Modernism And The Aesthetics Of Violence

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Modernism and the Aesthetics of Violence

Paul Sheehan
Modernism and the Aesthetics of Violence Book PDF

Author : Paul Sheehan
Publisher : Cambridge University Press
Page : 128 pages
File Size : 52,5 Mb
Release : 2013-06-24
Category : Literary Criticism
ISBN : 9781107355620

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Modernism and the Aesthetics of Violence by Paul Sheehan Pdf

The notion that violence can give rise to art - and that art can serve as an agent of violence - is a dominant feature of modernist literature. In this study Paul Sheehan traces the modernist fascination with violence to the middle decades of the nineteenth century, when certain French and English writers sought to celebrate dissident sexualities and stylized criminality. Sheehan presents a panoramic view of how the aesthetics of transgression gradually mutates into an infatuation with destruction and upheaval, identifying the First World War as the event through which the modernist aesthetic of violence crystallizes. By engaging with exemplary modernists such as Joyce, Conrad, Eliot and Pound, as well as lesser-known writers including Gautier, Sacher-Masoch, Wyndham Lewis and others, Sheehan shows how artworks, so often associated with creative well-being and communicative self-expression, can be reoriented toward violent and bellicose ends.

Violent Modernists

Kai Evers
Violent Modernists Book PDF

Author : Kai Evers
Publisher : Northwestern University Press
Page : 0 pages
File Size : 50,7 Mb
Release : 2013-10-31
Category : Literary Criticism
ISBN : 0810129620

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Violent Modernists by Kai Evers Pdf

Accounts of rape, murder, mutilation, and torture run like a bloodred thread through modernist literature in the German language. Previous accounts of German literary modernism have linked its fascination with violent destruction either to the militant avant-garde on the left or to fascist modernism on the right. Critics have noted that high modernists depicted violence through its impact on their own victimized protagonists. But by minimizing and ignoring the often disturbing attraction to aggression in the works of Franz Kafka and others, these prevalent readings have filtered out much of the provocative and productive potential of German modernism. Kai Evers’s Violent Modernists: The Aesthetics of Destruction in Twentieth-Century German Literature develops a new understanding of German modernism that moves beyond the oversimplified dichotomy of an avant-garde prone to aggression on the one hand and a modernism opposed to violence on the other. Analyzing works by Robert Musil, Franz Kafka, Karl Kraus, Walter Benjamin, Elias Canetti, and others, Evers argues that these authors are among the most innovative thinkers on violence and its impact on contemporary concepts of the self, history, and society.

The Aesthetics of Violence

Robert Appelbaum
The Aesthetics of Violence Book PDF

Author : Robert Appelbaum
Publisher : Rowman & Littlefield
Page : 196 pages
File Size : 43,7 Mb
Release : 2017-11-30
Category : Philosophy
ISBN : 9781786605047

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The Aesthetics of Violence by Robert Appelbaum Pdf

Offering an ambitious study of the aesthetics of violence across art, literature, film and theatre, this volume brings together traditional German aesthetic and social theory with the modern problem of violence in art. Written in an engaging style, the book includes examples ranging from Homer and Shakespeare to slasher films and performance art.

At the Violet Hour

Sarah Cole
At the Violet Hour Book PDF

Author : Sarah Cole
Publisher : Oxford University Press
Page : 392 pages
File Size : 48,5 Mb
Release : 2012-11-29
Category : History
ISBN : 9780195389616

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At the Violet Hour by Sarah Cole Pdf

At the Violet Hour offers a richly historicized, trenchant look at the interlocking of literature with violence in British and Irish modernist texts.

Feminist Aesthetics and the Politics of Modernism

Ewa Płonowska Ziarek
Feminist Aesthetics and the Politics of Modernism Book PDF

Author : Ewa Płonowska Ziarek
Publisher : Columbia University Press
Page : 284 pages
File Size : 55,7 Mb
Release : 2012
Category : Aesthetics
ISBN : 9780231161497

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Feminist Aesthetics and the Politics of Modernism by Ewa Płonowska Ziarek Pdf

Ewa Ziarek fully articulates a feminist aesthetics, focusing on the struggle for freedom in women's literary and political modernism and the devastating impact of racist violence and sexism. She examines the contradiction between women's transformative literary and political practices and the oppressive realities of racist violence and sexism, and she situates these tensions within the entrenched opposition between revolt and melancholia in studies of modernity and within the friction between material injuries and experimental aesthetic forms. Ziarek's political and aesthetic investigations concern the exclusion and destruction of women in politics and literary production and the transformation of this oppression into the inaugural possibilities of writing and action. Her study is one of the first to combine an in-depth engagement with philosophical aesthetics, especially the work of Theodor W. Adorno, with women's literary modernism, particularly the writing of Virginia Woolf and Nella Larsen, along with feminist theories on the politics of race and gender. By bringing seemingly apolitical, gender-neutral debates about modernism's experimental forms together with an analysis of violence and destroyed materialities, Ziarek challenges both the anti-aesthetic subordination of modern literature to its political uses and the appreciation of art's emancipatory potential at the expense of feminist and anti-racist political struggles.

