Modernity S Ear

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Modernity's Ear

Author : Roshanak Kheshti
Publisher : NYU Press
Page : 199 pages
File Size : 44,7 Mb
Release : 2015-10-23
Category : Music
ISBN : 9781479817863

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Modernity's Ear by Roshanak Kheshti Pdf

Inside the global music industry and the racialized and gendered assumptions we make about what we hear Fearing the rapid disappearance of indigenous cultures, twentieth-century American ethnographers turned to the phonograph to salvage native languages and musical practices. Prominent among these early “songcatchers” were white women of comfortable class standing, similar to the female consumers targeted by the music industry as the gramophone became increasingly present in bourgeois homes. Through these simultaneous movements, listening became constructed as a feminized practice, one that craved exotic sounds and mythologized the ‘other’ that made them. In Modernity’s Ear, Roshanak Kheshti examines the ways in which racialized and gendered sounds became fetishized and, in turn, capitalized on by an emergent American world music industry through the promotion of an economy of desire. Taking a mixed-methods approach that draws on anthropology and sound studies, Kheshti locates sound as both representative and constitutive of culture and power. Through analyses of film, photography, recordings, and radio, as well as ethnographic fieldwork at a San Francisco-based world music company, Kheshti politicizes the feminine in the contemporary world music industry. Deploying critical theory to read the fantasy of the feminized listener and feminized organ of the ear, Modernity’s Ear ultimately explores the importance of pleasure in constituting the listening self.

Modernity's Ear

Author : Roshanak Kheshti
Publisher : NYU Press
Page : 199 pages
File Size : 52,5 Mb
Release : 2015-10-23
Category : Music
ISBN : 9781479867011

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Modernity's Ear by Roshanak Kheshti Pdf

Inside the global music industry and the racialized and gendered assumptions we make about what we hear Fearing the rapid disappearance of indigenous cultures, twentieth-century American ethnographers turned to the phonograph to salvage native languages and musical practices. Prominent among these early “songcatchers” were white women of comfortable class standing, similar to the female consumers targeted by the music industry as the gramophone became increasingly present in bourgeois homes. Through these simultaneous movements, listening became constructed as a feminized practice, one that craved exotic sounds and mythologized the ‘other’ that made them. In Modernity’s Ear, Roshanak Kheshti examines the ways in which racialized and gendered sounds became fetishized and, in turn, capitalized on by an emergent American world music industry through the promotion of an economy of desire. Taking a mixed-methods approach that draws on anthropology and sound studies, Kheshti locates sound as both representative and constitutive of culture and power. Through analyses of film, photography, recordings, and radio, as well as ethnographic fieldwork at a San Francisco-based world music company, Kheshti politicizes the feminine in the contemporary world music industry. Deploying critical theory to read the fantasy of the feminized listener and feminized organ of the ear, Modernity’s Ear ultimately explores the importance of pleasure in constituting the listening self.

Modernity's Ear

Author : Roshanak Kheshti
Publisher : NYU Press
Page : 208 pages
File Size : 48,7 Mb
Release : 2015-10-23
Category : Social Science
ISBN : 9781479819935

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Modernity's Ear by Roshanak Kheshti Pdf

Inside the global music industry and the racialized and gendered assumptions we make about what we hear Fearing the rapid disappearance of indigenous cultures, twentieth-century American ethnographers turned to the phonograph to salvage native languages and musical practices. Prominent among these early “songcatchers” were white women of comfortable class standing, similar to the female consumers targeted by the music industry as the gramophone became increasingly present in bourgeois homes. Through these simultaneous movements, listening became constructed as a feminized practice, one that craved exotic sounds and mythologized the ‘other’ that made them. In Modernity’s Ear, Roshanak Kheshti examines the ways in which racialized and gendered sounds became fetishized and, in turn, capitalized on by an emergent American world music industry through the promotion of an economy of desire. Taking a mixed-methods approach that draws on anthropology and sound studies, Kheshti locates sound as both representative and constitutive of culture and power. Through analyses of film, photography, recordings, and radio, as well as ethnographic fieldwork at a San Francisco-based world music company, Kheshti politicizes the feminine in the contemporary world music industry. Deploying critical theory to read the fantasy of the feminized listener and feminized organ of the ear, Modernity’s Ear ultimately explores the importance of pleasure in constituting the listening self.

