosmological beliefs played out in the realms of rulership and political authority.
Author : Jeffrey Quilter
Publisher : Peabody Museum Press
Page : 171 pages
File Size : 52,9 Mb
Release : 2010
Category : Architecture
ISBN : 9780873654067
Quilter utilizes the Peabody's collection as a means to investigate how the Moche used various media, particularly ceramics, to convey messages about their lives and beliefs. His presentation provides a critical examination and rethinking of many of the commonly held interpretations of Moche artifacts and their imagery. It also raises important questions about art production and its role in this and other ancient and modern cultures. --
Author : Christopher B. Donnan
Publisher : University of Texas Press
Page : 214 pages
File Size : 51,8 Mb
Release : 2004
Category : Art
ISBN : 0292716222
"This is the largest collection of Moche portraits that has ever been published. As one of the most remarkable groups of portraits produced by any ancient people, it will be of interest to all connoisseurs and scholars of the world's great art traditions, as well as to students of the Moche and prehistoric Andean peoples."--BOOK JACKET.
Author : Lisa Trever
Publisher : University of Texas Press
Page : 241 pages
File Size : 45,5 Mb
Release : 2022-01-11
Category : Art
ISBN : 9781477324264
Moche murals of northern Peru represent one of the great, yet still largely unknown, artistic traditions of the ancient Americas. Created in an era without written scripts, these murals are key to understandings of Moche history, society, and culture. In this first comprehensive study on the subject, Lisa Trever develops an interdisciplinary methodology of “archaeo art history” to examine how ancient histories of art can be written without texts, boldly inverting the typical relationship of art to archaeology. Trever argues that early coastal artistic traditions cannot be reduced uncritically to interpretations based in much later Inca histories of the Andean highlands. Instead, the author seeks the origins of Moche mural art, and its emphasis on figuration, in the deep past of the Pacific coast of South America. Image Encounters shows how formal transformations in Moche mural art, before and after the seventh century, were part of broader changes to the work that images were made to perform at Huacas de Moche, El Brujo, Pañamarca, and elsewhere in an increasingly complex social and political world. In doing so, this book reveals alternative evidentiary foundations for histories of art and visual experience.
Author : Andrew David Turner
Publisher : BAR International Series
Page : 98 pages
File Size : 41,7 Mb
Release : 2015
Category : Crafts & Hobbies
ISBN : UCSD:31822041454554
Paris Monographs in American Archaeology 41
Author : Yumi Park
Publisher : Univ. Press of Mississippi
Page : 97 pages
File Size : 50,5 Mb
Release : 2012-09-21
Category : Art
ISBN : 9781617038198
Mirrors of Clay: Reflections of Ancient Andean Life in Ceramics from the Sam Olden Collection features photographs and descriptions of sixty ceramic vessels from ancient Andean American cultures, including the Cupisnique, Chavín, Vicús, Nazca, Moche, Tiwanaku, Lambayeque, and Chimú, which flourished between 1200 BCE and 1550 CE. These distinctive ceramic vessels, selected from the collection of Sam Olden, were given to the Mississippi Museum of Art and are included in a special exhibition presented by the museum and Jackson State University. The pieces reveal each culture's stylistic aesthetics, religious ideologies, and political roles. The Pre-Columbian ceramic vessels presented in this catalogue are mainly from the Andean region of South America, which includes the modern countries of Ecuador, Peru, and Bolivia. By analyzing technologies, forms, and decorative designs, author Yumi Park reveals the unique aesthetics, social stratifications, religious ideologies, and political roles within each culture. Ancient Andean potters expressed their native individualities by depicting the forms of warriors, deities, architecture, flora, fauna, and daily life on their ceramic vessels. Collector Sam Olden lived in Peru during the 1960s. After visiting various archaeological sites and museums, including the Rafael Larco Herrera Museum in Peru, he became enamored with the ceramic vessels of the ancient Andes. Olden later settled in Yazoo City, Mississippi, and began to build an extensive collection of ancient Andean ceramics, eventually making a large donation to the Mississippi Museum of Art. Because of his passion for these artifacts, the people of Mississippi are now afforded a window on the ancient Andean world. The Sam Olden Collection gives us tangible and visible evidence of the social activities, political events, and ideological beliefs of ancient Andean cultures.
Author : Christopher Watts,Carl Knappett
Publisher : Taylor & Francis
Page : 253 pages
File Size : 54,6 Mb
Release : 2022-09-21
Category : Art
ISBN : 9781000643688
Ancient Art Revisited develops new perspectives on ancient art by weaving together diverse strands within archaeology and art history, exploring it through recent developments in archaeological theory. In order to foster dialogue among various subfields, contributors are drawn from a wide range of domains. Classical archaeology, Aegean prehistory, Near Eastern archaeology, Egyptology, Pre-Columbian South America, and North America are brought together to explore ancient art from multiscalar perspectives and through the lenses of entanglement theory, network thinking, assemblage theory, and other recent theoretical developments. Representing a new wave in research on ancient art, considering both the proximal and distributed operations of artworks, Ancient Art Revisited provides broad and inclusive coverage of ancient art and offers a cohesive approach to a fragmented area of study. This book will be suitable for archaeologists, anthropologists, and art historians wishing to understand the latest thinking on ancient art.
