Mother Me Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Mother Me book. This book definitely worth reading, it is an incredibly well-written.
The adopted daughter of loving parents, Zara Phillips felt out of place since childhood. Although cherished, she grew up deeply insecure and alone, consumed by a void she found impossible to fill. Isolation led to alienation, until her talent brought her to the center of the heady London rock ‘n’ roll scene of the 1980s. Zara became lost in a downward spiral of drugs, alcohol and destructive relationships. An intense search for the truth of her birth led to an awakening and then to recovery. Zara’s activism for adoptee rights springs from a very personal passion. In the end, it was Zara’s experience of becoming a mother that revealed what being adopted really meant. For the first time, she gained deep understanding and compassion for both her birth mother and her adoptive mother and was able to start the healing process. Mother Me bravely illuminates the lifelong impact of adoption on every member of the adoption triad—adoptee, birth mother and adoptive mother—as well as the families of each. The tale of Zara’s search for her birth mother and her path to recovery is riveting, as are the stories of many people sharing her past.
In What My Mother Gave Me, women look at the relationships between mothers and daughters through a new lens: a daughter’s story of a gift from her mother that has touched her to the bone and served as a model, a metaphor, or a touchstone in her own life. The contributors of these thirty-one original pieces include Pulitzer Prize winners, perennial bestselling novelists, and celebrated broadcast journalists. Whether a gift was meant to keep a daughter warm, put a roof over her head, instruct her in the ways of womanhood, encourage her talents, or just remind her of a mother’s love, each story gets to the heart of a relationship. Rita Dove remembers the box of nail polish that inspired her to paint her nails in the wild stripes and polka dots she wears to this day. Lisa See writes about the gift of writing from her mother, Carolyn See. Cecilia Muñoz remembers both the wok her mother gave her and a lifetime of home-cooked family meals. Judith Hillman Paterson revisits the year of sobriety her mother bequeathed to her when Paterson was nine, the year before her mother died of alcoholism. Abigail Pogrebin writes about her middle-aged bat mitzvah, for which her mother provided flowers after a lifetime of guilt for skipping her daughter’s religious education. Margo Jefferson writes about her mother’s gold dress from the posh department store where they could finally shop as black women. Collectively, the pieces have a force that feels as elemental as the tides: outpourings of lightness and darkness; joy and grief; mother love and daughter love; mother love and daughter rage. In these stirring words we find that every gift, ?no matter how modest, tells the story of a powerful bond. As Elizabeth Benedict points out in her introduction, “whether we are mothers, daughters, aunts, sisters, or cherished friends, we may not know for quite some time which presents will matter the most."
The complex, deeply binding relationship between mothers and daughters is brought vividly to life in Katie Hafner’s remarkable memoir, an exploration of the year she and her mother, Helen, spent working through, and triumphing over, a lifetime of unresolved emotions. Dreaming of a “year in Provence” with her mother, Katie urges Helen to move to San Francisco to live with her and Zoë, Katie’s teenage daughter. Katie and Zoë had become a mother-daughter team, strong enough, Katie thought, to absorb the arrival of a seventy-seven-year-old woman set in her ways. Filled with fairy-tale hope that she and her mother would become friends, and that Helen would grow close to her exceptional granddaughter, Katie embarked on an experiment in intergenerational living that she would soon discover was filled with land mines: memories of her parents’ painful divorce, of her mother’s drinking, of dislocating moves back and forth across the country, and of Katie’s own widowhood and bumpy recovery. Helen, for her part, was also holding difficult issues at bay. How these three women from such different generations learn to navigate their challenging, turbulent, and ultimately healing journey together makes for riveting reading. By turns heartbreaking and funny—and always insightful—Katie Hafner’s brave and loving book answers questions about the universal truths of family that are central to the lives of so many. Praise for Mother Daughter Me “The most raw, honest and engaging memoir I’ve read in a long time.”—KJ Dell’Antonia, The New York Times “A brilliant, funny, poignant, and wrenching story of three generations under one roof, unlike anything I have ever read.”—Abraham Verghese, author of Cutting for Stone “Weaving past with present, anecdote with analysis, [Katie] Hafner’s riveting account of multigenerational living and mother-daughter frictions, of love and forgiveness, is devoid of self-pity and unafraid of self-blame. . . . [Hafner is] a bright—and appealing—heroine.”—Cathi Hanauer, Elle “[A] frank and searching account . . . Currents of grief, guilt, longing and forgiveness flow through the compelling narrative.”—Steven Winn, San Francisco Chronicle “A touching saga that shines . . . We see how years-old unresolved emotions manifest.”—Lindsay Deutsch, USA Today “[Hafner’s] memoir shines a light on nurturing deficits repeated through generations and will lead many readers to relive their own struggles with forgiveness.”—Erica Jong, People “An unusually graceful story, one that balances honesty and tact . . . Hafner narrates the events so adeptly that they feel enlightening.”—Harper’s “Heartbreakingly honest, yet not without hope and flashes of wry humor.”—Kirkus Reviews “[An] emotionally raw memoir examining the delicate, inevitable shift from dependence to independence and back again.”—O: The Oprah Magazine (Ten Titles to Pick Up Now)
Nobody Ever Told Me (or My Mother) That! by Diane Bahr Pdf
Advice on feeding and exercises to assist the development of babies' mouth and facial muscles to ensure language development, good mouth structure and movement.