Turkey’s Engagement with Modernity

Author : C. Kerslake,K. Öktem,P. Robins
Publisher : Springer
Page : 481 pages
File Size : 48,8 Mb
Release : 2010-02-25
Category : Political Science
ISBN : 9780230277397

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Turkey’s Engagement with Modernity by C. Kerslake,K. Öktem,P. Robins Pdf

Turkey's Enagement with Modernity explores how the country has been shaped in the image of the Kemalist project of nationalist modernity and how it has transformed, if erratically, into a democratic society where tensions between religion, state and society continue unabated.

Hearing Cultures

Author : Veit Erlmann
Publisher : Routledge
Page : 250 pages
File Size : 53,6 Mb
Release : 2020-06-24
Category : Social Science
ISBN : 9781000211047

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Hearing Cultures by Veit Erlmann Pdf

Vision is typically treated as the defining sense of the modern era and a powerful vehicle for colonial and postcolonial domination. This is in marked contrast to the almost total absence of accounts of hearing in larger cultural processes. Hearing Cultures is a timely examination of the elusive, often evocative, and sometimes cacophonous auditory sense - from the intersection of sound and modernity, through to the relationship between audio-technological advances and issues of personal and urban space. As cultures and communities grapple with the massive changes wrought by modernization and globalization, Hearing Cultures presents an important new approach to understanding our world. It answers such intriguing questions as: Did people in Shakespeare's time hear differently from us? In what way does technology affect our ears? Why do people in Egypt increasingly listen to taped religious sermons? Why did Enlightenment doctors believe that music was an essential cure? What happens acoustically in cross-cultural first encounters? Why do Runa Indians in the Amazon basin now consider onomatopoetic speech child's talk? The ear, as much as the eye, nose, mouth and hand, offers a way into experience. All five senses are instruments that record, interpret and engage with the world. This book shows how sound offers a refreshing new lens through which to examine culture and complex social issues.

Modernity

Author : David Punter
Publisher : Bloomsbury Publishing
Page : 256 pages
File Size : 43,9 Mb
Release : 2017-09-16
Category : Literary Criticism
ISBN : 9781137050304

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Modernity by David Punter Pdf

This exciting volume in the Transitions series explores both history and contemporary ideas, pushing forward the boundaries of what we understand by 'modernity'. This book is distinguished from its competitors by its clear focus on close readings of commonly-studied texts and a strict policy on writing for an undergraduate readership.

Visualizing Spanish Modernity

Author : Susan Larson,Eva Maria Woods
Publisher : Routledge
Page : 315 pages
File Size : 41,8 Mb
Release : 2020-08-25
Category : Social Science
ISBN : 9781000324037

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Visualizing Spanish Modernity by Susan Larson,Eva Maria Woods Pdf

While the simultaneously creative and destructive forces of modernity in Western Europe have been well studied, the case of Spain has often been overlooked. Visualizing Spanish Modernity concentrates on the time period 1868-1939, which marks not only the beginning of the formation of a modern economy and the consolidation of the liberal state, but also the growth of urban centers and spaces made possible by electricity, transportation, mass production and the emergence of an entertainment industry. The authors examine how mass print culture, early cinema, popular drama, photography, fashion, painting, museums and urban planning played a role in the way that Spanish society saw itself and was in turn seen by the rest of the world. Assessing how new cultural forms were instrumental in shaping Spaniards into citizens of the modern world, the authors consider such subjects as the spectacle of the body, notions of race and gender, the changing meanings of time, space and motion, the relationship between technology and everyday life and popular culture.