Feminist Aesthetics and the Politics of Modernism

Ewa Płonowska Ziarek
Feminist Aesthetics and the Politics of Modernism Book PDF

Author : Ewa Płonowska Ziarek
Publisher : Columbia University Press
Page : 283 pages
File Size : 43,6 Mb
Release : 2012-10-23
Category : Philosophy
ISBN : 9780231530903

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Feminist Aesthetics and the Politics of Modernism by Ewa Płonowska Ziarek Pdf

Ewa Ziarek fully articulates a feminist aesthetics, focusing on the struggle for freedom in women's literary and political modernism and the devastating impact of racist violence and sexism. She examines the contradiction between women's transformative literary and political practices and the oppressive realities of racist violence and sexism, and she situates these tensions within the entrenched opposition between revolt and melancholia in studies of modernity and within the friction between material injuries and experimental aesthetic forms. Ziarek's political and aesthetic investigations concern the exclusion and destruction of women in politics and literary production and the transformation of this oppression into the inaugural possibilities of writing and action. Her study is one of the first to combine an in-depth engagement with philosophical aesthetics, especially the work of Theodor W. Adorno, with women's literary modernism, particularly the writing of Virginia Woolf and Nella Larsen, along with feminist theories on the politics of race and gender. By bringing seemingly apolitical, gender-neutral debates about modernism's experimental forms together with an analysis of violence and destroyed materialities, Ziarek challenges both the anti-aesthetic subordination of modern literature to its political uses and the appreciation of art's emancipatory potential at the expense of feminist and anti-racist political struggles.

Afro-modernist Aesthetics & the Poetry of Sterling A. Brown

Mark A. Sanders
Afro modernist Aesthetics the Poetry of Sterling A Brown Book PDF

Author : Mark A. Sanders
Publisher : University of Georgia Press
Page : 244 pages
File Size : 41,9 Mb
Release : 1999
Category : Literary Criticism
ISBN : 0820320501

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Afro-modernist Aesthetics & the Poetry of Sterling A. Brown by Mark A. Sanders Pdf

Sterling A. Brown’s poetry and aesthetics are central to a proper understanding of African American art and politics of the early twentieth century. This study redefines the relationship between modernism and the New Negro era in light of Brown’s uniquely hybrid poetry and vision of a heterodox, pluralist modernism. Brown, also a folklorist and critic, saw the Harlem Renaissance and modernism as interactive rather than mutually exclusive and perceived the New Negro era as the dawning of African American modernity. Reading Brown’s three collections of poetry in light of their respective historical contexts, Sanders examines the ways in which Brown reconfigured black being and created alternative conceptual space for African Americans amid the prevailing racial discourses of American culture. Brown’s poetics call for revised conceptions of the Harlem Renaissance, black identity, artistic expression, and modernity that recognize the range, depth, and complexity of African American life.

The Aesthetics of Violence in Contemporary Media

Gwyn Symonds
The Aesthetics of Violence in Contemporary Media Book PDF

Author : Gwyn Symonds
Publisher : Bloomsbury Publishing USA
Page : 477 pages
File Size : 51,7 Mb
Release : 2011-11-03
Category : Performing Arts
ISBN : 9781441117366

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The Aesthetics of Violence in Contemporary Media by Gwyn Symonds Pdf

The topic of violence in the media seems as inundated as can be. Countless studies and research projects have been conducted, mostly to show its negative effects on society. What Gwynneth Symonds proposes, though, takes this significant topic one step further: studying the aesthetics of media violence. By defining key terms like the 'graphic' nature and 'authenticity' of violent representations, and discussing how those definitions are linked to actual violence outside the film and television screen, Symonds broadens the arena of study. Engagingly written, The Aesthetics of Violence in Contemporary Media fills an important gap. Symonds uses existing studies for the empirical audience reception data, together with discussions of the different representations of violence to look at violence in the media as an art form in of itself. By looking at The Simpsons, Bowling for Columbine and Norma Khouri's Forbidden Love, just to name a few, Symonds cross-analyzes violence in multiple media to see their affective role in audience reception - an important aspect when discussing media. The book strikes a balance between the readers' need to see how theory matches what actually happens in the texts in question and the demands of a theoretical overview.