A picture book for expectant mothers and already-mothers everywhere, perfect as a shower gift or for Mother's Day. I felt you. You were a pea. Then a lemon. Then an eggplant... In this beautiful celebration of motherhood, the universal message of unconditional love for a child shines through. Laurenne Sala's heartwarming text, accompanied by New York Times bestselling artist Robin Preiss Glasser's charming illustrations, creates a sweet and intimate look at the powerful bond between mother and child from pregnancy to birth and beyond.
Brando: Songs My Mother Taught Me by Marlon Brando Pdf
This is Marlon Brando’s own story, and his reason for telling it is best revealed in his own words: “I have always considered my life a private affair and the business of no one beyond my family and those I love. Except for moral and political issues that aroused in me a desire to speak out, I have done my utmost throughout my life, for the sake of my children and myself, to remain silent. . . . But now, in my seventieth year, I have decided to tell the story of my life as best I can, so that my children can separate the truth from the myths that others have created about me, as myths are created about everyone swept up in the turbulent and distorting maelstrom of celebrity in our culture.” To date there have been over a dozen books written about Marlon Brando, and almost all of them have been inaccurate, based on hearsay, sensationalist or prurient in tone. Now, at last, fifty years after his first appearance onstage in New York City, the actor has told his life story, with the help of Robert Lindsey. The result is an extraordinary book, at once funny, moving, absorbing, ribald, angry, self-deprecating and completely frank account of the career, both on-screen and off, of the greatest actor of our time. Anyone who has ever enjoyed a Brando film will relish this book. Please note: this edition does not include photos.
On a hot July night on Cape Cod, at the age of 14, Brodeur became a confidante to her mother's affair with her husband's closest friend. Malabar came to rely on her daughter to help, but when the affair had calamitous consequences for everyone involved, Brodeau was driven into a precarious marriage of her own, and then into a deep depression. In her memoir she examines how the people close to us can break our hearts simply because they have access to them, and the lies we tell in order to justify the choices we make. -- adapted from jacket
Author : Questions About Me Publisher : Tell Me Your Life Story Series Page : 124 pages File Size : 51,9 Mb Release : 2021-04-18 Category : Electronic ISBN : 1952568285
My Mother She Killed Me, My Father He Ate Me by Kate Bernheimer Pdf
The fairy tale lives again in this book of forty new stories by some of the biggest names in contemporary fiction. Neil Gaiman, “Orange” Aimee Bender, “The Color Master” Joyce Carol Oates, “Blue-bearded Lover” Michael Cunningham, “The Wild Swans” These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party. Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico. Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.
"...examines motherhood in all its complexities and nuances. In this delightful volume of poetry and prose you can find mothers who were present and mothers who were absent, mothers who laughed every day and mothers who cried more often than not, mothers who raised their children all on their own and mothers who had a partner by their side. The pages are alive with diverse mothers who gave each contributor their advice, love, and life-lessons..."--Christine Green, literary arts columnist, Democrat and Chronicle (on back cover).
In her first book, Never a Hero to Me, Tracy Black told the horrific story of how her father, a respected Army man, was in fact a heartless paedophile who convinced Tracy that her mother's health was completely dependent on her willingness to be abused. In her new book, Tracy continues her shocking story by telling how her mother closed her eyes to the cruelty, treating her little girl with cold indifference. Heartbreakingly Tracy traded her innocence for the love of her mother - love which was never given, no matter how much she suffered. As Tracy approached adulthood, she risked being trapped in damaging sexual relationships. But after years of struggle she found the courage to break out of her past and turn her life around.
"In 1939," Julian Padowicz says, "I was a Polish Jew-hater. Under different circumstances my story might have been one of denouncing Jews to the Gestapo. As it happened, I was a Jew myself, and I was seven years old." Julian's mother was a Warsaw socialite who had no interest in child-rearing. She turned her son over completely to his governess, a good Catholic, named Kiki, whom he loved with all his heart. Kiki was deeply worried about Julian's immortal soul, explaining that he could go to Heaven only if he became a Catholic. When bombs began to fall on Warsaw, Julian's world crumbled. His beloved Kiki returned to her family in Lodz; Julian's stepfather joined the Polish army, and the grief-stricken boy was left with the mother whom he hardly knew. Resourceful and determinded, his mother did whatever was necessary to provide for herself and her son: she brazenly cut into food lines and befriended Russian officers to get extra rations of food and fuel. But brought up by Kiki to distrust all things Jewish, Julian considered his mother's behavior un-Christian. In the winter of 1940, as conditions worsened, Julian and his mother made a dramatic escape to Hungary on foot through the Carpathian mountains and Julian came to believe that even Jews could go to Heaven.