Rhetoric, Modality, Modernity

Author : Nancy S. Struever
Publisher : University of Chicago Press
Page : 170 pages
File Size : 54,5 Mb
Release : 2009-11-15
Category : Philosophy
ISBN : 9780226777504

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Rhetoric, Modality, Modernity by Nancy S. Struever Pdf

Since antiquity, philosophy and rhetoric have traditionally been cast as rivals, with the former often lauded as a search for logical truth and the latter usually disparaged as empty speech. But in this erudite intellectual history, Nancy S. Struever stakes out a claim for rhetoric as the more productive form of inquiry. Struever views rhetoric through the lens of modality, arguing that rhetoric’s guiding interest in what is possible—as opposed to philosophy’s concern with what is necessary—makes it an ideal tool for understanding politics. Innovative readings of Hobbes and Vico allow her to reexamine rhetoric’s role in the history of modernity and to make fascinating connections between thinkers from the classical, early modern, and modern periods. From there she turns to Walter Benjamin, reclaiming him as an exemplar of modernist rhetoric and a central figure in the long history of the form. Persuasive and perceptive, Rhetoric, Modality, Modernity is a novel rewriting of the history of rhetoric and a heady examination of the motives, issues, and flaws of contemporary inquiry.

Singing the English

Author : Hannah L. Scott
Publisher : Routledge
Page : 226 pages
File Size : 52,8 Mb
Release : 2022-03-31
Category : Music
ISBN : 9781000565928

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Singing the English by Hannah L. Scott Pdf

Late nineteenth-century France was a nation undergoing an identity crisis: the uncertain infancy of the Third Republic and shifting alliances in the wake of the Franco-Prussian War forced France to interrogate the fundamental values and characteristics at the heart of its own national identity. Music was central to this national self-scrutiny. It comes as little surprise to us that Oriental fears, desires, and anxieties should be a fundamental part of this, but what has been overlooked to date is that Britain, too, provided a thinking space in the French musical world; it was often – surprisingly and paradoxically – represented through many of the same racialist terms and musical tropes as the Orient. However, at the same time, its shared history with France and the explosions of colonial rivalry between the two nations introduced an ever-present tension into this musical relationship. This book sheds light on this forgotten musical sphere through a rich variety of contemporary sources. It visits the café-concert and its tradition of ‘Englishing up’ with fake hair, mocking accents, and unflattering dances; it explores the reactions, both musical and physical, to British evangelical bands as they arrived in the streets of France and the colonies; it considers the French reception of, and fascination with, folk music from Ireland and Scotland; and it confronts the culture shock felt by French visitors to Britain as they witnessed British music-making for the first time. Throughout, it examines the ways in which this music allowed French society to grapple with the uncertainty of late nineteenth-century life, providing ordinary French citizens with a means of understanding and interrogating both the Franco-British relationship and French identity itself.

Kaleidophonic Modernity

Author : Brett Brehm
Publisher : Fordham Univ Press
Page : 207 pages
File Size : 55,8 Mb
Release : 2023-02-21
Category : Literary Criticism
ISBN : 9781531501501

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Kaleidophonic Modernity by Brett Brehm Pdf

What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Brehm builds a bridge between visual culture and sound studies. Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own time and ours. For nearly twenty years Nina de Villard presided over a supremely daring intellectual salon. There, she welcomed manifold literary, artistic, and musical luminaries into a veritable crucible of the artistic avant-garde and precursor to the famous Chat Noir cabaret. Together, these two forgotten but pivotal figures, Cros and Villard, help reframe our thinking on Edgar Allan Poe, Charles Baudelaire, and Walt Whitman, icons of urban modernity who can now be seen and heard in a kaleidophonic light, one that offers a compelling new perspective on modern mediascapes. In elaborating this transatlantic phenomenon, Kaleidophonic Modernity illuminates the prehistory of the phonograph as it intersects with the aesthetics of sound reproducibility, Franco-American literary exchange, Poe’s aesthetic and intellectual legacy, the sounds of modern cities and technologies, and the genealogy of audiovisual experimentation found in such movements as Dada, Futurism, and the sound art of today.

