Motion Picture Directing The Facts And Theories Of The Newest Art

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Motion Picture Directing: The Facts and Theories of the Newest Art

Author : Peter Milne
Publisher : DigiCat
Page : 164 pages
File Size : 54,9 Mb
Release : 2022-06-03
Category : Fiction
ISBN : EAN:8596547046288

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Motion Picture Directing: The Facts and Theories of the Newest Art by Peter Milne Pdf

A motion picture is an incredibly effective medium for delivering drama, specifically in the evocation of emotion. This art is highly complicated, requiring contributions from nearly all the other arts and countless technical skills. Appearing at the end of the 19th century, this new art form became one of the most famous and influential media of the 20th century and after. 'Motion Picture Directing' is a helpful piece by American screenwriter Peter Milne to reduce the complexity of this art by making several things easy to understand. The author writes wonderfully about the developments, the abilities, characteristics, and essential qualities after spending nearly ten years in the motion picture industry as a critic and writer. He gives valuable insights into the various methods and techniques that were used during that time in the field. It proves helpful to budding directors and the skilled ones as an introduction to the history of directing.

Motion Picture Directing

Author : Peter Milne
Publisher : Unknown
Page : 248 pages
File Size : 48,7 Mb
Release : 2016-10-22
Category : Self-Help
ISBN : 1334028060

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Motion Picture Directing by Peter Milne Pdf

MOTION PICT DIRECTING THE FACT

Author : Peter 1896 Milne,New York Institute of Photography
Publisher : Wentworth Press
Page : 246 pages
File Size : 50,7 Mb
Release : 2016-08-29
Category : History
ISBN : 137378654X

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MOTION PICT DIRECTING THE FACT by Peter 1896 Milne,New York Institute of Photography Pdf

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Film – An International Bibliography

Author : Malte Hagener,Michael Töteberg
Publisher : Springer
Page : 489 pages
File Size : 50,7 Mb
Release : 2016-12-16
Category : Performing Arts
ISBN : 9783476036865

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Film – An International Bibliography by Malte Hagener,Michael Töteberg Pdf

Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.

The Classical Hollywood Cinema

Author : David Bordwell,Janet Staiger,Kristin Thompson
Publisher : Routledge
Page : 791 pages
File Size : 41,7 Mb
Release : 2003-09-02
Category : Performing Arts
ISBN : 9781134988099

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The Classical Hollywood Cinema by David Bordwell,Janet Staiger,Kristin Thompson Pdf

'A dense, challenging and important book.' Philip French Observer 'At the very least, this blockbuster is probably the best single volume history of Hollywood we're likely to get for a very long time.' Paul Kerr City Limits 'Persuasively argued, the book is also packed with facts, figures and photographs.' Nigel Andrews Financial Times Acclaimed for their breakthrough approach, Bordwell, Staiger and Thompson analyze the basic conditions of American film-making as a historical institution and consider to what extent Hollywood film production constitutes a systematic enterprise, in both its style and its business operations. Despite differences of director, genre or studio, most Hollywood films operate within a set of shared assumptions about how a film should look and sound. Such assumptions are neither natural nor inevitable; but because classical-style films have been the type most widely seen, they have come to be accepted as the 'norm' of film-making and viewing. The authors show how these classical conventions were formulated and standardized, and how they responded to the arrival of sound, colour, widescreen ratios and stereophonic sound. They argue that each new technological development has served a function within an existing narrational system. The authors also examine how the Hollywood cinema standardized the film-making process itself. They describe how, over the course of its history, Hollywood developed distinct modes of production in a constant search for maximum efficiency, predictability and novelty. Set apart by its combination of theoretical analysis and empirical evidence, this book is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s. Now available in paperback, it is a 'must' for film students, lecturers and all those seriously interested in the development of the film industry.

Film Production Theory

Author : Jean-Pierre Geuens
Publisher : State University of New York Press
Page : 328 pages
File Size : 50,5 Mb
Release : 2000-03-31
Category : Performing Arts
ISBN : 0791492834

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Film Production Theory by Jean-Pierre Geuens Pdf

Most serious film books during the last twenty years have focused on theoretical issues, film history, or film analyses, leaving production to the side. This text, however, appropriate for film production courses, fills that void, opening the production process to pertinent, argumentative notions and incorporating material from Heidegger, Merleau-Ponty, and Derrida, among others. Although Geuens covers screenwriting, lighting, staging, and framing, among other production issues, he avoids the strictly vocational or "professional" approach to film teaching currently applied to most production courses. Geuens reevaluates what cinema could be, to revive its full powers and attend to the mystery of the creative process. To counter Hollywood's normative machinery, he suggests taking back from the professionals important notions they have arrogated for themselves but rarely act upon: artistry, passion, and engagement.