The Violence of Modernity

Debarati Sanyal
The Violence of Modernity Book PDF

Author : Debarati Sanyal
Publisher : JHU Press
Page : 289 pages
File Size : 42,9 Mb
Release : 2020-03-03
Category : Literary Criticism
ISBN : 9781421429298

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The Violence of Modernity by Debarati Sanyal Pdf

The Violence of Modernity turns to Charles Baudelaire, one of the most canonical figures of literary modernism, in order to reclaim an aesthetic legacy for ethical inquiry and historical critique. Works of modern literature are commonly theorized as symptomatic responses to the trauma of history. In a climate that tends to privilege crisis over critique, Debarati Sanyal argues that it is urgent to rethink literary experience in terms that recall its contestatory potential. Examining Baudelaire's poems afresh, she shifts the focus of critical attention toward an account of modernism as an active engagement with violence, specifically the violence of history in nineteenth-century France. Sanyal analyzes a literary current that uses the traditional hallmarks of modernism—irony, intertextuality, self-reflexivity, and formalism—to challenge the historical violence of modernity. Baudelaire and the committed ironists writing in his wake teach us how to read and resist the violence of history, and thereby to challenge the melancholy tenor of our contemporary "wound culture." In a series of provocative readings, Sanyal presents Baudelaire's poetry as an aesthetic form that contests historical violence through rhetorical strategies of complicity, counterviolence, and critique. The book develops a new account of Baudelaire's significance as a modernist by dislodging him both from his traditional status as a practitioner of "art for art's sake" and from his more recent incarnation as the poet of trauma. Following her extended analysis of Baudelaire's poetry, Sanyal in later chapters considers a number of authors influenced by his strategies—including Rachilde, Virginie Despentes, Albert Camus, and Jean-Paul Sartre—to examine the relevance of their interventions for our current climate of trauma and terror. The result is a study that underscores how Baudelaire's legacy continues to energize literary engagements with the violence of modernity.

An Aesthetics of Injury

Ian Fleishman
An Aesthetics of Injury Book PDF

Author : Ian Fleishman
Publisher : Northwestern University Press
Page : 280 pages
File Size : 40,5 Mb
Release : 2018-03-15
Category : Literary Criticism
ISBN : 9780810136816

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An Aesthetics of Injury by Ian Fleishman Pdf

An Aesthetics of Injury exposes wounding as a foundational principle of modernism in literature and film. Theorizing the genre of the narrative wound—texts that aim not only to depict but also to inflict injury—Ian Fleishman reveals harm as an essential aesthetic strategy in ten exemplary authors and filmmakers: Charles Baudelaire, Franz Kafka, Georges Bataille, Jean Genet, Hélène Cixous, Ingeborg Bachmann, Elfriede Jelinek, Werner Schroeter, Michael Haneke, and Quentin Tarantino. Violence in the modernist mode, an ostensible intrusion of raw bodily harm into the artwork, aspires to transcend its own textuality, and yet, as An Aesthetics of Injury establishes, the wound paradoxically remains the essence of inscription. Fleishman thus shows how the wound, once the modernist emblem par excellence of an immediate aesthetic experience, comes to be implicated in a postmodern understanding of reality reduced to ceaseless mediation. In so doing, he demonstrates how what we think of as the most real object, the human body, becomes indistinguishable from its “nonreal” function as text. At stake in this tautological textual model is the heritage of narrative thought: both the narratological workings of these texts (how they tell stories) and the underlying epistemology exposed (whether these narrativists still believe in narrative at all). With fresh and revealing readings of canonical authors and filmmakers seldom treated alongside one another, An Aesthetics of Injury is important reading for scholars working on literary or cinematic modernism and the postmodern, philosophy, narratology, body culture studies, queer and gender studies, trauma studies, and cultural theory.

At the Violet Hour

Sarah Cole
At the Violet Hour Book PDF

Author : Sarah Cole
Publisher : Oxford University Press
Page : 400 pages
File Size : 42,6 Mb
Release : 2012-11-01
Category : Literary Criticism
ISBN : 9780199995837

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At the Violet Hour by Sarah Cole Pdf