Author : Mary Weismantel
Publisher : University of Texas Press
Page : 263 pages
File Size : 47,6 Mb
Release : 2021-08-17
Category : Social Science
ISBN : 9781477323212
More than a thousand years ago on the north coast of Peru, Indigenous Moche artists created a large and significant corpus of sexually explicit ceramic works of art. They depicted a diversity of sex organs and sex acts, and an array of solitary and interconnected human and nonhuman bodies. To the modern eye, these Moche “sex pots,” as Mary Weismantel calls them, are lively and provocative but also enigmatic creations whose import to their original owners seems impossible to grasp. In Playing with Things, Weismantel shows that there is much to be learned from these ancient artifacts, not merely as inert objects from a long-dead past but as vibrant Indigenous things, alive in their own human temporality. From a new materialist perspective, she fills the gaps left by other analyses of the sex pots in pre-Columbian studies, where sexuality remains marginalized, and in sexuality studies, where non-Western art is largely absent. Taking a decolonial approach toward an archaeology of sexuality and breaking with long-dominant iconographic traditions, this book explores how the “pots play jokes, make babies, give power, and hold water,” considering the sex pots as actual ceramic bodies that interact with fleshly bodies, now and in the ancient past. A beautifully written study that will be welcomed by students as well as specialists, Playing with Things is a model for archaeological and art historical engagement with the liberating power of queer theory and Indigenous studies.
Author : Lisa Trever
Publisher : University of Texas Press
Page : 241 pages
File Size : 55,6 Mb
Release : 2022-02-08
Category : Art
ISBN : 9781477324295
Moche murals of northern Peru represent one of the great, yet still largely unknown, artistic traditions of the ancient Americas. Created in an era without written scripts, these murals are key to understandings of Moche history, society, and culture. In this first comprehensive study on the subject, Lisa Trever develops an interdisciplinary methodology of “archaeo art history” to examine how ancient histories of art can be written without texts, boldly inverting the typical relationship of art to archaeology. Trever argues that early coastal artistic traditions cannot be reduced uncritically to interpretations based in much later Inca histories of the Andean highlands. Instead, the author seeks the origins of Moche mural art, and its emphasis on figuration, in the deep past of the Pacific coast of South America. Image Encounters shows how formal transformations in Moche mural art, before and after the seventh century, were part of broader changes to the work that images were made to perform at Huacas de Moche, El Brujo, Pañamarca, and elsewhere in an increasingly complex social and political world. In doing so, this book reveals alternative evidentiary foundations for histories of art and visual experience.
Author : Jorge Gamboa
Publisher : Springer
Page : 96 pages
File Size : 52,8 Mb
Release : 2015-03-06
Category : Social Science
ISBN : 9783319154701
Archaeological Heritage in a Modern Urban Landscape evaluates issues about the preservation, social role and management of archaeological sites in the Trujillo area, north coast of Peru, specifically those of the Moche culture (100-800 AD). Moche was one of the great civilizations of ancient Peru, with spectacular ceremonial adobe architecture and settlements distributed across a landscape formed by coastal valleys and one of the largest deserts of South America. In the last decades political and economic changes have brought rural migrations to the city of Trujillo and nearby zones, causing the emergence of extensive new communities in the margins of the metropolis. And although Trujillo’s Moche heritage has become a symbol of regional identity, most local Moche sites are under siege because of urban development. This book offers a new perspective on the development of modern communities settled beside archaeological sites and contributes to improving best practices in the management of archaeological sites and preservation in an urban setting.
Author : Ananda Cohen Suarez
Publisher : University of Texas Press
Page : 304 pages
File Size : 46,8 Mb
Release : 2016-05-24
Category : Art
ISBN : 9781477300459
Examining the vivid, often apocalyptic church murals of Peru from the early colonial period through the nineteenth century, Heaven, Hell, and Everything in Between explores the sociopolitical situation represented by the artists who generated these murals for rural parishes. Arguing that the murals were embedded in complex networks of trade, commerce, and the exchange of ideas between the Andes and Europe, Ananda Cohen Suarez also considers the ways in which artists and viewers worked through difficult questions of envisioning sacredness. This study brings to light the fact that, unlike the murals of New Spain, the murals of the Andes possess few direct visual connections to a pre-Columbian painting tradition; the Incas' preference for abstracted motifs created a problem for visually translating Catholic doctrine to indigenous congregations, as the Spaniards were unable to read Inca visual culture. Nevertheless, as Cohen Suarez demonstrates, colonial murals of the Andes can be seen as a reformulation of a long-standing artistic practice of adorning architectural spaces with images that command power and contemplation. Drawing on extensive secondary and archival sources, including account books from the churches, as well as on colonial Spanish texts, Cohen Suarez urges us to see the murals not merely as decoration or as tools of missionaries but as visual archives of the complex negotiations among empire, communities, and individuals.
