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Modern Korean Ink Painting by Hyŏng-min Chŏng,Raymond W. Furse Pdf
The aim of Modern Korean Ink Painting is to further a general understanding of how Korean art and the times it represented were related. Starting with the dawn of the modern age in Korean art (1876-1910), which looks at the legacy of court painting and the last of the literati painters, the book then moves on to the modern art era in Korea (1920-1940), following that up by examining the forces at work during the perpetuation of nationalism, which lasted well into the 1980s.
Korean Art from the 19th Century to the Present by Charlotte Horlyck Pdf
Walk the galleries of any major contemporary art museum and you are sure to see a work by a Korean artist. Interest in modern and contemporary art from South—as well as North—Korea has grown in recent decades, and museums and individual collectors have been eager to tap into this rising market. But few books have helped us understand Korean art and its significance in the art world, and even fewer have told the story of the formation of Korea’s contemporary cultural scene and the role artists have played in it. This richly illustrated history tackles these issues, exploring Korean art from the late-nineteenth century to the present day—a period that has seen enormous political, social, and economic change. Charlotte Horlyck covers the critical and revolutionary period that stretches from Korean artists’ first encounters with oil paintings in the late nineteenth century to the varied and vibrant creative outputs of the twenty-first. She explores artists’ interpretations of new and traditional art forms ranging from oil and ink paintings to video art, multi-media installations, ready-mades, and performance art, showing how artists at every turn have questioned the role of art and artists within society. Opening up this fascinating world to general audiences, this book will appeal to anyone wanting to explore this rich and fascinating era in Korea’s cultural history.
Modern and Contemporary Art in Korea by Yŏng-na Kim Pdf
Modern and Contemporary Art in Korea deals with issues of tradition, modernity, and identity in modern and contemporary Korean art in Korea. On a deeper level, this is one of the only books of its kind in English that exposes readers to specific artists and their works, an especially useful resource for those who wish to know more than just surface level facts about Korean art.
Symbolism in Korean Ink Brush Painting by Francis Mullany Pdf
With more than 200 colour plates, and for the first time available as a study in English, this volume explores the vast heritage of Korean ink brush painting, providing a rich panorama of information that stretches across the entire spectrum of Korean art – including painting, pottery, calligraphy and literature, which will have wide appeal, not least to art lovers and students of Korean Studies. Part I presents the material in essay form; Part II, which uses a dictionary format, summarizes the information in Part I and highlights the hidden messages and symbolism inherent in literati ink brush painting in Korea. When China and Japan opened up to outside influence in the nineteenth century, Korea maintained a closed-door policy, becoming known as the ‘hermit kingdom’, only to be swallowed up in the struggle for hegemony between the Great Powers. Annexation by Japan in 1910 threatened Korea’s language and culture with extinction. Liberation in 1945 was followed by the tragedy of the Korean War in 1950. In the period of reconstruction after the Korean War, artists and scholars faced the task of retrieving Korea’s endangered cultural tradition. Ink brush painting is a unique part of this tradition; its history stretches back through the Choson dynasty when Chinese influences were assimilated and absorbed and made into Korea’s distinctive tradition.
In recent years the increase in interest in Asian art has led to a number of books being published about Japanese and Chinese artists. However, the exciting Korean scene is still largely undocumented. Now Kim YoungNa reveals Korean modern and contemporary artists to the West. Twentieth-Century Korean Art provides a comprehensive, engaging survey that places emphasis on art historical narratives. It draws on primary sources and historical artefacts as well as on new interpretations of issues such as the identity of Korean art and the cultural ramifications of Japanese colonialism. Covering over one hundred year from the late 19th century through to the 1990s, the essays in this book examine how both external influences and wills-to-change within Korean society itself generated an artistic vitality against a shifting political, social, and cultural backdrop and how this necessarily involved East Asia at large and the West.
Korean Art from 1953: Collision, Innovation and Interaction by Yeon Shim Chung,Sunjung Kim,Kimberly Chung,Keith B. Wagner Pdf
The first comprehensive survey to explore the rich and complex history of contemporary Korean art - an incredibly timely topic Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades - from the 1950s avant-garde through to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s, the lesser known North Korean art scene, and all the artists who have emerged to secure a place in the international art world.
