The Aesthetics Of Violence

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Modernism and the Aesthetics of Violence

Author : Paul Sheehan
Publisher : Cambridge University Press
Page : 243 pages
File Size : 55,8 Mb
Release : 2013-06-24
Category : Literary Criticism
ISBN : 9781107355620

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Modernism and the Aesthetics of Violence by Paul Sheehan Pdf

The notion that violence can give rise to art - and that art can serve as an agent of violence - is a dominant feature of modernist literature. In this study Paul Sheehan traces the modernist fascination with violence to the middle decades of the nineteenth century, when certain French and English writers sought to celebrate dissident sexualities and stylized criminality. Sheehan presents a panoramic view of how the aesthetics of transgression gradually mutates into an infatuation with destruction and upheaval, identifying the First World War as the event through which the modernist aesthetic of violence crystallizes. By engaging with exemplary modernists such as Joyce, Conrad, Eliot and Pound, as well as lesser-known writers including Gautier, Sacher-Masoch, Wyndham Lewis and others, Sheehan shows how artworks, so often associated with creative well-being and communicative self-expression, can be reoriented toward violent and bellicose ends.

The Aesthetics of Violence

Author : Robert Appelbaum
Publisher : Rowman & Littlefield
Page : 196 pages
File Size : 42,6 Mb
Release : 2017-11-30
Category : Philosophy
ISBN : 9781786605047

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The Aesthetics of Violence by Robert Appelbaum Pdf

Offering an ambitious study of the aesthetics of violence across art, literature, film and theatre, this volume brings together traditional German aesthetic and social theory with the modern problem of violence in art. Written in an engaging style, the book includes examples ranging from Homer and Shakespeare to slasher films and performance art.

The Aesthetics of Violence in Contemporary Media

Author : Gwyn Symonds
Publisher : Bloomsbury Publishing USA
Page : 477 pages
File Size : 55,5 Mb
Release : 2011-11-03
Category : Performing Arts
ISBN : 9781441117366

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The Aesthetics of Violence in Contemporary Media by Gwyn Symonds Pdf

The topic of violence in the media seems as inundated as can be. Countless studies and research projects have been conducted, mostly to show its negative effects on society. What Gwynneth Symonds proposes, though, takes this significant topic one step further: studying the aesthetics of media violence. By defining key terms like the 'graphic' nature and 'authenticity' of violent representations, and discussing how those definitions are linked to actual violence outside the film and television screen, Symonds broadens the arena of study. Engagingly written, The Aesthetics of Violence in Contemporary Media fills an important gap. Symonds uses existing studies for the empirical audience reception data, together with discussions of the different representations of violence to look at violence in the media as an art form in of itself. By looking at The Simpsons, Bowling for Columbine and Norma Khouri's Forbidden Love, just to name a few, Symonds cross-analyzes violence in multiple media to see their affective role in audience reception - an important aspect when discussing media. The book strikes a balance between the readers' need to see how theory matches what actually happens in the texts in question and the demands of a theoretical overview.

Handbook of Research on Aestheticization of Violence, Horror, and Power

Author : Erdem, M. Nur,Kocabay-Sener, Nihal,Demir, Tu?ba
Publisher : IGI Global
Page : 696 pages
File Size : 40,7 Mb
Release : 2020-10-02
Category : Social Science
ISBN : 9781799846567

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Handbook of Research on Aestheticization of Violence, Horror, and Power by Erdem, M. Nur,Kocabay-Sener, Nihal,Demir, Tu?ba Pdf

Individuals seek ways to repress the sense of violence within themselves and often resort to medial channels. The hunger of the individual for violence is a trigger for the generation of violent content by media, owners of political power, owners of religious power, etc. However, this content is produced considering the individual’s sensitivities. Thus, violence is aestheticized. Aesthetics of violence appear in different fields and in different forms. In order to analyze it, an interdisciplinary perspective is required. The Handbook of Research on Aestheticization of Violence, Horror, and Power brings together two different concepts that seem incompatible—aesthetics and violence—and focuses on the basic motives of aestheticizing and presenting violence in different fields and genres, as well as the role of audience reception. Seeking to reveal this togetherness with different methods, research, analyses, and findings in different fields that include media, urban design, art, and mythology, the book covers the aestheticization of fear, power, and violence in such mediums as public relations, digital games, and performance art. This comprehensive reference is an ideal source for researchers, academicians, and students working in the fields of media, culture, art, politics, architecture, aesthetics, history, cultural anthropology, and more.