The complex, deeply binding relationship between mothers and daughters is brought vividly to life in Katie Hafner’s remarkable memoir, an exploration of the year she and her mother, Helen, spent working through, and triumphing over, a lifetime of unresolved emotions. Dreaming of a “year in Provence” with her mother, Katie urges Helen to move to San Francisco to live with her and Zoë, Katie’s teenage daughter. Katie and Zoë had become a mother-daughter team, strong enough, Katie thought, to absorb the arrival of a seventy-seven-year-old woman set in her ways. Filled with fairy-tale hope that she and her mother would become friends, and that Helen would grow close to her exceptional granddaughter, Katie embarked on an experiment in intergenerational living that she would soon discover was filled with land mines: memories of her parents’ painful divorce, of her mother’s drinking, of dislocating moves back and forth across the country, and of Katie’s own widowhood and bumpy recovery. Helen, for her part, was also holding difficult issues at bay. How these three women from such different generations learn to navigate their challenging, turbulent, and ultimately healing journey together makes for riveting reading. By turns heartbreaking and funny—and always insightful—Katie Hafner’s brave and loving book answers questions about the universal truths of family that are central to the lives of so many. Praise for Mother Daughter Me “The most raw, honest and engaging memoir I’ve read in a long time.”—KJ Dell’Antonia, The New York Times “A brilliant, funny, poignant, and wrenching story of three generations under one roof, unlike anything I have ever read.”—Abraham Verghese, author of Cutting for Stone “Weaving past with present, anecdote with analysis, [Katie] Hafner’s riveting account of multigenerational living and mother-daughter frictions, of love and forgiveness, is devoid of self-pity and unafraid of self-blame. . . . [Hafner is] a bright—and appealing—heroine.”—Cathi Hanauer, Elle “[A] frank and searching account . . . Currents of grief, guilt, longing and forgiveness flow through the compelling narrative.”—Steven Winn, San Francisco Chronicle “A touching saga that shines . . . We see how years-old unresolved emotions manifest.”—Lindsay Deutsch, USA Today “[Hafner’s] memoir shines a light on nurturing deficits repeated through generations and will lead many readers to relive their own struggles with forgiveness.”—Erica Jong, People “An unusually graceful story, one that balances honesty and tact . . . Hafner narrates the events so adeptly that they feel enlightening.”—Harper’s “Heartbreakingly honest, yet not without hope and flashes of wry humor.”—Kirkus Reviews “[An] emotionally raw memoir examining the delicate, inevitable shift from dependence to independence and back again.”—O: The Oprah Magazine (Ten Titles to Pick Up Now) “Scrap any romantic ideas about what goes on when a 40-something woman invites her mother to live with her and her teenage daughter for a year. As Hafner hilariously and touchingly tells it, being the center of a family sandwich is, well, complicated.”—Parade
“I wanted to tell the secret stories that my great-grandmother Blanche whispered to me on summer nights in a featherbed in Iowa. I was eight and she was eighty . . .” At the age of four, a little girl stands on a cold, windy railroad platform in Wichita, Kansas, watching a train take her mother away. For the rest of her life, her mother will be an only occasional—and always troubled—visitor who denies her the love she longs for. Linda Joy Myers’s compassionate, gripping, and soul-searching memoir tells the story of three generations of daughters who, though determined to be different from their absent mothers, ultimately follow in their footsteps, recreating a pattern that they yearn to break. Accompany Linda as she uncovers family secrets, seeks solace in music, and begins her healing journey—ultimately transcending the prison of her childhood and finding forgiveness for her family and herself. This edition includes a new afterword in which Myers confronts her family’s legacy and comes full circle with her daughter and grandchildren, seeding a new path for them.
Ethel Merman, Mother Teresa...and Me by Tony Cointreau Pdf
How many people can count among their closest friends Ethel Merman (the Queen of Broadway), Mother Teresa (beatified by the Vatican in October, 2003), Lee Lehman, (wife of Robert Lehman, head of Lehman Brothers), Pierre Cardin (legendary couturier and major show-business force in Europe), and many others? Well, Tony Cointreau, a scion of the French liqueur family, can. After a successful international singing career, and several years on the Cointreau board of directors, he felt a need for something more meaningful in his life. His voice had taken him to the stage, and his heart took him to Calcutta. Tony’s childhood experiences with an emotionally remote mother, an angry bullying brother, a cold and unprotective Swiss nurse, and a sexually predatory schoolteacher left him convinced that the only way to be loved is to be perfect. This led him on a lifelong quest for love and for a mother figure. His first “other mother” was the internationally acclaimed beauty Lee Lehman. Then, after Tony met the iconic Broadway diva Ethel Merman, she became his mentor and second “other mother.” His memoir describes in detail his intimate family relationships with both women, as well as his years of work and friendship with Mother Teresa, his last “other mother.” Tony’s memoir voices his opinion that he had no special gifts or talents to bring to Mother Teresa’s work and that if he could do it, then anyone could do it. In the end, all that really matters is a willingness to share even a small part of oneself with others.