The Space Between: The Modern in Korean Art by Virginia Moon Pdf
Featuring over 130 artworks--some previously unpublished--this richly illustrated volume is essential for understanding modern art in Korea and how it evolved to meet the contemporary global context In The Space Between, a generative period in Korean art between the traditional and the contemporary is illuminated comprehensively for the first time. After the centuries-long Joseon dynasty came 35 uninterrupted years of the Japanese colonial period (1910-45) followed by the Korean War (1950-53). During this tumultuous time, Korean artists grappled with issues such as identity and nationalism and experimented with a broad range of media. The book is organized into five categories: "The Modern Encounter"-- foreign influences enter the country in a significant way in the late 19th and early 20th centuries; "The Modern Response"--how foreign methods are accepted or rejected; "The Pageantry of the New Woman (Sinyeoseong) Movement"--modern women's attitudes; "The Modern Momentum"--advances in using foreign styles; and "Evolving into the Contemporary"--a glimpse into the contemporary. Most notable during this period are the introductions of photography, sculpture and oils, which arrived via Japan and came to define modern art in Korea. At the same time, traditional ink painting reinvented itself: works grew larger in scale while keeping traditional landscape motifs with alterations in the use of color and composition. Artists of modern ink believed that theirs was the true future of modern art, unsullied by elements found in the West. By the end of the Korean War, the magnified status of the US made way for access to American abstract art and, indirectly, European informel. For nearly a decade, abstract expressionist and informel styles dominated Korean art. The volume concludes in the 1960s, setting the stage for contemporary art in Korea.
Interpreting Modernism in Korean Art by Kyunghee Pyun,Jung-Ah Woo Pdf
This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern spaces for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea. With few books on modern art in Korea available in English, this book is an authoritative volume on the topic and provides a comparative perspective on Asian modernism including Japan, China, and India. In turn, these essays also shed a light on Asian reception of and response to the Orientalism and exoticism popular in Europe and North America in the early twentieth century. The book will be of interest to scholars working in art history, the history of Asia, Asian studies, colonialism, nationalism, and cultural identity.
Associate Professor of Art History Sunglim Kim,Sunglim Kim
Author : Associate Professor of Art History Sunglim Kim,Sunglim Kim Publisher : Hood Museum of Art Darmouth College Page : 264 pages File Size : 52,6 Mb Release : 2022-12-20 Category : Art ISBN : 1737183757
Park Dae Sung by Associate Professor of Art History Sunglim Kim,Sunglim Kim Pdf
Contemporary Korean artist Park Dae Sung (b. 1945) works in the traditional medium of ink painting while transforming familiar Korean landscapes with his modern and imaginative interpretations of the natural world. Park, who lost his left arm and both parents at the age of five and is entirely self-taught, has said, ?Nature is my teacher.? He devoted sixty years to mastering traditional brush and ink techniques and established his own innovative landscape style, broadening his knowledge through extensive global travel and endless practice. His visually striking paintings are gigantic in size yet contain an aesthetic sensibility. Ink Reimagined illuminates the artist?s paintings through 150 full-color images, an interview with Park, and six scholarly essays exploring his diverse subjects, such as calligraphy, landscape, animals, and still life. In addition to telling the artist?s remarkable life story, the contributors trace the rich history of Korean ink painting from the 1950s to today. This book will enlighten Western readers, deepen the understanding of Park?s modernized style of Korean ink painting, and inspire interest in the long tradition of East Asian ink painting, as well as contemporary Korean art and culture. Exhibition dates: Los Angeles County Museum of Art, July 11, 2022; The Center for Government and International Studies at Harvard University, September 15, 2022; Hood Museum of Art at Dartmouth College, September 24, 2022; Charles B. Wang Center at Stony Brook University, September 14?December 10, 2023; Ridderhof Martin Gallery and duPont Gallery at the University of Mary Washington, October 26?December 8, 2023
Lineages: Korean Art at The Met by Eleanor Soo-ah Hyun Pdf
In celebrating the 25th anniversary of the Arts of Korea Gallery, this issue of the Bulletin invites us to reflect on the past while embracing the future. Featuring objects from the Bronze Age to the present, Lineages: Korean Art at The Met illustrates both the continuities and ruptures of style, form, and medium that have defined the dynamic terrain of Korean art. The 47 works included—from lacquer and ceramics to paintings and collage—express Korean tradition, history, and socio-cultural change over more than three centuries of creativity. This volume honors one of the first museum galleries in the United States dedicated to Korean art by offering readers a greater understanding of the nation's aesthetic past and future.