Portraits of Violence

Author : Suzannah Biernoff
Publisher : University of Michigan Press
Page : 223 pages
File Size : 48,9 Mb
Release : 2017-03-28
Category : Art
ISBN : 9780472130290

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Portraits of Violence by Suzannah Biernoff Pdf

Investigates the artistic, medical, and journalistic responses to facial injury in WWI

The Aesthetics of Violence in the Prophets

Author : Julia M. O'Brien,Chris Franke
Publisher : Bloomsbury Publishing USA
Page : 200 pages
File Size : 55,5 Mb
Release : 2010-04-08
Category : Religion
ISBN : 9780567571427

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The Aesthetics of Violence in the Prophets by Julia M. O'Brien,Chris Franke Pdf

This volume explores multiple dimensions of prophetic texts and their violent rhetoric, providing a rich and engaging discussion of violent images not only in prophetic texts and in ancient Near Eastern art but also in modern film and receptions of prophetic texts. The volume addresses questions that are at once ancient and distressingly-modern: What do violent images do to us? Do they encourage violent behavior and/or provide an alternative to actual violence? How do depictions of violence define boundaries between and within communities? What readers can and should readers make of the disturbing rhetoric of violent prophets? Contributors include Corrine Carvahlo, Cynthia Chapman, Chris Franke, Bob Haak, Mary Mills, Julia O'Brien, Kathleen O'Connor, Carolyn Sharp, Yvonne Sherwood, and Daniel Smith-Christopher.

Aesthetic Violence and Women in Film

Author : Joseph H. Kupfer
Publisher : Routledge
Page : 136 pages
File Size : 50,5 Mb
Release : 2018-03-05
Category : Social Science
ISBN : 9781351855242

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Aesthetic Violence and Women in Film by Joseph H. Kupfer Pdf

Aesthetic Violence and Women in Film is a highly readable and timely analysis of the intersection of two recent cinematic trends in martial arts films: aesthetic violence and warrior women. Joseph Kupfer establishes specific categories of aesthetic film violence, including hyper-violence, a visual style that emphasizes the sensuous surface of physical destruction and surreal violence, when spectacular imagery and gravity-defying dance replace blood and gore. He then goes on to outline the ascendancy during the past decades of female characters to the status of hero in action films. Interweaving these two subjects, the book reveals how women warriors instigate and animate the models of aesthetic violence introduced. The hyper-violence of Kill Bill celebrates the triumphs of the Bride, whose maiming and dismemberment of enemies produce brilliant red plumes and silvered geysers of blood. The surrealistic violence in Crouching Tiger, Hidden Dragon and The House of Flying Daggers creatively elevates violence from earthbound mayhem to an enchanting aerial display of female-dominated acrobatics. Both film-stories are driven by the plight and aspirations of female combatants, suggesting an affinity between women and the transfiguration of fighting wrought by surrealistic violence. By elevating the significance of violence in action films and linking it together with the growing popularity of central female characters in this genre, Aesthetic Violence and Women in Film will be of interest to students and scholars in film studies, popular culture, gender studies, aesthetics, and social philosophy.

A Violent Embrace

Author : renée c. hoogland
Publisher : Dartmouth College Press
Page : 249 pages
File Size : 51,8 Mb
Release : 2014-01-07
Category : Art
ISBN : 9781611684926

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A Violent Embrace by renée c. hoogland Pdf

Instead of asking questions about the symbolic meaning or underlying "truth" of a work of art, renée c. hoogland is concerned with the actual "work" that it does in the world (whether intentionally or not). Why do we find ourselves in tears in front of an abstract painting? Why do some cartoons of the prophet Muhammad generate worldwide political outrage? What, in other words, is the compelling force of visual images, even—or especially—if they are nonfigurative, repulsive, or downright "ugly"? Rather than describing, analyzing, and interpreting artworks, hoogland approaches art as an event that obtains on the level of actualization, presenting "retellings" of specific artistic events in the light of recent interventions in aesthetic theory, and proposing to conceive of the aesthetic encounter as a potentially disruptive, if not violent, force field with material, political, and practical consequences.