An Evening's Entertainment

Author : Richard Koszarski
Publisher : Univ of California Press
Page : 420 pages
File Size : 48,8 Mb
Release : 1994-05-04
Category : Business & Economics
ISBN : 0520085353

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An Evening's Entertainment by Richard Koszarski Pdf

On the age of silent movies

Hollywood Before Glamour

Author : M. Tolini Finamore
Publisher : Springer
Page : 246 pages
File Size : 50,5 Mb
Release : 2013-01-28
Category : Performing Arts
ISBN : 9780230389496

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Hollywood Before Glamour by M. Tolini Finamore Pdf

This exploration of fashion in American silent film offers fresh perspectives on the era preceding the studio system, and the evolution of Hollywood's distinctive brand of glamour. By the 1910s, the moving image was an integral part of everyday life and communicated fascinating, but as yet un-investigated, ideas and ideals about fashionable dress.

Distributing Silent Film Serials

Author : Rudmer Canjels
Publisher : Routledge
Page : 262 pages
File Size : 44,6 Mb
Release : 2011-01-25
Category : Performing Arts
ISBN : 9781136837340

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Distributing Silent Film Serials by Rudmer Canjels Pdf

Tracing the international consumption, distribution, and cultural importance of silent film serials in the 1910s and 1920s, Canjels provides an exciting new understanding of the cultural dimension and the cultural transformation and circulation of media forms. Specifically, he demonstrates that the serial film form goes far beyond the well-known American two-reel serial—the cliffhanger. Throughout the book, Canjels focuses on the biggest producers of serials, America, France, and Germany, while imported serials, such as those in the Netherlands, are also examined. This research offers new views on the serial work of well known directors as D.W. Griffith, Abel Gance, Erich von Stroheim, and Fritz Lang, while foregrounding the importance of lesser known directors such as Louis Feuillade or Joe May. In the early twentieth-century, serial productions were constantly undergoing change and were not merely distributed in their original form upon import. As adjusted serials were present in large quantities or confronted different social spaces, nationalistic feelings and views stimulated by the unrest of World War I and the expanding American film industry could be incorporated and attached to the serial form. Serial productions were not only adaptable to local discourses, they could actively stimulate and interact as well, influencing reception and further film production. By examining the distribution, reception, and cultural contexts of American and European serials in various countries, this cross-cultural research makes both local and global observations. Canjels thus offers a highly relevant case study of transnational, transcultural and transmedia relations.

Frank Borzage

Author : Hervé Dumont
Publisher : McFarland
Page : 428 pages
File Size : 42,9 Mb
Release : 2015-06-14
Category : Performing Arts
ISBN : 9781476613314

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Frank Borzage by Hervé Dumont Pdf

This work brings to readers of English a comprehensive and engaging treatment of one of America’s greatest, if largely forgotten, film directors. Dumont’s celebrated 1993 study, translated from the French by Jonathan Kaplansky, offers complete coverage of Borzage’s entire career—the more than 100 films he made and the effect of those films on movie audiences, especially between 1920 and 1940. Lavishly illustrated with 120 photographs, the book also contains a complete filmography, a chronological bibliography, and an index.

Script Culture and the American Screenplay

Author : Kevin Alexander Boon
Publisher : Wayne State University Press
Page : 242 pages
File Size : 45,9 Mb
Release : 2008-01-10
Category : Performing Arts
ISBN : 9780814335710

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Script Culture and the American Screenplay by Kevin Alexander Boon Pdf