Literature has long sought to make sense of the destruction and aggression wrought by human civilization. Yet no single literary movement was more powerfully shaped by violence than modernism. As Sarah Cole shows, modernism emerged as an imaginative response to the devastating events that defined the period, including the chaos of anarchist bombings, World War I, the Irish uprising, and the Spanish Civil War. Combining historical detail with resourceful readings of fiction, poetry, journalism, photographs, and other cultural materials, At the Violet Hour explores the strange intimacy between modernist aesthetics and violence in the late nineteenth and early twentieth centuries. The First World War and T. S. Eliot's The Waste Land demonstrate the new theoretical paradigm that Cole deploys throughout her study, what she calls "enchanted" and "disenchanted" violence-the polarizing perceptions of violent death as either the fuel for regeneration or the emblem of grotesque loss. These concepts thread through the literary-historical moments that form the core of her study, beginning with anarchism and the advent of dynamite violence in late Victorian England. As evinced in novels by Joseph Conrad, Henry James, and others, anarchism fostered a vibrant, modern consciousness of violence entrenched in sensationalism and melodrama. A subsequent chapter offers four interpretive categories-keening, generative violence, reprisal, and allegory-for reading violence in works by W. B. Yeats, J. M. Synge, Sean O'Casey, and others around the time of Ireland's Easter Rising. The book concludes with a discussion of Virginia Woolf's oeuvre, placing the author in two primary relations to the encroaching culture of violence: deeply exploring and formalizing its registers; and veering away from her peers to construct an original set of patterns to accommodate its visceral ubiquity in the years leading up to the Second World War. A rich interdisciplinary study that incorporates perspectives from history, anthropology, the visual arts, and literature, At the Violet Hour provides a resonant framework for refiguring the relationship between aesthetics and violence that will extend far beyond the period traditionally associated with literary modernism.

Living in the End Times

Slavoj Žižek
Living in the End Times Book PDF

Author : Slavoj Žižek
Publisher : Verso
Page : 522 pages
File Size : 47,8 Mb
Release : 2011-04-18
Category : Business & Economics
ISBN : 9781844677023

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Living in the End Times by Slavoj Žižek Pdf

Economics.

The Fleeting Promise of Art

Peter Uwe Hohendahl
The Fleeting Promise of Art Book PDF

Author : Peter Uwe Hohendahl
Publisher : Cornell University Press
Page : 200 pages
File Size : 42,8 Mb
Release : 2013-11-15
Category : Literary Criticism
ISBN : 9780801469275

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The Fleeting Promise of Art by Peter Uwe Hohendahl Pdf

A discussion of Theodor Adorno’s Aesthetic Theory is bound to look significantly different today than it would have looked when the book was first published in 1970, or when it first appeared in English translation in the 1980s. In The Fleeting Promise of Art, Peter Uwe Hohendahl reexamines Aesthetic Theory along with Adorno’s other writings on aesthetics in light of the unexpected return of the aesthetic to today’s cultural debates. Is Adorno’s aesthetic theory still relevant today? Hohendahl answers this question with an emphatic yes. As he shows, a careful reading of the work exposes different questions and arguments today than it did in the past. Over the years Adorno’s concern over the fate of art in a late capitalist society has met with everything from suspicion to indifference. In part this could be explained by relative unfamiliarity with the German dialectical tradition in North America. Today’s debate is better informed, more multifaceted, and further removed from the immediate aftermath of the Cold War and of the shadow of postmodernism. Adorno’s insistence on the radical autonomy of the artwork has much to offer contemporary discussions of art and the aesthetic in search of new responses to the pervasive effects of a neoliberal art market and culture industry. Focusing specifically on Adorno’s engagement with literary works, Hohendahl shows how radically transformative Adorno’s ideas have been and how thoroughly they have shaped current discussions in aesthetics. Among the topics he considers are the role of art in modernism and postmodernism, the truth claims of artworks, the function of the ugly in modern artworks, the precarious value of the literary tradition, and the surprising significance of realism for Adorno.

Violent Minds

Matthew Levay
Violent Minds Book PDF

Author : Matthew Levay
Publisher : Cambridge University Press
Page : 251 pages
File Size : 40,7 Mb
Release : 2019-01-03
Category : Literary Criticism
ISBN : 9781108428866

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Violent Minds by Matthew Levay Pdf

Levay analyzes representations of the criminal in British and American modernism from the late nineteenth century to the 1950s.

The Art of Cruelty

Maggie Nelson
The Art of Cruelty Book PDF

Author : Maggie Nelson
Publisher : National Geographic Books
Page : 0 pages
File Size : 40,6 Mb
Release : 2012-08-14
Category : History
ISBN : 9780393343144

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The Art of Cruelty by Maggie Nelson Pdf

"This is criticism at its best." —Carolyn Kellogg, Los Angeles Times Writing in the tradition of Susan Sontag and Elaine Scarry, Maggie Nelson has emerged as one of our foremost cultural critics with this landmark work about representations of cruelty and violence in art. From Sylvia Plath’s poetry to Francis Bacon’s paintings, from the Saw franchise to Yoko Ono’s performance art, Nelson’s nuanced exploration across the artistic landscape ultimately offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.