Troubled Everyday

Author : Alison Taylor
Publisher : Edinburgh University Press
Page : 144 pages
File Size : 46,8 Mb
Release : 2017-04-28
Category : Performing Arts
ISBN : 9781474415231

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Troubled Everyday by Alison Taylor Pdf

Extreme violence in contemporary European art cinema is generally interpreted for its affective potential, but what about the significance of the everyday that so often frames and forms the majority of these films? Why do the sudden moments of violence that punctuate films like Catherine Breillat's Fat Girl (2001), Gaspar Noe's Irreversible (2002) and Markus Schleinzer's Michael (2011) seem so reliant on everyday routines and settings for their impact? Addressing these questions through a series of case-studies, and considering notorious films in their historical and philosophical context, Troubled Everyday offers the first detailed examination of the relationship between violence and the everyday in European art cinema. It calls for a re-evaluation of what gives these films such affective force, and such a prolonged grip on our imagination.

Histories of Violence

Author : Brad Evans,Terrell Carver
Publisher : Bloomsbury Publishing
Page : 256 pages
File Size : 46,5 Mb
Release : 2017-01-15
Category : Philosophy
ISBN : 9781783602407

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Histories of Violence by Brad Evans,Terrell Carver Pdf

While there is a tacit appreciation that freedom from violence will lead to more prosperous relations among peoples, violence continues to be deployed for various political and social ends. Yet the problem of violence still defies neat description, subject to many competing interpretations. Histories of Violence offers an accessible yet compelling examination of the problem of violence as it appears in the corpus of canonical figures – from Hannah Arendt to Frantz Fanon, Michel Foucault to Slavoj Žižek – who continue to influence and inform contemporary political, philosophical, sociological, cultural, and anthropological study. Written by a team of internationally renowned experts, this is an essential interrogation of post-war critical thought as it relates to violence.

The Pathos of the Real

Author : Robert Buch
Publisher : JHU Press
Page : 229 pages
File Size : 52,5 Mb
Release : 2010-12-15
Category : Literary Criticism
ISBN : 9780801899270

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The Pathos of the Real by Robert Buch Pdf

This book is about the ambition, in a set of paradigmatic writers of the twentieth century, to simultaneously enlist and break the spell of the real—their fascination with the spectacle of violence and suffering—and the difficulties involved in capturing this kind of excess by aesthetic means. The works at the center of this study—by Franz Kafka, Georges Bataille, Claude Simon, Peter Weiss, and Heiner Müller—zero in on scenes of agony, destruction, and death with an astonishing degree of precision and detail. The strange and troubling nature of the appeal engendered by these sights is the subject of The Pathos of the Real. Robert Buch shows that the spectacles of suffering conjured up in these texts are deeply ambivalent, available neither to cathartic relief nor to the sentiment of compassion. What prevails instead is a peculiar coincidence of opposites: exaltation and resignation; disfiguration and transfiguration; agitation and paralysis. Featuring the experiences of violent excess in strongly visual and often in expressly pictorial terms, the works expose the nexus between violence and the image in twentieth-century aesthetics. Buch explores this tension between visual and verbal representation by drawing on the rhetorical notion of pathos as both insurmountable suffering and codified affect and the psychoanalytic notion of the real, that is, the disruption of the symbolic order. In dialogue with a diverse group of thinkers, from Erich Auerbach and Aby Warburg to Alain Badiou and Jacques Lacan, The Pathos of the Real advances an innovative new framework for rethinking the aesthetics of violence in the twentieth century.