A Companion to Korean Art by J. P. Park,Juhyung Rhi,Burglind Jungmann Pdf
The only college-level publication on Korean art history written in English Korean pop culture has become an international phenomenon in the past few years. The popularity of the nation’s exports—movies, K-pop, fashion, television shows, lifestyle and cosmetics products, to name a few—has never been greater in Western society. Despite this heightened interest in contemporary Korean culture, scholarly Western publications on Korean visual arts are scarce and often outdated. A Companion to Korean Art is the first academically-researched anthology on the history of Korean art written in English. This unique anthology brings together essays by renowned scholars from Korea, the US, and Europe, presenting expert insights and exploring the most recent research in the field. Insightful chapters discuss Korean art and visual culture from early historical periods to the present. Subjects include the early paintings of Korea, Buddhist architecture, visual art of the late Chosŏn period, postwar Korean Art, South Korean cinema, and more. Several chapters explore the cultural exchange between the Korean peninsula, the Chinese mainland, and the Japanese archipelago, offering new perspectives on Chinese and Japanese art. The most comprehensive survey of the history of Korean art available, this book: Offers a comprehensive account of Korean visual culture through history, including contemporary developments and trends Presents two dozen articles and numerous high quality illustrations Discusses visual and material artifacts of Korean art kept in various archives and collections worldwide Provides theoretical and interpretive balance on the subject of Korean art Helps instructors and scholars of Asian art history incorporate Korean visual arts in their research and teaching The definitive and authoritative reference on the subject, A Companion to Korean Art is indispensable for scholars and academics working in areas of Asian visual arts, university students in Asian and Korean art courses, and general readers interested in the art, culture, and history of Korea.
North Korean Art: The Enigmatic World of Chosonhwa by BG Muhn Pdf
In-depth analysis of chosonhwa, the emblem of North Korean art The primary resource research, the first of its kind on chosonhwa -Vivid visual materials of the North Korean art scene based on nine visits over six years by Georgetown University professor BG Muhn -The art creation environment of North Korean contemporary ideological and collaborative paintings revealed for the first time North Korean Art: The Enigmatic World of Chosonhwa offers the reader a rare glimpse into the art, culture, and society of North Korea, a country largely closed off from the world for more than seven decades. This book examines the development and characteristics of chosonhwa, the style of painting unique to the DPRK and that nation s primary vehicle for Socialist Realism art through the present day. Author BG Muhn made nine trips to Pyongyang in six years. He documents his journey from initial fascination, through first-hand research, to his unexpected discovery of the creative and expressive dimensions of this art form. He gained special access to see national treasures, interviewed artists and cultural leaders, and surveyed a broad range of books and visual documents. Through his perspective as a practicing visual artist, Muhn makes the case that North Korean painting merits inclusion in the global art canon. This comprehensive and revealing text is the first of its kind and is an important contribution to the fields of East Asian, 20th century and contemporary art history.
The Journal of Korean Studies, Volume 13, Number 1 (Fall 2008) by John Duncan,Gi-Wook Shin, Stanford University Pdf
The University of Washington-Korea Studies Program, in collaboration with Rowman & Littlefield Publishers, is proud to publish the Journal of Korean Studies.
The Spirit of the Brush by Sungsook Hong Setton Pdf
Sungsook Setton learned ink painting techniques from Chinese and Korean masters in her native South Korea; now she brings them to you in The Spirit of the Brush. Chinese ink painting is one of the oldest continually practiced art forms in the world. First appearing in China in the fifth century, it soon traveled to Korea, and then to Japan. As old and deeply rooted in East Asian aesthetics and meditation as it is, ink painting is credited with influencing the development of modern Western art. Its minimalist approach to painting continues to have enormous appeal. Author, artist, and teacher, Sungsook Setton is now bringing her years of experience to you with The Spirit of the Brush. You will learn traditional disciplines for holding and using the brush, as well as how to turn these techniques into inner meditation which will help your own world; city views, music, and the essence of contemporary life.