The Experience of Modernity

Author : Janet Ng
Publisher : University of Michigan Press
Page : 209 pages
File Size : 47,5 Mb
Release : 2003
Category : Social Science
ISBN : 9780472098217

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The Experience of Modernity by Janet Ng Pdf

DIVExamines the aftershocks of the Chinese vernacular reform movement as expressed in early twentieth-century autobiography /div

Music, Modern Culture, and the Critical Ear

Author : Nicholas Attfield,Ben Winters
Publisher : Routledge
Page : 312 pages
File Size : 51,7 Mb
Release : 2016-04-30
Category : Music
ISBN : 9781317091653

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Music, Modern Culture, and the Critical Ear by Nicholas Attfield,Ben Winters Pdf

In his 1985 book The Idea of Music: Schoenberg and Others, Peter Franklin set out a challenge for musicology: namely, how best to talk and write about the music of modern European culture that fell outside of the modernist mainstream typified by Schoenberg, Berg, and Webern? Thirty years on, this collected volume of essays by Franklin’s students and colleagues returns to that challenge and the vibrant intellectual field that has since developed. Moving freely between insights into opera, Volksoper, film, festival, and choral movement, and from the very earliest years of the twentieth century up to the 1980s, its authors listen with a ‘critical ear’: they site these musical phenomena within a wider web of modern cultural practices - a perspective, in turn, that enables them to exercise a disciplinary self-awareness after Franklin’s manner.

Tradition, Modernity, and Postmodernity in Arabic Literature

Author : Issa J. Boullata,Kamal Abdel-Malek,Wael B. Hallaq
Publisher : BRILL
Page : 440 pages
File Size : 53,8 Mb
Release : 2000
Category : Literary Criticism
ISBN : 9004117636

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Tradition, Modernity, and Postmodernity in Arabic Literature by Issa J. Boullata,Kamal Abdel-Malek,Wael B. Hallaq Pdf

In this collection of essays, various manifestations of traditional as well as modern and postmodern themes and techniques in Arabic literature are explored. For the first time the tripartite concepts of tradition, modernity, and postmodernity in Arabic literary works are analyzed in one volume.

Painting and the Turn to Cultural Modernity in Spain

Author : Andrew Ginger
Publisher : Susquehanna University Press
Page : 378 pages
File Size : 43,9 Mb
Release : 2007
Category : Art
ISBN : 1575911132

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Painting and the Turn to Cultural Modernity in Spain by Andrew Ginger Pdf

Cultural modernity has habitually been defined as a focus on the means of representation themselves, as opposed to art that imitates external reality or expresses its maker's inner life. The crucial moment is usually considered the emergence of Edouard Manet in mid-nineteenth-century France, and the features of French developments have been seen as defining terms in the theory of modernity. However, recent art and cultural history have often spoken of plural modernities, distinct from the pattern set in France. For the first time, this study in cultural history explores how Spanish culture took a radical turn toward the medium of representation itself in the 1850s and early 1860s. It argues that this happened in a way that is critically at odds with many fundamental theoretical suppositions about modernity.

Sonic Modernity

Author : Sam Halliday
Publisher : Edinburgh University Press
Page : 224 pages
File Size : 53,5 Mb
Release : 2013-03-14
Category : Literary Criticism
ISBN : 9780748632565

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Sonic Modernity by Sam Halliday Pdf

Reveals the many roles and forms of sound in modernism. Drawing on a wealth of texts and thinkers, the book shows the distinctive nature of sonic cultures in modernity. Arguing that these cultures are not reducible to sound alone, the book further shows that these encompass representations of sound in 'other' media: especially literature; but also, cinema and painting. Figures discussed include canonical writers such as Joyce, Richardson, and Woolf; relatively neglected writers such as Henry Roth and Bryher; and a whole host of musicians, artists, and other commentators, including Wagner, Schoenberg, Kandinsky, Adorno, and Benjamin. Conceptually as well as topically diverse, the book engages issues such as city noise and 'foreign' accents, representations of sound in 'silent' cinema, the relationship of music to language, and the effects of technology on sonic production and reception.