Post-Communist Aesthetics

Author : Anca M. Pusca
Publisher : Routledge
Page : 160 pages
File Size : 44,9 Mb
Release : 2015-11-06
Category : Political Science
ISBN : 9781317360650

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Post-Communist Aesthetics by Anca M. Pusca Pdf

In this book, Anca Pusca seeks to extend the aesthetic and cultural turn in international relations to an analysis of post-communist transitions in Central and Eastern Europe. Building on the philosophy of Walter Benjamin and Jacques Ranciere, the work investigates how post-communist film, photography, theatre, art, museumization and architecture have creatively re-engaged with ideas of revolution, communism, capitalism and ethnic violence, and how this in turn has helped people survive and reinvent themselves amongst the material and ideological ruins of communism. The work illustrates how popular culture has effectively targeted and re-interpreted the classical representations of the transition in order to question: • The origin – focusing on practices of re-staging, memorializing and questioning the 1989 revolutions. • The unfolding – focusing on the human and material consequences of significant changes in processes of production and consumption. • The potential end – focusing on the illusions and disillusions surrounding the 'transition' process. A unique take on the influence that popular culture has had and continues to have on how we understand the post-communist transitions, this work will be of great interest to students and scholars of cultural and visual studies, eastern European politics and international relations.

Representing the Experience of War and Atrocity

Author : Ronnie Lippens,Emma Murray
Publisher : Springer
Page : 261 pages
File Size : 51,6 Mb
Release : 2019-04-26
Category : Social Science
ISBN : 9783030139254

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Representing the Experience of War and Atrocity by Ronnie Lippens,Emma Murray Pdf

This book explores how the experience of war and related atrocities tend to be visually expressed and how such articulations and representations are circulated and consumed. Each chapter of this volume examines how an image can contribute to a richer understanding of the experience of war and atrocity and thus they contribute to the burgeoning field of the "criminology of war". Topics include the destruction of war in oppositional cultural forms - comparing the Nazi period with the ISIS destruction of Palmyra - and the visual aesthetics of violence deployed by Jihadi terrorism. The contributors are a multi-disciplinary team drawn mainly from criminology but also sociology, international relations, gender studies, English and the visual arts. This book will advance this field in new directions with refreshing, original work.

The Art of Cruelty

Author : Maggie Nelson
Publisher : National Geographic Books
Page : 0 pages
File Size : 43,9 Mb
Release : 2012-08-14
Category : History
ISBN : 9780393343144

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The Art of Cruelty by Maggie Nelson Pdf

"This is criticism at its best." —Carolyn Kellogg, Los Angeles Times Writing in the tradition of Susan Sontag and Elaine Scarry, Maggie Nelson has emerged as one of our foremost cultural critics with this landmark work about representations of cruelty and violence in art. From Sylvia Plath’s poetry to Francis Bacon’s paintings, from the Saw franchise to Yoko Ono’s performance art, Nelson’s nuanced exploration across the artistic landscape ultimately offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.

The Fleeting Promise of Art

Author : Peter Uwe Hohendahl
Publisher : Cornell University Press
Page : 200 pages
File Size : 49,7 Mb
Release : 2013-11-15
Category : Literary Criticism
ISBN : 9780801469275

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The Fleeting Promise of Art by Peter Uwe Hohendahl Pdf

A discussion of Theodor Adorno’s Aesthetic Theory is bound to look significantly different today than it would have looked when the book was first published in 1970, or when it first appeared in English translation in the 1980s. In The Fleeting Promise of Art, Peter Uwe Hohendahl reexamines Aesthetic Theory along with Adorno’s other writings on aesthetics in light of the unexpected return of the aesthetic to today’s cultural debates. Is Adorno’s aesthetic theory still relevant today? Hohendahl answers this question with an emphatic yes. As he shows, a careful reading of the work exposes different questions and arguments today than it did in the past. Over the years Adorno’s concern over the fate of art in a late capitalist society has met with everything from suspicion to indifference. In part this could be explained by relative unfamiliarity with the German dialectical tradition in North America. Today’s debate is better informed, more multifaceted, and further removed from the immediate aftermath of the Cold War and of the shadow of postmodernism. Adorno’s insistence on the radical autonomy of the artwork has much to offer contemporary discussions of art and the aesthetic in search of new responses to the pervasive effects of a neoliberal art market and culture industry. Focusing specifically on Adorno’s engagement with literary works, Hohendahl shows how radically transformative Adorno’s ideas have been and how thoroughly they have shaped current discussions in aesthetics. Among the topics he considers are the role of art in modernism and postmodernism, the truth claims of artworks, the function of the ugly in modern artworks, the precarious value of the literary tradition, and the surprising significance of realism for Adorno.