Mongolian Film Music Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Mongolian Film Music book. This book definitely worth reading, it is an incredibly well-written.
Mongolian Film Music Tradition Revolution and Propaganda by Lucy Rees Pdf
In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda. It sent young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilized their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced between 1938 and 1990. Lucy Rees provides an overview of the rich mosaic of music genres that appeared in these soundtracks. Case studies of composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films.
In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilised their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced by the state film studio between 1938 and 1990. Lucy M. Rees provides an overview of the rich mosaic of music genres that appeared in these film soundtracks, including symphonic music influenced by Western art music, modified forms of Mongolian traditional music, and a new genre known as ‘professional music’ that combined both symphonic and Mongolian traditional characteristics. Case studies of key composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films. There are discussions of films that celebrate the 1921 Revolution that led to Mongolia becoming a socialist nation, those that foreshadowed the 1990 Democratic Revolution that drew the socialist era to a close, and the diverse range of films and scores produced after 1990 in the aftermath of the socialist regime.
In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilised their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced by the state film studio between 1938 and 1990. Lucy M. Rees provides an overview of the rich mosaic of music genres that appeared in these film soundtracks, including symphonic music influenced by Western art music, modified forms of Mongolian traditional music, and a new genre known as ’professional music’ that combined both symphonic and Mongolian traditional characteristics. Case studies of key composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films. There are discussions of films that celebrate the 1921 Revolution that led to Mongolia becoming a socialist nation, those that foreshadowed the 1990 Democratic Revolution that drew the socialist era to a close, and the diverse range of films and scores produced after 1990 in the aftermath of the socialist regime.
Let the adventure begin! Ride a camel across the sun-scorched Gobi, feast by moonlight at the bottomless lake of Uüreg Nuur, and experience traditional archery and wrestling at the Naadam Festival. Escape to the ends of the earth in the footsteps of the first Mongol nomads. All you need is a strong pair of boots and this bestselling guidebook. Find your own way : detailed maps and GPS coordinates for hundreds of key sites; Connect with the locals and sleep in a ger, Mongolia's famous felt-tent abode -expanded reviews describe the country's best ger camps; Stride across the steppes with your inspiring itineraries through the Land of Blue Sky -witness magical monasteries and spectacular ice canyons; Talk the talk : our language chapter makes communication easy; Get under the skin of Mongolia with delicated Culture and History chapters packed with fascinating insights and little-known facts.
Ted and Betsy Lewin's illustrated travelogue story of their trip to Mongolia to watch young boy and girl jockeys race horses in the traditional Naadam summer festival.
Continuum Encyclopedia of Popular Music of the World Part 2 Locations (5 Vol Set) by John Shepherd,David Horn,Dave Laing Pdf
"EPMOW lives music. Put another way, it does for popular music what Grove has done for classical" David Brackett ‘Excellent, readable and thoroughly useful...While some previous single-volume and multivolume works have addressed the development and current state of popular music, none has done so with this work's depth of scholarship and global reach. Scholarly, clearly written, and well indexed, it is an ideal reference set.' Library Journal Continuum Encyclopedia of Popular Music of the World's five-volume work ‘Locations' is the most authoritative reference work on the history and current practice of popular music ever published. The five volumes on ‘Locations' that form Part 2 of this multi-volume work follow on from the two volumes of Part 1: Media, Industry and Society (Volume I) and Performance and Production (Volume II) . They cover over 200 nation states and are organized according to continental regions: Volume III: Caribbean and Latin America Volume IV: North America Volume V: Asia and Oceania Volume VI: Africa and the Middle East Volume VII: Europe Each discusses the history, development and current practice of popular music in cities, districts, cross-border regions, nation states and diasporic communities around the world. Includes coverage of:- The historical, geographical, demographical, political, economic and cultural context- Genres for which the location is known or which have been important to the development and current practice of its popular music- Significant venues such as theatres, dance halls, clubs and bars- The role of the industry: music publishers, record companies/labels, recording studios, radio and TV- The role of the state and government regulatory bodies- The teaching and research of popular music in educational institutions- Songs associated with the location- Notable performers and other practitioners such as producers, engineers, technological innovators, record company heads, journalists, critics and scholars, songwriters, composers and lyricists. 250 leading popular music scholars and practitioners have contributed over 500 entries. They include Rafael José de Menezes Bastos on Brazil, Peter Manuel on India and the Caribbean Islands, John Collins on Ghana, Moya Aliya Malamusi on Malawi, Tôru Mitsui on Japan, Motti Regev on Israel, Martin Stokes on Turkey, Richard Peterson on Nashville, Amy Ku'uleialoha Stillman on Hawai'I, Bruce Johnson on Australia, Paolo Prato on Italy, Svanibor Pettan on Croatia and Alf Björnberg on Sweden. For more information please visit: www.continuumpopmusic.com