Though the history of the screenplay is as long and rich as the history of film itself, critics and scholars have neglected it as a topic of serious research. Script Culture and the American Screenplay treats the screenplay as a literary work in its own right, presenting analyses of screenplays from a variety of frameworks, including feminism, Marxism, structuralism, philosophy, and psychology. In distancing the text of screenplays from the on-screen performance typically associated with them, Kevin Alexander Boon expands the scope of film studies into exciting new territory with this volume. Script Culture and the American Screenplay is divided into two parts. Part 1 provides a general background for screenplay studies, tracing the evolution of the screenplay from the early shot lists and continuities of George Méliès and Thomas Harper Ince to the more detailed narratives of contemporary works. Part 2 offers specific, primarily thematic, critical examinations of screenplays, along with discussions of the original screenplay and the screenplay adaptation. In all, Boon explains that screenplay criticism distinguishes itself from traditional film studies in three major ways. The primary focus of screenplay criticism is on the screenplay rather than the film, the focus of screenplay studies is on the screenwriter rather than the director, and screenplay criticism, like literary criticism, is written to illuminate a reader’s understanding of the text. Boon demonstrates that whether we are concerned with aesthetics and identifying rules for distinguishing the literary from the non-literary, or whether we align ourselves with more contemporary theories, which recognize texts as distinguishable in their inter-relationships and marked difference, screenplays constitute a rich cache of works worthy of critical examination. Film scholars as well as students of film, creative writing, and literary studies will appreciate this singular volume.

Totally Scripted

Author : Josh Chetwynd
Publisher : Rowman & Littlefield
Page : 232 pages
File Size : 43,6 Mb
Release : 2017-02-01
Category : Performing Arts
ISBN : 9781630762834

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Totally Scripted by Josh Chetwynd Pdf

The language of Hollywood resonates beyond the stage and screen because it often has inherent drama—or comedic effect. This volume contains a combination of approximately 100 expertly researched essays on words, phrases and idioms made famous by Hollywood along with the stories behind 30 or so of the most iconic—and ultimately often used—quotes from films. There are also sidebars that focus on other ways the entertainment world has changed language. For instance, stories behind stars whose names have been used for drinks (hello, Shirley Temple) or roses (there are ones named after Elizabeth Taylor and Judy Garland, among others). And, a sidebar on William Shakespeare’s unique contribution to the English language.

Passions and Deceptions

Author : Sabine Hake
Publisher : Princeton University Press
Page : 227 pages
File Size : 48,7 Mb
Release : 2020-12-08
Category : Performing Arts
ISBN : 9780691222059

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Passions and Deceptions by Sabine Hake Pdf

A collaborator with Warner Brothers and Paramount in the early days of sound film, the German film director Ernst Lubitsch (1892-1947) is famous for his sense of ironic detachment and for the eroticism he infused into such comedies as So This Is Paris and Trouble in Paradise. In a general introduction to his silent and early sound films (1914-1932) and in close readings of his comedies, Sabine Hake focuses on the visual strategies Lubitsch used to convey irony and analyzes his contribution to the rise of classical narrative cinema. Exploring Lubitsch's depiction of femininity and the influence of his early German films on his entire career, she argues that his comedies represent an important outlet for dealing with sexual and cultural differences. The readings cover The Oyster Princess, The Doll, The Mountain Cat, Passion, Deception, So This Is Paris, Monte Carlo, and Trouble in Paradise, which are interpreted as part of an underlying process of negotiation between different modes of representation, narration, and spectatorship--a process that comprises the conditions of production in two different national cinemas and the ongoing changes in film technology. Drawing attention to Lubitsch's previously neglected German films, this book presents the years until 1922 as the formative period in his career.

Catalog of Copyright Entries

Author : Library of Congress. Copyright Office
Publisher : Unknown
Page : 1722 pages
File Size : 47,9 Mb
Release : 1923
Category : American literature
ISBN : CORNELL:31924112597517

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Catalog of Copyright Entries by Library of Congress. Copyright Office Pdf

The Oxford Handbook of Silent Cinema

Author : Charlie Keil,Rob King
Publisher : Oxford University Press
Page : 825 pages
File Size : 47,8 Mb
Release : 2024
Category : Art
ISBN : 9780190496692

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The Oxford Handbook of Silent Cinema by Charlie Keil,Rob King Pdf

The Oxford Handbook of Silent Cinema is a collection of new scholarship that investigates the first decades of motion-picture history from diverse perspectives and methodologies. Featuring over thirty essays by leading scholars in the field, the Handbook offers a comprehensive overview of cinema's earliest years while also illuminating how cinema derived strength from competing cultural forms, becoming in the process the most influential mass medium of the early twentieth century.